Steve Jobs and 5 Tips for Being a Successful Author

Image via segagman Flikr Creative Commons

Yesterday, one of our WANA International instructors, Amy Shojai, wrote about the importance of reinvention, and I strongly recommend her class this Saturday (which is recorded if you can’t make the time). Use code: OWFI for $25 off. As authors, we are in a new paradigm that changes faster than we can keep up with it, thus Apple seemed to be a natural segue into the topic of reinvention and excellence.

Yes, Steve Jobs was known as a lot of things, including a tyrant and egomaniac. Yet, no matter how we feel about the man, Jobs remains the poster child for reinvention, and I found some quotes that make great lessons for all of us writers.

Granted, I was inspired by another blog. Last month, I ran across a fantastic post by Tiffany Reisz Wisdom for Writers from Steve Jobs which I strongly recommend you read as well.

Tip #1—Dare to Be Different

One of the major reasons a lot of other computer companies failed is that they tried to take on Microsoft, by being just like Microsoft. Instead of being brave enough to be different, they were imitators.

Imitators are not interesting.

In a world that has an increasingly shorter attention span, we must stand apart from the crowd. As writers, we are artists thus we have the power to create art in our work, not just some tired copy of something else. Be different. Be excellent. Put in that extra effort to stand apart from everything else.

“It’s more fun to be a pirate than to join the navy.”~Steve Jobs

Lack of flexibility is one of the current weaknesses in the traditional publishing paradigm. Because this is a business with a lot of overhead (beholden to shareholders), frequently, publishers will look to books they believe they can sell, which is code for “something like the last big thing that sold.” This doesn’t mean these publishers are putting out bad books, but it does mean that their business model limits the boundaries of creativity and innovation.

For those of you who decide to take a non-traditional route, you have more freedom and flexibility to be daring. Daring is exactly what we need to be to stand apart, versus being just another brick in the wall.

Ask yourself, Why me? Why my book? Why would anyone choose my book over another? And if it’s just because of price, prizes or freebies? TRY HARDER.

One of my all-time favorite Demotivationals.

Tip #2—Dare to Be Excellent

Learn the craft. Read. Learn this as an art form. If you choose to self-publish, find beta readers who can give honest feedback and let you know if your book is ready. One of the biggest mistakes self-published authors make is that they publish too soon. Invest in good editing and a knockout cover. If you blog (and I recommend you do) be excellent. This is a sample of your voice, of you. In a world of cheap Taiwanese imitations, people long for excellence.

When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through. ~Steve Jobs

Ask yourself, Have I done all I can to make this work as good as it can be?

Tip #3—Keep it Simple

New writers often try to reinvent plot as we know it. Three-act structure works. It’s worked for thousands of years. The greatest stories of all time can be summed up in a sentence. Simplicity leads to complexity, where as complicated leads to confusion. Great stories are very basic. There are no new plots. I could hand ten writers a great idea for a story and we’d end up with ten totally different novels. It is all in execution.

Same with social media. WANA methods are simple. Be kind. Be focused. Be consistent. Be authentic. Add value. Be part of a community. Serve others first. That’s it. And yes, I have written a new book, but everything I teach can be summed up in those seven sentences. Algorithms and fancy marketing plans can quickly overrun the most important part of what we do—write books/create art.

That’s been one of my mantras — focus and simplicity. Simple can be harder than complex: You have to work hard to get your thinking clean to make it simple. But it’s worth it in the end because once you get there, you can move mountains. ~Steve Jobs

Ask yourself, Could I tell what my book is about in less than three sentences?

Okay, now make it ONE.

Tip #4—Love What You Do

Writers have more opportunity to succeed than ever before. For the first time, we are seeing novelists make six and seven figures. But, if you look at all the successful authors (traditional and non-traditional), they work their tails off. And, the funny thing is, it rarely feels like work. Why? To really do well in this business we have to LOVE IT.

Yet, there is a hard truth about love.

Love is not all kitten hugs and rainbow kisses. Love is work. Love has good days and bad days. Love requires sacrifice. It requires boundaries. It requires prioritization. It demands toughness and tenderness all in the same space. Whether it is our marriage, our family, our kids or our craft, love is not all a glittery unicorn hug.

I speak at a lot of conferences, and I generally can tell the writers who will succeed versus the ones who won’t. One type of writer wants to make hard cash. He loves money more than craft. He attends all the social media classes and marketing classes that promise to maximize his book sales. Sales, sales, charts, algorithms, outsourcing, programs! Yay!

The other writer? She believes writing is floating around with the muse being inspired all day. She is in love with a romantic vision of being a writer…not the craft or business of writing. She doesn’t need social media. “A good book alone will sell itself.”

Uh huh.

Take a gut check and make sure you love writing. If we seek to do this writing thing professionally, then there is a lot of changing diapers writing, staying up cleaning puke out of the carpet revisions, taking the kid to school every day blogging, toy box explosions social media.

Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle. ~Steve Jobs

Ask yourself, Am I willing to do the unfun stuff, too? 

Tip #5—Embrace Failure

We didn’t learn to ride bikes by hopping on one day and pedaling away perfectly. Most of us fell…a lot. We all had our fair share of skinned knees and elbows before we looked like we knew what we were doing. Writing is the same.

If you aren’t failing then you aren’t doing anything interesting. Failure teaches us more than success ever will. Our greatest successes often will be birthed from the ashes of many doomed attempts.

You can’t connect the dots looking forward; you can only connect them looking backwards. ~Steve Jobs

Ask yourself, Am I open to learning? Do I view failure as a tombstone or a stepping stone? 

What are your thoughts? What struggles have you faced in the new paradigm? Have you had to learn to set boundaries? How did you do it? What are some of the tips and tricks you’d like to share?

I love hearing from you!

To prove it and show my love, for the month of May, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

And also, winners have a limited time to claim the prize, because what’s happening is there are actually quite a few people who never claim the critique, so I never know if the spam folder ate it or to look for it and then people miss out. I will also give my corporate e-mail to insure we connect and I will only have a week to return the 20 page edit.

At the end of May I will pick a winner for the monthly prize. Good luck!

LOVE Trumps Laws–A Final Rebuttal to Turow

Unusual friends. Polar bear and husky playing.

Yesterday, I wrote a post, Let Them Eat Cake–The Slow Death of the Old Paradigm Author as a rebuttal to Turow’s Slow Death of the American Author. No, I didn’t address Turow’s legal arguments because 1) I’m not a lawyer 2) I have a Political Economy degree so could see most of the arguments were nothing short of absurd. Rather than pointing out Turow’s faulty legal logic, I focused on a positive topic, and 3) Masnik at Tech Crunch does a superlative job of debunking Turow’s Copyright Boogeymen and, since I couldn’t say it better myself, I took the argument from an angle where I’m strong.

Social media. Brand. Author platform.

A Little About Me

Part of how I became a writer was I was misdiagnosed with epilepsy and I lost everything, including my job, my savings and my home. After being evicted from my “fancy” apartment, I ended up moving to a complex in a pretty rough part of town. While others had their car windows bashed in and radios stolen, their homes broken into, etc. I remained safe and no one ever bothered me. Even the gang members and drug dealers not only left me alone, they were kind to me and even protective. Why?

I was nice to them. I smiled. I introduced myself. I remembered their names. If I cooked too much, I offered them part of what I had (which was very little, I assure you). I remember several times where I helped them write letters to the court or their parole officers, because they were in trouble, yet barely literate. They knew I was a writer and asked for help, and I gave it. I offered to watch their children when they had to go to court and had no sitter and couldn’t afford one.

Love Trumps Law

I recall one time I came home from my brother’s home with a horrific stomach bug. I was half-delirious from illness when I pulled into my parking spot. Raging with 104 degree fever, I staggered out of the car and threw up in the bushes on the way up the stairs to my apartment.

What I didn’t realize was that, not only did I forget to put my car in first, but I forgot to set the brake (I drove a stick-shift), and my car had rolled off into the middle of the parking lot, the driver’s door wide open, while I was inside vomiting my toes. A neighbor (later busted by the ATF) and his friends pushed my car into the spot and found bricks to lodge behind the wheels to keep it in place so my car wouldn’t get hit.

Another time, some dealers who lived across from me chased away a creepy guy hanging out too long under my balcony.

Maybe I don’t have a fancy legal argument to rebut Turow. I suppose I could articulate one if I had to, but to me the point is still moot. The best protection for your copyright is kindness. Love trumps laws every time. When we talk to people, engage, ask them about their day, tell them they have beautiful children, that is all an investment in piracy/copyright protection.

Just like the drug dealers didn’t have to push my car into my parking spot (in fact, they could have stolen everything in it), they didn’t. Instead, they went out of their way to be kind to me, to extend of themselves…but I had extended myself first. 

The Common Human Need

Maybe you’re an introvert or shy. Maybe it is easier for me to ask you to extend yourself to a tribe of cannibals in Papua New Guinea than to be on social media. I know I was terrified of talking to the criminals living all around me, but I gave my best smile and offered authentic kindness because I understood (then and now) the common vacuum in the human soul—love, connection. I needed it. Why were they any different? Turned out to be the best security system available, and all it cost me was a bit of bravery and some time.

When I treated those criminals with the respect, kindness and decency they craved, they felt no need to steal from me. I could have gotten a Rottweiler and put up bars and a security system and brandished a can of mace every time we crossed paths, but I don’t think I’d be here to relay this story had I done those things.

What We See is What We Get

The hard truth is that we will always be open to people who want something for free and yes, technology can exacerbate this. Making more laws or making e-books more difficult to download or pricing them the same as hardbacks doesn’t deter thieves. In my opinion, it only encourages this kind of behavior.

There are people out there who will download free stuff no matter what. They were never a sale. But, the vast majority of people, if they know us and like us, have no issue simply shopping on Amazon or other major retailers for our books. There are plenty of places people can download pirated music, yet hundreds of millions happily go to iTunes.

We Reap What We Sow

Most humans have an internal desire to reciprocate. When we give freely, there comes a point where people say, No, you’ve given enough. Let me BUY. 

I give freely to you guys 5 days a week, 52 weeks a year and yet most of you have bought my books or you have plans to buy my new one. I would even wager that most of you didn’t run off to some Chinese website to see if you could get my books for free.

I can’t count the number of e-mails I’ve received where followers even bought copies of my books for a friend, then that friend wrote to me and told me how she, in turn, bought copies for her friends. Some received the book as a loan from a writer friend, then went and paid for their own copy. The book had been such a blessing, they wanted to support me.

So if you desire a line-by-line legal rebuttal, I recommend the link above. But I don’t really need one. The world becomes what we see, and if we see thieves everywhere, that’s what we’ll get. And yes, maybe I am nuts or naive or a stupid Pollyanna, but I prefer to look to the good in others and trust that if I sow generosity, it will be returned.

What are your thoughts? Am I a moron? Do you disagree? You can, just please be respectful. Do you agree that connection makes the difference? Have you had similar experiences? Share!

I love hearing from you!

To prove it and show my love, for the month of April, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

And also, winners have a limited time to claim the prize, because what’s happening is there are actually quite a few people who never claim the critique, so I never know if the spam folder ate it or to look for it and then people miss out. I will also give my corporate e-mail to insure we connect and I will only have a week to return the 20 page edit.

At the end of April I will pick a winner for the monthly prize. Good luck!

Let Them Eat Cake—The Slow Death of The Old Paradigm Author

Portrait of Marie Antoinette via Wikimedia Commons

Three days ago, The New York Times published a rather doomsday on-line article written by Scott Turow (current head of the Authors Guild), titled The Slow Death of the American Author . I must admit this is a great title, guaranteed to scare the pants off the best of us. In fact, I received so many frightened e-mails from writers who wanted me to address this article, that I’d be remiss if I didn’t offer my analysis of Turow’s assertions.

Turow is Absolutely Correct

There is a slow death of the American Author…of the Old Paradigm.

What Turow doesn’t appear to grasp is that technology, particularly communication technology exacts sweeping cultural change that cannot be reversed (short of war or global apocalypse). Most modern humans aren’t going to trade in their flatscreens and XBoxes for a “good old-fashioned story told by the fire.”

“Technological change is neither additive nor subtractive. It is ecological. One significant change generates total change.” (Postman, Technopoly, 18)

To Everything There is a Season…

The bard slowly disappeared with the invention of the printing press. Those who were good storytellers had to learn to write them and publish their stories if they hoped to make a living.

Storytellers who wanted to continue standing on corners reciting epic tales (as had been done for centuries) eventually came to the hard realization they’d been replaced by a paper book that could be read by a cozy fire. No more invitations to wealthy homes to tell tales (for pay).

Rich people were too busy reading novels.

If storytellers wanted to eat and pay the bills, they needed to pick up a pen and put it to paper. They had to change the way they’d always done business if they wanted to succeed survive.

The Death of an Era

The American Author, as Turow understands it, writes books, relies on an agent and publisher, and trusts to earn as many royalties as possible from as many sources as possible. FREE! is anathema and social media is too plebeian…and yes, these types of authors are slowly dying.

What Turow is failing to understand is that the fundamental job expectations of the writer has transformed in the Digital Age. This is one of the largest reasons I encourage authors to engage on social media, to blog and create a platform that regularly interacts with fans (and recruits new ones), and to learn the business of their business.

When we create a community on social media, not only will fans buy books full price but they will also be some of our fiercest watchdogs for piracy. I’ve had many author friends who discovered their pirated work from a fan and, subsequently, were able to take action to have the pirated work removed.

Let Them Eat Cake

But I know authors of the old cloth who rail against technology. I’ve met too many of them. When I mention engaging on social media and talking to regular people, they curl their lips and sneer, “I don’t want to talk to anyone. I just want to write” (actual conversation).

Doesn’t that make you want to hand this person money?

We’re in a tough economy. Money and time are scarce. Yet, there exists this old literary aristocracy who cannot be bothered talking to us lowly proletariat (code for “readers”), because it might “steal time from their art.”

Here’s the thing. If we expect people to support us, give us money and time they don’t have, the very least we can do is talk to them and have a good attitude about it. 

Pirate Insurance

In the Digital Age, the best way to generate sales, decrease piracy, and translate FREE! into a sale is to be active on social media and engage. All this costs is some extra time and genuine friendliness. Yet, I find the authors who howl the most about the evils of FREE! and who are the most concerned about being ripped off are the same ones who grouse about  ”having to actually talk to people.”

And if I hadn’t encountered this priggish attitude so many times, I wouldn’t bother mentioning it. Yet, this starchy thinking is not unusual among the Old Paradigm Author. They denounce social media, criticize e-books, and wail about the evils of Amazon.

Yet, strangely these authors never seem to question why the Publishing Monarchy hasn’t parted with more of the spoils. In this new age (where e-books cost so little to produce) why are so many of the traditional authors still the ones who are paid the last and the least?

Viva le Roi Vive le Revolution!

We are in a Revolution. In the Old Paradigm, the reality of life as a writer was nasty, brutish and often unfair. A small few enjoyed the fruits of being real writers. There was the small percentage of those whom the Publishing Monarchy granted titles and access to court (literary contracts), while the regular serfs in the field accepted their lot (“aspiring” writers who gave up and returned to the day job).

A handful of the writing majority worked tirelessly in hopes they, too, might earn invitation to join the upper crust of being “published.” Once the writer gained access, he could scrabble up the ranks list for a chance at earning his writing royalty title #1 New York Times Best Selling Author.

And these types of promotions into Publishing Aristocracy happened with enough regularity to keep the dream alive among the masses and prevent all-out revolution. Additionally, without a real invitation from court (a publishing contract), there was no other way to “make it” as a writer. Self-publishing was mocked as a false coat of arms and regarded with general disdain.

It’s a Contract, Not a Panacea

In the Old Paradigm, a publishing contract had the power to get a writer’s foot in the door, but was hardly a magic bullet for success. Only a very small handful of writers earned enough to quit the day job, and most of the wealth was held by a tiny top tier percentage. There was a weak and struggling author middle class, and the rest of us were literary serfs dreaming that one day we’d live like the author on the hill.

I don’t say this with any judgement. Before the Digital Age, there was only one way to make it. The New World had yet to be discovered…

The Winds of Change

Then with the advent of social media, e-books, and other digital tools, suddenly the entrenched power structure could no longer keep tight control of the industry. We writers no longer had to rely on favor granted by the Publishing Aristocracy, because they no longer held sole keys to the kingdom (publishing and distribution).

The Digital Age has created a robust bourgeoise of writers who are a hybrid of artist and innovative, hard-working entrepreneur. This new bourgeoise embrace FREE! and harness it to power future sales. This new breed of author is as creative in business as she is in her novels, and she works the crowds like she’s our near and dear friend (not pouting like a debutante required to do community service).

As Mike Masnik from Tech Crunch states in his blog Author’s Guild’s Scott Turow: The Supreme Court, E-Books, Libraries and Amazon are All Destroying Authors:

If you’re an author earning nothing at all, then you’ve got bigger problems than technology. It probably means you’re mired in obscurity and no one knows who the hell you are.

On top of that, it means you’ve done nothing at all to connect with your fans. Because we’ve seen authors who actively encourage the piracy of their books, but who also work to connect with their fans, and have seen their sales go way up, because those fans want to support the authors.

The new Digital Age Author understands that blogging and tweeting are hard, but they also appreciate that these are the very activities that the amatuer is too lazy to do and what the old aristocracy is too good to do.

The Author of the Digital Age refuses to accept the 93% failure rate of the “good old days” and he boards the rickety boats and sets sail for the New World, knowing that while it is full of danger, blistering work, and uncertainty, there is also vast treasure to be discovered.

The Age of the Author

People are reading more now than ever in human history. They are craving and consuming information at unprecedented rates, and it is an amazing time to be a writer. But the old business model is crumbling. As mentioned in Nathan Bransford’s blog, In the Future, Will Everyone Be a Publisher?, big publishing is atomizing.

The power structure is caving. The parties are no longer as lavish, and the court doesn’t dress nearly as nicely as they did in the publishing heyday. BUT, for the first time,  authors (especially fiction authors) are making a really good living doing what they love—WRITING.

While Turow wails that authors are dying, he seems to be forgetting about Barry Eisler who famously turned down a half million dollar deal with his publisher to go on his own. Turow is also apparently unaware of the many successful self-published authors who’ve translated successful e-book sales into favorable print deals with traditional houses. He looks all too unaware of the astonishing success of publishers who’ve passed up the old business model and innovated to keep pace with a new culture.

An Age of Freedom

These days authors no longer have to accept whatever deal NY offers. If the author doesn’t like the terms, she can partner with the emerging digitally savvy publishers who “act more like partners than gatekeepers” (Masnik).

The Bottom Line

It all boils down to this. The world has changed. There is a new paradigm and it’s birthing a very new type of reader who has very different expectations. This, in turn, has altered our job requirements if we hope to be successful.

Yes, it is more work, but the odds of success are far higher. The Old World had 172,000 books published in a year and 160,000 of those sold less than 1,000 copies (per Book Expo of America stats 2006—pre-e-book explosion and social media saturation).

Welcome to the New World of Publishing

The New World, however, is ripe ground for the author-entrepreneur. Fiction authors are now making enough to write full time. Many are making six and seven figures, a pay grade once relegated to only a handful of the upper crust.

BUT, there is a cost.

In this New World there are few existing structures and many of the rules have yet to be written. We are setting foot on wild shores with no blacksmith or stables. No established farms or existing housing. We are responsible for building it. 

The authors of the old model can learn from the passionate and generous indie entrepreneurs. Publishing houses can innovate. IT IS A GREAT TIME TO BE IN PUBLISHING. Yes, we all have new roles and more work, but the good news is…WE ARE NOT ALONE.

To end with a little laugh, some Mel Brooks…

I love hearing from you!

To prove it and show my love, for the month of April, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

And also, winners have a limited time to claim the prize, because what’s happening is there are actually quite a few people who never claim the critique, so I never know if the spam folder ate it or to look for it and then people miss out. I will also give my corporate e-mail to insure we connect and I will only have a week to return the 20 page edit.

At the end of April I will pick a winner for the monthly prize. Good luck!

Agent Secrets–Do Writers Need an Agent in the New Publishing Paradigm?

Signs of a bad agent.

Hey Guys! I know it’s a wild and crazy world. Indie and self-publishing are exploding while traditional publishing is struggling to reinvent itself in the Digital Age. Yet, here’s the thing. Even if you go it alone, it is still a good idea to have an agent. There are contracts and film rights and foreign rights and pillow fights and…

Okay, I’m going to just shut up about this, because I am NOT an agent.

All right, I AM a secret spy agent in my own mind, but that’s totally different.

One of the reasons I LOVE Laurie McLean (my guest today) is that she’s seriously fun. But, aside from that, she’s been one of the most forward-thinking literary agents I’ve been blessed enough to meet.

Years ago, when MySpace still roamed the Earth, Laurie attended the very first Twitter class I’d ever taught. When other agents wouldn’t have been caught dead learning how to tweet (“because Facebook was just a fad”), Laurie attended and TOOK NOTES. She’s kind, brilliant, and VERY visionary and trust me when I tell you we are all very blessed to have her at WANA International.

So take it away Laurie!

***

If I had a live camera feed into every home around the world (which is a very creepy idea, but stay with me for a minute), each January I would be able to see a huge percentage of writers penning the resolution:

“This is the year I get a literary agent!”

It’s a great goal. Agents can be very helpful in not only getting you a publishing deal, but educating you on the business of publishing, helping you create and promote your author brand, making you a better writer, and basically having your back in the coldhearted world where you’ve decided to build your career.

Some agent relationships last longer than a marriage, so it’s important to know what you’re getting into when you accept an agent’s offer of representation. What you really need are some inside answers (along with working on your craft until you are proficient enough to succeed in being published) to speed you on your way.

I’ve been a literary agent for eight years now and I’ve amassed a huge arsenal of information that I am happy to share with writers. I’ve put them all into a presentation called AGENT SECRETS.

It explains what an agent does, how to find one, the best way to score representation by an agent, how to have a great client-agent relationship, what to watch out for, etc. I’m giving a super-cheap webinar where I reveal these secrets to anyone who has $25 and 90 minutes to spend with me. It’s a great way to start the year off right.

Here’s an example of some agent secrets:

What does an agent do? At the most basic level, a literary agent is an author’s business partner. An agent locates a publisher interested in buying an author’s writing and then negotiates a deal. But a literary agent is so much more than that. An agent is:

* A scout who constantly researches what publishers are looking for

* An advocate for an author and his or her work

* A midwife who assists with the birth of a writing project

* A reminder who keeps the author on track if things begin to slip

* An editor for that last push before submission

* A critic who will tell authors what they need to hear in order to improve

* A matchmaker who knows the exact editors for an author’s type of writing

* A negotiator who will fight to get the best deal for an author

* A mediator who can step in between author and publisher to fix problems

* A reality check if an author gets out of sync with the real world

* A liaison between the publishing community and the author

* A cheerleader for an author’s work or style

* A focal point for subsidiary, foreign and dramatic rights

* A mentor who will assist in developing an author’s career

* A rainmaker who can get additional writing work for an author

* A career coach for all aspects of your writing future

* An educator about changes in the publishing industry

* A manager of the business side of your writing life

I bet you didn’t know an agent did all those things, did you? You only wanted one to get a book deal, right? Well, agents do all this and more. With the publishing industry changing as much as it’s done in the past four years, I think you need a savvy agent more than ever as a guide through the literary jungle.

So I hope you’ll join me for an evening of fun and enlightenment…an evening of secrets. To register, go to WANA International and sign up NOW…

…or Kristen gets the hose .

I love hearing from you guys, so leave a comment, but better? TAKE THE CLASS. Best? Leave a comment AND taker her class.

Yes, I get lonely and you guys are my only tether to the outside world.

What’s Ahead in 2013–Predictions for the Future of Publishing and Authors of the Digital Age

Writers, there is light at the end of the tunnel. (Thank you Scotty 00 for the image via WANA Commons).

Ah, 2012 is coming to a close and the world did not end. The Mayans were wrong *shocked face* which kinda sucks because I was looking forward to not having to clean out the garage after all. But, in keeping with tradition, I am going to make my predictions for the coming year. Using a magic eight-ball and alcohol a highly scientific method, I will postulate what I believe will happen in the publishing world in the next 12 months.

Yes, I am posting this blog on a Saturday. Gives us time for a healthy (and courteous) debate before the ball drops. That and I plan on sleeping most of Monday and Tuesday before I have to go back to being an adult .

So what’s in store for 2013? I have a lot of predictions, but you guys only have so much time, so we will only hit the big ones.

2013 and Traditional Publishing

Too little too late. Sorry. I believe that traditional publishing has maybe another five years, but lot of the implosion will be seen this year. They could have been AT&T, but they made choices that doomed them to be MCI or Sprint if they are lucky.

Before anyone gets mad at me, I am very sad about this. Those of you who have followed my blog for any length of time, know that I was rooting for NY to get with the changing paradigm and remain a viable force. The problem is multifaceted, but here is some of what I believe we will see in 2013 (and I will pick on the indies equally later in the post):

a) Too Much Overhead Catches Up

Traditional publishing is centered in the beating heart of Manhattan, which would be great if that wasn’t some of the priciest real estate in the world. NY publishing is carrying a crap load of overhead their competition doesn’t have. There are high rents, salaries, and electric bills all being 1) factored into the price of the book and 2) taken out of the author’s pocket.

This wasn’t an issue so long as digital publishing was in its infancy and there were no other viable options for authors. Unfortunately for NY, now there are other options and these options are leaner, meaner, and faster. This means that consumers get good books cheaper and the writers get paid better (and faster). This all adds up for a WIN for authors and consumers, but NY is finding itself less and less competitive. The market is in a recession and most consumers cannot justify $24 for a hard cover book, when they can get digital books for $4.99.

Expect traditional publishing to continue to merge, shrink and downsize. We saw the Big Six go to the Big Five to the Not Too Shabby Four in the span of six weeks. This trend will continue. It has to for them to have any hope of taking on Amazon.

Again, this all reminds me of all the little phone companies back in the 90s that eventually all folded against the onslaught of AT&T. Who remembers MCI? Anyone?

To take on a giant, NY will need to become a giant. I mentioned this type of consolidation in my July post Big Six Publishing is Dead—Welcome the Massive Three.

b) Hemorrhaging the Mid-List

Mid-list authors have always been where traditional publishing groomed the next mega author. The mega authors are who help pay the bills. Yet, mid-list authors have had a heck of a time even making a living. I have met NYTBSAs who still weren’t making enough money to write full-time.

These types of authors are already accustomed to being very self-sufficient, expecting very little support from NY. These authors blog, tweet, run contests, have a social platform, and do everything an indie author does…except make money. As I have said before, writers are bad at math, but we aren’t that bad. Hungry small presses are going after these authors and luring them away, leaving NY with less and less emerging talent.

c) Bookstores are Losing Power

Bookstores have light bills, rent, and employees to pay. Yes, we will still have bookstores, just not on every corner. NY’s ability to get an author into bookstores was one of its aces in the hole, but now that ace doesn’t go as far as it used to. Authors are making six and seven figures selling indie and on-line. Sure, we writers would love to see our books at a Barnes & Noble, but most of us would trade that warm fuzzy for the ability to actually make money.

Also as more talent goes indie (Barry Eisler, Bob Mayer, Joe Konrath) and more true indie authors gain huge followings (Theresa Ragan, Aaron Patterson), bookstores will become increasingly friendly to those who are not traditionally published, because, again, money talks. Bookstores want to stock books that sell, so eventually they won’t be as picky. Also, as better writers emerge from the indie ranks, the stigma of self-publishing will grow fainter until it disappears.

I see more bookstores closing and being replaced by machines like these (image below). Yeah, Blockbuster thought people would always want to browse a video store, and they were wrong, too. For more about this, I recommend my post The WANA Plan to Save Bookstores and Revive Publishing. I think kiosks like these and creative independent bookstores (with Espresso Machines) will pick up traction in the new paradigm.

If Best Buy will do this, why not B&N?

d) Partnering with Crooks

I’ve been on the bandwagon for traditional publishing to open divisions for self-publishing for YEARS, and, because I don’t believe in criticizing without offering solutions, I even offered a plan to do it in such a way that it would not tarnish their brand. NY apparently has been hesitant to enter the emerging market in self-publishing out of concern for their brand. That is a viable argument and I can definitely appreciate their reticence.

But then Simon & Schuster partners with Jimmy the Tire Iron AUTHOR HOUSE? This company has a long history of ripping authors off, and it doesn’t look like much has changed. According to a recent New York Times article about the new partnership:

Authors can buy packages ranging from $1,599 for the least expensive children’s package, to $24,999 for the most expensive business book package.

All I have to ask is, “What are these people smoking?”

Any author who’s taken more than a minute to do her homework knows those prices are RIDICULOUS. That might have been competitive pricing…in 1994! Now? This is just…just…insulting.

Author House has a long history of complaints, so I find it interesting that traditional publishing would not delve into self-publishing because it was worried about tarnishing its brand, but once it finally decides to join the 21st century, it partners with AUTHOR HOUSE.

Really? Just…really.

Writers, do your homework! Come join WANATribe. Make an educated decision about your career. If you want to be traditionally published, do so, but do it for the right reasons and be informed. WANATribe has plenty of professionals who can offer sound guidance.

Those of you who want to self-publish or go indie, we also have all kinds of tribes dedicated to indie and self-publishing. Network with people who know the ropes and who can mentor you about all your options. The cool thing about indie authors is we are all about the love. We are not alone! Most indies are generous with time and advice. There is no reason you can’t have a professionally edited book that is designed beautifully with a cover as good as anything out of NY for a fraction of that $25,000 dollars.

For further analysis about the problems traditional publishing is facing, read Bracing for Impact—The Future of Big Publishing in the New Paradigm and An Industry on the Brink—5 Mistakes that are KILLING Traditional Publishing.

Moving on…

2013 and Indie Publishing

Meets the Threshing Floor

I feel we are going through a time which is very similar to the dot.com boom in the 90s. Everyone suddenly was a dot.com, but most were paper giants. Time weeded out the weak, and the same thing will happen here.

We have seen an explosion of indie publishers in the past two years. Everyone is a publisher. Like the dot.coms, a lot of these “publishers” won’t last. Too many people think being a publisher is easy, or they are in this business to make a quick buck. Yet, being a publisher is A TON of work and requires a certain level of commitment, education, capital and sweat equity.

Human nature dictates that most will quit in the next year.

As better books emerge out of the indie ranks, the competition will grow steeper. Sure, two years ago people were downloading all kinds of FREE! books and .99 books, but consumers have grown tired of downloading crap they never read. Gatekeepers exist for a reason, and throwing out a bunch of cheap books no longer works as well when everyone does it. The good news is that consumers are willing to pay more for e-books, but the bad news is that people won’t just download anything these days. Writers will have to write better books and be active on social media creating relationships.

As far as 2013, I don’t see the number of indie publishers shrinking. If anything, we might have even MORE of these publishers. As some close, new ones will quickly fill the vacuum. But, we will see a trend toward consumers not just buying anything, and this will bankrupt/discourage those who thought their fortunes would be made .99 at a time.

The Strong Will Survive…then Start Recruiting

Those indie publishers who rise to the top will be on the lookout for new talent. I predict that they will go after mid-list authors and make them offers they can’t refuse. These publishers will also be on the lookout for authors with extensive back-lists. Old books will be given new life and writers who were barely scraping out a living will now be able to enjoy new fruits of their labors, as in ALL of them.

Traditional publishing continues to grab up author’s rights to back-lists…only to sit on them and do nothing. This only makes authors even more willing to defect, and frankly, can we blame them?

Scams Will Abound for the Foolish

Do your homework. Author House is a racket, but it ain’t the only racket in town. I see all kinds of new services popping up to help new writers…as in help themselves to a bunch of your cash. Ripoff publishers, scammy social media “gurus”, PR phoneys, and fake “editors” will be popping up everywhere.

Caveat emptor.

These days, with the Internet, there is no reason to be taken for a ride. Vet people first. Ask around for recommendations. Part of why I created WANA International is so that you guys could have access to the best services from legitimate sources. Being a writer is stressful enough without worrying about being conned.

2013 and Amazon

E-Books Go Mainstream

Amazon reported record sales of the Kindle Fire this Christmas. Tablet sales have exploded and as the price point drops, this trend is likely to continue. Remember, cell phones were once considered a luxury item, too. Digital reading devices crossed from the Early Adopters into the Early Majority this year (as I predicted this past summer) on the Diffusion of Innovations Curve. This means the fat part of the bell curve owns or wants to own one of these devices. This is AWESOME news for writers, in that people who normally would not consider themselves readers are now buying books.

Every publishing mega-success has been created by the fat part of the bell curve falling in love with a book or author.

J.K. Rowling became a billionaire selling books to people who normally don’t read. The fact that the fat part of the bell curve is now plugged in and looking for good books is SUPER exciting.

E-Readers are now going mainstream. Even my 87-year-old grandfather asked for a Kindle Fire for his birthday. He loves the convenience (not so easy to browse a bookstore when you’re almost 90) and he also loves that he can make the font larger. Baby Boomers are older, have more time, more disposable income, and are becoming more and more tech-savvy as interfaces become more user-friendly.

Amazon banked on e-readers becoming a staple item and that gamble has paid off.

Amazon Will Get Into the Brick and Mortar Business

Amazon has become a name to be feared when it comes to e-commerce, but there are still limitations to selling on-line. Also, in my opinion, Amazon Publishing is the woman in the red dress who finally wants a ring. She wants to be legit, and the only way to do this is to have a physical presence in a bookstore. Back in the summer, I predicted that Amazon would get into the brick-and-mortar biz.

The age of bookstores all selling the same books is over. Amazon has a wealth of new talent along with a treasure trove of back-list to offer. I feel Amazon redefined publishing in the Digital Age, and they will also reinvent the bookstore. Give us a B. Dalton for the 21st century. I feel they will learn from the mistakes of their competition and bring a leaner, meaner bookstore to consumers. This physical space is ideal for selling their Kindle Fire and for taking on Apple.

This is all good news for consumers and authors, but there are dangers with Amazon. Amazon is NOT a panacea. For more about this, read Amazon–Beware of Greeks Bearing Gifts.

Amazon Will Move More into Being a “Legitimate” Publisher

Amazon wanted NY to burn, but namely so it could take the Big Six’s place. This trend will continue and Amazon will keep signing bigger and bigger names. The traditional publishers have cut the size of their sales force, have radically cut author advances and they are taking on fewer new authors. Thing is, agents need to eat, too. Thus, I believe that agents will become more open to pursuing non-traditional publishing paths for their clients, which means Amazon wins.

2013 and Authors

Good Times Ahead

More readers, more options, and better pay. Sure there is more work, but suck it up, Buttercup. We all want to “Just write” but that isn’t reality and it really never has been. Authors who “just wrote” historically had a 93% failure rate (according to BEA statistics). Nowadays we have a lot better odds of success. Great writing combined with a solid work ethic is a ticket to being able to do what we love…and get PAID.

Writers—More of Them

This new explosion of self-published authors will continue. It is estimated that 75% of all Americans believe they want to write a book, and now they are doing it. The new paradigm makes it possible for all writers to share the stories they have inside of them. The downside is that “inside” is exactly where a lot of these books should remain, sealed behind some Aztec seal foretelling doom if opened. To be blunt, a lot of amateurs are entering the market with no clue how to write a novel. For more about this, I recommend my post, Five Mistakes KILLING Self-Published Authors.

WARNING!!! Bad Books Ahead

Just because we have command of our native tongue in no way means we possess the skill to craft a work spanning 60-100,000+ words. It is shocking to me how many writers publish their books, but they can’t even define “antagonist” or “POV.” There are a lot of people interested in shortcuts these days, and unfortunately they are dumping countless bad books in the laps of consumers. Terrible writing, no understanding of narrative structure or POV, poor formatting, major typos, grammar issues, the list goes on. The poor reader has been handed the slush pile.

Emerging Gatekeepers

This deluge of bad books will necessitate the rise of new gatekeepers. In the face of sock puppets, phoney reviews, endless spam, and fake recommendations, we need some form of a legitimate resource to act as a guide in this information glut. Book bloggers and authentic social media word of mouth helps, but the need for effective gate-keeping grows by the day.

I feel that the growing indie presses will help. Eventually readers will catch on to what presses offer quality books and they will stick to favorite presses and favorite authors like glue. Thus in 2013, I see the successful small indie presses enjoying more success simply because consumers are using them as gatekeepers.

Surge in New Types of Writing

In the new paradigm, we will see a surge in works that traditionally could not be published due to the depressing ROI (return on investment). We will see more short stories, novellas, books of poems, memoirs, screenplays, etc. We will also see the creation of new genres, such as fiction targeted specifically to Baby Boomers (I have seen this recently and it is brilliant). Instead of YA, BBA.

Additionally, the technology affords us the ability to offer books of different ratings. Say I write a romantic thriller that has lots of cursing and sex and is easily an NC-17. I can offer that book to an adult market, but I can easily create a PG-13 version. Do a word search for profanity and edit it out. Instead of hard core sex scenes, do a “cut-to.” Now my fans can read the version they feel most comfortable reading. Also, if they like the book, they can feel good about sharing the story with teenage children.

The technology allows books to be longer, offer a “director’s cut” and even offer up alternate endings. Technology offers a lot of creative ways to get our product to consumers the way they want to have it.

2013—The Year of the Writer

Overall this is an AMAZING time to be a writer. Writers aren’t all the same, so why should our career path be the same? We all have different goals, different works, different dreams and finally we have a paradigm that is favorable to our kind. Our kind has been telling stories and teaching since humans huddled in caves, but now we are finally being rewarded for our hard work.

In 2013, we will see an emerging “creative middle class” as the old paradigm fades away. In the old days, a handful of creative aristocrats held most of the wealth while the “creative majority” lived a starving life of artistic serfdom. That is going away.

There are good things ahead. The world is uncertain. The world is scary. But, just remember…

We are not alone.

So what are your thoughts? Do you agree? Disagree? Why? I don’t mind people disagreeing with me so long as you are polite . Remember, guessing is NOT science. What are your predictions? What did I miss?

I love hearing from you!

To prove it and show my love, for the month of December, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

And also, winners have a limited time to claim the prize, because what’s happening is there are actually quite a few people who never claim the critique, so I never know if the spam folder ate it or to look for it and then people miss out. I will also give my corporate e-mail to insure we connect and I will only have a week to return the 20 page edit.

At the end of December I will pick a winner for the monthly prize. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

10 Things No One Told Me About the Publishing Process

Clay Morgan, Author of “Undead”

Happy Friday, and do I have a treat for you guys–CLAY MORGAN, author of Undead–Revived, Resuscitated, Reborn. Some of you might think me inviting Clay to guest post is merely a shameless ploy to garner more zombie Klout…

Okay, busted.

Kidding! Though I do dig zombie Klout.

I met Clay on Twitter ages ago and have been blessed to watch him grow from hopeful noob to professional author. In true WANA style, Clay is here paying it forward which is awesome because it frees up time for me to keep reading his new book (which ROCKS, btw). Give him a warm WANA welcome!

***

I’ve been reading about how to get published for years, even before I wrote a bad novel that will likely never see the light of day. Like most of you, I’ve spent years trying to hop on that bucking beast known as publishing success. Studies have included:

• Reading traditional mags like Writer’s Digest.
• Following industry leaders from literary agencies as well as publishing houses.
• Spending considerable time trying to figure out how the brave new digital world is changing everything.
• Trying to determine whether self-publishing is a) terrible b) awesome c) inevitable d) it depends or e) *leaps to my death with Kindle in hand because I just can’t take it anymore*
• Absorbing wisdom from standouts like my gracious host here Kristen.

After all of that, I’m now attempting to gather my thoughts from a unique position—a spot not everyone gets to be in and one where I’ll never be again. I’ve sold my first book through traditional publishing but it hasn’t quite released yet.

In other words, as I write this I am a published author yet not a successful or failed published author. I’m saddled up on top of this bronco, hat in hand, waiting to see if I’ll hold onto the reigns or get dumped on my keyster when that gate swings open.

I’m just a guy in the midst of this process and still asking a lot of questions, but here are 10 lessons I’ve learned from the traditional publishing process.

1. The author-agent relationship is critical.

I went to a conference last year with one particular person in mind as my ideal agent. She liked what I pitched and I thought I found my match. But then I bumped into another agent and we had instant chemistry. I signed with the latter and that other agent has already changed careers.

A thousand articles have been written by pros more experienced than me about what makes a good agent, but I can attest to how important the right one has been for me.

2. Finding the right publisher is critical.

We all know that rejection is a part of this business. It also really sucks. The challenge is to not equate your personal value to the responses your work receives. As my proposal went out and came back from editor after editorial board, I felt that angry horse kicking.

Not landing an agent is frustrating; watching your work get turned down by house after house gets downright terrifying. In the end a really terrific publisher named Abingdon made an offer, and I’m having a wonderful experience with them.

3. Know thy team.

The old maxim to “know thyself” still holds, but a close second in publishing is to know thy team. I was told that it might be helpful to meet with the people responsible for designing, marketing, publicizing, selling, and producing my book, so I flew to Nashville to meet with the team. You gotta figure there’s a pecking order everywhere, and I’d rather be a smiling face instead of just an ISBN number. We have a great working relationship and it all started there.

4. Some compromise is necessary.

If you want full control over your work then you should probably trot your trusty steed down the self-publishing trail. I knew before a deal was even offered that I would have to change my title. And since I write nonfiction the manuscript wasn’t completed yet. The scary thing about that is the potential for the entire direction of your book to change. Of course, input from smart people can be great as well, and I’ve been fortunate to work with smart people.

5. An accelerated timetable is both a blessing and curse.

I’m learning that publishing is the ultimate “hurry up and wait” industry. Nothing happens for weeks and then you may suddenly have two hours to come up with any number of critical items such as catalog copy ideas or alternate subtitle suggestions or whatever.

One experienced editor who’s worked with a big house told me that my timetable was about the fastest he’d ever seen. We went from signing a contract on an unfinished manuscript to having the book out in less than nine months. The process will often take twice that long, sometimes even more. But we made it and now the blessing is that I don’t have to wait another year for the release date.

6. Finishing is HARD.

Finishing this book was the hardest professional thing I’ve ever done. I’ve read On Writing by Stephen King a couple times and used to think it was strange how he said he was sick of his manuscripts by the time they actually came out. After working and reworking my book, I kind of get that now. I finally just read my own book start to finish for the first time.

7. Plan as if you will have to do everything on your own.

We always hear that the days of sitting back while the publisher does everything for us are gone. So I figured I would have to do everything myself. Turns out I’ve had wonderful support in many ways, but my efforts only encourage the team to work hard because they know I won’t waste their effort.

8. Networking still matters.

Connect with people like crazy and pursue any creative opportunity you can come up with. I try to combine my passions and abilities with areas where I have something to offer someone. Then figure out a way to approach that individual, organization, event, or whatever. Every little bit matters. I’m not likely to get a foreword by Stephen King but I can connect with 100 other professional creatives in a positive way.

9. Creating new stuff gets much tougher when promoting your past work.

As I write this in early September I’m thinking about the 50 pages of a new manuscript I told my agent she would have by the end of August. I’ve written four of those pages. Yes, I have a day job like most everyone else but the reason I’m not getting new books written is because I’m trying to do every last possible thing I can to make my first book a success. From what I see around the web, many writers struggle with promotion and publicity at the expense of writing new stuff.

10. You gotta enjoy the little things (big things too).

The farther along I’ve gotten in this process, the less I’ve celebrated milestones. I always thought that the most magical thing ever about getting published would be the day when those first books with my name on them would arrive on my doorstep. I imagined I would hold a copy into the sunlight and weep as Queen music played in my mind or something.

What happened instead though was that I smiled and then felt like I was going to throw up. Because this just got real. No turning back now; this book would be seen by people. What if I fail? That’s the problem with big dreams, the stakes are so dang hi! Success is never free of risk.

In the meantime, what if I spend so much time doing the next thing and the next that I never enjoy this ride? As Columbus had to learn in Zombieland, you gotta enjoy the little things.

So like I say I’m holding onto my hat. My feet are firmly locked in the stirrups now that some great people have boosted me into this saddle of opportunity. The ride isn’t easy but should be exhilarating. Yeehaw.

~*~*~

Clay Morgan is a writer, teacher, and speaker from Pittsburgh, PA who blogs about pop culture, history, and the meaning of life at ClayWrites.com. He is the author of Undead: Revived, Resuscitated, and Reborn about zombies, God, and what it means to be truly alive. Connect with him on Twitter.

I LOVE hearing from you guys! And since we have a guest today, every comment counts DOUBLE in the contest.

To prove it and show my love, for the month of September, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

And also, winners have a limited time to claim the prize, because what’s happening is there are actually quite a few people who never claim the critique, so I never know if the spam folder ate it or to look for it and then people miss out. I will also give my corporate e-mail to insure we connect and I will only have a week to return the 20 page edit.

At the end of September I will pick a winner for the monthly prize. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

How Self-Publishing has Helped All Writers–Welcome to the Revolution

Yes, I have more books in my car if you need.

Writing is a very different gig. In most jobs, we don’t need years of external validation to prove what we “really” are. We don’t have to save so many lives before we are a “real” doctor” or close so many mortgages before we are a “real” banker. But with writing? With the arts? We struggle. When are we “really real”?

For the answer to this question, I advise, Don’t Eat the Butt!

A lot of us want that traditional publishing stamp of approval, but there are a lot of recent red flags in the industry that demonstrate this might not be the best path for those of us who want a long-term career. Traditional publishing is also very slow, and there are huge gaps they cannot fill. For instance, technology.

When I was at Thrillerfest, one of the old guard teaching a class announced that, “Self-publishing was only good if you were a breast-feeding truck-driver who wanted to write a book for breast-feeding truck-drivers.” I have zero clue what is meant by that statement, but the comment speaks volumes, and highlights a problem in the industry.

Writers, for some reason, seem to be at the bottom of the food chain. We are the ones who produce the product, yet we are the last to get paid and seem to be treated the worst. It seems any 24 year old with a degree from NYU can hang up a shingle and call herself a literary agent and suddenly she is “real.” Author Joe Konrath has talked about this problem at length on his blog, which I highly recommend.

Yet, even after two #1 best-selling books, I still cannot get Barnes & Noble to shelve my books, because I am not a “real” writer. B&N literally has turned customers away trying to order my books in the store and they will only sell my books on-line. My books are returnable, so there shouldn’t be a problem, yet conference after conference I have to lug in a suitcase of my books because B&N won’t stock them, even though my books almost always sell out.

*shrugs* More money for me. And I am supposed to feel sorry for booksellers who are suffering. Yeah, I’ll get right on that.

I was even invited to speak at a conference and then, after my classes, they refused let me sell my books inside with the other authors. I had to go out into 112 degree heat to sell social media books in the parking lot because I wasn’t a “real” writer.

So I can appreciate the feeling of wanting and needing validation.

What I love about the new paradigm is that it seems to be finally earning writers the respect they should have had all along. I know back when I was querying, I felt agents were gods who stepped down from Mt. Olympus to see if they could find a champion among the unwashed masses. I so wanted to prove I was the one who could bring home the golden fleece best-selling numbers.

I recall typing my queries, hands shaking. One time, I was so nervous I misspelled “query” in the header of the e-mail and was instantly rejected. Though agents have demanded perfection and professionalism from me, I have received rejection letters with typos, my name misspelled and even the wrong name. I have received form-letters and sticky notes. We aren’t supposed to send a mass-query, yet I have received many a mass-rejection.

And I am not here to gripe about how I am being mistreated, because I really don’t care about anyone’s behavior other than my own. But this does raise an important point.

As the industry shifts and writers gain more power, will the industry as a whole benefit?

As more and more self-published and indie authors start earning a really good living, will we still get those “self-publishing is only for freaks” comments? As writers band together and blog and build platforms capable of driving sales, we become more powerful. Will this then force agents and editors to behave better?

Are we part of the women’s writer’s liberation movement?

I have been to conferences where agents didn’t want to take pitches or would walk off in the middle of a writer talking. I know I had an agent I finally had to fire because she just never returned e-mails. Finally, after six months without a peep I assumed my agent was dead or had been abducted by aliens. But I posit this question.

Would an agent stand for a writer who didn’t return an e-mail for six months?

As a social media person, I’ve witnessed agents tweeting lines from rejected queries, openly making fun of writers. Yet, when they google a writer to represent, what do they demand? Professional behavior. What if we were tweeting and making fun of literary agents?

Make no mistake, I feel we as writers need to come up higher as professionals and set the example. Frankly, as NYTBSA Bob Mayer has stated, “Writers are in the entertainment business.” Yes we are artists (entertainment), but we are also in business. It is incumbent upon us to know our craft. We cannot assume that command of our native tongue qualifies us to be best-selling authors, and we also need to understand our industry and business.

And here is where I feel self-publishing has greatly benefitted writer-kind.

I feel that self-publishing, oddly enough, has been a massive benefit to all writers. Why?

It has forced writers to understand the business side of the business.

I feel it has helped many writers embrace this business side of the equation and step up their game as professionals. Writers who are pursuing or even considering going it alone suddenly take social media and platform-building far more seriously. There is something transformative about finishing the story, then digging in to create the product. Many self-published authors understand the new publishing paradigm better than the Big Six editors, and I feel this is a real advantage.

Many of us have learned about web sites, accounting, formatting, and even cover design. The new publishing paradigm is constantly changing and forcing us to learn, grow, adapt, change, and ship.

The new paradigm forces writers to ship.

If you read Seth Godin’s Linchpin (which I highly recommend), he says one of the marks of a true artist is real artists ship. We let go. We sell the painting, burn the CD or publish the book and then move on to the next. Saturday Night Live happens no matter what. Good or bad, they ship.

One of the biggest problems I have seen with writers is they keep working and reworking and reworking the first book. In the new paradigm? They publish. If it is a super stinker they pull it and pray people forget. If it’s so-so, they leave it, but best of all, if they are smart, they move on and write more books. One of the largest barriers to becoming a successful writer is trying to be a perfect writer. The new paradigm gives new writers a way to ship so they can move forward and write more books and better books. 

It has encouraged writers to become empowered by building a platform.

Also, since there have been some real successes from the indie and self-pub fronts, it has forced traditional authors to realize how social media can give them control of their careers. As traditional authors build viable platforms, they suddenly have options. Many are realizing that NY is no longer the only road to Rome and they have the power to walk away (Barry Eisler).

Social media and self-publishing has given authors bargaining power and, with that, respect.

True story. A friend of mine couldn’t get an agent to even listen to a pitch (and the same agent had been a real toad to me). My friend self-published and was doing really well. Next conference? This agent wanted to represent him. Suddenly thought his books were awesome and brilliant. My friend comes to me and says, “There is no way I can go traditional. I make way too much money.” Then he asks me, “You think I should e-mail him a rejection letter?”

The story makes me chuckle, but it is just proof of what I have been saying all along. It is a WONDERFUL time to be a writer.

Writers are no longer satisfied with being publishing fodder. We are stepping up and demanding the respect we are owed. Now? Agents. We are googling you. We are watching what you are tweeting and we are reading your blogs. We are not expecting anything from you that you aren’t expecting of us—professionalism and respect.

It is a wonderful time to be a writer. No matter what road writers now choose to take, traditional, self-pub or indie, I feel writers will finally enjoy the success and the esteem they deserve.

Welcome to the revolution!

So what are your thoughts? Opinions? Are you happy that writers now have more options? Do you feel overwhelmed? Excited? For those of you who have gone indie or self-published, what are the greatest lessons you have learned?

I love hearing from you!

To prove it and show my love, for the month of July, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

***Changing the contest.

It is a lot of work to pick the winners each week. Not that you guys aren’t totally worth it, but with the launch of WANA International and WANATribe I need to streamline. So I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

And also, winners will now have a limited time to claim the prize, because what’s happening is there are actually quite a few people who never claim the critique, so I never know if the spam folder ate it or to look for it and then people miss out. I will also give my corporate e-mail to insure we connect and I will only have a week to return the 20 page edit.

At the end of July I will pick a winner for the monthly prize. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

An Industry on the Brink—Five Mistakes that are Killing Traditional Publishing

Old School Meets New School

As many of you know, last week I was blessed enough to get to present at Thrillerfest, which is a conference held by the International Thriller Writers in the heart of New York City. What a blast and a WONDERFUL conference! If you ever get an opportunity to go, take it. Yet, now that I’m home, I feel compelled to share my observations and make the most of my $5000 investment. Why can’t you guys benefit, too, right?

Now that I have been to NY, talked to people and observed things first-hand, I feel I am in a better position to make an accurate analysis, so here are the five mistakes that I feel are killing traditional publishing.

Mistake #1—Fear

When I first arrived, there was almost a palpable feeling of dread, doom and gloom. I felt like agents, editors and even writers were refusing to acknowledge the pink elephant in the room. Why? Because they were afraid of it.

The paradigm is changing and the world is going digital. No matter how many times we click the ruby slippers and chant There’s nothing like paper. People will always want paper it isn’t going to change a darn thing. The only thing this self-soothing will do is waste time while the windows of opportunity close.

When I attended the Craft Fest luncheon, the keynote was Jaime Raab, Senior Vice President & Publisher, Grand Central Publishing (Hachette). She began her speech with something akin to, “I know all of you are wanting to hear me talk about the changes in publishing but…” and then she went off to talk about all her favorite books over the course of her publishing career and why she thought they were game-changers.

And I was like WTH?

It was a lovely speech, but the troops are battered and broken and searching for a reason to fight for the cause. If you know they need to hear something about the changes in publishing, then by gum give it to them. I felt like the troops needed the Churchill speech. The Germans are coming. Give us something!

But, no.

Instead, we had a nice nostalgic speech that offered little to ease the fear. And I am not meaning any disrespect, but I feel this fear factor is a big part of the problem. The leadership is afraid and that is filtering into decisions. Fear is a lousy place to make strategy. When we find ourselves defending, the battle is already lost.

But you know what? Good thing I am too dumb to be afraid.

The first thing I announced on my panel was that it is an AMAZING time to be a writer. It is a BRILLIANT time to be a publisher, even a TRADITIONAL PUBLISHER! But here is the thing. We have to change. We have to grow and growing sucks and sometimes is painful as hell but it is necessary because if we aren’t growing we are DYING. 

We cannot build a 21st century future with 18th century tools. The only thing we have to fear is fear itself! Fight! Win!

We MUST face where we are weak, because if we don’t, we are vulnerable. Ignoring a thing doesn’t change a thing. The truth will set us free and if the truth is that we are being short-sighted and wasteful, then we need to FACE that so we can FIX it. Fear wastes time and energy.

After the social media panel there was a noticeable shift. People were smiling, they were hopeful. WANA (We Are Not Alone) is a wonderful plan that is fun, easy and has sold hundreds of thousands of books. Maybe WANA it isn’t THE plan, but it is at least A plan. WANA works for all kinds of writers and all types of publishers and it frees up time to do ALL the meaningful work. Best of all, WANAs don’t know fear. We only know hope, and that automatically places us in a position of strength.

Mistake #2—Paper is Married to Petroleum DOOM

Raab continued to assert that “readers would always want paper” yet I will show exactly why this assertion is dead wrong. Let’s indulge in a little Economics 101.

The reason that readers will not always want paper books is that paper books are what is known as an elastic good. Elastic goods cannot fluctuate too far in price before people just decide to do without or change products.

For instance, coffee is elastic. We are all sad when Jamaica is hit by hurricane and loses much of its Blue Mountain Coffee bean crops, but we are simply unwilling to pay $15 for a cup of coffee. We all have a ceiling before we just do without Blue Mountain Coffee.

Elasticity is even more of a problem when there is a ready supply of easy substitutes. For instance, if Blue Mountain Coffee was the only source of caffeine on the planet, maybe we would keep demanding even as the price increased (inelastic), but it isn’t. It is too easy to buy a pound of Folgers instead.

Or we can even buy black tea or Monster drinks. We can take ginseng, guarana, and all kinds of other Chinese herbs to wire us for the day. While caffeine is inelastic (meaning if there was only one source we would continue to pay), Blue Mountain Coffee is NOT.

Artificial hips and superconductors? Inelastic. Paper books? Very ELASTIC.

We will only pay so much for paper books before we just go download the e-book, and this is a HUGE problem for traditional publishing. Why? Because paper books are married to petroleum. As the price in oil increases, so do costs.

Books need to be manufactured, then shipped. I worked in the paper industry and believe me, paper books are seriously heavy, which means they burn a lot of fuel to ship. They also burn a lot of fuel to return then pulp due to waste. Anyone who has ever had to move gets what I am taking about here.

This grossly inefficient consignment model worked so long as readers had no other options. Yet, now with e-readers, e-books, indies and POD publishing? The game has changed.

Books were always elastic, but they are even more elastic now that there are other options. What the publishers are failing to understand is that as petroleum continues to rise in price, their profit margin gets thinner and thinner.

If NY doesn’t change? They will go bankrupt simply because the margin will fully disappear, then their costs will surpass what readers are willing to pay for a paper book. If big rig trucks ran off sunshine or happy thoughts, this might not be as critical of a problem as it is.

NY MUST make the change to digital, as many titles as possible before petroleum bankrupts the industry for good. Yes, some books will need to be paper, but POD technology can step in to fill that gap, minimize the waste, and drop costs so traditional publishers can increase margin.

The competition has not lashed their product to barrels of petroleum. The indies are not hobbled by waste, shipping costs and limited shelf space, and this is why they can pay their authors so much BETTER. Writers might not be great at math, but we aren’t that bad. It is only a matter of time before the Big Six will hemorrhage talent, probably the mid-list first as the demand for mass market paperbacks contracts. 

Traditional publishers! Get those costs down so you can pay your people better. You can’t keep using a handful of mega authors to float the business. In the new paradigm, there is no reason to lose so much money. There are all kinds of creative and profitable solutions to make all authors profitable.

If this is a race, NY, you are riding a horse but trying to beat a Ferrarri. Help me help you!

Mistake #3—Reliance on Outdated Gimmicky Marketing Tactics

For those of you who know the WANA way, we abhor gimmick. Gimmicks worked in the old paradigm before the Internet and social media, but now? We have a much more sophisticated audience that demands authenticity. We don’t like being fooled either.

Tweeting as a character or interviewing yourself pretending to be your characters is, in my opinion, not the best use of time. Sure it might be fun for our devoted fans, but for new people who don’t yet know our books, it can seriously tick them off when they figure out they have been duped.

True story.

I was on Twitter and happened to see one author talk to a NYTBSA who I’d never heard of. So I followed and loved his tweets. Then I spotted him interacting with someone from the CIA. I thought that was really cool so I started following this other person and asking questions thinking I was talking to someone from the CIA. When I realized I had been talking to a character from one of this author’s books, I was mortified, then livid and then I unfollowed.

Play head games at your own risk.

Let’s use some logic. How many people are going to care about an interview from an imaginary character from an author they don’t know and out of a book they’ve never read? There is far better content that actually stands a chance of going viral.

Interviews don’t generally go viral unless they are with a super famous person who then does something very embarrassing (Tom Cruise and the couch thing on Oprah) or dies (Steve Jobs). Interviews with imaginary people? Probably not going to go viral.

A lot of people feel the gimmick is a tool so people will pay attention to our marketing, but thing is, gimmicks don’t work and marketing and advertising don’t work, either. All of it is just busy work that gives us the illusion we are doing something meaningful.

My impression from Thrillerfest?

I felt that the traditional publishers had far too much reliance on these tactics, which is likely why my sixty-one year old mother has a better Klout score. If no one is paying attention to what we post or spreading what we post, then we are doing something wrong.

Any pretending to be characters needs to be initiated by fans. Yes, there are loads of teenagers who love to role-play as Twilight characters. That is cute and fun. When we (authors) do it? Weird, and kinda creepy.

Mistake #4—Over-Fixation on Tools

There was an over-fixation, in my opinion, on tools. Yes, there are analytical tools that can tell us what time of day is best to tweet and what time of week is best to blog, and what time of month is best to run a promotion, but all I could think as people were talking about these tools was:

Are they tweeting or ovulating?

I know that IT geeks are fascinated with the idea of creating a program that can accurately predict human behavior, probably so they can get a date. But, thing is, they can’t predict human behavior. If we could accurately predict human behavior, then we have bigger problems than selling books and should start looking for the chip someone has implanted in our brains.

Yes, there is some predictability. I.e. Spamming people pisses them off. Talking to people and being kind and genuine generally is a good bet.

Beyond the fundamentals? There is no way to predict this stuff. People who love tools, in my experience, are people who want from others what they, themselves, are unwilling to give.

See, for Twitter and Facebook to work, to actually sell books SOMEONE must be present. When people use these tools to post for them, it is because they want the perks without the works. They want ME to actually be on Twitter/Facebook so I can click and then give them money, but they can’t be bothered to actually take time to be on Twitter talking to me.

Yeah, I’m all over that.

Tools RUIN social sites. RUIN THEM! When too many people start using these fancy tools to do stuff for them, the information becomes invisible. Also if no one is there to read and respond to the tweet because they are tired of talking to bots? Then Twitter is a giant waste of time that will not sell books because it is choking on automation. If people loved talking to machines, they’d call their credit card company, not log on to Twitter.

We don’t have to post a lot to be effective, and being real is the best plan. We can’t expect from others what we are unwilling to give. And yes, I know some of you have to work day jobs and can’t tweet during the day but pssst….Twitter and Facebook are GLOBAL. People in other time zones will see your posts.

Again, better uses of time. These tools are interesting, but if you work the WANA way, they you have a whole team of people helping you, so it matters less and less what time of day you post. And besides, I have enough to do without setting my watch for a quick roll in the sack while I’m fertile tweeting.

Mistake #5—Expecting Commerce Before Community

At Thrillerfest there were a couple new book sites introduced where readers could go and interact with their favorite authors. Um, didn’t we already have Goodreads? Now there are two more?

Don’t get me wrong, these are lovely sites and I think they have a lot to offer, but we are back all pitching to the same people, the same over saturated 8-10% of the population who defines themselves as “readers.”

There are hundreds of millions of people who will only read one or two books a year, but I have said this time and time again. Who cares if it is YOUR book? Every mega-success from Harry Potter to 50 Shades of Grey has come from mobilizing the fat part of the bell curve, the people who would not normally define themselves as “readers.” Traditional marketing and “reader sites” will not make our book the next Twilight or Hunger Games.

I am saying this as respectfully as possible, but traditional marketing has some lazy and uncreative people thinking this stuff up. We all want the magical site where we can find….readers. You know what? Back when I sold cardboard (corner board), I would have loved a site called http://www.LetMeComeToYouAndHandYouMoneyWithoutAnyWorkOnYourPart.com. That would have made my job WAY easier. Instead, I had to hit the pavement, look around and look for people who could be converted into buyers. 

For instance, we had to pay attention to the HUGE boxes being used to ship water heaters so we could step in and say, “Hey, I bet those giant boxes are really expensive. If you use four pieces of corner board, some wrap and strapping, not only could you fit more water heaters on a truck, but you could seriously cut your shipping costs and drastically improve your profit margin.”

We had to work for the sale, but NY? Let’s just put more “reader sites” together and then people will come and give us money.

Am I saying these sites aren’t great? No, they are lovely and shiny and pretty but they are not a substitute for creating a customer. We can’t have commerce before community. It’s like building a McDonald’s in the middle of a field and hoping people will show up to eat burgers. It makes more sense to wait until there is a thriving community and then build the McDonald’s. Then the McDonald’s is there to serve the community, not the community there to serve the shareholders of McDonald’s.

This is why it is critical for us (writers) to build community first. If we have a community of support, then these sites with goodies and interviews and all that jazz will work better. I spent two years building the idea of WANA before we built WANATribe. By the time I launched WANATribe, it just made the experience of being a WANA even better. It allowed you guys to interact in new and fun ways.

But what if I had started off with WANATribe? It would have been me taking not giving.

Is NY DOOMED?

So after all of this, is traditional publishing doomed? I say it can have a bright future, but the people in charge have to start listening to people who are doing publishing (and social media) better. I know there is probably some pride involved, but get over it. Yes, you rocked publishing for over a century, but now? Not so much. You have a lot to learn.

The thing is, e-book sales are not a Zero Sum Game. Joe Konrath made a brilliant point about this in a recent blog:

Ebook sales aren’t a zero sum game. A sale of one ebook doesn’t preclude the sale of another, because this is a burgeoning global market with hundreds of new customers introduced daily, and people naturally horde more than they need. 

Let’s say there are currently 100 million ebook readers, and 1 million ebook titles on Amazon. In ten years, there will be billions of ebook readers (following the path of mp3s). But there won’t be a corresponding 100 million ebook titles available–there aren’t that many people writing ebooks, and never will be.

What this means is that traditional publishing can remain if they are willing to change and listen to people who are doing things right in the digital paradigm. Books are not so cost-prohibitive that people cannot buy more than one. I know a lot of us in the indie world have offered to help NY, but we can’t do this for them. The Big Six have a lot to offer and many of us hate to see that go away. We do hold a respect for what they do and they have a lot of talent.

With the explosion of smart phones, tablets and e-readers, this could be a Golden Age for publishing, but the Big Six cannot embrace their future while clinging to the past.

What are your thoughts? Opinions? Ideas? What have you observed? Do you think the Big Six can survive or should they be parted out to the indies? Do you think the mid-list is next to defect? I don’t mind any opinion, so long as it is respectful.

I love hearing from you!

To prove it and show my love, for the month of July, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

***Changing the contest.

It is a lot of work to pick the winners each week. Not that you guys aren’t totally worth it, but with the launch of WANA International and WANATribe I need to streamline. So I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

And also, winners will now have a limited time to claim the prize, because what’s happening is there are actually quite a few people who never claim the critique, so I never know if the spam folder ate it or to look for it and then people miss out. I will also give my corporate e-mail to insure we connect and I will only have a week to return the 20 page edit.

At the end of July I will pick a winner for the monthly prize. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

The WANA Plan to Save Bookstores & Revive Publishing

Last week, we talked about how The Big Six is Dead. So what now? The future seems uncertain for many in the industry. Those who insist on clinging to outdated ways are bound to fall into anachronism. As I like to say, either we are architects of change or artifacts of change.

The only real hope of survival for New York publishing is the bookstore. If there is any hope to breathe life back into big publishing, it will rest with the bookstore. (The Big 6 will never rule like they used to, but they need not go extinct, either.)

Yet, indies have struggled competing against the mega-store B&N. Barnes & Noble has had its own share of woes. Lots of massive stores=too much overhead to be competitive. The 90s were all about excess. Giant stores, giant discounts. In this new world? Giant problem.

What is the answer?

In the future? To quote Seth Godin, “Small is the new big.” Let me explain…

Yes, But Mine Already Has Sparkles

Technology is quickly reaching an asymptote. What is an asymptote? It is a really fancy word you can throw in randomly to impress your friends. Impressed you, didn’t it? Oh, you wanted the definition! Okay, from Wikipedia:

In analytic geometry, an asymptote (/ˈæsɪmptoʊt/) of a curve is a line such that the distance between the curve and the line approaches zero as they tend to infinity.

WTH? you might be asking. Give me a moment.

Basically, fifteen years ago when cell phones were the size of your head, could only call local numbers, but each phone call cost $30 if one exceeded three and a half minutes, let’s just say that the cell phone had A LOT of room for improvement.

Only a handful of wealthy techies used the cell phone. They were for executives and they were barely useful.

Over the past two decades, cell phones have become smaller, thinner, prettier. Phones that once could only make calls evolved. By the mid-2000s, cell phones could take pictures and store music, but we still needed a small business loan to pay our phone bill. But then cell phones and cell phone service got leaner, meaner, faster, cheaper, better…and even came with sparkles.

Can’t beat sparkles with a stick.

What are you going to offer me? MORE sparkles. Nah. I’m good.

What About These Days?

Nowadays, cell phones are affordable for everyone. They are no longer a luxury item among the wealthy or the technophiles. Cell phones are as integrated into our lives as indoor plumbing.

And, they aren’t going to change like they used to.

Don’t get me wrong, I know we have many more advances in technology to come, but when it comes to the stuff us regular people are using? Technology is approaching an asymptote, meaning that sure it can improve, but with each improvement moving incrementally smaller toward an infinite curve.

Huh?

It means the changes now aren’t as impressive and don’t move the market the way they used to.

Think of your iPod. When the first mobile music players could only hold TWENTY songs, it was worth running out and paying a small fortune for the one that held FIFTY songs, or A HUNDRED, or even FIVE HUNDRED. But are we going to drop everything to upgrade the iPod that holds a thousand songs for one that can hold five thousand?

Nah. We’re good. Thanks for asking.

This is what the publishing industry is failing to understand. Not only are they stuck in the paper paradigm, but they aren’t—in my humble opinion—fairly appreciating the technology paradigm. The e-reader can only get so good. I had a first generation Nook and I use it to read far more than my new iPad.

Why does this affect big publishing? The technology doesn’t really matter after a certain point. CONTENT DOES. This is why NY should have done everything humanly possible to control as much content as they could. If they would have considered my WANA plan that I offered them a year and a half ago, they might have dominated all of paper AND digital.

Oh well. I tried.

The funny thing is that New York is still courting the ever-elusive “book lover” instead of realizing that technology is creating more book lovers than ever before in human history and whomever is poised to keep the public satiated is going to cash out BIG.

Also, the “book-lovers” that NY really should be going after, rarely venture into libraries or bookstores, they are a new breed with different habits. But, we’ll get back to that in a second.

The Birth of the Digital Age Reader

See, NY believed that the e-book would be like the audio-book, but here is the problem. They failed to appreciate the Diffusion of Innovations Curve. Why am I bringing this up? Well, it explains where we will find the Digital Age Reader.

Man, I am totally geeking you guys out!

Basically when any new technology comes along, it progresses along a fairly predictable curve. The Innovators—those people like me who bought the very first digital camera even though we had to promise a kidney to pay for it—are the first.

We are the geeks and we are the ones who buy all kinds of gadgets FIRST. Then there are the Early Adopters–the friends of the geeks who will either wait for a sale or wait for a cheaper Gen 2. Then there is the Early Majority, the Late Majority and the Laggards (folks who just NOW got a cell phone or joined Facebook).

So Why Didn’t E-Books Go the Way of Audio Books? 

It had to do with the nature of the product and the problem it solved. It was a niche product and always would be. Generally speaking, people don’t have time to sit and listen to each other for ten seconds let alone listen to a book for ten hours.

Who does?

People who travel long distances. Okay, well there is a small population of dedicated buyers—ME back when I was in sales and drove 1800 miles a week. Okay, well beyond the traveling salesman? The person traveling on vacation. Well, that’s 1-3 books a year. How often do you get a vacation?

Let’s be honest. It’s hard to go from listening to an e-book back to real life back to listening to a book (picture waiting in a doctor’s office). With an e-book? Smooooooth. A page here a page there. Book after book after book.

Yes, we are an increasingly ADD culture, but we are never so ADD that we can transition seamlessly from an audio book to real life and back again.

Not that talented.

Additionally, audiobooks are more cost prohibitive to make. We need to find someone who has a good voice and good sound equipment to read out book onto a file. E-books? Easy squeezy and getting easier and cheaper by the day.

Reading aloud for recording purposes? Probably the same level of hard regardless of technology.

So, as we see, the signs that audio would remain niche are clear. E-books? They are everywhere. Over the weekend I read two books from three devices. I read from my Nook while we drove so long as it was light, then my iPhone once I ran out of light, then my iPad when I ran out of juice for the iPhone.

Yes, I have a lot of gadgets.

The Big Leap

What publishing didn’t account for was that the e-reader would make the jump from the Innovators and Early Adopters to the fat part of the bell curve. Now my husband who would have never defined himself as a “reader” chews through a book a week on his Evo (or my iPad. ONE DAY I will get to use my own iPad for more than FIVE minutes! )

My prediction is that the e-reader will burn through the fat part of the bell curve in the next three years, five tops. Paper is just a bad investment in a world of $5 gas prices. Also, paper is a bad bet in a world that is about to have INSATIABLE demand for content.

Readers want to finish a book and buy another one INSTANTLY and AFFORDABLY. We don’t want to have to make a run to a store to buy a book. We want to hit a button and have it delivered in seconds from outer space.

By failing to appreciate the progress along the curve, NY is hunting for readers in the wrong spot. Keep hunting this way and they will starve and die.

Small is the New Big–Targeting the Digital Age Reader

What cracks me up about New York is not only are they clinging to paper, but, from what I can see, they aren’t even properly understanding the Reader of the Digital Age. They are still “hunting” for readers the exact same way they always have. They are hunting for Old Paradigm Readers at the expense of the far more numerous Digital Age Readers.

Old Paradigm Readers, those who say, “You have my hardback when you pry it from my cold, dead hands” are good to have, but they are only a very small percentage of the population. They are not the readers who will bring publishing into a new Digital Renaissance.

That is the job of the Digital Age Reader.

Instead of Random House cutting loose salespeople with no commission to create “community support” with libraries (that are experiencing more cuts than ever) and indie bookstores (that are struggling in their own right), I might come up with a solution that benefits everyone.

I really dig win-win solutions.

Technology is approaching our fancy word of the day—an asymptote—so that is no longer a viable direction. So if we can’t focus on the technology, then do it the WANA way and focus on people. Think of their lives and their buying habits. Stop trying to make people come to YOU, and go TO THEM, instead.

Think Small to Think BIG

If it were me, and I were an independent bookstore, I would target Target. Target has this new campaign The Shops We Couldn’t Help But Fall In Love With where they bring small stores from other parts of the country to a national store.

The little guy gets help from the big guy. Little guy is happy because he gets to tap into new shoppers in other regions on an unprecedented scale. Shoppers are happy because we are tired of the Age of the Mega Store. We dig little guys.

Instead of trying to compete with Barnes & Noble mega stores, small is the new big.

Target is rumored to be partnering with Apple to sell iPads. What if you could walk out of Target with that iPad full of books promised to keep you up late at night reading? Heck Target stores already have Starbucks, why not add in a small bookstore?

Just situate a bookstore kiosk with touch-screen technology next to the Starbucks, but conveniently close to the display of e-readers. Purchase an e-book at Target and they will give you a gift card to download 5 FREE! titles at their bookstore kiosk.

Now Target doesn’t have to worry about show-rooming (people testing a device at Target but then buying it at home on-line and cheaper) because Target has now offered a value-added. Oh, and Random House can put those salespeople to good use selling the titles that should be featured in the Target special.

Book-sellers still get to do what they love–recommend AWESOME books—without the stuff they don’t love—tearing off the front covers of unsold paper books they are sending to an industrial shredder.

Additionally, book-sellers can now cut down on expensive overhead by partnering with a Target, Wal Mart, Costco, or Kroger Grocery Store (kind of like how Starbucks has a sized-down version for the grocery store near you).

Now, people who buy e-readers will be ten feet away from those most qualified to help them set up their e-reader and then fill the new device all their geeky friends finally talked them into. Booksellers get to sell books they love, writers sell more books and publishers solve the discoverability problem all of us are facing now that “everyone can be published.”

Wake Up! B&N!

Barnes and Noble needs to dump all those giant stores and create small airport-sized stores that will fit nicely inside a Best Buy. Still offer some paper titles, but now cater more to the digital market.

When a grandmother buys a Nook for her granddaughter who is graduating high school, she can stop by the B&N kiosk and have a bookseller help set up the new reader and load up the gift with books guaranteed to make an 18 year-old go SQUEEEEEE!!!!!

Barnes & Noble currently lets Nook owners read anything they want for FREE! for one hour if one is inside the store. Keep doing that at the small version!

With a small kiosk at a Target, think of my husband who really doesn’t want to hang out with me while I rail against the gods as I try on bathing suits. He could bring his e-reader to the Target Starbucks, find a comfy chair, and read something the B&N bookseller recommends. Then, he is likely to BUY it because it’s an impulse thing. Placing bookstores in this way would maximize the impulse buy.

The Digital Age Reader is a different creature. She barely has time to wear makeup, so she LOVES convenience. She LIKES being able to pick up fine wine at her grocery store. It saves gas, and this is really important in a time when it costs a house payment per month to keep gas in the cars.

Trust me, the Digital Age Reader loves it when she can save time and gas. She wants to shop for groceries, but she’d like to load up her e-reader too. In fact she probably already does. She is probably using the paper aisles at the grocery story to “showroom” what she’s going to download on her iPad. I say put those aisles filled with paperbacks to better use and make them a micro-bookstore.

If bookstores retooled in this fashion, everyone wins. The big store keeps people in there shopping longer. It can earn a share of the profits and also not have the hassle of restocking shelves of paper books.

Bookstores have less waste and much more flexibility. They can offer far more titles at Target, Costco, and Best Buy because they aren’t handcuffed by the paper paradigm. Writers win because more titles can be seen at these stores, which solves discoverability. Agents win because they can negotiate more titles into key retail spaces.

Also, get the bookstore, Starbucks and store working together in the WANA way, cross-promoting. Buy so many books at the Target B&N and you get a coupon for $10 off a purchase from Target. Buy your groceries at Target, and earn points you can cash in for FREE! ebooks at their B&N kiosk. Buy certain key titles and get a Free! frappucino.

Work together! We Are Not Alone!

The WANA way saves time, enhances the shopping experience and everybody wins. We buy more books and save more time to….read MORE BOOKS! Publishing doesn’t have to die. Neither does the bookstore. They only die when they fail to be creative…or to listen to others who can help them be creative. In the WANA World, everyone wins.

I love the future.

So what are your thoughts? Would you be more likely to shop at a Target store that had an indie book kiosk? An Amazon kiosk? Maybe a mini-B&N?

I LOVE hearing from you!

And to prove it and show my love, for the month of May, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of May I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Winner of last week 5 page critique–CJ Carver. Please send your 1250 word Word document to author kristen dot lamb at g mail dot com.

***IMPORTANT MESSAGE–For those who have not gotten back pages. My web site fiasco has been responsible for eating a lot of e-mails. Additionally I get about 400 e-mails a day and the spam folder has a healthy appetite too. It is hard to tell since some people never claim their prize, but I could have very well just not seen your entry. Feel free to e-mail it again and just put CONTEST WINNER in the header so I can spot you easily. (especially if your message is kidnapped by the spam filter).

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

Low-Hanging Fruit is All Gone–The Future is About Teamwork, Humility & Innovation

 

Wednesday’s post, Big Six Publishing is Dead made me sad to write. Yes, I am an indie author, but I never have held any malice for New York publishing. I’ve liberally offered ideas, suggestions and help. Still do. I think competition in the market is good for everyone. Yet, the current situation does make me wonder. What went wrong? Why didn’t New York act quickly enough? They saw what happened to music. They saw what happened to Kodak. How could they fall victim to the same problem when they had so much warning?

Actually, it is simple. They were a victim of pride and fear. Why am I writing about this today? Not to beat a dead paradigm, but I think we all can take a huge lesson from this in our own lives. History repeats itself only when we fail to listen.

The same thing that happened to NY publishing can happen to you. It can happen to me. Every day we must really challenge ourselves and be unafraid to ask the hard questions.

Beware of the Defense

I can debate with the best of them. I used to be like trying to have an argument with an attorney. For many years I excelled at being “right.” But I didn’t grow. I didn’t learn. I was a lousy leader and had very few friends.

Oh, but I was “right.”

What I’ve learned through years of hard work and failure and criticism is that being “right” is highly overrated. These days, the second I hear myself defending my position…I know I am wrong. When we have to explain and defend, that is a HUGE sign of trouble. We are all wise to listen for this. Will save a lot of headache.

When NY started having to defend the paper-based paradigm, that was a red flag. So why didn’t they see the red flag? Why is it still SO important to be right?

People will always want paper.

Target Fixation Trouble

What we believe is true is not always true. It takes humility to ask others their opinion because we risk not being seen as “smart.” Pride leads us into believing we know everything.

Years ago, I was in paper sales (a tad bit of irony here). I recall being in a corporate meeting and they were putting together the core marketing plan for 2000. They were going to get the customers lower prices.

I was the only female in the room and about 20 years younger than most of the attendees. They were all older men who’d been in the paper business for decades. I was afraid, but I raised my hand and asked:

“Is this what the customer wants?”

“Of course everyone wants lower prices!”

“Um, well, uh, no Sir. Not always. There are other factors we might be overlooking, like lead-times, customer service, quality, etc.”

So I challenged them to table the marketing plan for two weeks. I would write a survey, and, if all the customers wanted lower prices, then at least we would know “lower prices” was where we needed to be putting our efforts.

Turns out price was rated #4 on the list of what customers felt was important. #1 Lead-Time. They wanted their product as fast as humanly possible.

See, the people who ran my company just assumed they knew what the customer wanted. They never bothered asking and it cost them dearly. Even though the customers almost unilaterally said they wanted faster lead times, my bosses would not approve a second production line that I proposed, and it would have only cost a few thousand dollars. They refused to rent a warehouse in Houston (my other idea) where we could have stored the most popular products and it would have given us the ability to have same-day service.

I even suggested that we get away from filling out orders by hand. Do it on a computer. We could digitize the catalogue to make ordering faster. If we used computers for ordering, it would have synced beautifully with the new SAP system that our customers were integrating.

Nope. Fill out the order sheet by hand. Make everything slooooooooww.

And they lost millions in business. I watched my territory hemorrhage customers. I feel it is part of why my health finally suffered to the point that I had to resign.

Granted the company beating our tails was actually cheaper, but time and time again customers told me they wanted to stay with us. They liked us and had done business with us for years. They preferred our quality. But, time and time again they needed our product FAST and we couldn’t get there. Eventually the customers preferred a less-than-stellar product NOW over a better product in a week.

My company never understood that. They had target fixation…price. It kept them from being innovative.

NY believes it can charge the same price for an e-book as for a hard cover and that people will pay it because of stellar quality. Yet, I might suggest learning from my paper parable. Sometimes a customer will take less quality NOW and CHEAPER over later and better quality. (And, the indies and self-pubs are closing in on having as good of quality if not better).

Can’t See the Stories for the Books

NY has had target fixation–protect the paper book–and it has hindered creativity and innovation. Instead of leading the charge into the Digital Renaissance, they’ve been protecting the Dark Ages with agency pricing and grabbing of author backlists. They were so focused on paper, they failed to see they were in the story and information business…no matter what medium.

The Outsider

New York is suffering from what I call “intellectual inbreeding.” This isn’t an insult. All of us will suffer this and we must take action to bring in outsiders and fresh perspectives in order to keep this syndrome at bay.

When people spend too much time together, they begin to think alike. At first this is really wonderful because it is easier to work as a team and there is a surge in creativity. But, after a while, the creativity begins to taper off. As a group, it is easier to get tunnel-vision and target-fixation.

The Trouble with Being an “Expert”

Experts run into this problem a lot. It is why we need to be willing to ask potentially embarrassing questions. It’s why, ironically and quite paradoxically we need to admit we don’t know everything.

Hey, we’re experts not omnipotent.

We need to be willing to leave the safe shores of our expertise. It is why, at the end of every post I ask for reader opinions. Alone, I can’t know everything. With your help? I can get pretty close, .

My opinion? New York thinks too much alike. They have too many “experts.” Publishing is centered in New York and has been for over a century. Everyone knows everyone and they all work closely together. It is why we writers must always be kind and respectful (aside from it being the right thing to do). Why? Because that agent we blast in an e-mail because she rejected us might one day be the editor at the house of our dreams. NY publishing is a close-knit community, to say the least.

Which is why it is at a disadvantage.

It isn’t that the folks in New York aren’t brilliant, wonderful people, but their very environment leads to group think. It is easy to become more interested in defending what is, than to think of what could be. I can appreciate the conundrum. How would I feel if I had to envision a world where my colleagues would be out of a job?

The Future is Ours to Shape

Yet, the sad part is they didn’t have to be out of a job. When we are brave enough to face the future, even the scary parts, we can make a plan. We have more power when we face fear and kick it out of the driver’s seat.

The folks in New York could have been retooling personnel. Teach them how to format and be the best dang digital formatters in the business. If e-books were in the future, then by gum, NY would lead the charge.

But they didn’t and I don’t know how steep the consequences will be. They started making fear-based decisions, which never work out well. They may be making some changes now, but the problem is those changes are three years too late.

Many of those in New York are feeling the way many Americans are feeling. In the factory model, we are replaceable, usually by machines or people in other countries willing to worker harder, longer and for less pay. This why it is SO critical now of all times to be proactive, innovative, creative and remarkable.

Top-down decision-making is a dead paradigm. Regular people have a hand in shaping our future.

Creativity Needs Fresh Blood and Brutal Honesty

Creativity and innovation are easier when we bring in those with a fresh perspective who have nothing to lose by offering us honesty. I feel New York can’t see the forest for the trees, and they have underestimated the intelligence of “outsiders.” Has happened to me on Twitter quite a few times. I’m not in NY so I don’t understand. *shrugs* Okay.

I think that publishing could benefit greatly by giving their toughest problems to outsiders. Eli Lilly did it with InnoCentive. Heck, I do it with the WANAs. Some of the best solutions come from everyday people. Sometimes us “experts” get a little blinded by our “expertness.”

It is a remarkable time we live in. We are in the Digital Renaissance. But as the world grows more and more complex, so do the problems. It is taking more than one mind to solve the present problems. All the low-hanging fruit is gone and we need to reach higher. Even writers. We can take a lesson. We need each other.

The 20th century was the Age of the Individual. The Digital Age is the Age of the Collective. We must form teams and work together or we are toast. We are in a global economy with global problems, so we need global solutions. We need each other. We need to be more creative than ever in human history. To do this, we have to be humble enough to admit we don’t know everything and open to outside help.

As this world changes and grows and presents challenges never seen, we have to remember We Are Not Alone. Even you, New York.

So what do you guys think? I think the Big Six is dead, but Madonna, Britney Spears and Robert Downey Jr prove resurrection is possible. Industries have been known to reinvent and come back stronger. Do you think this is possible? Or is it too far gone?

What about your own lives? How do you keep creativity and innovation fresh? Have you been the victim of your own tunnel-vision and need to be right? What are your thoughts?

I LOVE hearing from you!

And to prove it and show my love, for the month of May, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of May I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Winner of last week 5 page critique–Mona Karel. Please send your 1250 word Word document to author kristen dot lamb at g mail dot com.

Winner of 15 page critique for April is Heidi Thomas. Please send your 3250 word Word document to the same e-mail.

***IMPORTANT MESSAGE–For those who have not gotten back pages. My web site fiasco has been responsible for eating a lot of e-mails. Additionally I get about 400 e-mails a day and the spam folder has a healthy appetite too. It is hard to tell since some people never claim their prize, but I could have very well just not seen your entry. Feel free to e-mail it again and just put CONTEST WINNER in the header so I can spot you easily. (especially if your message is kidnapped by the spam filter).

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.