The Blind Spot—Because DENIAL Makes for Excellent Fiction

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Last time we talked about The Wound and how this wound is what drives a character and his or her choices. But here is the thing, almost always the protagonist has no clue they even have a wound and that is because of the blind spot.

The blind spot is a critical reason most people read fiction. Fiction acts as almost a holodeck, playing out the human drama. Fiction is real life….only with the boring crap cut out. Self-actualization happens in less than 300 pages. It is why we dig stories.

We might see ourselves in a character and when the character finally notices the blind spot and sees and acknowledges the wound? They are doing it for us as well. We see how they struggle and then triumph and it gives us insight into ourselves. It gives us information, inspiration and maybe even some hope that we aren’t all lost causes.

****A note of irony. I wrote most of this post early this morning before the gym then as I was leaving? A guy backed into me because I was in his….wait for it….BLIND SPOT (my vehicle above). I can’t make this crap up. But hell we are writers so WE USE EVERYTHING!

Where were we? Oh yes….

The Protagonist DOES NOT SEE the Blind Spot

Namely because if the protagonist does see the blind spot? Then blind spot is a terrible name.

Most fiction is a journey to self awareness. We have a protagonist in his/her normal world. Everything is fine…but not really. There is a critical missing piece keeping the protagonist from being self-actualized. This is plainer to see when we realize that most beginnings and endings of novels (and movies/series) are actually bookends.

Normal world is their world with the wound festering and hidden. The denouement? The world is restored but whole.

All of us have blind spots. If we didn’t, therapists would go bankrupt and have to get a “real job.” Truth is, most therapists know exactly what our problem is the first day we sit in their office. Problem is there are all kinds of other emotions clouding our vision.

This is one of the reasons shrinks do a lot of listening, nodding and asking questions. And probably a lot of doodling and playing tic-tac-toe on their notepads to stave off the boredom while they wait for us to catch up to the obvious.

Our story problem in a sense is extreme therapy for the protagonist. Instead of our character spending years on a couch being probed with uncomfortable questions and given homework to write letters to her inner child? She is thrust into a bank heist, an alien invasion, or her family is incinerated by a dragon.

Namely because all writers are sadists.

Anyway, when we create the story problem, we as Author God aren’t giving the protagonist any problem, rather the perfect problem that will reveal the wound crouching in the blind spot.

The Hobbits are handed a ring to toss in a volcano. Luke Skywalker is given a Death Star. Sarah is handed a labyrinth. Different challenges for different blind spots.

The Blind Spot is the Boundary Between Protagonist and HERO

My favorite book on plotting is Larry Brooks’ Story Engineering and every writer needs a copy of this book (Seriously, one of the best craft books EVER). For years I struggled with structure. It made sense when teachers wrote about three acts, but then when I went to write? It all fell out of my head. How could I distinguish one act from the others? Larry answered this critical question.

And since all roads that don’t lead to Star Wars obviously lead to Lord of the Rings….

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Normal World—-We establish how the protagonist lives on any other given day. We give a hint of the hidden character flaw.

The Shire. Birthday party. Setting off Gandalf’s fireworks prematurely. Griping about having a dull life devoid of adventure.

Inciting Incident—This is the moment when the core antagonist a.k.a. Big Boss Troublemaker‘s agenda (Sauron) directly intersects with the life of the protagonist and has the potential to interrupt the flow of his/her life.

WTH is this ring and why does it glow? What is that writing? (Note: Has not yet left Shire).

Turning Point Act One—The protagonist makes a decision that is directly reactive to the antagonist’s agenda.

Leaving The Shire for the first time ever to meet Gandalf at The Prancing Pony.

Act One—Protagonist is Running (COMPLETELY REACTIVE to antagonist’s agenda which he or she might not even yet be aware of—hitting at the dark)

Hobbits endure a series of ass kickings from the enemy namely because they are so naive they believe frying bacon on the side of a mountain at night while running from dead kings is a good plan.

Act Two—Protagonist as a Warrior (Protagonist starts to be PROACTIVE, yet still somewhat REACTIVE)

Frodo makes the decision to be the ring-bearer and Fellowship of the Ring created. Now understands Sauron behind all of this and there is an active plan that includes a party of allies.

Act Three—No longer a PROTAGONIST. Now a HERO. (FULLY PROACTIVE).

The naive innocent Hobbit has been transformed into a warrior who is willing to die to do what is right and destroy the ring and save Middle Earth (and The Shire).

Now, in the beginning of the story, had Gandalf said, “Okay, you want adventure. Cool. Well I am going to need to you toss a ring in a volcano and die there because there is no way back. Bad news is you’ll be dead but the good news is…WE WON’T BE! Isn’t that great?”

No one would want that deal.

So why do Frodo and Samwise accept this charge once on the side of Mount Doom? It is because they finally see past their blind spots, notice the wound and then triumph.

Once everything is stripped away, they see all they miss and took for granted. In their naive excitement, they diminished The Shire and how much, deep down they loved it. In the beginning, they couldn’t wait to cast it off and now? It’s all they want but will never have.

They accept they are going to die but now understand that The Shire is worth dying to save.

They did NOT see that in the beginning. It was firmly rooted in their blind spot and was part of the wound. They believed they were too little to make a BIG DIFFERENCE. The Shire’s worth was clouded by this inferiority complex. They couldn’t see what The Shire meant to them because they didn’t properly understand in the beginning 1) how much they took for granted and 2) that home might just not last forever and could be obliterated.

In their naiveté, they failed to respect the real danger they were in.

Yes, This is True in Character-Driven Stories, Too…

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Some of you might be saying, “This is all well and good for those *makes distasteful face* genre writers, but my work is more literary and character-driven. I don’t have a necromancer or a special volcano.”

True, but the blind spot—-hate to tell you—-is even MORE important for you guys. See in genre fiction, the character cog can be pretty much any size. Jack Reacher isn’t doing a whole lot of internal development as much as he is throat-punching bad guys and blowing $#!* up.

I read a lot of emerging writers who want a protagonist to go on and on and on about his inner turmoil and wax rhapsodic about inner demons and, speaking of throat-punching…that is pretty much all readers will want to do to that kind of character. Remember last time we talked about plot and character being cogs? Your character cog is larger, but the plot cog still needs to be there.

No one wants to read 300 pages of navel-gazing. We don’t like people who drone on about their inner struggles in person and we sure as hell don’t want to spend money and 15 hours of undivided attention to listen to self-indulgent tripe.

This is why that character needs a wound located in a blind spot that is eventually revealed when under pressure from a plot problem.

One of the best books I have ever read is A Man Called Ove and it is a great example of what I am talking about. Ove is a 59 year old man who just wants to die. He spends the entire book unsuccessfully trying to kill himself.

Who is the Big Boss Troublemaker? The government represented in the proxy of “Men in White Shirts.”

Ove has always been on the losing end when grappling with the power of the government. When he was a young man, “Men in White Shirts” stopped him from saving his home from burning, then different “Men in White Shirts” stole the land the house was built on. As an older man, more “Men in White Shirts” tried to take his wife after she was crippled in an accident. They also refused to build a wheelchair access ramp for her at the school where she taught (and Ove finally did it himself after he gave up fighting them).

Every time Ove has taken on any “Man in a White Shirt” he has failed.

But, the reason he has failed against the “Men in White Shirts” directly relates to the wound and the reason why Ove wants to die.

He is alone. To defeat the Men in White Shirts? He cannot win on his own and the core story problem (he finds out his neighbor and old friend is being forcibly put into a home by the state) is nothing he can conquer alone. But the problems thrust in his way serve to peel back what is wrong with Ove and make him come to understand that why he has always failed is because he keeps people at a distance and some battles need a team.

All good stories are a peeling back until the character finally sees what he or she has been missing all along. That is the purpose of PLOT even in a character-driven story. There must be an outside catalyst that disrupts the world, forces action, then generates change.

What are your thoughts? Other than POOR KRISTEN AND HER POOR CAR! LOL. It’s all good. The guy was nice and was just bad timing. But back to fiction, can you think of great stories and nail the blind spot covering the wound? Can you do this with your own writing?

I love hearing from you!

And to prove it and show my love, for the month of DECEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

November’s winner of my 20 page critique is Nancy Segovia. THANK YOU for being such an awesome supporter of this blog and its guests. Please send your 5000 word Word document (double-spaced, Times New Roman Font 12 point) to kristen@wana intl dot com.

Check out the Upcoming Classes

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it in person? No excuses! Fantastic as Christmas gifts *wink, wink, bid, nod*

All you need is an internet connection!

NEW!!!! IDEAL FOR CHRISTMAS!!!!

Branding Master’s Class Series with Kristen Lamb THREE social media classes, ONE low price. Only $99. It is literally getting one class for FREE!!!! 

Craft Master’s Class Series with Kristen Lamb THREE craft classes, ONE low price. Only $89. One class is FREE!!!! Includes my new class The Art of Character.

Individual Classes with MOI!

Blogging for Authors December 9th, 2016

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS January 6th

 

Plotting for Dummies January 7th, 2017

When your Name Alone Can SELL—Branding for Authors January 13th, 2017

Social Media for Authors January 14th, 2017

NEW CLASS!!!! The Art of Character January 27th, 2017

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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The Wound—Because Damaged People Make the BEST Stories

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Many emerging writers come to me when they find they are struggling with their WIP. I always begin with the same question, “What is your story about?” Often, I get this response, “Well, my story isn’t plot-driven. It is a character-driven story.”

Translation?

I have no plot…and please stop asking me because it makes me want to drink heavily.

There really is no such thing as a purely character-driven story. Character and plot are like two keyed cogs. One drives the other. The plot pushes the protagonist to grow and as the character grows, this in turn drives the plot.

For instance, in The Lord of the Rings the plot problem (Toss evil ring in a volcano before power-hungry necromancer takes over Middle Earth) is what forces the Hobbits to leave The Shire. Ah, but once they leave, how they respond to escalating threats determines plot.

For instance, they are barely out of The Shire when Merry and Pippin nearly get them all captured/killed by The Black Rider because they are running from an angry pitchfork-wielding farmer.

That is an ok place to begin, but what if they all remained the same reckless naive Hobbits they were in that scene? Their decisions would impact the story and they would fail.

To succeed, they must grow.

Granted, though we do have two cogs, depending on genre, this will impact the SIZE of each cog. In a Jack Reacher thriller? The plot cog is larger (but the character cog is still there). Similarly, in a literary fiction, this will reverse. In Cormac McCarty’s The Road there is still a plot objective (Make it to the ocean) but the character cog is larger because reaching the goal is far less important than HOW they reach the goal. If Man and Boy stop to snack on people? They fail. The torch of humanity is extinguished.

Thus, a literary work (character-driven story) might work like this…

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For genre fiction, it would reverse and, depending on the story and the style, the relative size of the cogs will change accordingly. Yet there will always be two cogs.

Regardless of genre, once we have an idea of what our story is about and have set the stage for the dramatic events that will unfold, we must remember that fiction is about PROBLEMS. Plain and simple. Furthermore, it is about PEOPLE who have problems. But not simply ANY problems. Very specific problems, which we will talk about in a sec😉 .

I will say that plot is very important. Our characters are only as strong as the crucible. Ultimately, all stories are about people. We might not recall every detail of a plot, but we DO remember characters. Ah, but here’s the sticky wicket. WHY do we remember characters? Because of plot. Stories are more than about people.

Great stories are people overcoming great odds.

If we’re missing emotional connection between the audience and our characters, our story loses critical wattage. What are some ways we can help form that connection? Today…

The Wound

Real humans have wounds that drive our wants, needs, perceptions, and reactions and so should all our characters (even the Big Boss Troublemaker-Antagonist). Maybe your character is a control-freak. Perhaps he avoids. Maybe she is battling an addiction or is a loner or is a people-pleaser. Maybe he is a user or a manipulator.

My question is WHY?

Yes, genetics will have a role in forging our personality, but genes do not a good story make. Having a character be a certain way simply because we need them to be or act that way will work, but so will a heart with damaged valves.

Wounds drive how we perceive our world, what we believe we want, and how we will (or won’t) interact with others. This is critical for generating story tension and character arc.

I used the meme of Dr. House and his motto, Everybody lies. Yet, part of why that character was so successful is that we know something happened somewhere in the past that gave House that core belief.

This belief is what made him a superlative doctor, but it also hobbled every single relationship he ever had. We wonder about the wound because in every episode?

We see that wound in action.

Wounds are the NOTCH That Engages the GEAR

Back to my gear metaphor, but let’s expand it a bit. Think of plot like gears on a bicycle. So long as the gears are engaged and moving forward we have story momentum. Character is like the chain winding around those gears.

Some of you might be old enough to remember riding a ten-speed with the old shifters. You had to practice shifting gears to get the chain to engage a larger or smaller gear and if you didn’t get it right? The pedals spun and the bike just made weird noises. That’s because the chain has to be able to meet with the teeth of the gear via a space or a hole…or it won’t work.

Character functions similarly. We can have the gears (plot) and the chain (character) but if there is no notch (wound) that allows them to ever mesh and create tension? The story has no momentum and just makes weird sounds while we fruitlessly spin literary pedals.

Wounds are the sweet spot, that hole, that allows plot and character to merge into dramatic momentum.

Some writers start with characters and others start with plot. It doesn’t matter so long as you let either be forged with “the wound” in mind. If you have a mental snippet of a rebellious renegade bad@$$ heroine and want to put her in a story, then think of a plot situation that will make her utterly miserable. She can’t grow if she’s comfortable.

Maybe instead of chasing bad guys, she is forced to become the caretaker for her three young nephews after her sister dies. This PLOT is going to force her to be vulnerable, maybe have a softer side, and lighten up. Now, character (chain) and plot (gears) are linked.

Same if we go the opposite direction.

Maybe you have a great idea for a story. You want to take down a mob boss. Who can you cast that will be the most uncomfortable and thus grow the most? A former hit man who’s given up killing because he promised his wife before she died? An agoraphobic ex-cop who can’t leave her house? A sweet, naive soccer mom who believes that Bedazzling makes everything way more AWESOME?

Genre will dictate some of the casting, but note if we cast someone who would reach our story goal with relative ease, we risk having a one-dimensional talking head. We also diminish tension because remember, readers LOVE seemingly unbeatable odds. So, if we cast a highly decorated detective to take down our mob boss, make sure there is something about him (a wound) that puts the odds against him.

Wounds Don’t Have to Be Big to Be BIG

Image via Flickr Creative Commons, courtesy of Thomas Ricker.

Image via Flickr Creative Commons, courtesy of Thomas Ricker.

Often, new writers will default to wounds like rape or death or some big tragedy to create the wound. To be clear, I am not saying these aren’t viable wounds, but never underestimate the “smaller” and more relatable emotional injuries. The more a reader can empathize with one or more characters, the deeper that connection becomes.

Not everyone has lost their family to a sudden alien invasion—😉 — but they can empathize with maybe never living up to expectations, being bullied, or not fitting in. LOTR rests on a small band of Hobbits who believe they are too little to make a BIG difference.

Perhaps the character is the invisible middle child trying to forge an identity, the eldest trying to hold the world together, or the baby who “got away with murder” and “was handed everything.” Never underestimate family dynamics as sources for realistic and powerful psychic wounds.

Wounds Will Distort Happiness

Wounds generate illusions. Because I grew up poor and lived hand-to-mouth all through college, I “believed” that money and financial security would make me happy. At 27, I made more money than any person in their 20s should make…and I was miserable. I was eaten alive with emptiness. I’d achieved all that should have filled that hole—the college degree, the premium job and premium pay. And yet?

I was the person stranded in a desert gulping sand I believed was water from an oasis.

Am I "there" yet?

Am I “there” yet?

Character arc comes when a protagonist is placed in a problem strong enough to challenge the illusion and break it. The protagonist believes X=happiness/fulfillment. It is only through the story problem that the protagonist rises to become a hero, a person capable of realizing they were wrong and that they’d been coveting a shill at the expense of the gold.

Thus, when creating characters, keep the wound at the forefront of your mind.

How does it affect what he/she believes about their own identity? What do they believe will make them happy? What is it that you (Author God) know that’s really what will make them happy? What needs to change for that character to lose the blinders? What is the perfect problem (plot) to force the protagonist to see the hard truth of the unhealed wound?

What are your thoughts? Writing can be healing and therapeutic. Have you ever siphoned from your own hurt-reservoir to deepen your characters? Can you think of how even small hurts can become super-sized? What are some ways you’ve witnessed wounds driving people in wrong directions toward false happiness? Have you been there, done that and earned the t-shirt?

I love hearing from you!

And to prove it and show my love, for the month of DECEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

November’s winner of my 20 page critique is Nancy Segovia. THANK YOU for being such an awesome supporter of this blog and its guests. Please send your 5000 word Word document (double-spaced, Times New Roman Font 12 point) to kristen@wana intl dot com.

Check out the Upcoming Classes

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it in person? No excuses! Fantastic as Christmas gifts *wink, wink, bid, nod*

All you need is an internet connection!

NEW!!!! IDEAL FOR CHRISTMAS!!!!

Branding Master’s Class Series with Kristen Lamb THREE social media classes, ONE low price. Only $99. It is literally getting one class for FREE!!!! 

Craft Master’s Class Series with Kristen Lamb THREE craft classes, ONE low price. Only $89. One class is FREE!!!! Includes my new class The Art of Character.

Individual Classes with MOI!

Blogging for Authors December 9th, 2016

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS January 6th

 

Plotting for Dummies January 7th, 2017

When your Name Alone Can SELL—Branding for Authors January 13th, 2017

Social Media for Authors January 14th, 2017

NEW CLASS!!!! The Art of Character January 27th, 2017

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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54 Comments

13 Things Mentally Strong Writers Don’t Do

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As y’all know I do a ton of reading and this includes lots and lots of blogs and articles. Over the holiday I ran across one article that just had me jumping up and down and yelling, “YES! THIS!” The Business Insider article “13 Things Mentally Strong People Don’t Do” is based off Amy Morin’s book (which I highly recommend).

It doesn’t matter if we strive to have a healthy marriage, strong kids or a killer career, these tenets cross-apply to all areas of life. Mental toughness is a key component to being successful. Yes, even for writers.

So I figured I would tinker with this and make it more directly apply to writers and what we must do (or not do) if we long to do well in this career. Thus, today we are going to discuss 13 Things Mentally Strong Writers Don’t Do.

#1 They don’t waste time on self-pity.

Image via Flickr Creative Commons, courtesy of David Rogers

Image via Flickr Creative Commons, courtesy of David Rogers

This is a tough job with more than its fair share of rejection and insult. Even once we are successfully published, most people don’t take our job seriously. It’s easy to get trapped in doubt and negative self-talk when, for the 10,000th time a stranger asks you what you do and you tell them you’re a writer and their answer is, “No, I meant your real job.”

Mentally strong writers kick the dust from their feet and move on.

Ruminating over rejection letters, bad reviews, blog trolls or insensitive family members wastes valuable creative energy and is toxic to the muse.

#2 They don’t give away their locus of control.

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We are in charge of our attitude and for doing the work. This means we are going to have to get really good at setting emotional and physical boundaries. Successful writers guard their writing time and guard their creative energy. They also know they are the only ones in charge of their dreams.

Years ago, when I decided to go pro as a writer, I had a church elder scoff at me and essentially tell me that I had a better chance of being hit by lightning than being a successful author. I went home, dusted off the resume and was about to give up and get a “real” job when I realized he was not the boss of me. He wasn’t God and didn’t know everything. Instead of giving up, I threw every ounce of energy into proving him wrong.

Really glad I did😉 .

#3 They don’t hide from change.

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This has been especially critical in the past decade as the digital revolution has changed everything we thought we knew about the industry. A business that hadn’t changed much in over a hundred years was rendered unrecognizable in the span of 6 years.

This world changes fast and we can harness the wave and ride it, or let it toss us into the reefs and drown us.

#4 They don’t focus on what they can’t control.

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We can’t control Amazon’s rules or Smashwords’ terms of service. We can’t control whether an agent accepts us. We can’t control whether Barnes & Noble lives or dies.

We can control getting the words on the page. We can control building a brand capable of driving book sales. I see a lot of writers wasting a lot of energy over issues where they don’t have any control. That energy is better used elsewhere.

#5 They don’t try to please everyone.

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No one will ever write the perfect book that everyone reader loves. This is one of the dangers of critique groups. We work and rework and rework trying to take everyone’s suggestions and all we end up with is an unmarketable mess known as the Book By Committee (a.k.a. Franken-Novel).

Mentally strong writers also realize they can’t please everyone on the home front. Some friends/family are just going to have to get used to you not being available for everything and anything.

#6 They don’t fear taking calculated risks.

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Fortune favors the bold. If you’ve shopped that first book four years and no agent or publisher has signed it? You might want to try self-publishing. Let it go and move forward and let your work be tested. If it sucks? Pull it and learn. But maybe it doesn’t suck.

I had one of the top agents in NYC for my book Rise of the Machines—Human Authors in a Digital WorldHe couldn’t sell it because NY feared change, but good thing I didn’t. My book has risen to become the definitive guide for authors who want to create an on-line brand and platform and actually have time left to write lots of books.

RoM is still as relevant today as the day I published it, but where would it be had I feared change and waited on permission?

#7 They don’t dwell on the past.

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This can be a tough one. We are wired to learn from failure but failure, frankly, is not pleasant. I’ve made tons of mistakes and in doing so? Learned a lot of ways NOT to do things. There was a time I did too much crying over what I did wrong, of what I’d failed to see. Of people I’d allowed to take advantage of me.

But this is a fruitless use of energy. Energy that can better be used elsewhere.

Dwelling on the past might mean we are holding onto a manuscript we need to just stick in a drawer. Maybe that book was a learning curve and never meant to be published. We can spend another 5 years rearranging deck chairs on the Titanic or we can use what we learned and write more books and better books.

#8 They don’t make the same mistakes over and over.

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Notice in #7 I pointed out we needed to learn from the past. Sure, don’t camp out there but also? Take good notes. I think it is a fallacy to tell writers that the more they write the better they will get.

That is only half-true.

There has to be some guidance and reflection and readjustment. Sort of like if I swing a golf club 10,000 times and do it with terrible form, I won’t be playing pro golf but I likely WILL have blown disks.

If your writing isn’t working? Take classes, get feedback from experts on your areas of weakness. Pros in ALL fields do this yet we writers are notorious for believing if we need help or take classes we aren’t “talented”. That is bunk. Pro athletes have coaches and trainers. Pro musicians go study in conservatories. Pros learn where they can do better and get to work.

#9 They don’t resent other writers’ successes.

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Jealousy is one of many emotions all of us will feel in this profession. It is natural. Feel it then move through it and use it. The great part about our profession is we are really not in competition with other writers. Books are not so cost-prohibitive readers won’t buy more than one.

Just realize success will come in due time and channel envy into inspiration.

#10 They don’t give up after the first failure.

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Or even the 100th. Want to feel better? Check out 20 Brilliant Authors Whose Work was Initially Rejected.

#11 They don’t fear alone time.

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Writers have historically done better at this since many of us are natural introverts. But social media has altered our profession and it is really easy to get caught up in FB drama or Twitter rants and fail to spend enough time alone. We need alone time not just for writing. We need that quiet time of reflection to power up the muse and also to take stock of mistakes and learn to do it better the next time.

#12 They don’t feel the world owes them anything.

All of us have read books that made us go, “WTH? WHY is THAT book a runaway hit?” We have also probably read other books and said, “Why not THIS book? This book is awesome and yet it isn’t popular!” The problem with publishing is it is not a meritocracy.

No one owes us anything, not even a book sale. The more we go back to those earlier habits like focusing on what we can control, the better. I’ve run into more than a couple pissed off resentful writers because the book isn’t selling despite strong reviews and heavy marketing. Again, anger is energy better used to write the next book.

#13 They don’t expect immediate results.

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This is a BIG one. It is very unusual for the first book to be a runaway success. Most authors (traditionally and nontraditionally published) only start really seeing results with compounded sales. Three books seems to be a minimum.

The same thing goes for an author blog. Aside from the actual books there is no stronger way to build a brand and a platform (see class on this below) but a blog is not going to take off overnight. It will take time and consistency….then it will seem to take off overnight.

I blogged to the ether for over a year and a half until I had ONE post that changed everything. One post went viral BUT since I already had hundreds of posts in my archives, I gained MAD subscribers.

Who would have subscribed though if I had ten posts I’d long abandoned to the spam bots?

What are your thoughts? Have you developed better mental toughness over the years? How did you do it? Do you think toughness trumps talent? Do you still struggle with some of these? I know I do. I am a work in progress, too!

I love hearing from you!

And to prove it and show my love, for the month of NOVEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

TREAT YOUR MUSE!!!! Check out the Upcoming Classes

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it because the holidays are crazy? No excuses! Take time to be good to yourself! All you need is an internet connection!

How to Get Your Book Made Into Film

Class Title: How to Get Your Book Made Into Film
Instructor: Writer/Producer Joel Eisenberg
Price: $45 USD Standard
Where: W.A.N.A. Digital Classroom
When: WEDNESDAY November 30th, 2016 1:00 PM E.S.T. to 3:00 P.M. EST

How do you cull the essence of your novel into a feature film? How do you expand your short story for a television series? Finally, when the written adaptation is complete, how do you navigate the Hollywood maze for real money and credits?

Joel Eisenberg has been there. As an independent producer of over 20 years, Joel has developed content or sold projects to networks such as TNT, CBS-Decades, FOX Studios, Ovation TV and more. As the former head of EMO Films at Paramount Studios, Joel is also a professional networker, having hosted entertainment network events at the Paramount lot, as well as Warner Brothers, Sunset-Gower Studios and more. His work has been featured in many media outlets, including CNN, The Wall Street Journal, The New York Times, NBC, The Los Angeles Times, TV Guide and even Fangoria.

Important Class for After NaNoWriMo! You might have a New Year’s Resolution to query a novel. Doesn’t matter. Treat yourself to an early Christmas present!

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS

Class Title: Pitch Perfect—How To Write a Query Letter & Synopsis that SELLS
Instructor: Kristen Lamb
Price: $45 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 2nd, 2015 7:00 PM E.S.T. to 9:00 P.M. EST

You’ve written a novel and now are faced with the two most terrifying challenges all writers face. The query and the synopsis.

Query letters can be daunting. How do you sell yourself? Your work? How can you stand apart without including glitter in your letter?

***NOTE: DO NOT PUT GLITTER IN YOUR QUERY.

Good question. We will cover that and more!

But sometimes the query is not enough.

Most writers would rather cut their wrists with a spork than be forced to write the dreaded…synopsis. Yet, this is a valuable skills all writers should learn. Synopses are often requested by agents and editors and it is tough not to feel the need to include every last little detail. Synopses are great for not only keeping your writing on track, but also for pitching your next book and your next to that agent of your choice.

This class will help you learn the fundamentals of writing a query letter and a synopsis. What you must include and what doesn’t belong.

So make your writing pitch perfect with these two skills!

Plotting for Dummies

Class Title: Plotting for Dummies
Instructor: Kristen Lamb
Price: $35 USD Standard
Where: W.A.N.A. Digital Classroom
When: SATURDAY December 3rd, 2016 2:30 PM E.S.T. to 4:30 P.M. EST

Are you tired of starting book after book only to lose steam and be unable to finish? Do you finish, but then keep getting rejected? Do you finish, but it takes an ungodly amount of time? Sure, great you land an agent for your book, but you don’t have FIVE YEARS to write the next one?

This class is here to help. The writers who are making an excellent income are not doing it off ONE book, rather they are harnessing the power of compounded sales. This class is designed to help you learn to plot leaner, meaner, faster and cleaner (even for PANTSERS!)

Learn the basic elements of plot, various plotting techniques, how to test your seed idea to see if it is even strong enough to be a novel and MORE!

Blogging for Authors

Class Title: Blogging for Authors
Instructor: Kristen Lamb
Price: $50 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 9th, 7:00 PM E.S.T. to 9:00 P.M. EST

Blogging is one of the most powerful forms of social media. Twitter could flitter and Facebook could fold but the blog will remain so long as we have an Internet. The blog has been going strong since the 90s and it’s one of the best ways to establish a brand and then harness the power of that brand to drive book sales.

The best part is, done properly, a blog plays to a writer’s strengths. Writers write.

The problem is too many writers don’t approach a blog properly and make all kinds of mistakes that eventually lead to blog abandonment. Many authors fail to understand that bloggers and author bloggers are two completely different creatures.

This class is going to cover:

How author blogs work. What’s the difference in a regular blog and an author blog?
What are the biggest mistakes/wastes of time?
How can you effectively harness the power of algorithms (no computer science degree required)?
What do you blog about? What topics will engage readers and help create a following?
How can you harness your author voice using a blog?
How can a blog can help you write leaner, meaner, faster and cleaner?
How do you keep energized years into your blogging journey?
How can a blog help you sell more books?
How can you cultivate a fan base of people who love your genre?
Blogging doesn’t have to be hard. This class will help you simplify your blog and make it one of the most enjoyable aspects of your writing career.

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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60 Comments

The Single Largest Secret to Success

Image courtesy of Flickr Creative Commons, courtesy of Steve Snodgrass

Image courtesy of Flickr Creative Commons, courtesy of Steve Snodgrass

All of us start out writing for different reasons. Perhaps we have dreams of seeing New York Times Best Seller or USA Today Best Seller in front of our names. Perhaps we long to be a household name like Stephen King or even a legend like J.K Rowling.

Some of you might want to see Winner of the Pulitzer Prize on the cover of your books or see your books made into television or major motion pictures. Some writers simply want to finish that one novel and publish it so they can say they wrote a novel.

Every dream is equally noble. There are no right or wrong goals only your goals (and goals evolve as we do). Yet, I would be remiss if I didn’t point out that the level of sacrifice and self-discipline required to Write a Novel in a Year is different from the author who longs to be the next Neil Gaiman.

When I started writing I thought I knew everything. It wasn’t until I went to my first writing conference that I understood the truth. I was too dumb to know how much I didn’t know. When I later gained genuine mentors (professionals) I was horrified to realize my writing wasn’t the only thing that needed a major overhaul. My character, habits, and attitudes did too.

In all bluntness, I began as a lazy unteachable ass who believed in luck not work. Most of all I had no concept of how important it was to set and maintain boundaries.

I hadn’t yet learned to guard the muse.

That had to change if I was ever going to reach my dreams. Our muse is precious and there are some critical habits we must learn to keep her healthy. We need to feed her good things—rest, books, classes, music, good friends. But at the same time? We must also protect her. This is critical for success in writing (or actually anything for that matter).

Guard Your Energy

Image courtesy of Flickr Creative Commons via Michele Africano

Image courtesy of Flickr Creative Commons via Michele Africano

Energy is to the muse what blood is to the body. Drain out 3 quarts from your wrists and see how you feel. Similarly, we need to make sure we aren’t dragging the muse through emotional razor wire.

Trust me, legendary authors guard their energy the way a concert violinist guards her hands. Energy that leaks out into unproductive endeavors is stealing vital life-force from the muse and pros get that.

Yet how many emerging writers are clinging to writing groups filled with folks who complain and never write? Holding onto family members or friends who are addicted to crises? How many writers are reckless with posts or comments on social media?

All that mental energy hemorrhaging into drama or onto social media in fruitless ways is taking away vital creativity that could be going into their work. But instead of their talent being focused in a novel, it is being bled into arguments on Facebook threads, tweets or in a blog’s comment section.

Cut OFF Toxic People

Image via Flickr Creative Commons, courtesy of Ted Van Pelt

Image via Flickr Creative Commons, courtesy of Ted Van Pelt

The best way to have a healthy muse? Don’t poison her. If a friend or family is emotional gangrene? CUT THEM OFF.

Toxic people always have problems and they really aren’t interested in solving them. They might say they want advice or support but this is a lie. They simply want an audience to nod to their excuses and indulge their anger, self-pity or addictions. Hanging out with them is like volunteering to be in a constant emotional full contact sport.

And yeah I am mixing the hell out of metaphors but I want you guys to understand how important this all is.

Negative emotions are not only draining, but after prolonged exposure, we can become physically ill and damage the muse (sometimes permanently).

Toxic people are always in a heightened emotional state. Their behavior creates stress and stress is something our bodies will react to in a primal way. When we sense danger, blood transfers from the cerebral cortex (higher thinking centers) to the reptilian brain (fight or flight). This serves a purpose. If a car is on our child, this isn’t the time to remember all our clever Nietzsche quotes.

But the problem is our bodies can’t tell the difference between outrunning a bear and merely arguing with a recalcitrant sibling or a troll on Facebook.

Lizard Brain is NOT creative.

Additionally we are who we hang around. Thoughts become actions, actions become habits, habits become character and character becomes destiny.

Got people in your life who want to complain? Make excuses? Still partying like it’s 1999? Just let them go lest they rub off.

Beware of Overconfidence

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Over the weekend I saw the movie Doctor Strange and loved it! But how did Dr. Stephen Strange end up battered and broken in a temple in Nepal instead of being the world’s richest and most renowned surgeon? He grew overconfident and believed he could drive on rainy roads at high speed while talking on the phone and looking at e-mail.

And he ended up with two crushed hands.

Out of ego, he failed to guard what was most precious to doing his job. And yeah it is a Marvel story but there is a neat lesson we can use.

When we rant on social media, tweet whatever flies through our head, get tangled up in friend drama or family fiascos, that is being reckless with the muse. And sure maybe the first 393 times we speed down that wet highway talking on the cell phone and texting goes fine. But it only takes something going wrong once for us to drive off a cliff and crush the muse.

And most of us don’t have Plan B of living in a temple learning to fight in other dimensions.

Choose Our Battles

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It’s easy to believe that “we can handle it” but in all honesty? That is a dangerous game.

Toxic people have more access to our lives than ever before. One of the reasons I recommend writers avoid ranting about politics on Facebook (unless one longs to be the next Bill Maher or Anne Coulter) is that, among many other reasons, it is a tremendous mental drain that can have devastating consequences (refer to guarding energy).

One of the biggest reasons many emerging writers will never bear fruit is they lack the discipline to choose their battles.

We are anointed to change the world with books, not argue with idiots on social media.

We can get pulled into on-line tiffs with folks who have no intention of changing their views. Many are on there for the sheer joy of being contrary or even cruel. I even have a mantra on Facebook when I see something that someone posts that upsets me and I feel the need to “say” something and “set them straight.”

I am NOT the Jackass Whisperer.

Then I unfollow them out of my feed and move on. We must understand that social media and building a platform is our job, but we need to manage distraction and compulsion. Sure we might initially get that “feel good” zing, but the cost of fruitless battles are far higher than the payoff. Every time we do this we are stealing energy from the true payoff—our finished and published books.

Toxic people are a great distraction on-line but also in life. We might think, “Oh I will write after I help Such-and-Such” get sorted. The problem is Such-and-Such has zero intention of ever being sorted. Misery just loves company.

So why are we handing them our limited and precious creative energy?

Where the Mind Goes the Muse Follows

Image via Flickr Creative Commons courtesy of Tequilamike

Image via Flickr Creative Commons courtesy of Tequilamike

Years ago I had the pleasure of working with Ferrari and was invited to some pretty amazing events, including getting to meet professional race car drivers. When drivers are racing, the most important component to winning is not crashing. Seems silly, but it’s true. If your car is in flames, odds are a trophy is not in your future.

But when race car drivers train, the most vital lesson is to keep the eyes where they want the car to go. Where the mind goes, the man follows. Look at the wall? Hit the wall. Look at the finish line? Cross the finish line.

Thus, a big way we can guard the muse from crashing is to keep focusing on where we want to go.

In the end, any kind of success is all about discipline. Like anything else, our muse gets stronger the more we feed her the good stuff and the better we guard her from the bad.

What are your thoughts? Do you struggle with distraction? In person or on-line? I know this time of year is hard on a lot of us when it comes to setting boundaries. Did you have to let go of writing friends who always complained and never wrote? Who couldn’t take criticism? Who refused to learn and grow? Did you find that you did better once you got away?

What are some ways you guard your muse?

I love hearing from you!

And to prove it and show my love, for the month of NOVEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

TREAT YOUR MUSE!!!! Check out the Upcoming Classes

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it because the holidays are crazy? No excuses! Take time to be good to yourself! All you need is an internet connection!

How to Get Your Book Made Into Film

Class Title: How to Get Your Book Made Into Film
Instructor: Writer/Producer Joel Eisenberg
Price: $45 USD Standard
Where: W.A.N.A. Digital Classroom
When: WEDNESDAY November 30th, 2016 1:00 PM E.S.T. to 3:00 P.M. EST

How do you cull the essence of your novel into a feature film? How do you expand your short story for a television series? Finally, when the written adaptation is complete, how do you navigate the Hollywood maze for real money and credits?

Joel Eisenberg has been there. As an independent producer of over 20 years, Joel has developed content or sold projects to networks such as TNT, CBS-Decades, FOX Studios, Ovation TV and more. As the former head of EMO Films at Paramount Studios, Joel is also a professional networker, having hosted entertainment network events at the Paramount lot, as well as Warner Brothers, Sunset-Gower Studios and more. His work has been featured in many media outlets, including CNN, The Wall Street Journal, The New York Times, NBC, The Los Angeles Times, TV Guide and even Fangoria.

Important Class for After NaNoWriMo! You might have a New Year’s Resolution to query a novel. Doesn’t matter. Treat yourself to an early Christmas present!

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS

Class Title: Pitch Perfect—How To Write a Query Letter & Synopsis that SELLS
Instructor: Kristen Lamb
Price: $45 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 2nd, 2015 7:00 PM E.S.T. to 9:00 P.M. EST

You’ve written a novel and now are faced with the two most terrifying challenges all writers face. The query and the synopsis.

Query letters can be daunting. How do you sell yourself? Your work? How can you stand apart without including glitter in your letter?

***NOTE: DO NOT PUT GLITTER IN YOUR QUERY.

Good question. We will cover that and more!

But sometimes the query is not enough.

Most writers would rather cut their wrists with a spork than be forced to write the dreaded…synopsis. Yet, this is a valuable skills all writers should learn. Synopses are often requested by agents and editors and it is tough not to feel the need to include every last little detail. Synopses are great for not only keeping your writing on track, but also for pitching your next book and your next to that agent of your choice.

This class will help you learn the fundamentals of writing a query letter and a synopsis. What you must include and what doesn’t belong.

So make your writing pitch perfect with these two skills!

Plotting for Dummies

Class Title: Plotting for Dummies
Instructor: Kristen Lamb
Price: $35 USD Standard
Where: W.A.N.A. Digital Classroom
When: SATURDAY December 3rd, 2016 2:30 PM E.S.T. to 4:30 P.M. EST

Are you tired of starting book after book only to lose steam and be unable to finish? Do you finish, but then keep getting rejected? Do you finish, but it takes an ungodly amount of time? Sure, great you land an agent for your book, but you don’t have FIVE YEARS to write the next one?

This class is here to help. The writers who are making an excellent income are not doing it off ONE book, rather they are harnessing the power of compounded sales. This class is designed to help you learn to plot leaner, meaner, faster and cleaner (even for PANTSERS!)

Learn the basic elements of plot, various plotting techniques, how to test your seed idea to see if it is even strong enough to be a novel and MORE!

Blogging for Authors

Class Title: Blogging for Authors
Instructor: Kristen Lamb
Price: $50 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 9th, 7:00 PM E.S.T. to 9:00 P.M. EST

Blogging is one of the most powerful forms of social media. Twitter could flitter and Facebook could fold but the blog will remain so long as we have an Internet. The blog has been going strong since the 90s and it’s one of the best ways to establish a brand and then harness the power of that brand to drive book sales.

The best part is, done properly, a blog plays to a writer’s strengths. Writers write.

The problem is too many writers don’t approach a blog properly and make all kinds of mistakes that eventually lead to blog abandonment. Many authors fail to understand that bloggers and author bloggers are two completely different creatures.

This class is going to cover:

How author blogs work. What’s the difference in a regular blog and an author blog?
What are the biggest mistakes/wastes of time?
How can you effectively harness the power of algorithms (no computer science degree required)?
What do you blog about? What topics will engage readers and help create a following?
How can you harness your author voice using a blog?
How can a blog can help you write leaner, meaner, faster and cleaner?
How do you keep energized years into your blogging journey?
How can a blog help you sell more books?
How can you cultivate a fan base of people who love your genre?
Blogging doesn’t have to be hard. This class will help you simplify your blog and make it one of the most enjoyable aspects of your writing career.

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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48 Comments

Your Novel as a Movie Part 2—Writing Novels that Translate Well Into Film

screen-shot-2016-11-16-at-9-42-47-am

Last Friday I introduced my movie producer friend Joel Eisenberg who has been generous enough to teach a class for me over at WANA International (and yes the recording comes with it for free if you cannot make the class). This is an important class to have. Why?

The entertainment industry is booming right now, namely because audience demands are higher than they have ever been in human history.

Big screen, small screen, smartphone screen, YouTube and countless niche cable channels are all looking for that next big thing.

Filmmakers have always looked to books for inspiration, but let’s face it. The pace at which they could make a movie thirty (or even twenty) years ago made it where they could only handpick a select few to put on screen. CGI was in its infancy and computers were not part of the filmmaking process making the movie business a very expensive one to run. This meant they had to choose far more carefully and were not as eager to take risks.

Additionally, we had only a handful of major networks (y’all remember Thorn Birds taking up a whole week on television?) and the cable networks were really only there to regurgitate whatever had once been a major motion picture. HBO played the same movies over and over and….over (a big reason I have seen Stripes 978 times). They weren’t yet into creating their own series.

Thus, there are now a ton of opportunities for writers who understand the industry (ergo the class I begged Joel to do) and also who understand how to write in ways that will naturally translate well into film.

Thus the tips I am offering today really have to do with solid writing. Sure this helps if we ever want our stuff to be made into a movie, but it also makes for a solid novel as well.

Thinking and Waxing Rhapsodic Falls Flat

Literary fiction that does a ton of internalization is really difficult to put on film. The lack of clear external problems and a lot of navel-gazing just isn’t going to make a good movie wide audiences will enjoy. Sure Melancholia was hailed for its cinematic brilliance (the actual film shots) but I wanted all the characters to die badly twenty minutes in because they were utterly self-absorbed and unlikable. It was a snooze-fest of whining and bitching and yeah I guess I am a troglodyte that doesn’t “get” art and I can live with that.

When we pick up a book and a character is doing a lot of thinking, emoting, and more thinking? We just start to drift off. Most of us don’t like people who do nothing but think about themselves/problems in life. We sure don’t want to read a book or watch a movie with these kinds of folks.

The best character-driven stories need true external conflict (I.e. As Good as It Gets). The story (crucible) is what is going to highlight the talent of the actor. Problems show growth and evolution.

Otherwise we end up with Gwen Stefani’s terrible acting. This music video is three and a half minutes of watching her make constipated sad faces. Ohhhh-kay.

Thus our story has to be capable of more than constipated sad faces if put on film.

We Must Root for the Protagonist

Sometimes we might hear a teacher say that we (the audience) need a likable protagonist. Yeah, no. Never said that. Said we must root for the protagonist and in fact one of the trends I am seeing is the trend of horrible people. We (audiences) have matured beyond rooting for the guy/gal with the white hat. We like gritty horrible people who make us question ourselves.

I think it’s because, in life, we know life ain’t all black and white and good people sometimes do some pretty awful stuff. Additionally, damaged people are interesting. The old television series where father always knew best were good for their time, but they just don’t hold water today because we know life is not that simple. People are not that simple and people who are that simple don’t make interesting stories.

Filmmakers LOVE the multi-dimensional and ever HORRIBLE character…because AUDIENCES love them.

Look at the fiction that has exploded and have been or are about to be made into movies/series: Gone Girl, Luckiest Girl Alive, Girl on a Train, Girl with the Dragon Tattoo, Big Little Lies, Game of Thrones.

This said, gritty and dimensional characters are in demand. If you don’t write characters like this that is fine, but remember that we want 15 hours of film to watch a character grow. Harry Bosch is a good guy but he has a crap ton of emotional baggage. His mother was a murdered prostitute who the system forgot. He didn’t grow up with a white picket fence and a dog and a life that was sunshine and rainbows. He drinks. He has anger issues and he is always in trouble because he resents the system he works for.

But remember we need to root for the character and this is done any number of ways.

The Big Baddy is Badder

In Chronicles of Riddick Riddick is NOT a nice guy, but when compared to the Necromongers who are dismantling planets and enslaving the population? He ain’t all that bad.

In Luckiest Girl Alive (optioned for film) Tif-Ani is a truly awful person, but she is very, very damaged and when compared to those who have done this damage? Her actual heart of gold shines through.

They Have a Sympathetic REASON for Why They Are How They Are

screen-shot-2016-11-16-at-9-33-23-am

Again, Luckiest Girl Alive is a superlative example but I don’t want to ruin it so seriously read the book. For an example in film, we go to The Girl on the Train.

The protagonist is a raging alcoholic. She is bitter and angry and self-destructive. She drinks until she blacks out and that creates problems…BIG problems. Then she lies to cover up her failures. She is conflicted—the person she is trying to be (sober) versus the person she ends up being despite her best efforts (drunk).

She has very sympathetic reasons for why she is that way and this is what terrifies the reader/movie audience. Because the way it is written, we all take a breath and know that under the right circumstances, that could be us. Strip enough of us away, lay our world in ruins and we, too might be that drunk asleep on a park bench. Good stories draw us in because they promise to show us what terrifies us.

Rachels’ flaws shine a light on the dark places of US, the places we fear to go, the places we fear we could go.

But this is also why we root for her. We want her to win. We want her to be sober because if there is hope for her, there is hope for us.

One of the best books I’ve read in ages and is now a foreign film is A Man Called OveOve is a curmudgeon. He is litigious and angry but this story will expose your heart, lay it bare and make you cry and know what it is to be human. This would never have happened with a “likable” character.

Ove is interesting because we all see a little bit of him in ourselves or those we know and love.

They Do Bad Things for Good Reasons

screen-shot-2016-11-16-at-9-35-55-am

Game of Thrones is all about this. In one episode we are screaming at the television wanting X character to die and the next episode we are rooting for that same character to win. Cersei Lannister is a terrible, horrible, awful and probably irredeemable character…but she does what she does because she is a mother and will do ANYTHING for her children.

And frankly, you know you cheered when she leveled half the city and took out the High Sparrow in last season’s finale.

In Breaking Bad, Walter White doesn’t one day go, “You know what? I am going to enter the world of crime!” No he is a struggling high school chemistry teacher who takes to making and selling meth in order to secure his family’s financial future when he finds out he has terminal cancer. Do we agree with his decisions? Probably not, but they make for fascinating film.

Never Write for the Market

I hear this all the time and, my POV? It is terrible advice. Or at the least incomplete advice. If you are only writing about vampires because vampires are selling and frankly you hate supernatural stories and really want to write cupcake bakery mysteries? Then don’t write vampires. It isn’t your passion and that will show through and make for a blah book (and then forget about film optioning).

But then I also see the converse side of this where writers are writing what THEY love…and only entertaining themselves. They aren’t reaching out and serving the audience and so we just feel like unwanted guests on this writer’s personal holodeck.

Remember we (writers) are in the entertainment business. Business is the other half of that word and business is about supply and demand and we are wise to study what is in demand and give it to them.

And there is no reason we can’t get super creative on this. The same but different. Offer up something audiences didn’t know they wanted until they saw it. But even in those cases? If we look, the hallmarks of great story were still there. Writing a novel in second person is just being pretentious. Writing a fantasy series with a young boy as the protagonist (Harry Potter)? That is genuine risk-taking.

What are your thoughts? What are some of the best risks you have seen filmmakers take on? What were some one that fell flat?

I love hearing from you!

And to prove it and show my love, for the month of NOVEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

TREAT YOURSELF!!!! Check out the Upcoming Classes

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it because the holidays are crazy? No excuses! Take time to be good to yourself! All you need is an internet connection!

How to Get Your Book Made Into Film

Class Title: How to Get Your Book Made Into Film
Instructor: Writer/Producer Joel Eisenberg
Price: $45 USD Standard
Where: W.A.N.A. Digital Classroom
When: WEDNESDAY November 30th, 2016 1:00 PM E.S.T. to 3:00 P.M. EST

How do you cull the essence of your novel into a feature film? How do you expand your short story for a television series? Finally, when the written adaptation is complete, how do you navigate the Hollywood maze for real money and credits?

Joel Eisenberg has been there. As an independent producer of over 20 years, Joel has developed content or sold projects to networks such as TNT, CBS-Decades, FOX Studios, Ovation TV and more. As the former head of EMO Films at Paramount Studios, Joel is also a professional networker, having hosted entertainment network events at the Paramount lot, as well as Warner Brothers, Sunset-Gower Studios and more. His work has been featured in many media outlets, including CNN, The Wall Street Journal, The New York Times, NBC, The Los Angeles Times, TV Guide and even Fangoria.

Important Class for After NaNoWriMo! You might have a New Year’s Resolution to query a novel. Doesn’t matter. Treat yourself to an early Christmas present!

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS

Class Title: Pitch Perfect—How To Write a Query Letter & Synopsis that SELLS
Instructor: Kristen Lamb
Price: $45 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 2nd, 2015 7:00 PM E.S.T. to 9:00 P.M. EST

You’ve written a novel and now are faced with the two most terrifying challenges all writers face. The query and the synopsis.

Query letters can be daunting. How do you sell yourself? Your work? How can you stand apart without including glitter in your letter?

***NOTE: DO NOT PUT GLITTER IN YOUR QUERY.

Good question. We will cover that and more!

But sometimes the query is not enough.

Most writers would rather cut their wrists with a spork than be forced to write the dreaded…synopsis. Yet, this is a valuable skills all writers should learn. Synopses are often requested by agents and editors and it is tough not to feel the need to include every last little detail. Synopses are great for not only keeping your writing on track, but also for pitching your next book and your next to that agent of your choice.

This class will help you learn the fundamentals of writing a query letter and a synopsis. What you must include and what doesn’t belong.

So make your writing pitch perfect with these two skills!

Plotting for Dummies

Class Title: Plotting for Dummies
Instructor: Kristen Lamb
Price: $35 USD Standard
Where: W.A.N.A. Digital Classroom
When: SATURDAY December 3rd, 2016 2:30 PM E.S.T. to 4:30 P.M. EST

Are you tired of starting book after book only to lose steam and be unable to finish? Do you finish, but then keep getting rejected? Do you finish, but it takes an ungodly amount of time? Sure, great you land an agent for your book, but you don’t have FIVE YEARS to write the next one?

This class is here to help. The writers who are making an excellent income are not doing it off ONE book, rather they are harnessing the power of compounded sales. This class is designed to help you learn to plot leaner, meaner, faster and cleaner (even for PANTSERS!)

Learn the basic elements of plot, various plotting techniques, how to test your seed idea to see if it is even strong enough to be a novel and MORE!

Blogging for Authors

Class Title: Blogging for Authors
Instructor: Kristen Lamb
Price: $50 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 9th, 7:00 PM E.S.T. to 9:00 P.M. EST

Blogging is one of the most powerful forms of social media. Twitter could flitter and Facebook could fold but the blog will remain so long as we have an Internet. The blog has been going strong since the 90s and it’s one of the best ways to establish a brand and then harness the power of that brand to drive book sales.

The best part is, done properly, a blog plays to a writer’s strengths. Writers write.

The problem is too many writers don’t approach a blog properly and make all kinds of mistakes that eventually lead to blog abandonment. Many authors fail to understand that bloggers and author bloggers are two completely different creatures.

This class is going to cover:

How author blogs work. What’s the difference in a regular blog and an author blog?
What are the biggest mistakes/wastes of time?
How can you effectively harness the power of algorithms (no computer science degree required)?
What do you blog about? What topics will engage readers and help create a following?
How can you harness your author voice using a blog?
How can a blog can help you write leaner, meaner, faster and cleaner?
How do you keep energized years into your blogging journey?
How can a blog help you sell more books?
How can you cultivate a fan base of people who love your genre?
Blogging doesn’t have to be hard. This class will help you simplify your blog and make it one of the most enjoyable aspects of your writing career.

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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20 Comments

Your Novel as a MOVIE? Not as Far-Fetched as One Might Imagine

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Last week when I was in Los Angeles I had the great pleasure of meeting with a long-time friend and supporter of mine, Hollywood producer Joel Eisenberg  and he taught a fantastic class at the Writers’ Digest Conference about how to get your book made into film, whether on TV or the big screen. I begged him to teach that same class to you guys and since he is kind and generous and an all-round amazing human being, he agreed.

So why is it that I stalked a Hollywood producer to teach this class? Because we are in exciting times to be a writer.

I like making industry predictions and thus far I have been pretty spot on and I hope that’s the case here, too. Technology has completely altered our world. We have not seen such drastic change in human civilization since the invention of the Gutenberg Press. Technology has plowed over the old and ushered in something entirely new.

We’ve seen the fall of traditional media and the rise of on-line media. Instead of people reading the newspaper in the morning, they scroll their news feeds on social media outlets. They go to their favorite blogs.

Instead of a handful of fashion elites being able to pick and cultivate the next Super Model, fashion is becoming far more democratic. Instagram is producing our cover models, not modeling agencies. Women are flocking to blogs and Instagram and Pinterest for beauty and fashion instead of the glossy magazines they once subscribed to.

We’ve seen the Big Six dwindle to the less impressive Big Five. Borders is dead and Barnes & Noble isn’t far behind. Even if B & N doesn’t go under, they certainly aren’t crouching on every corner like they used to. This means physical point of sales locations are fewer than ever before (though I wouldn’t fret because I think the bookstore will come back in a big way, just reinvented).

A large part of why NY has suffered is they forgot they were in the story and information business, not the paper business. They needed to cater to readers (consumers) not distributors. Amazon understood that and it’s why they’ve become a juggernaut. Strangely? The same phenomenon is happening on the opposite coast…

Hollywood is Next

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I actually saw the beginnings of this about two years ago when Amazon produced the original series Bosch (based off Michael Connelly’s series about Detective Harry Bosch).

Realize, this isn’t thirty years ago where equipment and technology was so cost-prohibitive only a handful of mega-funded-few could be in the game. Technology has evened the production playing field (which is precisely what happened in publishing). Additionally, a handful of conglomerates no longer hold the monopoly on distribution (again, what happened in publishing).

But beyond this…

Hollywood has been doing a lot of what NY has been doing and for much the same reason. They have overhead. They have a lot of people on the payroll who won’t work for compliments and glitter. They have to make a profit and the best way to make a profit is to figure out what sells. How do they figure out what will sell? They look at what has already SOLD and then try to make an educated guess.

It isn’t personal. It’s a business.

The Michael Bay Effect

Hollywood makes most of its money off the first week a movie is released and off audiences then BUYING that movie and merchandising, etc. The problem is, that the audiences that watch the most movies, who are most likely to go to a movie over and over and over and then download that movie are young males.

This is how we have Transformers IX and Smurfs V.

This is what happens when Michael Bay gets a hold of stories and yes I am going to hell and you are too because you laughed😛 …

And the Michael Bay Effect is all well and good, but there are three problems:

Missing a Lot of Good Stories

Hollywood knows they can probably make money making another Transformers movie, but there are a lot of good scripts or novels that could be turned into scripts that get overlooked. It’s just too risky and that’s how we end up with another remake. They know they can make money on doing yet another rendition of Freaky Friday.

Small is the New Big

When I was growing up the quickest way to know an actor’s career was over was you saw him appear on television. It was a mark of failure. Today? That is no longer true and the best acting, the best stories are actually on the small screen. I think in the “old days” when we had a lot of human interaction and weren’t isolated from others as we are today we were happy with a 90 minute movie.

Today, I think we are seeing humans auto-correct. There is a primal need for human intimacy, one that technology has taken from us. The more connected we get the more isolated we’ve become.

We just don’t get the “realness” with 140 characters, a meme or yet another picture of cookies on Pinterest. We are lonely. We long for substance and 90 minute stories just are incapable of delivering the intimacy we seek.

It is why MILLIONS of people bond over Game of Thrones, The Walking Dead, West World, Mad Men, Breaking Bad and on and on. The small screen lets us connect to characters in a way that is very close to the experience os reading a novel. In a novel we spend an average of 15-20 hours with a storyline and characters, watching them struggle and fail but then triumph.

Now take a season of 15 episodes at an hour a piece…

15 hours🙂 .

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Niche Business is Good Business

How much money does a movie need to make to be successful? Well I am no expert but I think a good rule of thumb is if it makes more in sales than it did to create it? That’s a winner.

So if it only makes a million dollars, but it only took a half million to produce, that’s a good thing. And instead of banking the whole farm on one super-star-laden-CGI-encrusted-mega-movie, why not take the same budget and spread that over ten smaller endeavors and reach the forgotten niche audiences?

Most people love a good story but not all people want 90 minutes of robots in space. Robots in space are great, but there are massive audiences who are not being reached because no one is offering them content that resonates with them.

Hollywood has been on a continuing trend of being in the red and much of that has to do with their business model and the rise of independent films. Amazon sees that and is capitalizing. They aren’t banking on the movie being in theaters. They are creating excellent content to stream free with Amazon Prime and in doing this, they can offer a lot more shows far faster and with much more diversity.

They can take risks because they aren’t paying for Angelina Joile to be the star.

Go scroll your Prime and look at how many Original Amazon Productions are popping up. Even kids shows. Amazon is not only entertaining scripts that probably would have never gotten seen by Hollywood proper and they are also doing a lot of adaptations of novels. They are looking to BOOKS that will make great television.

Additionally, other more niche cable networks are looking at books and series for development. Joel’s fantasy series The Chronicles of Ara is currently in production and is being made into a miniseries by Ovation because it is the perfect content for their audience.

Entertainment is Bigger Business Than EVER

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Holly wood has always looked to books for inspiration (Hellooo? Harry Potter?). But this is a whole new level.

Audiences are consuming entertainment at unprecedented rates and Amazon knows that and they are cashing in.

I see them doing this at a rapidly accelerating pace as more and more content is streamed.

But? Hollywood isn’t out of it yet and where I am seeing innovation on that front is in the up-and-coming actors turned producer/director.

Reese Witherspoon and Nicole Kidman have adapted Big Little Lies for an HBO series. Resse Witherspoon has also optioned Luckiest Girl Alive and In a Dark Dark Wood and they are currently in development for major motion pictures.

Hollywood has always looked to books for movies, but now? There are a LOT more movies being made and a heck of a lot faster so the demand is only going to increase.

There is a long list of super successful films made off successful books: Gone Girl, The Martian, The Girl on the Train and all of this is to say that it is a really awesome time to be a writer. Whether it is Amazon looking for series material or hungry new producer/directors looking to make a name on Hollywood, or a cable channel wanting fresh stories, they are looking to books so why not yours?

Knowledge is power so I hope you will check out Joel’s class and next time we will talk about the actual writing and ways we can make our stories more appealing for film.

What are your thoughts? Are you addicted to series too? I find them to be far deeper and prefer them to movies. They give me time to really care about the characters. What are some of your favorite book to movie/TV adaptations?

I love hearing from you!

And to prove it and show my love, for the month of NOVEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

TREAT YOURSELF!!!! Check out the Upcoming Classes

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it because the holidays are crazy? No excuses! Take time to be good to yourself!

How to Get Your Book Made Into Film

Class Title: How to Get Your Book Made Into Film
Instructor: Writer/Producer Joel Eisenberg
Price: $45 USD Standard
Where: W.A.N.A. Digital Classroom
When: WEDNESDAY November 30th, 2016 1:00 PM E.S.T. to 3:00 P.M. EST

How do you cull the essence of your novel into a feature film? How do you expand your short story for a television series? Finally, when the written adaptation is complete, how do you navigate the Hollywood maze for real money and credits?

Joel Eisenberg has been there. As an independent producer of over 20 years, Joel has developed content or sold projects to networks such as TNT, CBS-Decades, FOX Studios, Ovation TV and more. As the former head of EMO Films at Paramount Studios, Joel is also a professional networker, having hosted entertainment network events at the Paramount lot, as well as Warner Brothers, Sunset-Gower Studios and more. His work has been featured in many media outlets, including CNN, The Wall Street Journal, The New York Times, NBC, The Los Angeles Times, TV Guide and even Fangoria.

Important Class for After NaNoWriMo! You might have a New Year’s Resolution to query a novel. Doesn’t matter. Treat yourself to an early Christmas present!

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS

Class Title: Pitch Perfect—How To Write a Query Letter & Synopsis that SELLS
Instructor: Kristen Lamb
Price: $45 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 2nd, 2015 7:00 PM E.S.T. to 9:00 P.M. EST

You’ve written a novel and now are faced with the two most terrifying challenges all writers face. The query and the synopsis.

Query letters can be daunting. How do you sell yourself? Your work? How can you stand apart without including glitter in your letter?

***NOTE: DO NOT PUT GLITTER IN YOUR QUERY.

Good question. We will cover that and more!

But sometimes the query is not enough.

Most writers would rather cut their wrists with a spork than be forced to write the dreaded…synopsis. Yet, this is a valuable skills all writers should learn. Synopses are often requested by agents and editors and it is tough not to feel the need to include every last little detail. Synopses are great for not only keeping your writing on track, but also for pitching your next book and your next to that agent of your choice.

This class will help you learn the fundamentals of writing a query letter and a synopsis. What you must include and what doesn’t belong.

So make your writing pitch perfect with these two skills!

Plotting for Dummies

Class Title: Plotting for Dummies
Instructor: Kristen Lamb
Price: $35 USD Standard
Where: W.A.N.A. Digital Classroom
When: SATURDAY December 3rd, 2016 2:30 PM E.S.T. to 4:30 P.M. EST

Are you tired of starting book after book only to lose steam and be unable to finish? Do you finish, but then keep getting rejected? Do you finish, but it takes an ungodly amount of time? Sure, great you land an agent for your book, but you don’t have FIVE YEARS to write the next one?

This class is here to help. The writers who are making an excellent income are not doing it off ONE book, rather they are harnessing the power of compounded sales. This class is designed to help you learn to plot leaner, meaner, faster and cleaner (even for PANTSERS!)

Learn the basic elements of plot, various plotting techniques, how to test your seed idea to see if it is even strong enough to be a novel and MORE!

Blogging for Authors

Class Title: Blogging for Authors
Instructor: Kristen Lamb
Price: $50 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 9th, 7:00 PM E.S.T. to 9:00 P.M. EST

Blogging is one of the most powerful forms of social media. Twitter could flitter and Facebook could fold but the blog will remain so long as we have an Internet. The blog has been going strong since the 90s and it’s one of the best ways to establish a brand and then harness the power of that brand to drive book sales.

The best part is, done properly, a blog plays to a writer’s strengths. Writers write.

The problem is too many writers don’t approach a blog properly and make all kinds of mistakes that eventually lead to blog abandonment. Many authors fail to understand that bloggers and author bloggers are two completely different creatures.

This class is going to cover:

How author blogs work. What’s the difference in a regular blog and an author blog?
What are the biggest mistakes/wastes of time?
How can you effectively harness the power of algorithms (no computer science degree required)?
What do you blog about? What topics will engage readers and help create a following?
How can you harness your author voice using a blog?
How can a blog can help you write leaner, meaner, faster and cleaner?
How do you keep energized years into your blogging journey?
How can a blog help you sell more books?
How can you cultivate a fan base of people who love your genre?
Blogging doesn’t have to be hard. This class will help you simplify your blog and make it one of the most enjoyable aspects of your writing career.

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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37 Comments

Slave to Perfection & The Dangers of Comparing Ourselves with Others

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Last night I watched the movie Bad Moms and it was a great movie. Brain candy. A lot of laughs. Nothing too deep…well, maybe a little deep. One of the areas the movie explored is how in this age we are all killing ourselves to reach some unreachable Photoshopped standard. The New Yorker even did a post called How Facebook Makes Us Unhappy which highlighted the growing problem of social comparison.

And I will admit that even I have to be careful. It is tough not to compare my size 12 middle-aged body to my friends who had a baby and instantly went back to a Size 2. It’s tough when I see pictures of a friend’s house and it looks like a Good Housekeeping spread and mine is covered in Cheeze-Its and a sticky film we have yet to explain.

I have elves.

But instead of Overly Responsible Greatest Generation Ever Elves the shoemaker got, I got the Bratty Entitled Millennial Elves who just want to watch streaming video when they aren’t making nachos or tipping over my neatly stacked towels…and wiping their sour cream covered hands on them.

Seriously, It is RIDICULOUS

I live in an apron. Even sitting at the computer. I write for an hour then get up and stretch by tidying. My mom even picked on me and said I had to make sure to never take off my apron because she might not recognize me.

ME, every frigging Monday.

ME, every frigging Monday.

And yet my home is so, so far from those pictured in Pinterest.

How I long to have a master bedroom that is a sanctuary (a.k.a. an “adult” bedroom). You know, the kind of room with blown glass vases of peonies and carefully arranged stacks of books that make me look super smart. Stuff that won the Pulitzer but in reality put me to sleep by page three.

My sheets are stuffed with crumbs and Legos and a dog that get’s super pissy when you try to make the bed.

I went on an organizing spree a year ago and found one of those doo-dads that hangs in your closets, like soft shelves (a.k.a. Poor Man’s California Closet). Anyway, I neatly folded all the scarves that had been taking up so much room in my dresser.

GO ME! I look like a real adult!

Until the cat climbed it, tossed the scarves on the floor (except the ones he kept for his new nest).

Shoot…me…now.

I don’t know. I remember being young and blaming all of this on being young. When I grew up, this would all be different and I would have my $#!& together but the hard truth is I think I very briefly did get my $#!& together back some time in 2011 then put it in a place I would remember where I put it…and now I can’t find it.

I struggle every day to recognize when I am being a lunatic. I only have so much to give and I need to be mindful where I put my energy because “Perfect” is the enemy of the good. “Perfect” will bash your self-esteem, wreck your relationships, and kill your dreams. No one can live up to perfect. And when we are trying to live up to perfect we are being crazy and us being crazy makes everyone around us a little crazy too.

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“Perfect” is an especially dangerous enemy these days in an era where we can use filters and tools to make life rose-colored all the time. That perfectly staged picture of a friend’s new living room set that makes your guts twist? Just be happy for her and secretly know that she probably screamed at all her kids to throw the laundry that had been on the couch for six days into the tub so she could get a picture…then used the Lo-Fi filter for extra pizazz (and to blur that weird stain that smells like chili into retro shadow).

#MyLifeSucksAndINeedLikesOnThisPicSoIDoNotBreakDown

I think that sometimes, if we back away and look at WHY many people are posting this stuff, it makes sense to lighten up on ourselves. We live in a world that expects us to be adults (Sucks, right? I know). But often the problem with being an adult is that somewhere people stopped believing we needed compliments and affirmation.

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If we do a great job at work, who cares? We are being paid. Our paycheck is supposed to be enough. We didn’t fire you, right? 

If the house is clean when our family gets home? There’s not a treat basket we get to reach in and get a cool unicorn pencil or kissing lips eraser and that is fundamentally WRONG.

#IWantPuffyStickers

My husband loves me whether I wear the same pair of pajamas for five days straight because it is NaNo or whether I dress up and often? He doesn’t even recognize the difference.

So if I hope to hear, “You look fantastic!” with any kind of enthusiasm? Yep. Facebook.

No one gives me a sticker that reads, “Your Kid is Alive Another Day! YOU ROCK!” or “You Remembered to Pay the Water BEFORE the City Turned It Off! GO YOU!”

And it can get really discouraging sometimes.

The same can happen in the world of writing.

Don’t compare your everyday life with another author’s “highlight reel.”

I read a crazy amount of books and it’s so easy to get discouraged with the What was I thinking? I suuuuck. I can’t wriiiiiite. But here is the deal, I am not downloading Michael Connelly’s first draft-as-audio-book onto my phone. I am listening to a finished product.

Even if our final draft isn’t as good as INSERT HERO AUTHOR HERE’s work, remember they probably didn’t start out writing that way. They had a learning curve too. Stephen King started writing as a kid. He’d written millions of words and countless stories before Carrie ever came along. Dean Koontz wrote under a pseudonym for years, books that for a long time he really didn’t even like laying claim to.

Natural talent is like a diamond. Found in the natural it looks like a hunk of glass. It takes a lot of chipping away and cutting and polishing before it is seen as anything of value.

So if you are doing NaNoWriMo, fantastic! But perfect is the enemy of the good. Many won’t finish because they just won’t frigging lighten up on themselves. Yes, the house will probably be messy and the kids sticky and wear shoes because I guarantee the cat will puke (in the middle of the night because cats cannot puke in sunlight or on anything but carpet).

Remember that anything on Facebook is often a “highlight reel” because we live in a world where we feel stretched thinner and thinner and often we feel invisible. We sometimes just need that GO YOU! And if we can see that is often what others are needing, then it is easier to stop comparing ourselves because we fed our kid Quick Trip donuts for breakfast instead of a gluten-free dairy-free fritatta with pine nuts off a recipe we saved on Pinterest.

So lighten up. Breathe. Have fun and give yourself a compliment today. Give someone else a compliment. Heck we all need it. In fact, here is a song to remind you…

What are your thoughts? Do you find yourself goofing off too much on social media because you really feel down and just need some affirmation? I do, too. We just need to make sure the short-term thrill isn’t stealing a long-term dream with longer-lasting rewards.

Do you feel burned out and stressed out and you deep down know you are doing it to yourself? That you are being ridiculous? Do you struggle with comparing yourself to your author heroes? Do you find yourself in the habit of perfectionism? Are you like me and harder on yourself than you are on others (which is no great prize because you are just a meth-fueled lunatic with yourself)?

I love hearing from you!

And to prove it and show my love, for the month of NOVEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly.

TREAT YOURSELF!!!! Check out the Upcoming Classes

Remember that ALL CLASSES come with a FREE RECORDING so you can listen over and over. So even if you can’t make it because the holidays are crazy? No excuses! Take time to be good to yourself!

Important Class for After NaNoWriMo! You might have a New Year’s Resolution to query a novel. Doesn’t matter. Treat yourself to an early Christmas present!

Pitch Perfect—How to Write a Query Letter & Synopsis that SELLS

Class Title: Pitch Perfect—How To Write a Query Letter & Synopsis that SELLS
Instructor: Kristen Lamb
Price: $45 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 2nd, 2015 7:00 PM E.S.T. to 9:00 P.M. EST

You’ve written a novel and now are faced with the two most terrifying challenges all writers face. The query and the synopsis.

Query letters can be daunting. How do you sell yourself? Your work? How can you stand apart without including glitter in your letter?

***NOTE: DO NOT PUT GLITTER IN YOUR QUERY.

Good question. We will cover that and more!

But sometimes the query is not enough.

Most writers would rather cut their wrists with a spork than be forced to write the dreaded…synopsis. Yet, this is a valuable skills all writers should learn. Synopses are often requested by agents and editors and it is tough not to feel the need to include every last little detail. Synopses are great for not only keeping your writing on track, but also for pitching your next book and your next to that agent of your choice.

This class will help you learn the fundamentals of writing a query letter and a synopsis. What you must include and what doesn’t belong.

So make your writing pitch perfect with these two skills!

Plotting for Dummies

Class Title: Plotting for Dummies
Instructor: Kristen Lamb
Price: $35 USD Standard
Where: W.A.N.A. Digital Classroom
When: SATURDAY December 3rd, 2016 2:30 PM E.S.T. to 4:30 P.M. EST

Are you tired of starting book after book only to lose steam and be unable to finish? Do you finish, but then keep getting rejected? Do you finish, but it takes an ungodly amount of time? Sure, great you land an agent for your book, but you don’t have FIVE YEARS to write the next one?

This class is here to help. The writers who are making an excellent income are not doing it off ONE book, rather they are harnessing the power of compounded sales. This class is designed to help you learn to plot leaner, meaner, faster and cleaner (even for PANTSERS!)

Learn the basic elements of plot, various plotting techniques, how to test your seed idea to see if it is even strong enough to be a novel and MORE!

Blogging for Authors

Class Title: Blogging for Authors
Instructor: Kristen Lamb
Price: $50 USD Standard
Where: W.A.N.A. Digital Classroom
When: FRIDAY December 9th, 7:00 PM E.S.T. to 9:00 P.M. EST

Blogging is one of the most powerful forms of social media. Twitter could flitter and Facebook could fold but the blog will remain so long as we have an Internet. The blog has been going strong since the 90s and it’s one of the best ways to establish a brand and then harness the power of that brand to drive book sales.

The best part is, done properly, a blog plays to a writer’s strengths. Writers write.

The problem is too many writers don’t approach a blog properly and make all kinds of mistakes that eventually lead to blog abandonment. Many authors fail to understand that bloggers and author bloggers are two completely different creatures.

This class is going to cover:

How author blogs work. What’s the difference in a regular blog and an author blog?
What are the biggest mistakes/wastes of time?
How can you effectively harness the power of algorithms (no computer science degree required)?
What do you blog about? What topics will engage readers and help create a following?
How can you harness your author voice using a blog?
How can a blog can help you write leaner, meaner, faster and cleaner?
How do you keep energized years into your blogging journey?
How can a blog help you sell more books?
How can you cultivate a fan base of people who love your genre?
Blogging doesn’t have to be hard. This class will help you simplify your blog and make it one of the most enjoyable aspects of your writing career.

 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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36 Comments

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