Today we are going to talk about platform. Platform, next to the actual writing, is simply THE most valuable asset we possess. Platform and content are the two things we control, and they are the largest determining factors as to whether or not we will have a successful writing career. Platforms offer us career stability and a foundation for a future.
What exactly IS platform?
So what is a platform? There are two sides to platform. First is the definition of our platform. What is unique about us or our writing that can be a determining factor in our content?
In Hollywood, the mantra is, “Give me the same…but different.” This should be our mantra in defining our platform. We need SOMETHING that defines us as a writer…but at the same time makes us stand out from all the others. Same but different.
Our platform definition is basically our image, and affects the way we will approach others. Think of it like how we dress. Do we approach people as the three-piece suit Power Point guy? All business and professional? Are we the D&D T-shirt video game guy, and we quote Blazing Saddles far more than is socially acceptable? Are we the seductive yet snarky diva who teaches about bringing out the inner muse? Defining platform goes a lot to adding to voice.
Just go read Bob Mayer’s blog…then pop over the Chuck Wendig. Both have amazing blogs, but very different voices and presentation. Both authors use their strong suits, and their personalities come screaming off the screen (in a good way).
I liken myself to Erma Bombeck meets technology. I strive to add a heavy dose of humor and common sense to all of my social media endeavors. I am using something unique to me; the ability to be funny…honed over 18 schools and countless Mean Girls whose sole mission in life was to make my life hell. Years of always being the new
target kid developed in me a strong defense mechanism. I learned to be funny. Kind of like peeing on yourself so no one eats you.
In my Blogging to Build Your Author Brand on-line classes, I run participants through a series of exercises to help them define their unique platform. We peel back the layers of fear and the defense mechanisms to reveal the best of what each writer has to offer. Why be a bad copy when you can be an awesome and original YOU?
Defining our platform is like putting together blueprints for a building. Are we a Frank Lloyd Wright writer? A Tuscan villa writer? A post-modern industrial writer? A ranch-style writer? We need to know what we are constructing first.
Anyway, once we have defined our platform, then we go about building our platform. This can be a simple presence in a blog or on FB…or, if you read my book WANA, it is a complex layering of all the major sites worked into an intricate lattice that is designed to grow with your career and withstand upsets in the industry or on social media. The WANA Method maximizes time on social media.
Good Platforms are Solid and Can Withstand Major Shifts in Technology and Trends
All platforms are comprised of content and exposure. How much content are you putting out there? What kind of materials (content) are you using? Are you cheaping out? Cutting corners? Or are you constructing something built to last? Are you showing up daily on the job site? Or, are you adding to your structure only when the mood strikes?
One blog every quarter and tweets about the weather is not a lot of useful content. Content makes up the beams to construct the platform. If we are putting out 2-5 quality blogs a week, that is like laying down solid beams of hardwood. If we don’t blog and only play with farm animals on FB, think of that like building our platform with leftover Popsicle sticks. Yeah, there is something “wooden-ish” there, but it sure as heck ain’t load-bearing.
This is the point of all that we are doing when on social media. We are creating a load-bearing structure using content and relationships. This is the platform that will hold our reputations, our public images and our futures. Do we want that made out of beams of African Teak or cheap particle board? The better a platform is constructed, the better chance it can withstand a major change.
Case in point…
MySpace is dead. It decided to commit digital suicide two weeks after WANA released (feel free to ignore all ten pages that talk about MySpace). But this illustrates a good point about how my approach to social media is different. WANA methods focus on people, not gizmos.
At the time We Are Not Alone came out, I already had a HUGE presence on MySpace. But, because I had built my platform the way I teach you guys, I was able to keep most of my followers as tastes changed in favor of FB and Twitter. How? My platform was solid and founded on people, not technology. Technology changes, but people are timeless.
When MySpace went crazy, my platform remained intact. Members of my MySpace platform could easily find me on FB as they
abandoned ship transitioned. And, the even better part was that I made enough of an impression that they WANTED to find me. That is awesome no matter how you look at it :D.
I teach you guys how to do the same. There is no guarantee that Facebook will be here next year. Twitter could turn cannibalistic and devour itself one tweep at a time. We don’t know where the technology goes or how it will change, but we DO know that people are awesome and they long to connect and be part of a community. This is the key reason that platforms created on technology are so high-maintenance and vulnerable to change (implosion). They are founded on shifting sands of gizmos, not the timeless nature of humans.
So now that you agree that platforms need to be built on relationships, let’s look a little closer. Platform gives us a number of advantages.
The Six Degrees of Separation
As society advances, we have more and more choices and are inundated with information. People tend to pull in to what and who they know. Actively participating on social media is like rolling dice. The more times you roll, the greater chances you have for being successful and opening that ONE door that changes your career forever.
Platform Gives Us Options
Too many writers are out there betting on that ONE thing to come through…an agent will represent them then NY will offer them a deal. Nothing wrong with that, but it can make us crazy in the meantime. To be blunt, an author with no social media presence and only a manuscript has limited options.
Yet, if we have a large platform, our options improve. We can indie publish or self-publish other works until an agent bites. We can take an unconventional path to publication. Four years ago, no agent would rep me. There was no market for a social media book. So, because I had a platform, I could indie publish with WDW Publishing. WANA (and probably divine intervention) landed me one of the top agents in the world.
Platforms Make Us Desirable
A strong platform gives us the luxury of being picky. Platform makes us the pretty girl that every guy wants to marry. We can stay single and break all their hearts if we want to, or we can settle down. But the best news is that we don’t have to settle for the first offer that comes our way.
Amanda Hocking, H.P. Mallory, and John Locke didn’t have to chase the first agent that smiled at them. They had a lot to offer any agent/publisher, so they were able to use their platforms (books and sales eventually are part of our platforms) to broker sweeter deals. Platforms can be viewed as a time suck, or they can be viewed as a way to improve our marketability. Writers have more power and control over their careers than ever before. Opportunity often comes wearing overalls; it’s why most people miss it.
What are some tactics you guys use to grow your platform? Any suggestions? Thoughts? What are your biggest challenges? Share!
And to prove it and show my love, for the month of November, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.
I will pick a winner every week for a critique of your first five pages. At the end of November I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!
I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books!
This Week’s Mash-Up of Awesomeness
DeKloutifying by John Scalzi. HILARIOUS and YES!!!!
What NOT to Blog About by Literary Agent Rachelle Gardner
Learn to Fail Aggressively by Nationally Best-Selling Author James Scott Bell
Cool interview. Author Kait Nolan talks Werewolves
Enough Already! Self-Promotion Madness by Roni Loren
Why You Need Extra Eyes by Tawna Fenske
Make sure you check out Porter Anderson’s Writing on the Ether to keep up with the latest and greatest trends in publishing.
Also, Jane Friedman is an EXCELLENT resource for all writers, but especially the digital author.
Excellent article in the Wall Street Journal. Penguin Publishing launches a self-publishing division
In my “free time” I am running for Vice President of the Free World. Piper Bayard and I launch our blog tour over at More Cowbell because, seriously…the White House needs more cowbell.