In the beginning of my Enemies of the Art series, we discussed Psychic Vampires. Psychic Vampires are all around us, and likely, we will never be rid of them. PVs are most likely to show up at a number of critical junctures. They sense the energy shift, and since that energy is no longer all about them, they will fight tooth-and-nail to bring balance to The Force (of Manipulation).
While many of my posts are directed toward writers, most people have these same issues. If we don’t learn how to guard against and handle PVs, we will always be their victims. Psychic Vampires will always feel renewed and refreshed, namely because they just sucked the life out of their victims (us).
Psychic Vampires abound in the arts, and they’re also prevalent in many writing groups. They are vamps dressed in writer clothing. Often they are so self-absorbed they can’t even see the reality of what they are.
This is why confronting PVs is almost always fruitless and will simply lead to conflict that only further feeds them at our expense. Our best option is to be able to spot them, then ignore them or RUN.
Beware the Psychic Vampire Critique Partner
I wish I could give all of you a nice, easy website to find healthy, professional critique partners, but unfortunately those don’t exist. We will have to trust, then use trial and error, then set tough boundaries. Some CPs will make it, but likely most will not.
Too many writers get into this business for the wrong reasons. They really aren’t interested in the life of a professional and just enjoy “playing author.” Writing is for attention and ego-stroking. Their goals are about THEM and this means anyone on board with them will go the wrong direction.
They will keep steering the ship the wrong way…toward the rocks.
Some PVCPs are touchy, sensitive and unwilling to learn and grow. Mistakenly, they believe that their art is just genetically coded into their DNA and that any feedback is just trying to sabotage their “art.”
If you have a critique partner who refuses to listen to honest feedback. If she is touchy and oversensitive? Move on. You won’t grow. You’ll spend too much time propping up an ego that can never get enough propping up. The PV will be a continual vortex of need and if you don’t jump ship while you can? Expect to crash on the rocks with them.
This writer won’t make it unless she changes, and if you’re enabling her to be a PVCP, why should she?
We Are Who We Hang Around
I cannot recommend attending writing conferences enough. Yes, even WANACon counts. The reason? These writers have invested cold hard cash into getting better. When we forge relationships with writers who are professional or stronger, we grow. Water will always find its level, so make sure you’re rising, not sinking. Habits are contagious. This is one of the reasons I cannot recommend joining an RWA chapter enough (even if you don’t write romance).
RWA is full of professionals who work their tails off and understand craft and the business. As iron sharpens iron, so one man sharpens the other. Refuse to be in a place that dulls your creative edges.
PVCPs Waste Valuable Time
I’ve been in critique relationships where the other person never learned to think for themselves. Why bother reading Story Engineering, The Writer’s Journey, Hooked, Save the Cat or Plot & Structure when we can get Kristen to so all our thinking/plotting for us?
I recall two members of a critique group who attended every week with their crappy writing to be critiqued. Instead of learning, they just barfed down junk on a page and let the group “fix” it. Odd thing was, after over a year of enduring the world’s worst writing, nothing changed. When these individuals self-published? NONE of the writing had changed.
This ticked me off. How many hours had we dedicated to helping, when the writer had zero intention of listening? The critique wasn’t a place to grow; rather, it was a captive audience who had to listen to their dreadful “story” vomit.
Most of us are short on time. We often have day jobs, kids, chores, bills and we have to do social media and MOST IMPORTANTLY we need to be writing more books and better books. It’s easier to tread water if we aren’t dragging a PVCP anchor around our necks.
The PVCP Test
1. Is the writer touchy. Does she want every bit of feedback to be handed with a box of chocolates?
2. Does she attend regularly? Or does she always have an excuse of why she can’t be there—great-nephew’s birthday party, helping a friend’s garage sale, washing her hair?
3. Does the writer actually READ? Does she read fiction and LOVE storytelling? I’ve met writers who claimed they wanted to be NYTBSAs, but said things like, “Well, I just don’t like to/have time to read.” Reading is FUNDAMENTAL to what we do. A writer who doesn’t read is like a musician who doesn’t listen to music. TIME WASTER.
4. Does the person give back? Critique partners should be partners. I’ve had writers who took and took for months. They wanted me to plot, then re-plot, then they had a new and BETTER idea they needed “help” plotting. Never once did it occur to them, that we hadn’t talked about my book in months.
5. Does this person ever grow? Or do they keep making the same newbie errors over and over? If they are? They aren’t listening, so move on. This is a PVCP. RUN.
What are your thoughts? Have you been the victim of a PVCP? What did you do? How did you handle it? What are your horror stories? How did you stake the PVCP? What might be some other ways to spot a PVCP? What might be some good resources for finding a good CP? I recommend trying http://www.WANAtribe.com, join RWA or attend conferences. But, maybe you guys have some better suggestions!
BTW, Image number two courtesy of best movie ever Army of Darkness.
I love hearing from you!
To prove it and show my love, for the month of March, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.
I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).
And also, winners have a limited time to claim the prize, because what’s happening is there are actually quite a few people who never claim the critique, so I never know if the spam folder ate it or to look for it and then people miss out. I will also give my corporate e-mail to insure we connect and I will only have a week to return the 20 page edit.
At the end of March I will pick a winner for the monthly prize. Good luck!