Making Story MAGIC—How To Bring the Elements All Together

Original image via Flickr Creative Commons courtesy of Sodanie Chea

Original image via Flickr Creative Commons courtesy of Sodanie Chea

I love to think of myself as having a special eye for talent, and when I find gems like Angela Ackerman and Becca Puglisi, it just makes a gal go “SQUEEEE!” I’ve been following these ladies for a loooong time since they were relatively new in their careers.

These days?

Back up because they are a powerhouse and they offer up some of the most excellent writing instruction in the business. They are the authors of the legendary Emotion Thesaurus which eventually gave rise to stacks of other writing tools (I recommend and use them ALL) and now they are launching something truly special.

And, since they are rockstars, they have given me, the W.A.N.A. Mama a very cool deal to share with you guys at the end of this post. This is HUGE! This is the new state-of -the-art-site every writer needs. One place for all the tools we use, and Becca is here to tell us some more about how One Stop will help you reach your dreams and how to get it. You need this. You deserve it. NaNo is coming. You will thank me later ;) .

But, the best editors will always say, show don’t tell so this isn’t simply a sales pitch. Becca is here to talk about how story elements must work together and then use that to introduce how One Stop helps make that happen (and then the super sweet deal) …

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Take it away Becca!


When it comes to writing a successful story, people tend to think in terms of two elements: plot and characters. Obviously, these are incredibly important, and if you want to write a story that readers will appreciate, you’ve got to get these two pieces right.

But there’s so much more to a good story: setting, symbolism, theme, emotion, voice. And as important as it is to do all of these things well, it’s just as important that they fit together.

Look at The Lord of the Rings trilogy. Characterization is a huge part of this story—particularly for the hobbits. The opening scene is Bilbo’s birthday party, and we see right off that hobbits in general are fun-loving, laidback foodie types who like their tankards almost as much as their pipes.

But it’s difficult to define this people-group without also referencing The Shire.

Their passion for this place, their organic connection to the hills and rivers and trees: Tolkien didn’t just pick a setting out of thin air. He created one that fits with the characters like a missing puzzle piece. The characters and the setting go hand in hand; you can’t imagine one without the other.

Which is why, when evil arrives, Frodo’s decision to take it far away and preserve the Shire is a no-brainer.

I find it interesting that the symbol for evil is a gold ring: something that really has nothing in common with the hobbits or their home. They’re simple people; yes they have whole rooms devoted to clothes and they’re proud of their residences, but gold and silver and coins aren’t a huge deal to them.

Tolkien could have used anything to represent evil in his story, but he chose something that had nothing whatsoever to do with The Shire. In doing so, he showed the Shire’s goodness and wholesomeness and the need for its preservation.

I could go on about other writing elements and how they all fit together to make a beautiful, resonant whole, but I think you get the picture. Very likely, none of us are present-day Tolkiens, but his work is the perfect study for how various elements aren’t only successful in isolation; they’re amazing in the way that they work together.

So how do we do accomplish this in our own writing?

Choose Thoughtfully

When it comes to the various elements of a story, it’s tempting to go with the things that excite us as writers: settings we’ve visited, character traits that we embrace, symbolic trinkets and knickknacks that speak to us. And while those things may work, they probably won’t be the best choices for our stories. When it comes to any writing element, don’t choose randomly. Ask yourself: What makes sense for my character and the story? This is the way to make sure that the elements you choose are the best possible fit.

Start With Characterization

I know, I know. Not every author or story is character-driven. But if you’re looking for ways to tie your elements together, the main character is a good starting point.

For instance, let’s say you’re trying to figure out the setting for an important scene. You could just pick one at random—a restaurant, the school cafeteria, an old barn, etc.—but your scene will have more impact if the setting ties in with your character.

Narrow down the virtually endless set of options by asking these questions: What locations have special significance for my character? What setting is emotionally charged for him or her? By choosing a setting to which your character is already connected, it comes with the potential for tension and high emotion—both of which are good for sustaining reader interest and building empathy.

Symbolism is another element that can be tied to characterization for added effect. In Great Expectations, the stopped clocks in Miss Havisham’s house symbolize her abandonment at the altar—the moment when her life essentially stopped.

Dickens didn’t choose a random, external object for this; he chose a specific time, down to the minute—an intensely personal symbol to represent the most formative event from Miss Havisham’s past. This is a great example of how choosing symbols that are personal to the character can add oomph to a story.

Know Your Characters Well

If you want to bring all the story elements together and you’d like to use a character as the centerpiece, it’s imperative that you know that character well. You don’t have to know every little thing about her; but you do need to have a clear understanding of the important parts of her past so you’ll know not only the kind of person she is in your current story, but also what objects, settings, ideas, and events are going to move her.

For a number of resources on building and understanding your character’s backstory, check out the Writers Helping Writers Tools page.

Bringing all of these elements together can seem daunting. But if you start with a solid working knowledge of your character’s backstory and who he or she is today, you’ll be able to move forward from there.

Once you’ve got that basic knowledge down and you’re ready to bring it all together, you might consider visiting One Stop For Writers. This new online library, dreamed up by Angela Ackerman, Lee Powell (creator of Scrivener for Windows) and me, is full of one-of-a-kind resources to help with various aspects of storytelling.

Its unique thesaurus collection covers symbolism, character traits, emotions, physical features, settings, and more—and it’s all cross-referenced and searchable, making it easier to tie all of these pieces together in a way that makes sense for your story and will resonate with your readers.

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Most of us probably don’t aspire to be the next Tolkien or Dickens. But that doesn’t mean we can’t learn from their brilliance. Know your characters well. Choose your elements thoughtfully, and whenever possible, tie them in with your character and your story. If you can do these things, your work will be much tighter and will ring true with readers, which hopefully will lead to more people finishing your books and spreading the word about their new favorite author.


All right, so last time we talked about channeling that inner Bad Girl (yes, this works for the guys, too :P ). No more Mr. Nice Guy. Take some time for yourself. You are important. Your writing is important and people like Becca, Angela and I have worked hard to give you what you need. Now, all you have to do, Sunshine is suck it up and WRITER UP! Give it a try!

Curious about One Stop For Writers? Register to check out the free version and get an idea of what it’s all about, OR take advantage of this sweet launch-week deal: 50% off any first-time subscriber plan—1 month, 6 months, or 1 full year. This deal is only available until October 14th, (6:30 PM EST), so if you’re interested, shake a tail feather and get on over to Writers Helping Writers for all the juicy details.


Author, Blogger, Coach Begga Puglisi

Author, Blogger, Coach Becca Puglisi

Becca Puglisi is a speaker, writing coach, and bestselling author of The Emotion Thesaurus. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via her newest endeavor: One Stop For Writers—a powerhouse online library like no other, filled with description and brainstorming tools to help writers elevate their storytelling. You can find Becca online at both of these spots, as well as on Facebook and Twitter.



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Good Girls Don’t Become Best-Sellers—Channeling Your Inner “Bad Girl” to Reach Your Dreams


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I am currently reading Kate White’s I Shouldn’t Be Telling You This: Success Secrets Every Gutsy Girl Should Know. There are bad books, okay books, good books and great books. But there is another kind of book and it’s the rarest.

The game-changer.

White has a witty, sassy style. She is seamlessly intelligent and down-to-earth in her fiction. And guess what? Her nonfiction delivers more of the same.

I’ve never recommended a book I haven’t finished, but this one has me far too excited. Even if Ms. White devolves into dirty limericks for the rest of the book? I still feel I have spent my money well. There are some points she makes which I feel are especially poignant and applicable to writers.

Part of the reason I’m referring to her book in this blog (even though I’m not yet finished) is that I might just chicken out unless I jump in. I have come to the conclusion that…

Good Girls Don’t Become Best-Sellers

Before you throw digital knives at me, please hear me out. I’ve been doing this social media thing since MySpace was big. I have three books under my belt, 900 blogs, and thousands of hours of teaching. So I’ve been around long enough to at least make a very unscientific study of human behavior and I can tell you that men almost always have the advantage in the new publishing paradigm. They have the edge for the same reasons they gain the advantage in the workplace.

Those lessons our mothers and grandmothers passed on could be the very behaviors that have us standing in our own way. I feel this is particularly true for the writing profession since it is largely comprised of women over 30.

Women over 30 have lived long enough to see this world change more than it ever has in the entire course of human history. Who would have imagined we’d say things like, “I want a picture. Hold on while I get my phone!”

We were born into a world where women became nurses, not doctors and now we are finding our way in a world where a woman can finally be bold enough to run for president (not vice-president).

Many of the writers I work with believe they are struggling with branding because of the technology, but I don’t agree. I think women are finally in a position where we must choose. It is live or die. If we listen to our rearing we will lose and lose BIG.

We don’t like the new paradigm because we can’t hide behind an agent and wait meekly for outside approval. The new publishing paradigm lands us smack dab in the place we are most terrified.

What I am going to address can help the men (the “Nice Guys”) and it does apply to younger women. But us older gals? I could kick myself for not seeing this earlier and it figures it would take a former Editor in Chief of Cosmopolitan Magazine to help me see the light. I’m going riff with some of the ideas presented in Ms. White’s book and apply them to women in the world of publishing. We are taught to be Good Girls and is this having a devastating impact on our careers.

Then, since I hate whining and love solutions, we will throw out the rule books and explore what it is to be a “Bad Girl.”

#1 Good Girls Are Modest

It is unbecoming to brag, so we are modest and humble and we are shooting ourselves in the foot.

In the corporate world, men are more likely to own their accomplishments, whereas women tend to minimize their achievements. To paraphrase White:

If a man has four years of college French, he has no problem stating he is fluent. Women, on the other hand, will downplay their abilities. We say we have a “conversational grasp” of the language.

When it comes to writing, the second a man even starts a novel, he has business cards with “Author” as his title and he is securing a website. Women, on the other hand? Let’s pause that thought for a little test.

How many of you are aspiring writers? Raise your hand. No one will see.

Now, use that hand to smack yourself soundly and never call yourself that again.

Writers write. There is no try. There is no aspire. Aspiring is for wimps. It takes guts and blood to be a writer.

No one will take us seriously unless we do it first.

#2 Good Girls Need Permission

I cannot count how many writers (usually female) have written a novel, numerous novels and yet still refer to themselves as “aspiring writers.” They are waiting for permission to even use the title even though they have a blog and have written hundreds of thousands of words.

Men don’t do this. At least not in the same numbers. I can attest to that. I’ve met men whose writing was so bad they should have been banned from downloading Word until they took some grammar classes, but that didn’t stop them from having a marketing plan or hiring a PR person. They don’t hesitate to secure a domain, build a blog, or hire the best person to design their cover and if they can’t get an agent? They are more likely to self-publish without needing outside approval to do so.

#3 Good Girls Don’t Have Desires

So many of us gals are afraid to want something. Why is it so hard for us to admit we want something? To claim a certain life? Why do we feel such shame and a need to hide who we are and what we desire?

It is okay for a man to want sex a promotion a raise to want to be a New York Times best-selling author, but for us? There is almost something dirty about wanting to write. Wanting to write and get PAID to write. Wanting to write and to…be famous for it.

Oh no! Kristen has gone TOO FAR! And there is only one punishment for lighting the grail-shaped beacon…

Dirty, naughty Zewt!

Spank us all!

If we are wives and mothers? The problem only compounds from there. I have a hard time expressing I want to go to the bathroom alone, how am I supposed to say I want to be published a LEGEND?

#4 Good Girls Are Demure


As a social media expert for writers, do you know one of the biggest mistakes writers make in branding? They fail to use their names. They tweet as @fairywriter or @ILuvBooks or @dragongirl. They do all of this wonderful networking for months and years and yet it is almost all wasted effort. Why? Because unless I am going to change my name to Fairy Writer and slap that on a cover, that twitter handle is doing zilch nada nothing to build a brand.

Remember what a brand is?

A brand is when our name alone is a bankable asset. It is when a name alone has the power to drive sales.

When I get on social media and see writers using monikers, by and large it is women. Men do this too, but not in the same numbers. And, even if men use a moniker, the second I point out the fallacy, they are far more likely to change it. Women on the other hand are terrified of using their name and take way more convincing.

Men are also far more likely to start a blog. Women?

They have to have three angelic visions, four miraculous encounters and a committee of family members to tell them it would be okay to BLOG. Why is blogging so scary? IT IS FREAKING WRITING. It plays to a writer’s strengths, but I might as well ask writers to perform brain surgery from space with a Chia Pet and an egg beater.

What if people find out I like to write? 

Don’t you think they should if you hope they will pay money to read your books?

#5 Good Girls Feel Comfortable Losing

Well, I tried and that’s all that counts. 

We women are notorious for placing ourselves in no-win situations. Out of one side of our mouth we say we can’t be on social media because we don’t yet have a book for sale, but when we do have a book for sale? Oh, well I feel so awkward talking to people because they might think I am selling my book.

*bangs head on keyboard*

When a man publishes a book, he is there to win. He isn’t there to see his name in print. He is there to see his name in lights.

But us gals? We are notorious for settling. We feel awkward admitting we maybe kind of sort of would like to be number one. Men have no problem admitting they are on social media because they would like to sell books.

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Okay, enough of the “Good Girl” stuff.

I hope I’ve made my point. Now *rubs hands* it is time for me to help you cultivate that inner Bad Girl.

If you want this dream, the first step is to know it is okay to want it. Many of you are moms, wives, and caretakers. Maybe you already have a great career and it is “selfish” to want to write. And I am here to say, YES. It is. And sometimes a little selfishness goes a long way. Men outpace us because they are better at being selfish.

We must learn to stuff a sock in the inner Good Girl’s mouth and channel that inner Bad Girl because she is dying to get out more. Being a Bad Girl doesn’t mean we aren’t still kind and gracious, but it does mean things are going to change.

#1 Bad Girls Do It Afraid

Nothing remarkable happens in the comfort zone. You are going to have to suck it up and writer up. Only sociopaths don’t feel fear. Fear is natural and normal but it gets in the way of greatness. I feel women are far more afraid of failure than men. We wait to be “perfect.” We can’t say anything until we have the perfect book. But perfect is the enemy of the good. Do it afraid.

Yes. You might fail. Odds are you WILL fail and good! Keep failing. It’s how we learn.

My motto?

If we aren’t failing, we aren’t doing anything interesting.

So understand everything I am about to tell you is likely going to scare your pants off.

It’s okay, the erotica authors can lead the way :D .

Pay attention to that feeling because you will need to remember it. If something scares me (like writing this particular blog), likely I am onto something BIG. It is a sign I am heading in the right direction.

#2 Bad Girls OWN IT

Good, bad, ugly. We own what we do. I admit when I left sales and dreamed of becoming a writer, I wrote the world’s worst novel. It was being used in Guantanamo Bay to break terrorists until it was banned under the Hague Convention as torture.

But you know what? I finished a novel. I did something everyone says they want to do but then never actually do. I own the bad, but what’s been harder? Learning to own the GOOD.

It took weeks for me to put the emblem on this blog that I was named one of Writer’s Digest’s 100 Best Blogs. WHY? Because I am a work in progress, too :D .

#3 Bad Girls ASK FOR IT

How many writers are waiting for someone to deliver their big break into their lap? We go to conferences and practically throw up in our shoes at the thought of asking an agent if they’d like to hear about our book. WHY? It is their JOB. Agents don’t have a job without writers.

Ask for what you want. Guess what? All they can do is say no. But, they might just say, “Yes.”

When I wrote my second social media book, I had the terrifying task of finding blurbs. So, I took my own advice and did it afraid. I made a list of all my favorite authors and then…asked. Guess what? New York Times Best-Selling Author James Rollins said, “Yes.”

He already knew me and loved my book.


But I never would have known had I not dared to ASK. Bad girls don’t hear, “No.” We hear, “Not yet” ;) .

#4 Bad Girls DO IT

A lot.

We write. We blog. We tweet and by golly we slap our name on it while we are there. I get that the house is a mess, but guess what? It can wait. Most men aren’t waiting until the house is immaculate and all the laundry is done and the kids are all asleep to take time to write!

How many of us are getting up before dawn or staying up after midnight because our dream might just inconvenience someone else? Let them be inconvenienced for a change!

We ladies bend more than the karma sutra and that is okay, but if our husband actually has to watch the kids for an hour in the evening that is too much?


# Bad Girls Are In It to WIN IT

Again, I love, love, love Kate White’s book because it reminded me of so much I’d forgotten. Yes, I am a full-time author, blogger, and C.E.O. but I am also a mom and spend way too much time in yoga pants and covered in crumbs. It is easy to forget to be hungry. It is easy to lose our way unless we are vigilant to keep the path. It is easy to let other people’s opinions matter too much.

Lionesses do not lose sleep over the opinions of sheep.

Bad girls don’t whine. We don’t make excuses and we do not politely wait our turn. We understand life is short and we need to make our time here count.

Understand that this is an amazing world that is rich in bounty and there is enough to go around. Don’t let anyone diminish you. This is your dream. It isn’t your little hobby or your “thing” it is YOU. It is your dream and it is OKAY to WANT TO WIN.

This seems like such a simple thing, but I hope you see how pivotal this realization is. I can give you all the branding and blogging lessons in the world and it won’t help. We don’t have a technology problem, we have a confidence problem.

Vow today to make a change. Start by admitting you want the dream then, for the love of all that is chocolate, slap your NAME on it. No more hiding. I will find you on Twitter and pull your @FairyGurl wings off ;) .


What are your thoughts? Do you see any “Good Girl” behaviors that have been undermining you? Do you have a hard time calling yourself a…writer? Do you have a hard time with the notion of social media because the thought of admitting you have a dream scares you spit-less? Have you bothered to get a domain name, a website? Blog? Are you afraid to ask for what you want? Do you put everyone and everything ahead of your writing? Are you waiting for permission? Do you feel like you are a poseur or a fake? Do you struggle with perfectionism?

I LOVE hearing from you!

To prove it and show my love, for the month of OCTOBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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Branding and the Brain—What We Post On-Line Matters

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We’ve been talking about social media and building a platform the past couple of posts. I know this is a topic that makes most of us break out in hives, especially when you don’t yet have a book for sale. Been there, done that. Got the t-shirt. It’s sort of like credit. You can’t get any credit because you don’t yet have any credit but you don’t yet have any credit because no one will give you credit because you don’t have credit.

My head hurts.

Thus, today is for all levels of authors. Yes, even Jane Newbie who hasn’t yet finished the first book. We are going to talk about the bare essence of branding.

In my book Rise of the Machines—Human Authors in a Digital World I go into a lot more detail about the science behind branding, but today we are going to talk about why our everyday on-line behaviors collect into a larger pool we call “author brand.”

The thing is, humans have always had a “brand.” Brand in its simplest form is what adjectives we attach to another person. Before the digital age and social media this idea of “branding” simply extended into our social realms in places like school or church or clubs. Why? Humans dig labels. It’s how we make our larger world manageable. Thus, people might be tethered to words like “band geek” “jock” “prep” “gossip” “jerk” “soccer mom” etc.

As we grew older our personal brand included our occupation and this was a good way to do business. I was a member of Rotary for seven years. I was friends with “Ken the Stock Broker,” “Mike the Plastic Surgeon,” “Tom the Orthopedic Surgeon” “Debbie the Realtor” “Kim the Physical Therapist” and on and on and on.

Not one of these people needed to drop a flyer in my lap when we met for lunch. I knew who they were and what they did and I relied on their “brand” when I needed their service(s). It was far preferable for me to go to Dan the Dentist (who I knew and liked from Rotary) than it was to go on-line and hope I scored a dentist I liked.

But why did I “like” these people? Did I really need to get a full resume of their experience to at least give them (their services) a try? Not really. “Gene the Money Manager” was a nice family man and I enjoyed his company and that was good enough. He made the “sale” without ever “selling.” It was probably less about what he did and more what he didn’t do, but this is where we start getting into some neuroscience.

The Neurological Shortcut

Our brains are remarkable organs that have the ability to adapt to our environment. Before the invention of the written word, our memory centers were far larger because we had to pass down information orally. In fact, if you took an MRI of an tribesman from some South American tribe, his brain would look and act very different from yours or mine.

Then, with the advent of the written word, our memory centers shrank but we gained even larger areas for abstract thinking. This is around the time we start seeing major explosions in science and engineering.

Now we are in the Digital Age, and we’re bombarded with stimuli. Internet, television, radio, smart phones, pop-ups, etc. etc. We’ve lost our stellar memory centers and our ability to focus for long periods of time and have gained an unprecedented ability to multitask. We process massive amounts of information faster than ever before.

Think about it. We see ads on Facebook all the time. Or do we? Our brains have literally learned to un-see. We cannot manage all the input. So, if we (authors) are eventually going to advertise our books, how do we make our content visible?

Since our brain is much like a computer processor, it must come up with ways to effectively manage all this input in order to maintain efficiency. To do this, it relies on what are called somatic markers.

Somatic markers are neurological shortcuts and are one of the most primitive functions of the brain because they are uniquely tied to survival and procreation. It’s the same shortcut that tells us the stove is hot. We don’t need to sit and ponder the stove. We likely learned when we were very small not to touch.

To give you an idea of how somatic markers work, let’s do a little exercise. Is there a perfume or cologne you can smell and it instantly transports you back in time? Maybe to that first love or even *cringes* that first heartbreak? A song that makes you cry? Perhaps there is a food you once ate that made you sick and even though there is no logical reason you shouldn’t eat it now, the mere thought of eating it makes you queasy.

These are somatic markers. When it comes to branding, somatic markers are king.

The Pepsi Challenge

If you are around my age or older you can remember The Pepsi Challenge. For years, Pepsi had been trying to gain an edge over Coca Cola who had dominated the soda industry for generations. So, they came up with the idea of setting up a table in stores and shopping malls and encouraging people to take a blind taste test.

The results were astonishing.

In a blind taste test, people preferred the taste of Pepsi. Coke was rattled by this and they did the same test and it turned out, people preferred the taste of Pepsi…and this led to brilliant ideas like “New Coke” which was one of the most epic failures in history.

Why did New Coke fail?

Coke had reformulated to make the drink sweeter. In blind taste tests, New Coke was a clear winner. So then why did it tank so badly?

Somatic markers.

Years later, neuroscientists decided to see if they could demystify what happened in The Pepsi Challenge so they conducted the exact same experiment, only this time they hooked participants up to an fMRI machine so they could witness what areas of the brain lit up.

So, they held the taste test the same way it was conducted in the 70s. A blind taste test and to their astonishment, people preferred the taste of Pepsi. According to the fMRI the ventral putamen, the area of the brain that tells us something tastes yummy lit up like Christmas.

*Some have speculated that when it is only a sip, people will prefer the sweeter drink.*

The scientists then decided to try something a bit different. They did the test again, only this time they told the participants what they were drinking. This time, Coke won. Ah, but something strange happened in the brain. Not only did the ventral putamen light up, but so did the prefrontal cortex, the area of the brain associated with emotion and memory.

See, when it was based on taste alone, Pepsi won. But, when the brands were compared, Coke won. The human brain was in a wrestling match between two very different regions—taste and emotional. Coke had the advantage because of the vast reservoir of fond memories associated with the brand.

Norman Rockwell Americana, cute polar bears, I’d Like to But the World a Coke, every BBQ, summer vacation, rollerskating parties, Friday nights with pizza and on and on all were part of the Coca Cola arsenal. The fond memories (positive somatic markers) associated with the brand literally changed the taste and gave Coca Cola the winning edge.

Every Bit Adds Up

This is why every interaction on social media matters. Right now you might not have a published novel and thus you don’t have 15 hours or more of an emotional memory to link to your name (yet). But you can get on social media and do a little bit every day.

Start building your own Coca Cola experience.

Even authors who are published. Keep the brand strong in between books a little bit every day,

Every time our name floats by on Facebook, Twitter, Instagram, etc. what emotional experience are we tethering it to? There are two types of somatic markers—positive and negative.

Last time I mentioned that it was possible to have a belief system without giving everyone else indigestion. I have people on Facebook who I actually agree with politically and I have had to unfriend because I don’t feel like being hysterical all the time. If I wanted doom and gloom and panic attacks I would watch the news. I don’t like feeling hopeless and powerless. I don’t enjoy being attacked.

Imagine that.

This holds true for how we act in person. Would we want to hang out with someone who just ranted and raged and complained all the time? Who called other people names and became belligerent when anyone dared to disagree? And I am not suggesting anything that wouldn’t be prudent in a regular workplace. Social media is simply an extension of the social realm. There is no “magic” to it other than be kind and treat others the way we’d like to be treated. Somatic markers are what make us “likable” in person or “on-line.”

Somatic markers also have the power to give us an edge when it comes to sales.

We see ads all over. More than ever before in human history. But when we have a positive experience, we notice the ad. For instance, I never realized there were so many red Hondas until I bought one. Now, I don’t believe the overall sale of red Hondas changed any, but I noticed them because I had one.

If we see an ad for a book, we may or may not notice. But what about an ad for a book written by someone we know? Someone perhaps we talked to and liked? The ad practically leaps from the page. We might even buy it because we SAW her ad and OMG! I know her!

Ads alone have very little power to compel a purchase. But, couple them with a brand, and the odds greatly improve. We can use some simple understanding of how the human brain works to better guide us in what we should (or should not) post on-line.

Remember last time we talked about kitten memes. Don’t underestimate them. Think about it. If every time my name floats by on Facebook it is attached to something that makes you SMILE, that has an impact. We might not be aware of it, but our brain is attaching somatic markers to a name.

When I see X, it is a good thing.

When I see X, I want to punch things and I feel sick.

At the end of the day, this is a long way to say that brands are simply what we learned in Kindergarten. Every interaction matters and it all adds up. With some planning, discipline and intent, we can better guide what it adds up to ;) . We will talk more about simple ways to start building a brand. This can be an enjoyable experience.

What are your thoughts? Do you have a perfume you used to love, but then someone you despised wore it and you no longer could stand the smell? Have you had a bad experience with a food and to this day can’t eat it? Do you think of summer vacation whenever you smell Coppertone, too?

I LOVE hearing from you!

To prove it and show my love, for the month of OCTOBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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The Secret to a Powerful Author Brand

Original Image via Flickr Creative Commons, courtesy of Anurag Agnihotri

Original Image via Flickr Creative Commons, courtesy of Anurag Agnihotri

Last time we talked a little about our author brand and why, these days, our brand is almost as important as the books we write. It is an awesome time to be a writer, but also a scary one. Why can’t it be like the good old days when all we had to do was write the book?

Because that world no longer exists and, frankly, it wasn’t all that great to begin with.

Granted, in the pre-digital publishing world we authors didn’t need to tweet or blog or be on-line, but it was also a world with a 93% failure rate. According to the Book Expo of America, as late as 2006, 93% of all books (traditionally and non-traditionally published) sold less than a 1000 copies. Only one out of ten traditionally published authors would ever see a second book in print.

These days, anyone can be published. This is good and bad and we can talk about that another time. But with more titles than ever before and bookstores becoming an endangered species? Our brand is our lifeline. Whether we decide to self-publish or traditionally publish is a business decision only we can make, but we still must have a viable author brand if we hope to sell books.

So What is a Brand?

There are all kinds of answers to this question, but my answer is the correct one :D .

A brand is when a name alone has the power to drive sales.

In an age where we are deluged with choices, consumers are relying more and more on brands. We rely on a brand because the NAME comes tethered to a promise. There are 753 brands of cereal, but we trust Cookie Crunch…okay, Cheerios.

Author brands aren’t as impersonal as selling cereal, but the idea is similar. In a sea of infinite choices, who do we trust to provide an enjoyable experience?

Brands take time to create, but my way is fun. As I mentioned last time, I have ZERO interest in turning any of you into mega-marketers. I know you didn’t take up writing about spaceships or unicorns or unicorns on spaceships just to hold you until you could land that dream job selling life insurance.

Today I am going to let you into how I teach branding. I’ve never blogged about this before namely because while it isn’t complicated, it IS complex. I go into far greater detail in my book Rise of the Machines—Human Authors in a Digital World.

In the book I also show you step-by-step how to create your own unique brand. Not meaning to hawk a book, but I can’t have this blog be 20,000 words so if you desire more “meat” than what is in this blog, y’all know where you can find it ;) .

Moving on…

How an Author Brand WORKS

In the “olden days” before Instagram and Twitter and YouTube, the only way a novelist could build a brand was through his/her books. Think about it. Why did we (fans) love these authors? Because we felt we were part of the worlds they created.

Dean Koontz, Anne Rice, Stephen King, Tony Hillerman, David Eddings, etc. were all a part of my teenage world. They brought me love, pain, fear, resolution through their characters and stories. By getting to know the author’s characters I felt I knew the author and became emotionally bonded TO that author through story.

If you need a refresher on how that works, go re-watch Misery.

Screen Shot 2015-09-28 at 2.12.04 PM

Come on! Admit it. There are some authors you would really creep out of they met you ;) .

*Drives car over Kardashians because OMG!!!! DEAN KOONTZ!*

When I decided to be the social media expert for writers, I spent over two years studying successful brands. All types. What made a brand iconic? I studied movies, fashion, soda, cars, authors, and pop phenoms.

I also studied the neuroscience behind branding. What made content go viral? Was there something about content that the human brain reacted to positively or negatively? Was all content equal? (NO) Was some content actually damaging? (YES)  Is some content WAY better? (YES). I became a student of human behavior and created a step-by-step plan for writers to recreate that magic.

But for the purposes of today’s blog…

Like successful fiction, a successful brand must be HIGH CONCEPT. High concept is RIGHT-BRAINED. It is visceral and emotional. 

Authors are in the business of selling feelings. It’s what we do with stories. We sell love, action, adventure, community, and happy endings.

Virtually all successful stories on the page and on the screen have harnessed what is called “high concept.” The reason Titanic was one of the most successful movies of all time is because it was “high concept”. It wasn’t a story about a doomed ship, it was a story about LOVE.

And we hear this term “high concept” in writing class, but what the heck is it?

High Concept has THREE Components:



Gives the Audience Something to Contribute or to Take Away

If virtually every successful story/movie is high concept, doesn’t it make sense that our brands should be high concept, too? We don’t write novels with titles like:

The Virtuous Semicolon

The Sentence that Kept Running

That Amazon Prime Harlot 

The Dangling Participle *RAWR*

If we write books about love, why are we trying to connect with “readers” by lecturing them about punctuation?

Writers have the power to create interstellar dynasties and invent entirely new species. With various combinations of 26 letters, writers can travel in time, rewrite history or wipe out a planet, a solar system a universe. But, the second they start a blog? Tweet? Get on Facebook?

All they can talk about is writing.

*head desk*

Why does all this talk of “writing” fizzle? Because “writing” is not high concept.

Trust me, readers do not give a crap about three-act structure unless we screw it up. Readers don’t care about Amazon vs. Smashwords, why we love the Oxford Comma, or how to write deep POV.

Does this mean we can’t blog about writing at all? NO. There is a difference between writing a blog about writing and creating a writing blog.

Even though I teach writing, this is not a writing blog. This is Kristen Lamb’s blog. Yes, I blog about writing and social media, but I have also blogged about zombies, my addiction to Febreze, being ADD, why I hate skinny jeans, and how to deal with bullies. And, frankly, those were the posts that went viral.



Blogging only about writing will wear you out. And the real bummer?

Articles, interviews, and reviews are all informational. This is LEFT-BRAINED content. If all we are posting is left-brained content, we have a left-brained brand. Thus I posit this:

Why are you trying to sell a right-brained product with a left-brained brand?

Writers cannot fathom why a funny kitten meme gets 50 likes, 6 shares and 17 comments, but then a post about their upcoming release gets crickets.

Which topic is high concept (right-brained)?

Is a kitten universal? Yes! People in Japan actually pay money to pet adorable cats. Are kittens emotional? Yes! If you don’t smile looking at this little guy, you likely have no soul…

Does a funny kitten meme allow others to contribute or to take something away? Yes! Odds are, you will get all kinds of comments with people sharing about their pets. Oh, Fluffernutter used to do the same thing! 

Does a cute kitten meme offer something to take away? Yes. It brightened our day, so we pass it on.

Now, if I post about a new book I have coming out, is that universal? No. Is it emotional for anyone but me and my mother? Not so much. Does it offer you anything to contribute or take away? Eh, not really.

And before anyone blasts me that sharing cute kittens isn’t “real” branding activity, we need to remember that we are no longer in a world of traditional media. Yes, we need to mention that book for sale, but if it is all we talk about? It turns people off. It is also making our brand reliant on content few people will share.

Hey, my new book “Sexy in Sneakers” is now available! PLEASE SHARE.

Yep, right on that. Not.

But, if most of the time we post fun stuff others enjoy, when we DO post about a book, others are more open to doing us a solid.

Remember, when it comes to social media, content that goes only ONE direction is already dead.

If I share something in a blog on Twitter or Facebook and no one else shares? My reach is limited to the people who are following me. Social media has the best impact when content goes VIRAL. This means lots and lots of other people want to share my content.

Guess what the most likely content to go viral is?

High concept ;).

See, you guys are smart!

This is why my kitten friend above has almost a million views.

We can talk about having a new book out just like we can feel free to blog about three-act structure. But, since these topics are NOT high concept, they will never ever go viral.


We can post this kind of stuff, we just know not to camp on it.

Remember, name recognition alone is meaningless. A name only truly holds power once we tether it to an emotional experience. Which means…

Welcome to High Concept Branding

The key to creating a strong author brand is to understand what we are trying to create. We are creating a positive emotional experience and then tying that experience to OUR NAME.

Do this enough and eventually our name alone will have the power to drive sales. Btw, that is called an author brand ;) .

If we are able to produce content that 1) resonates with a wide audience 2) creates a positive emotional experience 3) by nature engenders sharing behaviors, we can do a lot more with a lot less. This also elucidates why ranting, name-calling, hyper-politicization, and spam are all behaviors that can and will tank a brand.

We will talk on this more later, but I will say that it is possible to have political, religious and social beliefs without giving everyone who sees our name indigestion. Remember we want to create a positive emotional experience. This is what ALL successful brands do. Apple, Coca Cola, Corvette, Levis, Harley Davidson, Hershey’s and on and on and on. ALL good brands capitalize on emotion. ALL strong brands use high concept.

Soap companies don’t have a thirty-second commercial about the merits of good hygiene, they show a woman moaning in the shower and having an “organic” experience. Thus, if every single successful brand is relying on the holy trinity of high concept, why are authors still spamming about their books and then confused why badgering strangers for money doesn’t work?

One Last Thing

Aside from possibly going viral, brands built on emotional connection have one major advantage—LONGEVITY. Since our brand is based on relationships and not algorithms, it is far more resistant to change. Facebook can go away and twitter can flitter and your brand will be just fine. I had Shingles and was down for MONTHS. The reason I still had a strong brand when I returned? I built it on people.

I hope this has made you feel less intimidated about creating your own author brand. We writers tend to overcomplicate stuff. A platform isn’t built overnight, but it also isn’t terribly hard. And yes, platforms built on simply sharing funny cat pics are stronger than you might have realized.

What are your thoughts? Do you now see this high concept pattern in your own behavior? The stuff you enjoy sharing? The content that gets the most interaction from others? Did the clouds part and angels sing now that you know why that dog-shaming meme scored WAY more likes than your thoughtfully crafted book review?

I LOVE hearing from you!

To prove it and show my love, for the month of SEPTEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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Why Our Author Brand is More Important than Ever Before

Image via Flickr Creative Commons, courtesy of Mike Licht

Image via Flickr Creative Commons, courtesy of Mike Licht

For the past few months I’ve been focused on writing and not on social media. Hey, even the Social Media Jedi can get burnout ;) . But now we’re going to shift gears because, aside from writing the actual book, social media (branding) is the biggest part of our job. And I can hear the moaning and gnashing of teeth already.

Here’s the thing. We don’t have to do social media. No one will take us to writer jail if we don’t. So I will narrow this down. If you simply love the art of writing and don’t necessarily long to be paid for writing, social media is not that big of a priority. Social media is only important for those of us who like money.

Thus, for those of us who want to make a living as a professional author, we must take author branding seriously. We are a business. Want to be successful? Do what successful people do. Successful authors have a brand and use social media well.

When I first began blogging about social media, an on-line platform was an edge. Now? It is a lifeline.

Point of Sale Has Changed FOREVER

When Hubby and I first married seven years ago, you couldn’t swing a dead cat without hitting a bookstore. Barnes & Noble and Borders megastores crouched at every corner. They were large and fatted from all the small indie bookstores they’d devoured.

We would peruse the shelves and I’d dream of the day I’d see my books out on those display tables. But even then, I had a knot in my stomach. I knew these were halcyon days for the mega-store. We’d already seen what iTunes had done to Tower Records and logic dictated these mega-bookstores were already living on borrowed time.

And sometimes I hate it when I’m right.

Over the past seven years we’ve watched various evolutions of decay and decline. Borders consolidated and then finally went bankrupt. Barnes & Noble tried to launch the Nook. Instead of the front of the store being books, it was a display area for Nooks and Nook accessories. Then, when that didn’t ignite like the Kindle Fire, we saw a steady progression of more and more and more consolidation.

I am from Fort Worth. At one point, there were five Barnes and Nobles all within a couple miles of each other. They are now all gone.


Thing is, Borders and Barnes & Noble erased all the indies. Now they are gone. What does this mean for writers?

Fewer point of sale contacts.

There are fewer and fewer physical places to purchase books. For those authors who were counting on readers discovering their titles while browsing? This is bad juju. I live in a very metropolitan area and I know of only a handful of Barnes & Nobles for the entire DFW Area (a metroplex the size of Connecticut).

I just sent off one of my novels to an agent. Would I love to see my book in Barnes & Noble? PSHAW! Duh, YES! I’m a writer.

Like you guys, I’ve dreamed of that since I wrote my first novels in crayon. But I am not naive. Yes, being in a bookstore serves my vanity, but it is no longer the major driver of sales that it used to be.

Even if bookstores sold a LOT of books, frankly there aren’t that many bookstores left.

Of course, it doesn’t really matter all that much simply because there is a really good reason for this store shrinkage. And since I blogged about this until I was BLUE, I will only touch on this point.

We need consumers more than they need us.

Pay Attention to Consumer Behavior



Thing is, Barnes & Noble could have learned a thing or ten from iTunes and RedBox. Times have changed and so have consumer behaviors. We are an OnDemand world. In the old days, we had to go to the merchant. These days, the merchant comes to us.


When I finish one book, my Kindle magically delivers other books like the one I just read. Instead of having to wear pants, brave traffic, find a parking spot, wade through the mall, wander the store, on and on and on…

One click and done.

I just got a new Kindle and O…M…G. They have a new feature where instead of my Kindle simply hibernating with some blasé picture, it has an advertisement for a book. I have bought more books in the past week than in the past year because instead of me having to use a bunch of brainpower sifting through a gazillion choices?

Amazon has done my thinking for me.

We Buy What We KNOW

What happens with authors who don’t have that neat Amazon ad to direct purchases? In a marketplace with fewer and fewer points of sale with more competition than ever in human history, how do we sell books?

We have to create a brand.

We live in a time where we have more choices than ever. I don’t know about you guys, but I have a Love-Hate relationship with Central Market. Granted, it is AWESOME. Central Market is such a cool grocery store that tourists actually visit. Every aisle is a foodie’s dream. They don’t just have “olive oil”, they have 700 varieties of an olive oil “experience”.

And there I stand for 40 minutes just trying to make a freaking decision about WHICH olive oil to buy…and end up just buying plain old Bertolli that I could have purchased at the Kroger’s down the road and that I certainly didn’t need to dress up, drive to Central Market and nearly get run over by a soccer mom in a Mercedes SUV to purchase.

Now, the only time I go to Central Market is if I need something specific because with all the choices? It would take me a day and a half to shop…and I’d need sherpas and GPS and wine that I brought myself because I can’t even figure out what kind of freaking OLIVE OIL I want, you think aI could choose WINE…?????

*breathes in paper bag*

Yet, with books, this is what is going on with consumers, even those of us who are avid readers. Just like we will forgo the pasta sauce with truffles, a virgin sacrifice and the distilled souls of Italian grandmothers in favor of good old-fashioned Ragu…

We will shy away from authors we don’t know in favor of those we DO know.

This is where social media and branding become almost as important as the book we write and have for sale. We could have a book so brilliant it makes angels weep, but if no one knows it is there? We are left with Schrodinger’s Novel.

We Must Always Be Cultivating the Fans of the Future

Image via Pink's Galaxy Flickr Creative Commons

Image via Pink’s Galaxy Flickr Creative Commons

It is incumbent upon us as authors to be in charge of our careers for the short-term as well as the long-term. If you plan on selling books in ten years realize that Millenials will be your audience and they practically teethed on a keyboard. They’ve grown up with social media, so if we aren’t there?

We do not exist.

Smart authors understand this. Don’t believe me, go check out Anne Rice on Facebook and Twitter. She is a social media rockstar and that’s why she continues to be a legend.

It’s All Good

Before anyone has a panic attack, author branding is not that hard. Also, done properly, it isn’t all that time-intensive either. But, I teach branding and social media very differently namely because I am a writer FIRST. I don’t imagine most of you are just doing this writing thing until your dream job in high pressure sales comes through.

Didn’t think so.

I will blog more on this in the weeks to come, but I do recommend picking up my book Rise of the Machines–Human Authors in a Digital World. Platforms take time to build so the sooner we start the better. Yes, I published the book a couple years ago, but unlike other “social media experts” I teach an approach that never changes because it is based on people and not technology.

Read Shakespeare. Humans don’t change. And, since humans don’t change, it only makes sense to build a platform based on people, not algorithms and “gaming” the system.

I also have zero interest in changing your personalities. I appreciate what it is like to be a creative introvert with severe social anxiety (I used to shop at 2 a.m. because crowds gave me panic attacks). My goal is to change your behavior, NOT your personality. I am also here to give you a way to create a powerful brand for FREE and still have plenty of time to do the most important part of the job.

Write more books.

So we will start chatting more about branding. What to do, what not to do. What’s a time suck and so forth.

What are your thoughts? Do you miss the small bookstores? I really miss B. Dalton. Do you still dream of seeing your book for sale on a table at B&N? Have you been powerless in the face of Kindle book ads? I had to sign up for a Kindle Unlimited membership before I had to go to a loan shark to pay for my habit. Are you overwhelmed by social media or has it given you a lifeline?

I LOVE hearing from you!

To prove it and show my love, for the month of SEPTEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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To Prologue or NOT To Prologue? That is the Question

Image via Flikr Creative Commons, via Mikko Luntiala

Image via Flikr Creative Commons, via Mikko Luntiala

Publishing, like most other things, is not immune to fashion. This is what makes teaching craft a moving target. What is en vogue today could be passé tomorrow. And yes we are artists, but I believe most of us are artists who’ve grown rather fond of eating. This means we do need to keep audience tastes in mind when we are “creating” since they will be the ones who fork over cold hard cash.

Today we will touch on a question I get a lot from new writers.

To prologue or not to prologue? That is the question.

The problem with the prologue is it has kind of gotten a bad rap over the years, especially with agents. They generally hate them. Why? In my opinion, it is because far too many writers don’t use prologues properly and that, in itself, has created its own problem.

Because of the steady misuse of prologues, most readers skip them. Thus, the question of whether or not the prologue is even considered the beginning of your novel can become a gray area if the reader just thumbs pages until she sees Chapter One.

Before we get started, I will say that genre often dictates whether or not to use a prologue. But, keep in mind that, even if our genre—I.e. thriller—allows for a common use of prologues, it still is wise to learn to do them well ;) .

So without further ado…

The 7 Deadly Sins of Prologues

Sin #1 If your prologue is really just a vehicle for massive information dump…

This is one of the reasons I recommend writing detailed backgrounds of all main characters before we begin (especially when we are new writers). Get all of that precious backstory out of your system.

This is a useful tactic in that first, it can help us see if a) our characters are psychologically consistent, b) can provide us with a feel for the characters’ psychological motivations, which will help later in plotting.

I have a little formula: background–> motivations –>goals–>a plan–>a detailed plan, which = plot and c) can help us as writers honestly see what details are salient to the plot.

This helps us better fold the key details into the plotting process so that this vital information can be blended expertly into the story real-time.

Many new writers bungle the prologue because they lack a system that allows them to discern key details or keep track of key background details. This makes for clumsy writing, namely a giant “fish head” labeled prologue. What do we do with fish heads? We cut them off and throw them away…unless you are my mother’s Scandinavian family and then they make soup *shivers*.

Sin #2 If your prologue really has nothing to do with the main story.

This point ties into the earlier sin. Do this. Cut off the prologue. Now ask, “Has this integrally affected the story?” If it hasn’t? It’s likely a fish head masquerading as a prologue.

Sin #3 If your prologue’s sole purpose is to “hook” the reader…

If readers have a bad tendency to skip past prologues, and the only point of our prologue is to hook the reader, then we have just effectively shot ourselves in the foot. We must have a great hook in a prologue, but then we need to also have a hook in Chapter One. If we can merely move the prologue to Chapter One and it not upset the flow of the story? Then that is a lot of pressure off our shoulders to be “doubly” interesting.

Sin #4 If your prologue is overly long…

Prologues need to be short and sweet and to the point. Get too long and that is a warning flag that this prologue is being used to cover for sloppy writing or really should have just been Chapter One.

Sin #5 If your prologue is written in a totally different style and voice that is never tied back into the main story…

Pretty self-explanatory.

Sin #6 If your prologue is über-condensed world-building…

World-building is generally one of those things, like backstory, that can and should be folded into the narrative. Sometimes it might be necessary to do a little world-building, but think “floating words in Star Wars.” The yellow floating words that drift off into space help the reader get grounded in the larger picture before the story begins. But note the floating words are not super-detailed Tolkien world-building.

They are simple and, above all, brief.

Sin #7 If your prologue is there solely to “set the mood…”

We have to set the mood in Chapter One anyway, so like the hook, why do it twice?

The Prologue Virtues

Now that we have discussed the 7 Deadly Sins of Prologues, you might be asking yourself, “So when is it okay to use a prologue?” Glad you asked.

Virtue #1

Prologues can be used to resolve a time gap with information critical to the story.

Genre will have a lot to do with whether one uses a prologue or not. Thrillers generally employ prologues because what our hero is up against may be an old enemy. In James Rollins’s The Doomsday Key the prologue introduces the “adversary” Sigma will face in the book. Two monks come upon a village where every person has literally starved to death when there is more than an abundance of food.

Many centuries pass and the very thing that laid waste to that small village is now once more a threat. But this gives the reader a feel for the fact that this is an old adversary. The prologue also paints a gripping picture of what this “adversary” can do if unleashed once more.

The prologue allows the reader to pass centuries of time without getting a brain cramp. Prologue is set in medieval times. Chapter One is in modern times. Prologue is pivotal for understanding all that is to follow.

Prologues are used a lot in thrillers and mysteries to see the crime or event that sets off the story. Readers of these genres have been trained to read prologues and generally won’t skip. The serial killer dumping his latest victim is important to the story. It’s a genre thing. Yet, still? Keep it brief. Reveal too much and readers won’t want to turn pages to learn more.

Virtue # 2

Prologues can be used if there is a critical element in the backstory relevant to the plot.

The first Harry Potter book is a good example of a book that could have used a prologue, but didn’t (likely because Rowling knew it would likely get skipped). Therese Walsh in her blog Once Before A Time Part 2 said this:

J.K. Rowling’s Harry Potter and the Sorcerer’s Stone is told in a close 3rd person POV (Harry’s), but her first chapter is quite different, told when Harry is a baby and switching between omniscient and 3rd person POVs (Mr. Dursley’s and Dumbledore’s). Rowling may have considered setting this information aside as a prologue because of those different voices and the ten-year lag between it and the next scene, but she didn’t do it. The info contained in those first pages is critical, it helps to set the story up and makes it more easily digested for readers. And it’s 17 pages long.

This battle is vital for the reader to be able to understand the following events and thus would have been an excellent example of a good prologue. But, Rowling, despite the fact this chapter would have made a prime prologue still chose to make it Chapter One so the reader would actually read this essential piece of story information.

Food for thought for sure.

Yes, I had Seven Sins and only Two Virtues. So sue me :P . That should be a huge hint that there are a lot more reasons to NOT use a prologue than there are to employ one (that and I didn’t want this blog to be 10,000 words long).

Prologues, when done properly can be amazing literary devices. Yet, with a clear reader propensity to skip them, then that might at least make us pause before we decide our novel must have one. Make sure you ask yourself honest questions about what purpose these pages are really serving. Are they an essential component of a larger whole? Or are you using Bondo to patch together a weak plot?

But, don’t take my word for it. Over the ages, I’ve collected great blogs regarding prologues to help you guys become stronger in your craft. These are older posts, but timeless:

Once Before a Time: Prologues Part 1 by Therese Walsh

Once Before a Time Part 2 by Therese Walsh

Agent Nathan Bransford offers his opinion as does literary agent Kristin Nelson

Carol Benedict’s blog Story Elements: Using a Prologue

To Prologue or Not To Prologue by Holly Jennings

If after all of this information, you decide you must have a prologue because all the coolest kids have one, then at least do it properly.

What are some of the questions, concerns, troubles you guys have had with prologues? Which ones worked? Which ones bombed? What are your solutions or suggestions?

I LOVE hearing from you!

To prove it and show my love, for the month of SEPTEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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Is Perfectionism Killing Your Writing Career?

Image via Amber West WANA Commons

Image via Amber West WANA Commons

As y’all know, Spawn is in Kindergarden and now we have this lovely new experience called, “Helping with Homework.” Hubby, God love him, is new at this “being a Dad and helping with homework” stuff and has his own learning curve. He was at the kitchen table helping Spawn write out letters while I did laundry and cooked dinner. After a while, though, I noticed this homework thing was taking a really…I mean really long time.

Finally, I told Hubby I’d take over while he went and got a shower and when I looked at Spawn’s work, I immediately knew what was going so sideways.

Spawn wasn’t (yet) being graded on how well he wrote the letters. He simply had to DO them.

Hubby was trying to be a good dad so he was making Spawn erase “mistakes” and do the letter over. And, YES, the kid had a lot of nice looking Es but it was taking forever. 

What Hubby didn’t appreciate being new to this “teaching thing” was that Spawn’s just started learning to write and he is strengthening the fine muscles in his fingers and hands. His writing WILL look that bad for now. It’s no shock to the teacher. And, if his writing doesn’t improve? HA! Doctor!

Anyway, when I took over, Spawn wrote a letter and it was, of course, wonky and too small and off-center, but when he went to erase it, I stopped him and said the words I wish I would have learned MANY years ago:

“Perfect is the enemy of the good. Just keep going.”

Because he left his “mistakes” he then had a way of gauging the letters that followed and as he went, I noticed that his writing got better. Instead of being paralyzed that his writing wasn’t perfect, he was able to move forward. So long as it was legible?

Eh, close enough for government work.

Okay, so all was well and good and then the next day I get an e-mail I’d been waiting for. A year and a half ago, I wrote a mystery novel, but then I got seriously ill with Shingles. Shopping this novel just derailed, but now that I was healthy again? I was ready to get this sucker GONE.

Since we all suck at being honest about our own work, I begged an agent friend of mine to read it and give me a professional opinion. It wasn’t a genre she repped or even especially liked, but she is a rockstar who loves me and I trusted her to deliver the hard truth.

Kristen, don’t quit your day job. Stick to editing.

I sent her my novel about a week and a half earlier and of course had been hovering over my e-mail like a vulture over a baked roadkill.

*hits refresh 920th time*

When I open the e-mail, there is the news I’d been waiting for. My novel was solid and firmly in the submission phase.

Yay, OMG! OMG! Wait….*brakes screech*

Oh crap. I have to write a query letter.

I haven’t had to write a query letter for fiction since the Bush Administration. So there I am, uber-blogger-writing-expert-extraordinaire googling How to Write a Query *hangs head in shame*.


Because self-doubt descended on me like a teenage boy on a pizza. I help with query letters ALL THE TIME. I can write them for other people in about ten minutes. Suddenly, when I had to do it for MY book? It would have been easier to perform brain surgery remotely from space using a Clapper and a vegetable peeler.

Because if I have an opportunity to over think and overcomplicate something simple? SIGN ME UP!

So there I was writing all these idiotic versions of my query.

My writing style can be compared to the works of Janet Evanovich and…



…and the BIBLE because my words were inspired by ANGELS.

Kill. Me. Now.

After the 78th version of this query? I am done. Put a fork in me.

I felt all smart and virtuous telling Spawn to just keep moving, to not get fixated on perfection, but what was I doing?

No agent is asking for a perfect query letter. They want an interesting query letter.

We writers have to be really really careful about worshipping perfection, and I think fiction can be far more vulnerable because it is far more subjective. There comes a time when we simply have to SHIP. Just let it go. Time to move on to something new. We could edit forever. This applies to blogs, books, query letters and eyeliner.

The world does not reward perfect books, it rewards finished books.

Screen Shot 2015-09-16 at 11.55.08 AM

Maybe it is time to let go of that first novel you’ve been working on for the last year three years six years. You know what? Maybe it just sucks and that is okay.

My first novel seriously sucked. Heck, my first novel was being used in Guantanamo Bay to break terrorists until it was banned by the Geneva Convention.

I’ll tell you where the bomb is, just not another chapter of that BOOOOOK!

These days my first novel is in the garage because it pees on the rugs and chews on the furniture.

But remember Spawn and his homework? What was the objective? Finish the letters. It never said to make them super pretty and perfect.

Same with becoming a writer and the first novel.

Very often, our first novel is a learning curve. Just like Spawn is developing his fine writing muscles, we are too ;) .

The first novel is our first attempt to do something most mere mortals can’t. Can we sit and finish a work spanning 60,000-100,000 words?

Or, in my case? 178,000 words.

Gimme a break! I was NEW! :P

Yes, I was that writer. The one the agents talk about? It’s me. I am the “Alligator-in-the-Sewer” of the publishing world. I am real. I really queried a 178,000 word novel that was all genres and written for everyone to love and that would make an awesome movie and I already had started the screenplay. Did I mention merchandising?

But what I didn’t understand was that novel wasn’t meant to be queried or even published. It had already served it’s purpose and it took me a long time and way too many fruitless revisions to understand that. One of the best lessons I have learned in my career is to simply let go.

Shop it ship it or kill it but move forward.

Write the first book and move on. Write another and another. Sure, the first one might suck, but each one will suck a little less. We learn by doing. Writers only improve by writing MORE.

Perfect is the enemy of the good.

If we hope to be successful at this writing thing, we must master two diametrically opposite skills—latching on and letting go. We can’t finish if we don’t sink in our claws, but we also can’t finish if we fail to ever let go.

Virtually every long-term successful author didn’t make it with ONE novel. We make a good living at writing by writing MANY novels. But, if we don’t get good at shipping? Odds are we will never be able to write full-time. So breathe and just move forward. It gets easier.

What are your thoughts? Do you find yourself too concerned with being perfect? Do you think you allow perfectionism to feed you procrastination? Are you still trying to “fix” that first novel and haven’t let go? Do you have trouble moving forward?

I LOVE hearing from you!

To prove it and show my love, for the month of SEPTEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

August’s WINNER is lonestarjake88. Please send your 20 pages (2500 words) to kristen at wana intl dot com in a WORD document. Double-spaced and one-inch margins and CONGRATULATIONS!

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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