Posts Tagged writing tips

From Newbie to Master—Understanding the Writer’s Journey

Pirate Code=Writing Rules. Clearer now? :)

Pirate Code=Writing Rules. Clearer now? :)

The mark of a pro is they make whatever we want to do look easy. From running a business to playing guitar to wicked cool Kung Fu moves, masters rarely seem to even break a sweat. Same with authors. With the pros? The story flows, pulls us in, and appears seamless and effortless.

Just check out Ronda Rousey’s 14 second record-breaking WIN from this past weekend for an idea of JUST how EASY pros make things look…

Many of us decided to become writers because we grew up loving books. Because good storytellers are masters of what they do, we can easily fall into a misguided notion that “writing is easy.” Granted there are a rare few exceptions, but most of us will go through three acts (stages) in this career if we stick it through.

Act One—The Neophyte

This is when we are brand new. We’ve never read a craft book and the words flow. We never run out of words to put on a page because we are like a kid banging away on a piano having fun and making up “music.” We aren’t held back or hindered by any structure or rules and we have amazing energy and passion.

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Woodleywonderworks Flikr Creative Commons

But then we go to our first critique and hear words like “POV” and “narrative structure.” We learn that maybe we don’t know as much as we think we do and that we need to do some training. We also finally understand why so many famous authors drank…a lot.

Act Two—The Apprentice

The Apprentice Phase comes next. This is where we might read craft books, take classes, go to conferences and listen to lectures. During the early parts of this phase, books likely will no longer be fun. Neither will movies. In fact, most of your family will likely ban you from “Movie Night.” Everything now becomes part of our training. We no longer look at stories the same way.

The apprentice phase is tough, and for many of us, it takes the all the fun out of writing. The apprentice phase is our Act II. It’s the looooongest, but filled with the most growth and change. It’s the span of suck before the breakthrough.

I’ve studied other forms of martial arts, but I am relatively new to Brazilian Jiu-Jitsu. Right now I am in the span of SUUUUUCK. When I started as a neophyte, I “seemed” to do better because I just muscled my way around on the ground and being naturally strong? It worked…against an equally green opponent.

Moments before Kristen gets her tail kicked….

Moments before Kristen gets her tail kicked….

But it also wore me out and gave me more than a fair share of injuries. I had to learn technique. Technique looks awesome when Coach does it. It looks easy on theYouTube videos.

When I do it? Eh…not pretty and NOT easy.

Right now, I’m losing most of…ok, all of my rounds, which is tough on the ego but easier on the joints. I’m focusing more on “rules”, finesse and drilling the basics because I know that in time? It will pay off. Right now is NOT the time for me to try and be “creative.” There is also NO substitute for time on the mat.

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Same with writing. Many shy away from craft books because they fear “rules” will ruin their creativity. Truth? They will, but only for a little while ;) .

Eventually we realize that rules were made to be broken. BUT, the difference between the artist and the hack is that the artist knows the rules and thus HOW to break them and WHY and WHEN. We start to see rules as tools.

As we move through The Apprentice Phase and we train ourselves to execute all these moves together—POV, structure, conflict, tension, setting, description, dialogue, plot arc, character arc—it eventually becomes easier. In fact, a good sign we are at the latter part of the apprentice phase is when the rules become so ingrained we rarely think about them.

We just fight write.

We’ve read so much fiction, watched (and studied) so many movies, read so many craft books, heard so many lectures, and practiced so much writing that all the “rules” are now becoming instinct and, by feel, we are starting to know where and how to bend, break or ignore them.

Like anything, there is NO substitute for DOING. Watching Ronda Rousey videos is a good idea for understanding ground-fighting, but it can’t take the place of mat time. Reading, taking classes, studying cannot replace writing crap until we don’t write crap.

At the end of the apprentice phase, writing is now starting to become fun again, much like it was in the beginning when we were banging away on the piano keyboard. Like the fighter who instinctively knows to arm bar an opponent without conscious thought, we now find more and more of the “right” words and timing without bursting brain cells.

The trick is sticking it through the apprentice phase long enough to engrain the fundamentals into the subconscious.

Master

This is where we all want to be. In fact, we all want this on Day One, but sadly, I believe this Day One Master is reserved for only a handful of literary savants. Mastery is when we return to that childlike beginning. We write with abandon and joy and, since the elements of fiction are now part of our DNA, our literary marrow, what we produce isn’t the off-key clanging of a neophyte, it’s actually a real story worth reading. Granted, it isn’t all kittens and rainbows. Masters have a lot of pressure to be perpetual geniuses.

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Portrait by Yosuf Karsh via Wikimedia Creative Commons

I believe most of us, if we stick to this long enough, will always be vacillating between the Advanced Apprentice Phase and the Mastery Phase. If we choose to try a totally new genre, we might even be back to Neophyte (though this will pass more quickly than the first time).

We have to to keep growing. The best writers still pick up craft books, refresh themselves in certain areas, read other authors they enjoy and admire to see if they can grow in some new area. Masters seek to always add new and fresh elements to the fiction.

The key to doing well in this business is to:

1. Embrace the Day of Small Beginnings—Starting is often the hardest part. Enjoy being new. Enjoy that feeling because you will reconnect with it later because you recognize it.

2. Understand We All Have an Apprentice Phase—We will all be Early, Intermediate, then Advanced Apprentices. How quickly we move through these will be dictated by dedication, hard work and, to a degree, natural talent.

3. No One Begins as a Master and Few Remain Permanent Masters—Every NYTBSA was once a newbie, too. When we understand this career has a process, it’s easier to lighten up and give ourselves permission to be imperfect, to not know everything. Many writers get discouraged and give up too soon because they don’t understand there is a process, and they believe they should be “Masters” right away.

Hey, I did.

We need to give ourselves permission to grow. If we love and respect our craft, we will always be learning, so we will continue to dip back into “Apprentice” to refine our art even further.

Does this make you feel better to know this career has a process? Are you in the Act II span of suck and getting weary? What are you doing to remain focused? Which part has you the most discouraged? Write with the abandon of the Neophyte then edit with the eyes of an Advanced Apprentice or Master ;) .

I love hearing from you!

To prove it and show my love, for the month of MARCH, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

The winner for February is Monica Karel. Congratulations! Please send your 5000 word WORD document to kristen @ wana intl dot com. 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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The Doctrine of the Doers—5 Principles of Achievement

Same can be said about writing a book...

Same can be said about writing a book…

Success has a LOT of common denominators. Whether we want to be an excellent parent, run a thriving business, earn a promotion, have great friendships, become published, lose weight, one day have enough money to build a secret lab in the side of a mountain…? There are fundamentals we are wise to understand and apply.

Thus today, we are going to talk about 5 Principles of Achievement or The Doctrine of the Doers because I dig alliteration :D .

Principle #1—Understand What We are Doing is HARD

Pros make stuff look easy. I can listen to Donald Trump ten minutes and believe I, too, could be a financial genius. When I was four, I recall being allowed to watch Wonder Woman and she did these amazing handsprings. Well, pshaw! I totally could do that…or not.

And my cousin found me semi-conscious and confused why my arm was going the wrong way.

I made this mistake of not understanding I was seeing the END result of a lot of training. Outsiders make this mistake all the TIME. They see a thriving business or someone who drives a nice car and…that person must have “inherited money.”

When I was a teen, I was in marching band, the swim team and taught karate in the evenings. This meant I was up before dawn marching until 9 a.m. I then swam laps from 2 in the afternoon until 4:30 just in time to get home and pack up my gear so I could teach martial arts at the local recreation center.

One night, I was taking a break and a woman—holding a candy bar and a Pepsi—bemoaned how I was born so naturally fit. 

Really?

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Success is NOT natural. What’s natural? Entropy. Disorder. Chaos. Those who write a book, finish a book, have a thriving blog, a strong business, great kids, a clean house, a smoking hot body often worked hard for it. 

We must do what others are unwilling to do. We are not the AVERAGE. Even those of you who are just starting out. You are NOT the average. Most people never try.

We must always guard ourselves from thinking someone “better” than us achieved whatever easily. If we don’t, we will get discouraged and are more likely to give up. The other side of that is if we DO the hard work? Expect someone to believe whatever we achieved was purchased, inherited or the result of “magic.”

Principle #2—No Company Better Than Bad Company

Lions don’t hang with sheep. Show me your three closest friends and I’ll show you your future. Complaining, excuses, procrastination, laziness are contagious because they represent the natural order of the universe—ENTROPY. When I began as a writer, I had A LOT more “friends.” Now? Not so much.

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Even in martial arts, I don’t roll with people who are reckless and lazy. It’s a good way to get injured and it won’t make me better. I won’t spar with the guy who always shows up to class conveniently after the grueling warmup is over and who needs a water break every five seconds.

Choose people who are willing to do the hard stuff. If you’re a writer, hang out with people who WRITE, who are willing to read and take classes and are always pushing their skills to a higher level. Yes, there will be fewer of those, but it’s worth it.

Principle #3—Basics Trump Cleverness

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There are always people who want the shortcut. They want the Shake Weight Success and instead of being “successful” they look more like they are….ok, *leaves that to your imaginations*.

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From music to writing to business to parenting to marriage to martial arts, there are fundamentals we should master because they never outlive usefulness. From white belt to black belt, the Kimura is one of the most successful tactics in Brazilian Jiu-Jitsu even though it’s one of the first we’re taught.

Writers? Proper grammar, punctuation and tight prose never go out of style. I see way too many new writers so busy trying to come up with a plot never written in HUMAN history and they do this at the expense of learning and mastering the essentials.

Principle #4—There Will Be BLOOD

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We live in a world that tells us we can have it all. NO. We can’t. That’s a lie designed to sell us stuff. We must choose and then focus and then sacrifice. Often, people see how much I write and think everything else is perfect in my life. Nope. I gave up the idea of having a Martha Stewart house a looooong time ago. Also haven’t had my hair done since last summer. I focus on family, writing and martial arts. Anything else? I’ll get to it.

*whimpers*

*whimpers*

Principle #5—Achievement is a PROCESS

It also never ends. We have to be careful we aren’t comparing the highlight reels of others to our own “behind-the-scenes.” When I started blogging, NO ONE cared except the man-part-enlargement bots. I was thrilled to pass 40 visits in a day.

I read a lot of other blogs to hone my skills and still do. And, even though it’s common for this blog to have triple digit comments and thousands of shares, I still read blogs with 27,000 or more shares and have to maintain perspective.

Whoever is getting those 27K shares didn’t get that Day One. Just like I blogged for over a year and a half before real humans started outnumbering the spammers who commented on my blog.

I so lick your blog. Wonderful poinsettias you make. I must tell my brother about you’re genius. What web browser do you use? Is there a grate spam filter?

Apparently not “grate” enough…

Have any idea how HARD it was not to delete these comments in the beginning? Um, maybe the commenter is writing English as a second language?

THIS is how blonde I was when I decided to blog. I started my WordPress site and posted…and immediately got MY FIRST COMMENT. Proof I was awesome! *does bad Cabbage Patch dance* It was a lovely and thoughtful comment from this dude named…Akismet?

What kind of name is that? Must be foreign.

Or an automatically generated message from the WORDPRESS SPAM-FILTERING software *head desk*.

What if I’d given up? We all start somewhere. Goals will always be shifting and evolving. We never cross a true finish line unless we decide to quit.

And we’ll need to remember to take that moment where we can enjoy our achievement, but new level? New devil. I was so STOKED when I earned my second stripe on my BJJ white belt. I felt bad@$$! Those two stripes cost me a broken nose, a few broken toes, sprains, strains, time and sweat. I was EPIC (in my own mind).

Double-rainbow all the WAY!

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***For those who don’t know, in BJJ you are a white belt FOREVER—okay, about a year to a year and a half. Four stripes and then blue belt. Most people QUIT.

I basked in my awesomeness until the next class when I got my tail beaten like a drum.

With writing? Finishing a book is life-altering? Publishing it? Holding it in your hands? OMG! Then you get the scathing review from someone who loved the book, but gave you two stars because there were four typos in 70,000 words.

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Also, once that book is out? It’s back to the beginning with the next book and the next. We are always starting over and reaching higher than the last time. It’s why we need a solid relationship with being a beginner ;) .

You can DO this! I know you can. Just remember baby steps are steps and the most valuable stuff in life, money can’t buy.

What are your thoughts? Ready to rule the world? Do you get frustrated with people believing what you do is easy? Or people who want the fruits without the work? Maybe people who dismiss all the sacrifices you’ve made? Do you find you do better if you keep revisiting these basics? I do. If it can be overcomplicated? I AM your GIRL!

I love hearing from you!

To prove it and show my love, for the month of FEBRUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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Creating Dimensional Characters—The Blind Spot

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Last time, we talked about how to deepen characters and how EVERYBODY LIES (thank you Dr. House). Lies are critical for great fiction. To become excellent writers, we need to become great secret-keepers. Denial is more than a river in Africa ;) .

I’d started a series on this a few months ago and Shingles got in the way of the next posts I had planned. But, the first of the intended series was about THE WOUND.  Check it out if you have a bit of time.

Most of us don’t go around lying because we are pathological liars. We lie because of our wounds. And, if you read the post, wounds don’t have to be big to be BIG.

Newer writers sometimes think we have to have a rape or death for it to be “enough” but never underestimate “smaller” wounds. They are far more common, very damaging, and readers have a lot likelier time empathizing and thus connecting.

Though I had my fair share of big wounds in life, strangely enough, the small ones did just as much damage and maybe even more. It was the jokes about me being ugly or fat from family members or schoolmates. It was being teased that my clothes were from Kmart (had a single mom).

It was playing sports, competing in martial arts, or being first chair in clarinet and playing a key solo…yet every kid had a parent/family member in the audience but me.

These wounds drove me to being more of a perfectionist, a people-pleaser, and insecure about my body and looks. One can only be called “Thunder Thighs” so many times. To this day, I refuse to wear shorts even though, when people made these comments, I was 11% body fat. I just happen to be built for strength and “willowy” is an adjective that will never describe me.

Me at 5'3", 165 pounds and a Size 10.

Me at 5’3″, 165 pounds and a Size 10.

Yet, though the wounds did their fair share of damage, they also created a person who learned to be self-sufficient VERY early….which is a mixed bag. Also, I learned to ignore other people’s opinions. This helped A LOT when I was blogging about how social media would change the world and had others calling me a lunatic.

But, I can also say there are times I maybe should have been better at listening to counsel and opinions. Learning to discern when to listen and when to ignore is still a struggle for me…because of the WOUNDS.

Beyond “The Wound”

Today, we’re going to explore an extension of the WOUND. The BLIND SPOT. There are no perfect personalities. All great character traits possess a blind spot. The loyal person is a wonderful friend, but can be naive and taken advantage of.

The take-charge Alpha leader can make a team successful, but also inadvertently tromp over feelings or even fail to realize that others have great ideas, too. Maybe even BETTER ideas.

Often the antagonist (Big Boss Troublemaker) is a mirror of the protagonist, especially in the beginning of the story. In the first book of the series I am currently writing, Romi (my protagonist) is LOYAL. She believes everyone has some good and the world will reward you if you simply are good and work hard.

How she ends up in trouble and the number one suspect in an Enron-like scam is that she trusted the wrong people and they let her take the fall for the scheme.

Romi is VERY Elle Woods in "Legally Blonde."

Romi is VERY Elle Woods in “Legally Blonde.”

To arc and be able to beat the antagonist and solve the core story problem—Find money and clear her name—she’s going to have to grow up. Her bright-eyed naiveté is an asset. Others (ALLIES) gravitate to her because she is such a Pollyanna. They are there to buttress her weaknesses and even mentor her growth.

Yet, by story’s end, she cannot be the same. She’s going to have to be more realistic and see truth about people in order to come out alive.

Conversely, the antagonist is betting that the original blind spot used to make Romi the sucker will remain. The antagonist is banking that she will refuse the call and thus not grow. The antagonist’s blind spot is pride and opportunism. Being able to manipulate.

Yet as Romi grows, she learns to see who people truly ARE, not what she simply wants to see and that is a large reason the antagonist fails.

Application

To use an example from a movie we have likely all seen. In Top Gun, what makes Maverick the best pilot is his complete lack of fear. He has the cajones to do what other pilots wouldn’t ever consider.

He’s driven by his wound, the lie about his father. This has made him one of the best pilots (trying to overcome his tainted history and impress a ghost) but he’s missed the lesson on how to be part of a team.

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Yes, maybe breaking all the rules makes you “the best”, but it can get others killed. It isn’t all about HIM.

This is why when I refer to “the antagonist” I prefer my made-up term Big Boss Troublemaker. The antagonist isn’t always “bad.” The antagonist is simply the person responsible for creating the core story problem.

Iceman isn’t a bad guy. He isn’t evil with a plan to take over the world or infiltrate the Top Gun school as a sleeper terrorist.

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He’s simply a by-the-book fighter pilot who believes Maverick shouldn’t be there. He loathes Maverick because he thinks he’s a danger to himself and others (and, frankly, he has a very valid point).

The plot provides the crucible. Maverick butts heads with Iceman over and over in a um, man-part-measuring contest. But what happens when Maverick loses Goose? Crisis.

A hard event (PLOT) has now forced Maverick to face the truth about himself. For the first time, he SEES the blind spot Iceman and others have been pointing out (which has been the core source of conflict). This loss forces him to go searching for answers deeper than buzzing the tower.

He finally recognizes others might actually have a point.

The beauty of this movie and why it’s remained so timeless (aside from hot guys in Navy dress) is it’s a movie exploring people. Real, broken, hurting people blind to who they really are. By story’s end? Everybody arcs.

Maverick learns there are other people in the sky besides HIM and that he is part of a TEAM. Iceman lightens up and recognizes that Maverick, too, has a point. Sometimes one just has to toss out the rulebook.

Thus, when creating characters in any story, to deepen them, we need to KNOW them. What DRIVES THEM? How would they react according to their past, their wounds and their blind spot?

As a writing exercise, take a scenario. Maybe an attempted mugging. How would different characters react?

For instance, when I was in college, I taught Jui-Jitsu during the day and sold papers in the evening. One dark winter night a drunk tried to mug me in a dark apartment complex and take my hard case briefcase.

Because of MY background, growing up powerless and determined to be in CONTROL, I’d taken years of martial arts. Also, when I was eight, I witnessed my 6’8″ male family member raise his hand to hit my mom while she was cooking….and she beat his ass out the front door wielding a mad hot cast iron skillet.

This left a mark (though likely more on said family member).

Thus, 12 years later when a MUCH larger drunk came up behind and tried to mug ME, he got beaten heartily with a briefcase and then chased until I lost him.

But why did I fight, not just hand over the briefcase?

I’d always been POOR. I was very poor in college and had worked long hours to buy a really nice briefcase in hopes of landing a better job than selling and delivering papers. There was no money in the case. I could have handed it over but because of MY wounds, the briefcase was more than a briefcase.

Clearly my BLIND SPOT is I have an alligator mouth and a pekinese @$$. I could have lost and ended up hurt or dead.

But what about a person with a different background? A different wound? A different blind spot?

What if the person mugged was a trust fund baby who could easily buy another briefcase? Or a person who’d been beaten badly in formative years and would do anything to avoid experiencing that pain? What if the person was elderly? There are a lot of variables that make a VERY rich palette to create characters with LIFE.

Think of your own life and personality? What is your greatest strength? How does it create your greatest weakness? What is YOUR blind spot. Play a little armchair psychiatrist and what you find might be really interesting ;) . Feel free to share about you or even your favorite characters you’ve read or even written.

I love hearing from you!

To prove it and show my love, for the month of JANUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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41 Comments

How to Create Multi-Dimensional Characters—Everybody Lies

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Image via the award-winning show “House.”

Back in the Spring we started talking about ways to create multi-dimensional characters. Then I probably saw something shiny and, in case you are wondering? NO, I can’t catch the red dot. But I don’t give up easily :D .

It’s tempting for us to create “perfect” protagonists and “pure evil” antagonists, but that’s the stuff of cartoons, not great fiction. Every strength has an array of corresponding weaknesses, and when we understand these soft spots, generating conflict becomes easier. Understanding character arc becomes simpler. Plotting will fall into place with far less effort.

All stories are character-driven. Plot merely serves to change characters from a lowly protagonist into a hero….kicking and screaming along the way. Plot provides the crucible. 

One element that is critical to understand is this:

Everyone has Secrets

To quote Dr. Gregory House, Everybody lies.

All good stories hinge on secrets.

I have bodies under my porch.

Okay, not all secrets in our fiction need to be THIS huge.

Secret #1—“Real” Self Versus “Authentic” Self

We all have a face we show to the world, what we want others to see. If this weren’t true then my author picture would have me wearing a Gears of War T-shirt, yoga pants and a scrunchee, not a beautifully lighted photograph taken by a pro.

We all have faces we show to certain people, roles we play. We are one person in the workplace, another with family, another with friends and another with strangers. This isn’t us being deceptive in a bad way, it’s self-protection and it’s us upholding societal norms. This is why when Grandma starts discussing her bathroom routine, we cringe and yell, “Grandma! TMI! STOP!”

No one wants to be trapped in a long line at a grocery store with the total stranger telling us about her nasty divorce. Yet, if we had a sibling who was suffering, we’d be wounded if she didn’t tell us her marriage was falling apart.

Yet, people keep secrets. Some more than others.

In fact, if we look at The Joy Luck Club the entire book hinges on the fact that the mothers are trying to break the curses of the past by merely changing geography. Yet, as their daughters grow into women, they see the faces of the same demons wreaking havoc in their daughters’ lives…even though they are thousands of miles away from the past (China).

How could she just LEAVE those babies?

How could she just LEAVE those babies?
Image via IMDB “The Joy Luck Club”

The mothers have to reveal their sins, but this will cost them the “perfect version of themselves” they’ve sold the world and their daughters (and frankly, themselves).

The daughters look at their mothers as being different from them. Their mothers are perfect, put-together, and guiltless. It’s this misperception that keeps a wall between them. This wall can only come down if the external facades (the secrets) are exposed.

Secret #2—False Face

Characters who seem strong, can, in fact, be scared half to death. Characters who seem to be so caring, can in fact be acting out of guilt, not genuine concern for others. We all have those fatal weaknesses, and most of us don’t volunteer these blemishes to the world.

In fact, we might not even be aware of them. It’s why shrinks are plentiful and paid well.

The woman whose house looks perfect can be hiding a month’s worth of laundry behind the Martha Stewart shower curtains. Go to her house and watch her squirm if you want to hang your coat in her front closet. She wants others to think she has her act together, but if anyone opens that coat closet door, the pile of junk will fall out…and her skeletons will be on public display.

Anyone walking toward her closets or asking to take a shower makes her uncomfortable because this threatens her false face.

Watch any episode of House and most of the team’s investigations are hindered because patients don’t want to reveal they are not ill and really want attention, or use drugs, are bulimic, had an affair, are growing marijuana in their attics, etc.

Secret #3—False Guilt

Characters can be driven to right a wrong they aren’t even responsible for. In Winter’s Bone Ree Dolly is driven to find her father before the bail bondsman takes the family land and renders all of them homeless.

Ree is old enough to join the Army and walk away from the nightmare, but she doesn’t. She feels a need to take care of the family and right a wrong she didn’t commit. She has to dig in and dismantle the family secrets (the crime ring entrenched in her bloodline) to uncover the real secret—What happened to her father?

She has to keep the family secret (otherwise she could just go to the cops) to uncover the greater, and more important secret. She keeps the secret partly out of self-preservation, but also out of guilt and shame.

Seeking the truth is painful...

Seeking the truth is painful…
Image via “Winter’s Bone”

I’m working on a fiction series and nearly finished with Book Two of three. But in Book One, my protagonist takes the fall for a massive Enron-like scam. She had nothing to do with the theft of a half a billion dollars and the countless people defrauded into destitution. Yet, she feels false guilt. She feels responsible even though she isn’t.

This directs her actions. It makes her fail to trust who she should because she’s been had before. When she uncovers a horrific and embarrassing truth about someone she trusts and loves, she withholds the information (out of shame for the other person) and it nearly gets her killed.

This embarrassing secret is the key to unlocking the truth, yet she hides it because of shame. Shame for the other person and shame that this information reveals her deepest weakness…she is naive and has been (yet again) fooled.

Be a GOOD Secret-Keeper

This is one of the reasons I HATE superfluous flashbacks. Yes, we can use flashbacks. They are a literary device, but like the prologue, they get botched more often than not.

Oh, but people want to know WHY my character is this way or does thus-and-such. 

Here’s the thing, The Spawn wants cookie sprinkles for breakfast. Just because he WANTS something, doesn’t mean it’s the best thing for him. Don’t tell us WHY. Reveal pieces slowly, but once secrets are out? Tension dissipates. Tension is key to maintaining story momentum. We WANT to know WHY, but it might not be good for us.

The Force was more interesting before it was EXPLAINED.

Everybody LIES

They can be small lies, “No, I wasn’t crying. Allergies.” They can be BIG lies, “I have no idea what happened to your father. I was playing poker with Jeb.” Fiction is one of the few places that LIES ARE GOOD. LIES ARE GOLD.

Fiction is like dating. If we tell our date our entire life story on Date #1? Mystery lost and good luck with Date #2.

When it comes to your characters, make them lie. Make them hide who they are. They need to slowly reveal the true self, and they will do everything to defend who they believe they are. Remember the inciting incident creates a personal extinction. The protagonist will want to return to the old way, even though it isn’t good for them.

Resist the urge to explain. 

Feel free to write it out for you…but then HIDE that baby from the reader. BE A SECRET-KEEPER. Secrets rock. Secrets make FABULOUS fiction.

What are your thoughts? Questions? What are some great works of fiction that show a myriad of lies from small to catastrophic? Could you possibly be ruining your story tension by explaining too much?

I love hearing from you!

To prove it and show my love, for the month of JANUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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58 Comments

Be a Peep NOT a Pain–How to Use Twitter Effectively

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Last time we took a satirical look at Twitter with 8 Ways to Make People on Twitter Want to STAB US IN THE FACE.  Here’s the deal, we are in sort of a New Gold Rush with this Digital Age publishing paradigm. That means “experts” are everywhere. But, just because someone claims to be an expert doesn’t mean their advice is worth more than the Vista Print cards their title is printed on.

This means it is incumbent on US to do our homework. Hey, yes, I am an expert, but to stay at the top of my game? I love learning new things.

Yet, here’s the deal. If someone is charging you to teach you how to blog, yet their blog has NO comments or single digit comments or they aren’t following their own advice (blogging when they feel like it)? Probably not the best expert to hand cash to.

And, just my POV, but I think anyone with social media services to SELL (outsourcing) is not in the business of empowering an author. Social media is HIGHLY personal these days. People don’t want to talk to a bot or something an assistant wrote. They want to talk to US and outsourcing just pisses them off.

And if Anne Rice can do her own Facebook posts? So can we.

Today we are going to talk a little bit about how to use Twitter. Why? Because I have some really unique methods to help you guys build massive social platforms (meaningful platforms) with far less work.

What the Heck is that # THINGY and What Does it DO?

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To be effective at Twitter and discovering and cultivating readers we have to understand the hashtag and how it works. If we don’t know how to properly use a tool, we can easily become a tool, if ya dig ;). Too many writers mistakenly believe they need to be on social media eight hours a day to build an effective platform.

Um, that would be a no.

My tips involve the hashtag conversations, but if you don’t know what a hashtag is or what it does, the tips will make no sense. Feel free to scroll down if you happen to be hashtag savvy.

For the rest of you, you might find yourself asking, What the heck is that # thingy I see all the time?

Here’s the deal. If you bought and read my latest best-selling social media book, Rise of the Machines—Human Authors in a Digital World, then you downloaded TweetDeck or HootSuite at the first available opportunity. Wait, what? You didn’t?

Okay…we’ll wait. *whistles, checks watch*

Kidding! But, seriously. Download TweetDeck (or a similar application. Yes, HootSuite is fine and plays better with Apple). Trust me. It will make life simpler.

What is a #? That little # symbol is going to help you build a worldwide following. I know. That’s partly how I did it.

So what is it? Well, when you first join Twitter, you are all alone…save for the celebrities that Twitter gives you, but it isn’t like you and Lady Gaga are going to chit chat (though Kim Kardashian might be available). This basically means you are going to have to make some friends or Twitter is gonna be a seriously lonely and confusing place.

Hashtags will help you meet people who love to talk about the same things you do. When you place a # with a keyword at the end of your tweet, Twitter slots your tweet into a conversation shared by people all over the world bound by topic.

Some popular writer hashtags are:

#writegoal (place daily writing goals and keep each other accountable), #amwriting, #pubtip, #indie, #amediting, #nanowrimo, and the one hashtag to rule them all is, of course, #MyWANA.

Thus, when I tweet about my blog, it might look like this:

@KristenLambTX Want to know how to use Twitter to help build your platform? (shortened link goes here) #MyWANA #nanowrimo #pubtip

My Tweet now will not just go out to my specific followers, it will be seen by the THOUSANDS of people all over the world who might be participating in those three popular hashtag conversations.

Why I recommend you download TweetDeck is that you can slot each hastag into its own column and then follow the people and conversations. When it comes to social media, we must interact and be vested in others, or we risk being perceived as fake and selfish.

The hashtag is to help us meet and converse with others effectively. It is not a new way to spam our fellow tweeps.

Thus, to help you guys out, today we are going to talk about three Twitter Tool Tactics, but then I will follow each Tool Tactic with a Tweep Tactic. I never criticize unless I can offer a solution.

Without further ado…be a tweep, NOT a tool.

TOOL Tactic #1

Using an auto-tweet system with hashtags.

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BAD idea. This can get you banned to Twitter Limbo.

I’m utterly, completely, totally against authors using auto-tweets anyway. If our face and name are our Twitter identity, then our tweets need to be us tweeting IN PERSON.

These days, even large companies can’t get away with auto-tweets. Granted, no one expects to have a conversation with @BestBuy. They will, however, expect conversation from us.

And don’t even TRY to cheat. People are smart and will smell an automatically generated message a mile away…and then promptly ignore you, report you or unfollow you.

At the very least, they will think you are a big fat phony, and, in an age of people looking for authenticity, that is bad. It won’t win any friends, so I recommend just avoiding anything automatically generated.

We really don’t need a Thank you for following me. Check out my awesome blog (link) sent to our direct messages. It’s not personal. It’s spam….and it seriously pisses us off.

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It really is better for you to tweet less, but it be genuinely you, than it is to assign a machine to pump out your message. Millions are gravitating to social media to escape spam. Bring these tactics into their sacred space and the penalty can be steep.

And “experts” and writers argued with me over this for YEARS and then THIS happened. Check out this post regarding Twitter and The Boston Marathon Bombing. Many writers (and celebrities) did major damage to their brands because of automation. In a world that can shift in a microsecond? It will cost more time to repair the damage than any automation might “save” us.

But, okay, you feel you must auto-tweet. Don’t say I didn’t try to talk you out of it. Do NOT include a hashtag. It is very likely you could clog up a whole column with your spam…um, tweets.

Maybe you didn’t mean to, but since you weren’t present, you didn’t get to see the mess your auto-tweets were creating (think Mickey Mouse and the brooms). Then people get angry and they report you and Twitter bans you from using the most powerful tool you have to connect with people worldwide.

You could accidentally gum up all three hastag conversations like this:

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

@Kristen LambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #writegoal #nanowrimo #pubtip

Now, I might have meant well, but folks on Twitter use these hashtag conversations to interact with a broader pool of people. If they see my tweet over and over and over and it is taking up the whole column, do you think it inspires them to like me?

Or hunt me down with torches and pitchforks?

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Also, the reason that I recommend TweetDeck (HootSuite) is that you can see if your tweets are gumming up a column. I scan the #MyWANA column to make sure I don’t already have a tweet talking about my blog in that column. If I do, I use another hashtag #amwriting or just wait to tweet about my blog.

When I was new, I only tweeted 3 times a day to self-promote my blog. Morning, afternoon, evening to catch different Twitter crowds.

Once you hit a certain critical mass, others will spread your content for you. Until then, feel free to tell us you have a post. Just don’t get crazy…

TWEEP Tactic #1

Be a Genuine Peep

Moi with the AWESOME Chuck Wendig...

Moi with the AWESOME Chuck Wendig…

To rule the Twitterverse, we don’t need to be interesting just interestedFocus on others and relax. That book will sell better if we are forging relationships than it will if we are camped on top of a kitschy promo campaign that’s as appealing as getting a handful of flyers under our windshield wipers. We can even make some really amazing friends.

Forget traditional marketing. It’s DEAD and OUTDATED. It’s like strutting around the Digital World in a mullet and a Where’s the Beef t-shirt. Might get attention? But not the right kind of attention.

TOOL Tactic #2

Nonstop self-promotion.

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Yes, we know you have a book to sell…really. Using Twitter as a free and easy way to spam people is annoying and grossly ineffective. It is also traditional marketing, which doesn’t sell books. Never has and here is why. The best way to sell a lot of books is to write an excellent book. Then go write some more.

TWEEP Tactic #2

Be COOL

Again…be cool. Just talk to people. Socialize. Let others genuinely promote you. It’s more authentic anyway. And not the “Let’s Team Up and I Sell Your Books and You Sell Mine.” We actually have an IQ higher than a sea sponge. I NEVER recommend a book I haven’t read and that I do not OWN.

If we are promoting a work we LOVE, people feel our passion. Passion is what ignites a fandom. Manipulation just ticks people off. Shocking, right?

TOOL Tactic #3

Not changing the hashtags when we RT (retweet).

We all need to pay attention to this tip. All of us, at one time or another forget to delete or change the hashtags at the end of an awesome tweet we long to share. Ah, but we can unintentionally gum up an entire column with the same information and that is bad juju.

Why this can be really bad is this can kill a hashtag. People will start ignoring the # or close the column or not use the # because it is always backed up with redundancy. Only you can prevent Column Constipation.

NO ONE wants to see the same tweet 20 freaking times. Social media is a community so we should use good manners.

TWEEP Tactic #3

Now that you know what hashtags are, add them or change them when you RT for others.

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I might see a writer who has an outstanding blog…but she didn’t add any hashtags. So, when I RT, I stick in a couple. Try not to do more than one or two. This isn’t a hard and fast rule, it just (to me) feels less “spammy.”

But, what if one of your peeps has a GREAT blog and they did use hashtags? If you RT and leave the same hashtags, then you risk gumming up a column with the same link. So change them.

@KristenLambTX Want to know how to use Twitter to help build your platform? (link goes here) #indie

RT @KristenLambTX Want to know how to use Twitter to help you build your platform? (link goes here) #fiction #writer

Now my message will go into two totally different columns. This helps more writers SEE my blog and I don’t risk clogging up the conversation. People who follow the # conversations will really appreciate that. Also, it makes it where I don’t have to add 8 hashtags to the end. I know my tweeps will help me out.

At the end of the day, Be a Tweep, Not a Tool and success will surely be yours. Thought? Comments? Recipes for world domination using a cupcake maker and trained hamsters? Share!

I LOVE hearing from you!

To prove it and show my love, for the month of JANUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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88 Comments

Make Readers Suffer—Great Fiction Goes for the GUTS

Image courtesy of Reuters.

Image courtesy of Reuters.

I hope everyone had a FABULOUS Christmas and is enjoying this wonderful time of the year. Holidays bring family and friends together and usually? This equals CONFLICT. Use it. Eavesdrop. Great writers make a MESS because that is what is the heart of the best stories. The uglier the better. You will one day be grateful for that seriously jacked up childhood.

Sally forth!

I think it’s fair to say that writing a novel is no easy task. There is a lot to balance at the same time—narrative, setting, dialogue, POV, plot points, turning points, scenes, sequels, character arc, etc. It can be very challenging for even the best of us. Yet, I believe the hardest part of writing fiction is that, for most of us who aren’t crazy, conflict is something we avoid at all costs during our daily lives.

In fiction? We must go for the guts.

Today, I’d like to offer you a simple way to make your stories and characters three-dimensional and grab hold of great fiction’s throbbing heart. I learned this from the fabulous Les Edgerton who cornered me with this same question:

What is your character’s true story problem?

I gave Les a rundown of my carefully researched mystery thriller and he pressed again.

That’s surface, Kristen. What is the real story problem?

Fortunately, I was able to answer the question. Aside from the embezzlement, fraud, gun-running and drug-dealing, my character’s problem is she longs to be accepted, yet doesn’t fit in anywhere.

She began as small town trailer trash and ran away from home to go to college and pursue a better life. She naively assumed a fancy college degree would be her keys to acceptance, her ticket to become part of the high-class society she’d always envied. Yet, once she “made it” she found herself worse off than before. No matter how hard she worked, she was still, in the eyes of high society, gold-digging trailer trash who didn’t know her place.

In one world (home) she’s regarded as an uppity b!#$@ too good to be blue-collar working class. Yet, once part of “society” her problem was just as bad. The rich assume she must have slept her way into her high-paying job and that her sole goal is to marry money. She soon finds she’s regarded with equal disdain.

The story problem (the mystery) is only there to answer my protagonist’s deep, driving personal questions: Where do I fit in? Why do I need to fit in? Who am I?

The plot problem—a major embezzlement (Enron-style) leaves her penniless and blackballed and she has to go home to the trailer park she thought she’d left for good. This is where the story begins.

Now she is forced back into the lion’s den of her soul. Now she is torn between worlds. To solve the mystery and find the missing money (and a murderer killing to keep the secret) she must take on the wealthy and powerful. But in order to succeed, she must rely on a crazy-dysfunctional family who resents her and feels betrayed and judged.

Eventually, the plot will force her to face her greatest weakness—the need to be accepted—and she will have to make the tough choices.

If we look to all the great stories, the questions are bigger than the story. Minority Report has all kinds of cool technology, but the big question is, “Are we predestined, bound by FATE, or do humans possess free will?” In The Joy Luck Club the question is, “Can generational curses be broken?” In Winter’s Bone “Is blood really thicker than water?” In Mystic River “What is the nature of good and evil? Are people really who they appear to be?”

Thus, I challenge you to pan back from your story and ask What is the BIG question here? What is my character REALLY after? What will my story problem CHANGE about this character? What will it answer? 

As you guys know, I run a regular contest for free edit of sample pages. One of the biggest issues I see in new writing is it is very surface (Hey, I’ve been there, too. It’s all part of the learning curve ;)). Yet, to take that writing to the next level, we have to dig into the dark and dirty places. I actually have a sticky note on my computer that reads GO FOR THE GUTS. 

Every scene, every bit of dialogue must be uncomfortable. Fiction is the opposite of our human nature. Human nature is to avoid conflict at all costs. To write fiction? We must dive into the Miserable Messy head-first. Create problems at every turn (not mere “bad situations” but conflict).

Conflict turns pages. We have to be careful that our dialogue isn’t so busy being clever that it loses it’s teeth. Pretty description and scene-setting doesn’t turn pages and hook readers. CONFLICT does. Humans have a need to avoid conflict, but when we are faced with it? We want it resolved. THAT is why readers will turn pages. We make them shift in their seats and squirm and seek resolution.

What are your thoughts? What movies can you think of that have amazing BIG questions? Do you find that you have to revise places you are being “too nice?”

I love hearing from you!

To prove it and show my love, for the month of DECEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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56 Comments

Caveat Venditor—Five Mistakes KILLING Self-Published Authors

Rise of the Machines Human Authors in a Digital World, social media authors, Kristen Lamb, WANA, Rise of the Machines

All right, it’s about to be a brand new year and many of you are wanting to finally see your books published. ROCK ON! But, I am the friend who will tell you if there is toilet paper hanging out of your pants. Writing isn’t all glitter and unicorns and I want to warn you of the most common stumbling blocks, because I really DO want you to succeed.

When I began writing I was SO SURE agents would be fighting over my manuscript. Yeah. But after almost fourteen years in the industry, a lot of bloody noses, and even more lessons in humility, I hope that these tips will help you.

Self-publishing is AWESOME, and it’s a better fit for certain personalities and even content (um, social media?), but we must be educated before we publish. In fact, my last book Rise of the Machines (cover above) is much more than a social media book. I dedicate a large portion of the book explaining how the various forms of publishing work, because you need to make the best choice for YOU.

I want that decision to be an EDUCATED decision.

Moving on….

Mistake #1 Publishing Before We Are Ready

The problem with the ease of self-publishing is that it is, well, too easy. When we are new, frankly, most of us are too dumb to know what we don’t know. Just because we made As in English, does not automatically qualify us to write a work spanning 60,000-100,000 words. I cannot count how many writers I’ve met who refuse to read fiction, refuse to read craft books, and who only go to pitch agents when they attend conferences at the expense of attending the craft sessions.

Additionally, too many new writers I meet do not properly understand the antagonist. They don’t grasp three-act structure, and most don’t have any idea what I mean when I mention POV, Jungian archetypes, or the phrase, “scene and sequel.”

I see a lot of new writers who believe their story is the exception, that the rules make for “formulaic” writing. No, rules are there for a reason, and, if the writing is too formulaic, it has more to do with execution than the rules.

****And YES, we can and SHOULD break rules but that is another post. Every musician has to learn to play the instrument before reinventing music as we know it.*****

Three-act structure has been around since Aristotle, and there is a lot of evidence in neuroscience that suggests that three-act structure is actually hard-wired into the human brain. Thus, when we deviate too far from three-act structure, it confuses and frustrates readers.

Stories have clear beginnings, middles and ends. Without a clear story objective, it is impossible to generate dramatic tension, and what is left over is drama’s inbred cousin, melodrama. Yet, many writers start off writing a book without properly understanding the basic skeleton of story.

Heck, I didn’t and I deserved every rejection I got…

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Writing fiction is therapeutic, but it isn’t therapy. Yes, characters should struggle with inner demons, but that does not a plot make. Struggling with weakness, inner demons, insecurity, addictions are all character arc, not plot arc. There should be a core story problem that we can articulate in ONE sentence. The plot arc should serve to drive the character arc. If the character does not grow and change she will fail, but it is the core story problem that drives this change.

No problem, no crucible.

Yes, we are artists, but we need to understand the fundamentals. I played clarinet for years, and yes it was an art. But this didn’t excuse me from having to learn to read music, the finger positions and proper embouchure (the way to position the mouth to play).

The better we are at the basics, the better we know the rules, the more we become true artists.

I’ve received contest winners whose first pages were filled with newbie errors. Yet, when I sent them my critique filled with pages of corrections, I would then receive a reply telling me that the book had already been self-published.

OUCH.

Sometimes there are reasons we are being rejected and we need to take a hard look and be honest. Self-publishing is suffering a stigma from too many writers publishing before they are ready. If you really want to self-publish, I am here to support you and cheer you all the way. Heck, I did it. Will probably do it again.

But remember, though the stigma IS fading we have to write better than the traditional authors.

Mistake #2 Jumping in Before Understanding the Business Side to the Business

I see a lot of writers rushing into self-publishing without properly preparing to be a small business, yet that is exactly what we are. When we self-publish, we take on new roles and we need to understand them. We need to be willing to fork out money for proper editing, cover design and formatting.

One of the benefits to traditional publishing is they take on all the risk and do the editing, proofing, etc. When we go it alone, we need to prepare for some expenses and do our research.

We can be told a million times to not judge a book by its cover, yet that is exactly what readers do. Additionally, we may need to look into becoming an LLC. We need to set up proper accounting procedures and withhold the correct amount of taxes, unemployment, state taxes and on and on.

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Mistake #3 Believing that, “If We Write it They Will Come”

There are a lot of writers who mistakenly believe that self-publishing is an easier and faster way to fame and success. Yeah, um no. And those magic beans are really just beans. Sorry.

Self-publishing is A LOT of work, especially if we are starting out this way. If you didn’t defect from traditional publishing and can’t slap New York Times Best-Selling in front of your name? Prepare for a ton of work.

Not only do we need to write good books, but we need to write prolifically. When we self-publish, we need a much larger platform because we don’t have New York in our corner. This is one of the reasons self-publishing isn’t for everyone. We need to look at how badly we want the dream, and then ask how many hours are we willing to work? What are we willing to sacrifice?

Image from the movie "Office Space"

Image from the movie “Office Space”

Mistake #4 Misusing FREE!

There are a lot of problems with giving books away for FREE! We shouldn’t be giving away our work unless it serves some kind of a strategic advantage. There are ways to effectively harness the power of FREE! but too few writers understand how to do this and they just end up giving away their art for no tangible gain. This goes with my above point of us needing to understand the business side of our business. When we do choose to give away stuff for FREE! it needs to serve longer-term business goals.

Mistake #5 Shopping One Book to DEATH

One of the BIGGEST problems I see with self-published writers is that they publish one book and then they focus every bit of energy on selling THAT book.

They fill up all the writing hashtags with link spam promoting their books. They keep futzing with the cover, the web site, the promotions. They do blog tours until they drop, and they do everything except what is going to help that book sell a ton of copies…write more books.

Here’s the thing. Self-publishing, in many ways, just allows us to accelerate the career path of the author. Even in traditional publishing, it usually takes about three books to gain traction. In traditional publishing, this takes three years because we are dealing with a publisher’s schedule.

In self-publishing, we can make our own schedule, but it still takes THREE BOOKS MINIMUM. I know there are exceptions, but most self-published successes hit at about book three. The ability to offer multiple titles is a huge advantage.

Just make sure they are good books ;).

This is why it is critical to keep writing. Not only will writing more books make you a better writer, but once people discover they love your writing, they have a number of titles to purchase. Being able to offer multiple titles is how we make money at self-publishing. It also helps us maximize the whole FREE! tactic.

Even I am putting my nose to the grindstone to come out with more books in the next six months. I don’t tell you guys to do anything that, I myself, am unwilling to do. I have two books in a series already written, but I’ve made the decision not to give them to a publisher or publish myself until I have a minimum of THREE finished titles.

This is a profession, not a playpen.

Remember Why We Do This

Self-publishing is a wonderful alternative. Just because we self-publish doesn’t mean we cannot publish other ways, too. I’ve been saying this for a LONG time, but it bears repeating. I feel the author of the future will actually be a hybrid author, and I do believe that the ability to self-publish is challenging all of us to come up higher.

We are striving to be better writers, to be better entrepreneurs, to get better at organization and time-management and to write more books and better books. If we can learn from these mistakes and grow, then the future is ours for the taking.

A little humor from the fabulous David Kazzle

What have been some of your challenges with self-publishing? In what areas is it forcing you to grow? Have you had to outsource? What sacrifices have you made? Tell us your story!

I love hearing from you!

To prove it and show my love, for the month of DECEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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119 Comments

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