For those who haven’t visited WANA International, the video above is Francis’s debut film. I believe his story might sound familiar. Francis is our WANA mascot, and embodies what we believe at WANA. Too many artists are trying to be something they aren’t, largely because they don’t have a system of support. They believe they need to be “practical”, that following their hearts and pursuing their passions are “foolish hobbies.”
The world need art. The world needs you.
I remember the day I met Francis, he came to me looking like this:
Francis has come a long way, and so can you!
We at WANA look forward to helping you live life in full color. Join us for the launch party at #WANAParty on Twitter. We will be celebrating a new age for artists starting at 2 p.m. CST. We will be having fun, chatting, networking and also giving away cool gifts and prizes.
Make sure you take time to join us at the new social media site for creatives. WANATribe is the artist salon of the Digital Age. Writers, dancers, actors, painters, filmmakers, all creatives all the time. No matter where you turn on WANATribe you will find friends who understand you because they are creatives, too. Here is the invitation.
WANA is more than training, we’re family. Creativity and imagination needs to be nurtured. Artists need input, tough love and accountability. It is too easy to spend our lives miserable, trying to stuff a square peg in a round hole. Well, no more. WANA offers the professional training and WANATribe offers the network of support.
With WANA success is now up to the individual artist, because…We Are Not Alone.
WANA International—Connecting the Hearts
Just so you guys know, Natalie Markey is doing an interview with Francis on her blog today. Here is a peek:
Natalie: When did you first know you wanted to be an artist?
Francis: I was born in a chicken coop and raised by a family of Easter Eggers. My mother, being, well, a big chicken, never encouraged me to pursue much beyond the daily pecking out a living. I always knew I was different. I didn’t look like my sisters and brothers and they made fun of my different colors, because I wasn’t like them. But no matter how I tried to fit in, it never worked. That was part of how I started losing my feathers.
Bird-pattern-butt-baldness is never sexy.
I always loved to paint. I think it was because Easter was my favorite time. All the Pez egg dye, the glitter, the pizzazz. I didn’t know why we didn’t decorate the eggs all year long.
I was in the minority.
Natalie: Tell us about losing your job. Did your love for art help you cope?
Francis: No matter what I tried I could NOT learn Excel. I actually had a few feathers when I took the position. The spreadsheets and Power Point presentations got the last few. Then typing…all hunt-and-peck.
I was terrified when I got fired. What was I going to tell my mom back at the henhouse? How was I going to scratch out a living? I was scared, but in a way, I felt liberated. That place had clipped my wings a long time ago, yet I was too numb to feel it.
Actually, my art didn’t help me cope at all. It was my calling all along, but I was too busy fitting in to see it.
See the rest of Francis’ interview here.