Consumers and business models have all changed drastically in the past ten years. This demands that we as authors change as well. There were many elements we never had to think about twenty years ago. It was an agent/editor’s job to think about the consumer climate and whether or not our book would be something readers would want to buy.
There have always been writers too clever for their own good, but in the old model, likely they met with enough rejection to 1) give up 2) rewrite or 3) try again. These days? The onus is on us to give readers what they want.
We have to remember whether it is the book or the blog or even social media, that WE are not important. It is all about the reader and what he/she wants to consume.
A Tale of Two Parsnips
I remember being in NYC for Thrillerfest. It was our final day in the city and we were celebrating a member of our group’s birthday. Since I have a bazillion food allergies, we made plans to eat at a ritzy Asian-Australian “fusion” restaurant and the woman on the phone assured me they could accommodate.
This was a super fancy restaurant and the chef had even once won Iron Chef, so I didn’t eat that day, preparing for my first experience with fine NYC dining.
We get to the ordering and…*screeching brakes*
The chef refused to modify any of the dishes.
He claimed that removing the mashed potatoes (which contained dairy) “ruined the aesthetics of the dish.”
I wish I were joking.
The waitress kept continually offering me the parsnip soup. I was ravenous and, finally, after fifteen times being offered soup I didn’t want? I lost my temper, scared the waitress and someone somehow convinced the kitchen to create an aesthetically unbalanced plate before I came back there and made an aesthetically unbalanced chef.
Texans. Can dress them up. Can’t take them anywhere.
But this story illustrates my point. We shouldn’t keep trying to serve others something they don’t want to consume.
***Side note: The next year when I returned to NYC? That restaurant was out of business.
Give Customers What They Want to Consume
But I carefully craft all my automated, preprogrammed tweets.
Great, you dressed it up, but it is STILL SPAM.
If I don’t want to talk to a robot? Why would other people? If I hate spam? Why serve it? If I loathe being force-added to groups and newsletters and it ticks me off? Might not be a good plan to do to others.
When I wrote my social media book, it was because all the books out there were highly technical, boring and made me want to throw myself in traffic. I knew I couldn’t be alone. Why not write a book that was useful and fun? Repackage a boring topic into something people enjoyed?
***That’s thinking like an entrepreneur, btw😉.
Same with fiction. I didn’t like being forced to read The Great Gatsby (three times too many), so why write books similar to so many of the classics most of us only read because we had to? Guess what? Entertainers are “real” writers, too.
And inevitably I get an intellectual who wants to argue and it’s fine. If we want to write a modern version of Moby Dick, no one will stop us. If we want to write perspicacious prose only a handful of intelligentcia “get”? Write away!
Just don’t complain about sales numbers.
Readers, by and large, don’t want us to show off how clever we are. They want a good story.
Give Readers What They Want In a WAY They Want
We writers can be a hopelessly romantic lot. I get it. We love bookstores and the feel of paper. We don’t mind toting around a hardback so thick we could brain mugger with it. But WE are not everyone. Humans are busy and distracted and they dig e-books and audio and that is a GOOD thing.
I still have no idea why writers are even taking sides on this issue. If my readers want my stories acted out in interpretive dance? They prefer jazz hands over paper? And that could be profitable enough to finance me continuing to write?
Every Christmas, Spawn opens his new toys then we spend the next hour with scissors and kitchen knives trying to break past all the anti-theft crap.
This is how info-dump, fish heads, needless prologues and extraneous flashbacks feel to readers. We have to get past so much stuff to get to what we want, that we move on to novels that don’t make us work so hard to get to the STORY.
One of the reasons I emphasize understanding the craft of writing is that novel/story structure is mythic. There is actually evidence that narrative structure is hardwired into the human brain. Yes, we can break rules and deviate, but we do this too much? We confuse the reader. It’s like serving them a blue steak. Blue steak is certainly clever. And, it could taste great.
But our minds won’t let us eat and enjoy something so very wrong.
Good books are good books, but I’ll be blunt. There are outside factors we can never anticipate.
I actually have a theory that this is part of why 50 Shades of Grey took off when it did. It was racy, mindless junk food that put readers in a world where someone else told them what to do (allowing them to escape from a real world where they have NO idea what to do). Whether the book was good, bad, or terrible made little difference. It clearly filled a need and a market emerged.
E.L. James gave consumers what they wanted.
This is why writing more books is critical. Maybe Book One isn’t selling well today, but in a digital world where shelf space is infinite? Might do better next year. We get better the more we
cook write, and odds are, if we do it enough, we’ll discover our readers and they’ll discover us.
Have you ever had someone try to keep giving you something you DIDN’T WANT? A book? Food at a restaurant, bad mojo at a clothing store? Two words. Skinny jeans. Any sociological theories about the success of 50 Shades? Come on! Let’s play armchair psychiatrist! I am not a doctor, but play one on the Internet😀.
I LOVE hearing from you!
To prove it and show my love, for the month of AUGUST, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).
Check out the other NEW classes below! Including How to Write the Dreaded Synopsis/Query Letter!
All W.A.N.A. classes are on-line and all you need is an internet connection. Recordings are included in the class price.
You’ve written a novel and now are faced with the two most terrifying challenges all writers face. The query and the synopsis.
Query letters can be daunting. How do you sell yourself? Your work? How can you stand apart without including glitter in your letter?
***NOTE: DO NOT PUT GLITTER IN YOUR QUERY.
Good question. We will cover that and more!
But sometimes the query is not enough.
Most writers would rather cut their wrists with a spork than be forced to write the dreaded…synopsis. Yet, this is a valuable skills all writers should learn.
Sign up early for $10 OFF!!!
All fiction must have a core antagonist. The antagonist is the reason for the story problem, but the term “antagonist” can be highly confusing. Without a proper grasp of how to use antagonists, the plot can become a wandering nightmare for the author and the reader.
This class will help you understand how to create solid story problems (even those writing literary fiction) and then give you the skills to layer conflict internally and externally.
Bullies & Baddies—Understanding the Antagonist Gold
This is a personal workshop to make sure you have a clear story problem. And, if you don’t? I’ll help you create one and tell the story you want to tell. This is done by phone/virtual classroom and by appointment. Expect to block off at least a couple hours.
Log-lines are crucial for understanding the most important detail, “WHAT is the story ABOUT?” If we can’t answer this question in a single sentence? Brain surgery with a spork will be easier than writing a synopsis. Pitching? Querying? A nightmare. Revisions will also take far longer and can be grossly ineffective.
As authors, we tend to think that EVERY detail is important or others won’t “get” our story. Not the case.
If we aren’t pitching an agent, the log-line is incredibly beneficial for staying on track with a novel or even diagnosing serious flaws within the story before we’ve written an 80,000 word disaster. Perhaps the protagonist has no goal or a weak goal. Maybe the antagonist needs to be stronger or the story problem clearer.
In this one-hour workshop, I will walk you through how to encapsulate even the most epic of tales into that dreadful “elevator pitch.” We will cover the components of a strong log-line and learn red flags telling us when we need to dig deeper. The last hour of class we will workshop log-lines.
The first ten signups will be used as examples that we will workshop in the second hour of class. So get your log-line fixed for FREE by signing up ASAP.
Blogging is one of the most powerful forms of social media. Twitter could flitter and Facebook could fold but the blog will remain so long as we have an Internet. The blog has been going strong since the 90s and it’s one of the best ways to establish a brand and then harness the power of that brand to drive book sales.
The best part is, done properly, a blog plays to a writer’s strengths. Writers write.
The problem is too many writers don’t approach a blog properly and make all kinds of mistakes that eventually lead to blog abandonment. Many authors fail to understand that bloggers and author bloggers are two completely different creatures.
For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook.