Archive for category Publishing

Real Writers Don’t Self-Publish—Part 2

Image courtesy of Wikimedia

Image courtesy of Wikimedia

All righty, so last time in Real Writers Don’t Self-Publish we talked about a lot of myths that surround publishing in general and I promised to delve deeper into this subject. I hope, at the very least, y’all walked away with one core understanding about traditional publishing.

Traditional publishing measures one thing and one thing only…commercial viability.

Granted, this often means the author is professional and the writing is outstanding…but that’s isn’t always the case. Some works are published for the sole reason that they will sell a certain amount of copies (refer to Snookie’s memoir). Additionally some of the greatest works of our time are not coming to market (initially) through legacy presses (refer to The Martian).

But here’s the deal. While we certainly don’t have to be leggy-pressed to be “real” writers, self-publishing is no panacea.

The hard truth is there is a lot of junk being published. There are too many people who are so in love with the idea of calling themselves “published authors” that they take shortcuts, and I feel this is likely what irritates many professionals (especially since what this group lacks in skill and talent they tend to more than make up for in mass marketing).

But, the dangerous idea comes when we cut off our nose to spite our face.

We are SO scared that we are going to get lumped in with the folks who, frankly, should just increase processing speed by deleting Word off their hard drives, that we sit around believing we aren’t any good unless the Legacy Gods reach down from Olympus New York and give us their blessing.

NY is not going to give you (or me) a writing career. We have to hustle. Self-publishing actually has a lot of benefits not only for writers, but for traditional publishers as well.

Really, I Mean It

In my post The Ugly Truth About Publishing I explained how the consignment model worked and how mega-stores like Borders and Barnes & Noble obliterated the bookstore landscape. We discussed the terrible consequences writers have endured because of these companies’ greed.

Borders is now a memory and, trust me, Barnes and Noble isn’t far behind. They’re succumbing to the effects of their own avarice. Having a megastore on every corner was a sound business model…until everyone began shopping on-line.

If Barnes & Noble survives (which I highly doubt because, to date, they have not listened to my advice to SAVE them😛 ) they aren’t going to offer writers all that much of an advantage. These days, their stores are few and far between meaning there are fewer point-of-sales locations than ever.

The remaining stores resemble a department store more than a bookstore. They look like a Starbucks, a Hallmark, a Radio Shack, a Tower records, a Blockbuster and a Toys-R-Us had a baby…oh and there are some books, too.

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It’s almost an ironic homage to all stores/industries first plundered by the megastore.

You will be assimilated. Resistance is futile. 

Btw, that was WAY cooler before Amazon started doing it to them. Anyway…

This transition has a huge impact on all authors because bookstores no longer are the best place for discoverability. Gone are the days where most readers found what they wanted to read by browsing a bookstore. Amazon has done a stellar job of spoiling us and training us to rely on algorithms to help us choose.

People who bought this, also bought THIS.

This means the remaining points of distribution—Walmart, Costco, Sam’s, airport bookstores, drug stores and grocery stores—are the only common points of sale and they only carry a scarce fraction of available titles (and those are almost always established brands guaranteed to sell—you know, “real” writers😛 ).

The biggest advantage legacy press had was distribution, and in a world not yet shopping on-line? That used to be a big deal. Now?

For the first-time novelist or the novelist who’s yet to be a big brand? Not the big deal it used to be simply because shelf space is finite (and only for a short time) and brick-and-mortar stores are going under and the new brick-and-mortars are owned by The Borg Amazon.

The remaining stores (the few indie bookstores that survived) are generally very small, which means limited inventory. By the time we subtract the classics which will always be a staple and the mega-authors who are guaranteed to sell? *cough Stephen King* 

We don’t have a lot of space left for anyone else.

What Does This Mean?

Image via Bill_Owen Flickr Creative Commons

Image via Bill_Owen Flickr Creative Commons

In my opinion, the author career path is evolving. Traditional’s ability to distribute is still a pretty big deal, but due to market changes, NY can now be far smarter/surgical about how they choose. They need to be picky, especially now when shelf space is more limited than ever.

In the old days, a publisher took on a huge risk hoping a work would resonate with audiences and sell.

Now? They really don’t need to. They can simply look to what is doing well in the indie world then come in and help develop that work/author on the next level.

Try to go through an airport without seeing The Martian on a newsstand.

I feel this new trend also allows us to gain a greater diversity of works. Before we could get realtime feedback what audiences were loving, legacy presses were forced into a lot of guess work. They would spot a trend (Twilight) and then ride that trend until the sparkly vampire was beaten to death. Now? They can capitalize on what I am calling The Dark Horse Effect.

What is The Dark Horse Effect?

Image via Flickr Creative Commons, courtesy of Pedro Ribiero Simoes

Image via Flickr Creative Commons, courtesy of Pedro Ribiero Simoes

The dark horse is the outlier no one saw coming. It’s the candidate or competitor about whom little is known but unexpectedly wins. Instead of NY trying to create lighting in a bottle, now they just have to catch it.

It is impossible for NY to capitalize on the dark horse author without self-publishing. Why? Because by definition a dark horse is no one anyone expects to win, and last I checked? NY wasn’t into that.

Self-published/indie authors have much more freedom to experiment with writing that would have been patently rejected ten years ago. I know I keep mentioning The Martian but it is a stellar example because it breaks all the rules.

Too Much Science

Self-published book and now a major motion picture. BOO-YAH!

Self-published book and now a major motion picture. BOO-YAH!

First of all, I’ve read the book and it is very science heavy. I could see an agent going cross-eyed and telling Weir to cut all the talk about chemistry, that audiences would be bored. Why? Because usually that is great advice.

But had Weir (in a parallel universe) sought after approval from the Legacy Gods, they very likely would have given advice that wrecked the exact reason this book is so awesome.

Content Published on a Blog is No Good for Publication

For years (and even today) we will hear agents say that any fiction we publish on our blog is no good and not worthy of publication. The Martian, however, shows this is not always the case.

Weir was originally a programmer who left AOL and decided to pursue his childhood dream of becoming a writer…but failed. He couldn’t get an agent, let alone a publisher. So he then left writing and returned to programming, but then decided he would still write his story and offer it on his personal blog where anyone could read it for free.

Initially, his story flopped, but he kept at it fine-tuning and doing more research while honing his writing skills.

It paid off. BIG.

Eventually, word of the story spread and readers started requesting an e-version (the PDF was too hard to download) so Weir uploaded it into Kindle and sold it for .99. Within a few months The Martian rocketed to the top of Amazon’s best-seller list and an agent contacted him.

Soon, Random House called and wanted to make it into a hardcover. Within days, Hollywood called and asked for movie rights. Weir scored a book deal and a movie deal in the same week.

Crowd-Sourcing is Bad

I would imagine that many within Legacy Land would have broken out in hives at the thought of a book being written using crowd-sourcing. But that is precisely why The Martian ended up being so successful.

According to Business Insider:

“Chemists actually pointed out some problems in early drafts,” Weir said. He was able to go back and correct some of the chemistry that’s crucial for Watney’s survival.

Fans of the work were eager to be part of the collaborative process, even if it simply meant helping out with the facts. The writer of that Guardian article blasting self-publishing was adamant that “real” writers possess the decency to make mistakes in private.

But Weir wasn’t afraid to get it wrong in public…and it paid off BIG TIME.

Not everyone has the rhino skin to be corrected publicly, but if we do? We grow up way faster.

Breaking Making the Rules

What all this means is that a work that breaks all the “rules” for what NY might have been looking for in a query letter goes out the window the second they are able to see what readers really want…in sales figures.

NY didn’t have to guess that a science-heavy-crowd-sourced-geek-fest previously offered for free “might” be a winner. They could see it for themselves.

What happens to "rules" when a work is profitable.

What happens to Legacy Press “Rules” when a work is profitable.

I’m also happy Weir didn’t care about being a “real” writer.

As much as self-publishing gets flack, it’s allowing legacy publishers to reap high profits in a world where that’s harder and harder to do. It’s removing much of the guess work out of what readers like and want which helps NY’s bottom line.

It’s also freeing up writers to do what we do best…get creative. We can experiment. Try new things. Adjust, adapt, grow and mature instead of slaving away on one draft for a decade hoping someone in NY will notice.

Additionally, successes like Weir’s prove that a writer can create a platform of hardcore fans before the work is ever published. The single greatest reason authors fail to ever make a living is they can’t escape the gravitational pull of The Black Hole of Obscurity. Now? We can.

The Martian wasn’t released into a vacuum (*bada bump snare*), rather Weir created a core group of die hard fans using…his blog. There was no high-priced marketing campaign or promotion (which doesn’t work as well as writers believe). Rather, it began as a small grassroots fandom that grew roots and spread exploded.

No ads, no algorithmic alchemy, no giveaways, no contests, no relentless blog tours, no slaving away on social media instead of writing. Hmmm. Wonder if he read my book Rise of the Machines? 😛 #heywhynot

Suffice all this to say that this notion that we are only a “real” writer if we publish a certain way is ridiculous. But, we find what fits for us and our work. We try things, we get creative and who knows?

We might just be the next dark horse😉 .

Are you ready for a perfect storm?

What are your thoughts? Personally, I love this new renaissance and it always thrills me to see how creative you guys can be. I’m also a helpless pawn on Amazon—the crack-meth-heroin dealer of books. I am now listening to three audiobooks, reading one novel and another novella on my Kindle. Yes, I am ADD but I do finish😛 #donotjudgeme

I am also completely spoiled that when I find an author I love? I can buy that writer’s entire backlist…probably far too easily.

I LOVE hearing from you guys!

To prove it and show my love, for the month of APRIL, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

March’s WINNER: DK WALKER! Please send your 5000 word WORD document (New Times Roman and one-inch margins double-spaced) to kristen at wana intl dot com and CONGRATULATIONS!

Before we go, I want to give you a heads up especially if you are thinking on attending a conference.

I’m holding my ever-popular Your Story in a Sentence class. Can you tell what your book is about in ONE sentence? If you can’t? There might be a huge plot problem. This also helps if you are ever going to query or pitch an agent. The first ten signups get their log-line shredded by MOI for FREE.

Also speaking of FREE, I’d like to mention again the new class I am offering!

How and WHY are we using FREE!?

Making Money with FREE! As a bonus for this class, my friend Jack Patterson who’s so far sold over 150,000 books to come and teach us how to ROCK the newsletter. This is in excess of two hours of training and the recording (as always) comes with purchase.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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69 Comments

Pay the Writer Part 2—Blood Diamonds & Fair Trade Fiction

Image courtesy of Hoard Lake on Flickr Commons

Image courtesy of Hoard Lake on Flickr Commons

You aren’t famous until someone famous calls you an idiot😛 . As I was finishing up Monday’s post about how to support writers with reviews, I found out I’d hit the big time. Thus I went over and checked out the counter to my scandalous assertion that writers should be paid.

Aaaand, yeah. Still not wavering in my opinion.

Also think my critics have missed the point. Instead of protecting the old ways that well, for lack of a better term… suck and don’t benefit writers (or readers, publishers or even bookstores)—how about we start doing things differently?

GASP!

So long as we protect sacred cows because that’s what we have always done? Nothing changes. But agents and editors and authors and pundits will all have fun blogging that I hate used bookstores (untrue) and how all of us should be grateful for the system as it is.

Sure.

As for me? I may not change things, but I will break my neck trying😛 .

First, this bugged me.

Please Stop Assuming All Customers are Broke

Image via GrandmaLow WANA Commons

Image via GrandmaLow WANA Commons

Here’s the deal. I get that there are readers who’d be homeless if they bought books full price and new. I happen to be one of them. This is why I have an Audible membership, Kindle Unlimited and I love digital. Also, I never once stated to buy all books new. I said if you liked an author to do him or her a solid and strive to buy something new.

Yes, there is the avid reader who can’t buy every book new. There is also the dead broke reader. I’ve been that reader too. I kid you not, I was so poor when I became a writer I lived off Vienna sausages, generic saltines and ketchup packets from Wendy’s…so I could use that extra cash for the bargain rack at Half Price Books.

*fist bump*

To this day, if I walk in the house and the lights are off? I panic and wonder if my power has been shut off. So yeah. I totally get being that broke.

But that isn’t everyone.

And we live in a world of abundance and if people can afford an iPhone 6 they sure as hell can afford a digital copy of your next book if they loved the used copy. Because if our entire customer base is living in a refrigerator box, then we all just need to go get retail jobs and stop trying to make money.

Look around. Plenty of people live in nice homes and drive nice cars and carry nice handbags. They can shell out $10 for a book so stop being insulting.

Consumers with Conscience

Some of my critics said I was “reader shaming.” Fine. You are welcome to your opinion.

I disagree.

I feel most people don’t know how our industry works and how would they? Most of US are confused how it works since it changes every frigging month. Publishing barely changed for over a 100 years and now it looks almost nothing like it did 6 years ago.

Hell, we work here and half the time have to look up how we’re paid. Oh! But the average consumer! I guess she should just get that through osmosis.

My critics have pointed out that people are going to do what people are going to do.

The War on Piracy didn’t work! The War on Drugs didn’t work! You are an idiot for trying to fight it! Here get my books from THIS piracy site! Here!

Oh-kay…

*backs away*

All right. But those were policies of control. No one is suggesting federal laws making it illegal to go to Half Price Books or make people buy new. I am only asking we as writers educate our consumers because educated consumers change the market all the time.

Sometimes this has to do with the product itself. For instance a BPA-free water bottle is going to be way more expensive than a regular water bottle. But, because of education, consumers learned that paying more for a water bottle was in their favor if they didn’t want to end up with cancer. Education.

Commenters railed on the Passive Voice repost of my blog about paying more just so workers could be paid? What idiot would do that?

In fact my loudest critic in his comment section went for my throat using my own background in jewelry sales.

Did you go to a customer and say, “Here, pay $10,000 for this diamond instead of $6,000 so the miners get paid more money?” Huh? Huh? Did you? DID YOU? How did that work out on the sales floor, Kristen?

Actually, funny he should use that example. I once had a customer who was incensed at our diamond prices. He’d found a much higher quality diamond from another source for a fraction of the cost and demanded to know why we were charging more and ripping him off.

The reason?

When I looked at the “other source.” There was no guarantee that other diamond wasn’t a blood diamond.

Yes, in jewelry we do educate customers they’re paying more in part to ensure their diamonds weren’t mined by slaves and used to fund military warlords.

Education can guide consumers to pay more for a water bottle (product) and a diamond (conscience).

Fair Trade and Social Responsibility

Our consumers have a lot of power. No I don’t feel anyone owes me anything I haven’t earned. Never said that. I said I am tired of people acting like I should be grateful for “exposure” en lieu of being paid and if I say anything I’m a whiny jerk.

I don’t think there’s anything wrong with writers asking for the sale. All people can do is say….no.

When I was in sales, the single largest reason most salespeople failed to make a sale? Never asked for it.

Simple.

But what are people saying to writers?

It is okay to have “exposure”…just don’t ask for the sale. Just be happy being exposed.

Huh? WTH? NO!

What good is a used bookstore for exposure if I then don’t tell people, Hey, if you find a book of mine there and you really love it, please buy my next one NEW? It’s how I get PAID.

OMG! How could you? You broke the cardinal rule of being a writer!

I will starve eating exposure sandwiches, okay? Thank you OATMEAL for this. Check out his comic on it.

And this notion that our books are SO expensive. Really?

I took a look at some really common items I buy all the time. Now, consumers buy these for two reasons. First, superior quality. Secondly, it supports the workers, the industries, the resources and the environment. I feel it’s a huge fallacy to believe all consumers only want more and cheap.

Many of us will do just fine with less and are just fine paying more.

Fair Trade Tea

Hubby’s favorite tea. We work to buy as much as we can organic, non-GMO and fair trade. We might not eat out as much. I cut a lot of coupons. Hubby picks on me that I can make a penny scream. But I spend my money on good quality products and industries I support.

Zhena’s Gypsy Tea promotes social responsibility in its business model.

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Fair Trade Coffee

I got this for my mother for her birthday because she is big into organic and loves coffee. BUY HERE. Purchases support coffee farmers of Nicaragua.

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THIS I am drinking as I write this because I’m too lazy to brew my own coffee and yes it’s yummy and buy some!

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Hubby’s FAVORITE! Fair Trade CHOCOLATE

Not only is the chocolate a far superior quality, we prefer to spend our consumer dollars supporting what we believe in. We don’t want cheap crappy chocolate because we can have more of it. We want THIS and yes it does cost much more but we think it’s worth it. BUY Zola.

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We love this brand of chocolate the best (even though it is usually $3.99 per bar on sale). A percentage goes to wildlife and rainforest preservation as an added bonus to being fair trade.

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Support chocolate addiction, workers AND critters!

Madecasse is another company we buy from. LOVE their story of what they are doing in Africa to change the economy. Such a wealthy nation should not be so poor. The only reason it is is because of the way business has historically been done.

Sound familiar?

Just because something has always been doesn’t mean it has to always be.

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I began buying Fair Trade years ago and as more people are doing it, the choices are expanding and prices are coming down from being ridiculous.  But what if people like me hadn’t been willing to pay $7 for a bar of chocolate?

Additionally, what if these companies used the same arguments as all my critics?

People on a limited income won’t be able to afford COFFEE. We can’t possibly do anything differently. That is consumer shaming!

No, if you’re on a limited income, buy the cheap stuff. If and when you can? Splurge and get the Fair Trade stuff and do the coffee workers a solid.

And if enough people buy Fair Trade? Maybe the major players will change their business models. It does happen. And money talks way louder than legislation. Hershey’s just announced its plan to become 100% Fair Trade.

The thing is, no not every person who buys coffee or chocolate or tea or bananas will buy from these companies. But just because everyone won’t buy from them, does it then mean it shouldn’t be an option at all? What if no one ever asked for the sale?

Hey, will you spend $7 to support a cocoa farmer in Madagascar?

*shrugs* Sure. Why not?

And if lunatics like me hadn’t been willing to buy Fair Trade…would Hershey’s have seen the need to change? Maybe. Odds are they wanted to make money and rock on!

Thus, if we can create a market for fair trade chocolate and fair trade coffee—both arguably items that people can live without and that do have far cheaper substitutes—then why is it such a stretch to believe readers can’t and won’t pay more for a book if we take the position of education and social responsibility?

Look, we’ve tried the other way. Toss a few million free books against a wall and hope something sticks. Heck, throw in pirated books for a million more! Social media! EXPOSE ME! EXPOSE ME!

Don’t ask for a sale. That is gauche. You’re an artist.

Yay! More exposure??? Awesome! No, I don’t need money. I do this for just…love.

We do have that option. Keep using it. Knock yourself out.

I’m Scandinavian. We loathe waste. I think it’s genetic. I don’t support companies that waste resources. I prefer to support companies that value resources. I think consumers could change publishing if we let them. If we stopped assuming they didn’t care, that all they wanted was cheap books no matter the consequences.

Guess what? Writers are resources. No matter what my critics say, you matter. You are not interchangeable cogs in a machine. And all the people railing that no one owes you (writers) a living. Guess what? No one owes the bookstores one either.

But maybe together we can make it better for all of us😀 . I prefer to believe that Fair Trade Fiction can thrive. Instead of promoting pirate sites, why not promote sites and bookstores that are GOOD to authors?

These days, social responsibility is a bankable asset. If Starbuck’s, Apple, BMW and Google apply this and they’re worth billions, why not publishers/bookstores? Why not at least…try?

Reward bookstores who are Fair Trade Fiction Stores.

Roberto Ventra

Image via Flickr Creative Commons courtesy of Roberto Ventra

Hey, you bought used? Great! Did you love it? Awesome! Could you help out and buy the next one new? Wonderful! *fist bump* Now, you’re supporting the arts and the bookstore.

***Bookstores can’t pay rent off exposure either. I checked.

And if used bookstores wanted to add that extra touch of bohemian cultural to their “cultural center” then add some fair trade chocolate to serve with that fair trade coffee and maybe even promote some fair trade fiction at the checkout counter😉 .

What are your thoughts? Do you feel guilted when someone shows you a rainforest on a chocolate bar or do you go…mmm, not today. I think I will just get the cheap stuff. Do you prefer to buy quality over quantity? Do you like companies that exhibit social responsibility?

Do you think this is a niche bookstores (used and new) could fill? Or publishers? Fair Trade Fiction. I kinda like the ring to that. But, in a world filled with cheap and free books that suck and are a torture to read…what is the consumer’s time worth? Get the vetting of a legacy publisher but with the pay scale of the indies. Just putting it out there. Are you tired of the attitude that we just can’t change anything?

Me? I’m sick of people (writers) being far more willing to promote pirates than other authors. What the hell is wrong with the world when people  will write a whole blog trashing me for saying you deserve to be paid while promoting pirate sites? Did I just fall down a rabbit hole?

Anyway. To each his/her own. I believe in you😀

I love hearing from you!

To prove it and show my love, for the month of JANUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Y’all are going to have to give me time to tabulate December. Sorry. I am good, but not THAT good. Love you!

Remember to check out the new classes listed at W.A.N.A International. Your friends and family can get you something you need for Christmas. Social Media for Writers, Blogging for Writers, and Branding for Authors. 

Also, I have one craft class listed. Your Story in a Sentence—Crafting Your Log-Line. Our stories should be simple enough to tell someone what the book is about in ONE sentence. If we can’t do this, often there is a plot problem. This class is great for teaching you how to be master plotters and the first TEN SIGNUPS get their log-line shredded for free, so you will be agent ready for the coming year.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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92 Comments

Consumer Power, Author Responsibility & Why Book Reviews MATTER

Too many choices!

Too many choices!

We’ve had an eventful week or so with my last couple of unplanned posts. In all fairness, I did expect to get some knickers in a twist (which I did) with my post Pay the Writer. As a quick recap, I love used bookstores. They get a lot more of my money than I like to admit *looks up number to 12 Step Sponsor*

You don’t understand. Half Price Books has books ZEN DOODLES. No frigging idea what those are…just that I need some.

I’m not against “discovering” an author there.

But writers? If we promote used bookstores, make sure to remind readers you don’t get paid that way. Discovery must serve a purpose. Exposure must have the follow-up to be effective.

Because if you don’t ever make any money, you have to go work retail. If you work retail, one day you will be asked one too many stupid questions. When you’re asked one too many stupid questions you snap. When you snap, you lose your job. When you lose your job, you can’t face your spouse. When you can’t face your spouse, you sell drugs for the cartel. When you sell drugs for the cartel, you get involved in a gunfight.

Don’t get involved in a gunfight for the cartel. Encourage readers to buy new if they LIKED it.

Readers, if you find a book you LOVE at that church thrift sale for 50 cents? ROCK ON! If you want MORE books like it? Try to buy new. That’s how capitalism works.

When no one buys new? Well go peruse pictures of Cuba.

By the way, if we buy NEW, the used bookstores make MONEY when we sell those suckers to fund our addiction. So anyone who is foolish enough to think that me encouraging people to buy new books is going to undermine the used book franchise doesn’t remember what used bookstores sell.

The Truth About Samples

Mmmmm…saaaaamples.

Mmmmm…saaaaamples.

Yes, I get that the used book is a sample. Just like at Costco they give out samples of pizza bites. But if no one ever BUYS pizza bites and instead use Pizza Bite Lady as a free buffet?

Pizza bites go away and tofurkey bites take their place and then the terrorists win.

*runs away from vegan friends*

That was the only point to the post that seemed to cause so much offense. Yes Mr. Konrath, I get NO ONE OWES the Pizza Bite Company writer anything, but still nothing wrong with the Pizza Bite Company writer asking for the sale.

When the Pizza Bite Company asks for a sale after we’ve laid waste to the sample table like an Old Testament plague? They’re selling not whining.

Nothing dirty about it when pizza bites sell stuff. Nothing dirty when writers sell stuff either😉 .

Today we’re going to talk about reviews, because I do think that was the big shocker from my last post. I believe most folks have come to mistakenly assume that reviews are kind of this “extra” nicety that isn’t directly relevant to the author beyond ego and that’s patently false especially in the digital age where we writers live and die by algorithms.

Yes, in the digital age, our biggest challenge is discoverability. The defenders of the used bookstore have an excellent point. Obscurity=DEATH. That IS true. But I still say, discoverability means nothing to writers (or any business) without an eventual sale…somewhere.

And for those of you who are on that limited budget who inhale books by the dozen? You have no idea how much power you wield to truly help the writers you love but hopefully you are about to find out.

***Note I said the writers you love. Not ALL writerKIND. Just because I write a book does not entitle me to any review beyond what I EARN.

Why Reviews Are So Essential

Sheer Visibility

We’re all spoiled by Web 2.0 which is a user-generated web that is the offspring of the implosion of the doc.coms in the early 2000s. If you recall the 90s, web content was static. Content was mostly generated by sweaty geeks living in their grandmother’s basement (Okay, I was in a guest room). Anything Internet-related might as well have been Sanskrit for the average person.

Now? Everyone contributes to the web including  my sidekick Odin the Ridiculously Handsome Cat.

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This is part of what makes the Internet so damn addictive and fun. Everyone contributes. But, with all this content, the web is a BIG place and it’s very dynamic.

Search engines use algorithms to keep everything organized. Algorithms in turn rely on certain favorable behaviors.

I teach this in my book Rise of the Machines—Human Authors in a Digital World. You want a website that gets more traffic? Blog off it! Want a blog that gets more traffic? Do the stuff search engines love. One thing search engines LOVE?

Fresh content.

Would you want a Coke that had been sitting out for days? It’s stagnant, flat…got floaties? Guess what? You and search engines have a lot in common. You like fresh stuff. So do search engines.

This is why regular reviews are very important. If my book hasn’t been reviewed on Amazon since 2013? Algorithms will figure my content is best ignored unless someone actively hunts for that molded cup of forgotten Coca Cola my book.

When a book is reviewed, however, Amazon (or Goodreads or wherever we review because they use the same basic programming) perks to life. Because any site that sells or recommends books wants to help guide customers to good/new content, it’s obviously going to favor the “happening” place.

Think of it this way.

You have out of town guests. Are you going to recommend they go hang out at that dive off the highway where the bartender is about to die from loneliness? Or that hot salsa club downtown with a line out the door?

Visibility & One-Click Shopping

When that review improves the algorithms, the algorithm then starts improving that book’s visibility. It shuffles that book out of the dusty back realms of Nowhereville and gets it in the sightline of a possible buyer. Why this is perhaps more valuable on-line is that Amazon (in particular) understands sales.

Why I’m not a fan of the “exposure” alone is that I come from a background in sales.

There’s this thing called inertia and it’s a bugger to overcome. When I worked in jewelry, if I let a person out of the store without making the sale? Odds we’re 99% that sale was as good as lost. It was better to sell something and make the person have to RETURN it because then inertia worked in MY favor.

Same with used books. Great, customer gets a good book, but most of the time? That’s just not going to translate into a new sale unless an outside factor intervenes.

Outside Factor #1—OMG! TAKE MY MONEY!

Original image via Flickr Creative Commons courtesy of Sodanie Chea

Original image via Flickr Creative Commons courtesy of Sodanie Chea

OMG! I SAW ANGELS! I MUST BUY! It happens.

All of us (writers) think we have written this book. Probably not. We keep at it though until we do.

Outside Factor #2—Consumers Voting With Purchases

We vote with consumer dollars all the time and often this is sparked when we are educated that we need to buy differently. Don’t believe me?

I’m highly allergic to gluten and have been all my life. Three years ago most people thought Gluten was a moon orbiting Pluto. Then writers started educating consumers about the food industry. Our food had gotten to where you needed a degree in organic chemistry to know what the hell was in it.

Consumers fought back.

They ignored cheap foods loaded in artificial ingredients and bought non-GMO, organic and gluten-free. As a consequence, prices dropped, selection improved and now General Mills has announced that this year it will be removing artificial ingredients from many of its most popular products.

I can…OMG…eat Cheerios again! *SOBS* Spawn can eat them!

Image vie Cheerios. WE LOVE YOU!!! Even though you are stuck to every piece of furniture I OWN! http://www.cheerios.com/GlutenFree/

Image vie Cheerios. WE LOVE YOU!!! Even though you are stuck to every piece of furniture I OWN!
http://www.cheerios.com/GlutenFree/

THAT is the power of educating consumers. Readers have the exact same power. Now that people know how writers they love make money, buying habits may be altered due to this factor and inertia overcome.

Hooked on a series from a used book? Perhaps buy the next one new.

Outside Factor #3—Our Nemesis, THE IMPULSE BUY

Most of the time price and seeing a new copy while shopping will spark a sale.

The main reason Amazon IS the new SkyNet is they’ve mastered the one-click impulse buy.

So when that algorithm shuffles your favorite author’s book into the sightline of other potential readers? Odds greatly improve that someone will impulse buy. More sales means that author’s odds of continuing to write more books like the one YOU liked have greatly improved.

How Else Do We Authors Improve?

Original image via Flikr Creative Commons, courtesy of Peter Dutton

Original image via Flikr Creative Commons, courtesy of Peter Dutton

Believe it or not? Writers are omniscient…only in our fictional worlds. We just can’t know unless you tell us.

For the fiction writers, if ten people say our characters need more depth, then we won’t be wasting time doing more world-building. Feedback makes us better and saves us time.

And *draws a breath* I’m again about to possibly be unpopular.

We writers hear that you (readers) want excellent and professional covers, seamless interior design, professional editing, proofing and formatting…but that costs money. Please don’t rant that no one owes us a living and that you refuse to buy new books but then gripe about crappy covers.

We’re going to have to meet halfway.

Writers. We have a responsibility to put out the very BEST product possible. Refer to my post Five Mistakes Killing Self-Published Writers.

Reviewers don’t owe us any review beyond what we earn and they shouldn’t pay for an inferior product.

The Deadly Silence

I think what’s killing many authors is that readers have come to believe that reviews are not important to us in any way beyond our ego or guiding other consumers (like reviewing a toaster).

Either readers will enjoy a book and never say anything, OR often they will say it in the “wrong” place.

I can’t count how many e-mails I get where a reader just gushes how my book changed their life. How awesome my book was. They loved it!

…then never write a review.

😦

Reviewing Tips

Original image via Flickr Commons courtesy of Mark Coggins

Original image via Flickr Commons courtesy of Mark Coggins

It’s OKAY Not To Be a Pro

We’ve all made the book review WAY more complicated than necessary. Readers, you are not professional book reviewers and do NOT NEED TO BE. If a book kept you up until four in the morning and made you hate life as you slogged through your day job? Give it 4 or 5 stars and just write:

“Book kept me up until 4: 00 a.m. Writer is evil stealing sleep from innocent victims.”

If the book kept you interested and was fun and did its JOB? Reward it. Simple.

I know writers freak you out and you think we’re silently judging your prose. We’re actually too busy wetting ourselves that you liked our book and picking out artisan frames to put your review in….typos and all. They just make you extra adorable.

It’s all good.

Review According to the Book’s FUNCTION

Did the author do his/her job? If yes, great! Why was it great? If not? Why not?

If it’s brain candy then say, “Hey, great brain candy. Fun Saturday afternoon read.” Not all books are supposed to be contenders for the Pulitzer.

Recently I gave a good review to a NF but also left a criticism. The author had mission drift. He never delivered what the book promised (the THESIS). Now, I gave him four stars because I still got a lot out of it, learned a lot and enjoyed the writing…but he didn’t do his job. At least not all the way and he can’t do better unless I give feedback.

And I have the attention span of a meth-addicted ferret so if I finish a book? You get 4 stars just for that alone.

Kristen's Brain as acted by Spiffy the Hamster Original image via Dan Derritt Flikr Creative Commons

Kristen’s Brain as acted by Spiffy the Hamster
Original image via Dan Derritt Flikr Creative Commons

NEVER Put Your Name on What You Don’t Believe In

This is to offer relief to reviewers. Don’t let writers guilt you and if they insist on guilting you, tell them you’re going to tell me *stern Mama face*.

You beloved reader, don’t owe us anything we don’t earn.

Yes, I want you to support writers with good reviews only because I do think a lot of you have enjoyed books and have never taken time to write a review because you simply didn’t understand how much they mattered. Beyond that?

You’re in the clear.

If you don’t want to write a review? Don’t. You don’t owe us anything.

If you’re a reader and choose to leave a bad review? All I ask is you remember a real breathing human is on the other side of that. A human who sacrificed many hours of free time for the sole purpose of wanting to bring YOU joy. 

If we failed, we failed. That’s fair. But, there’s a difference between giving us something we can work with to improve versus prompting us to contemplate suicide.

Writers, don’t guilt others into giving good reviews.

This is a big reason that it’s tough to get reviews. I hate to say it, but I’ve lost many “friendships” because I refused to write a stellar review on a piece that had not earned it. Pouting isn’t professional.

Original image via Melissa Bowersock WANA Commons

Original image via Melissa Bowersock WANA Commons

If you want to be paid, then you’re a pro but that comes with some hard knocks and sometimes that hard knock is the book sucked. I’m your colleague and will tell you in private.

Readers don’t owe you (or me) that courtesy.

Tips for Shopping

This is mainly for the readers.

Take One Star Reviews With a Grain of Salt

One of the reasons I am not a huge fan of Goodreads is that trolls tend to hang out there and GR has not done a lot protect authors from being abused. So, if you spot a book that suddenly has a weird cluster of one and two-star reviews and there is NO explanation? Could be troll-sign. Trolls also like to hide behind cutesy monikers and avatars (btw sock puppets do too).

Do NOT Be Spooked By All Good Reviews

I also heard a lot of people say they were suspicious if a book got all good reviews, but be careful.

If you see a gathering of all 4 & 5 stars and NO commentary, THEN be wary. That’s a good sign you have a cluster of sock puppets (fake reviews).

But if you’re looking at a book that’s getting mostly 4 and 5 stars and readers are detailing WHY, the book might just be THAT good and the writer earned those high marks. Don’t punish excellence.

For the writers.

DO NOT PAY FOR REVIEWS & DOWN WITH SOCK PUPPETS

Anyone who has a financial interest in reviewing our book already has a conflict of interest as far as I am concerned. Save your money.

One thing that has really burned my @$$ is authors banding together and reviewing each other’s books and that is all well and good if the reviews are genuine reviews. Sadly this has not always been the case. Being a sock puppet doesn’t help anyone.

It will wreck your friend’s brand and your brand because readers will lose confidence and colleagues will lose respect. I refuse to put my name on anything I don’t believe in. If I give a book a five star glowing review? It earned it.

Being a real friend is not easy. But I’d rather someone no longer hang out with me than I serve them up to the wolves on a platter with dipping sauce. In the digital age, we writers live and die by the value of our name.

Don’t let friends guilt you into reviews they haven’t earned. If they’re a real friend and a pro, they’ll  get over the hurt and thank you later.

I hope this has helped all of you better understand how reviews work in the digital age and maybe even taken some of the pressure to write The Great American Literary Review off your shoulders. Don’t let other writers give you a guilt trip. As I said, you can tattle on them to me😛 . I’ll set them straight.

Does this help? Writers, don’t let anyone make you feel ashamed to ask for a sale. Now if you ask and they say no? Don’t be a pest.

Readers. Feel free to buy books any way and anywhere you want to, but please remember that we do vote with our dollars. That holds true for cars, pizza rolls, gluten-free bread and it holds true for good books.

For the savvy reviewers out there, are there any tips you’d like to add to help us out? Writers, I hope this is something you can reblog and share so your readers know how to help and support you if they so choose.

What are your thoughts? Feelings? Are your eyes wide open? Would you like to add anything?

I love hearing from you!

Remember to check out the new classes listed at W.A.N.A International. Your friends and family can get you something you need for Christmas. Social Media for Writers, Blogging for Writers, and Branding for Authors. 

Also, I have one craft class listed. Your Story in a Sentence—Crafting Your Log-Line. Our stories should be simple enough to tell someone what the book is about in ONE sentence. If we can’t do this, often there is a plot problem. This class is great for teaching you how to be master plotters and the first TEN SIGNUPS get their log-line shredded for free, so you will be agent ready for the coming year.

Enough of that…

I love hearing from you!

To prove it and show my love, for the month of DECEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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66 Comments

The Ugly Truth of Publishing & How BEST to Support Writers

Original Image via Flickr Creative Commons, courtesy of Anurag Agnihotri

Original Image via Flickr Creative Commons, courtesy of Anurag Agnihotri

Well, I figure I have one more day to drunkenly torch my platform. Sad thing is I don’t drink. I am apparently this stupid when sober😛 . Actually I am writing this as a follow up for my rant from the day before yesterday, because knowledge is power.

Writers need this. Your friends and families need this. Readers need this. The more people get how this industry works, the more everyone can start working together for everyone’s benefit.

In my book Rise of the Machines—Human Authors in a Digital World, I go into a LOT more detail and I highly recommend you get a copy if you don’t have one. I spend the first chapters of the book explaining how the various forms of publishing work so you can make an educated decision.

All types of publishing have corresponding strengths and weaknesses and this is a decision only the writer can make. Not all writers are suited for self-publishing. Not all books are good for traditional.

And so on.

But today, dear newbies. I am going to take you on a tour behind the curtain. Also for those who are NOT newbies, feel free to pass this to family in a “Take Your Clueless Friends Who Think You Will Make a Million Dollars as Soon as You Publish To WORK Day.”

Nuts and Bolts of Publishing

Publishing is a very old business that has not updated its business model since the biggest traffic snarl in NYC involved a runaway horse carriage colliding with a drunken fish monger. In the early days of publishing in order to encourage bookstores to carry books, publishers invented what was known as the consignment model.

Publishers would guesstimate how many books would sell, send them to the merchant with the promise that, whatever did NOT sell could be returned at no cost. The merchant only had to pay for books that sold.

Hint: NO OTHER BUSINESS TODAY DOES THIS.

Can you imagine a car manufacturer sending out fleets of new cars that customers could test drive all day long. Run up mileage, spill drinks in the console, but then if they didn’t sell the dealership could say, “Nah, we’re good. Can you send us different models from another designer? We really dig that sleek crossover.”

Because often that is what happens with books. People use bookstores like a freaking library. They go into the adjacent Starbucks with a stack of books, read to their heart’s content and then leave a stack of books for the clerk to put away.

Now the spines are cracked, the pages wrinkled and no one is going to buy that book, but the bookstore isn’t out anything because they can rip the covers off and send them back. Ultimately the writer is the one who takes the hit. Kind of the publisher but really the writer as we are about to see.

Because bookstores want to provide a “browsing experience” they don’t want to rely on the new and far more efficient way of doing business, which is POD (print on demand). They like having stock to show off, which of course they do because they are not really out anything.

How Writers Are Paid

Original Image via Wikimedia Commons

Original Image via Wikimedia Commons

Why I kind of derailed into a rant Tuesday was because there are so many things that get presented as “blessings” for writers when in fact, they are benevolently killing us. They are undermining us and making it harder and harder to make a living wage. We can’t criticize these sacred cows lest we look like jerks.

You ever wonder why people just assume that a published author is rich? That is because this used to be a profession that did rather well. Granted it was easier to be elected to congress than write for a living, but these “good ideas to sell more books” have eroded the Author Middle Class and created a Publishing Third World Economy.

You know what a marker of a third world economy is? My degree is in political economy. In a third world country wealth is concentrated at the top. There is little to NO middle class and the vast majority are working poor or poverty level.

If you peruse my blog from the other day, I mentioned the ways we are paid best (digital and new books). We get a royalty. Anything used? We make no money. But let’s explore a bit further…

Compounded Sales

Back in the days before the mega bookstore, there was a very strong Author Middle Class. This author wasn’t a gazillionaire, but he did really well writing for a living. The reason was that a smaller store like B. Dalton often carried an author’s backlist. If you are old enough to remember browsing these small stores, you might even remember that factor coloring your decision.

How I ended up hooked on any number of SERIES was that the bookstores stocked the series. I didn’t want a standalone book. If I fell in love with an author or characters, I wanted to be able to keep reading.

What this meant was that writers weren’t being paid royalties from ONE book, but many books. Even if the author didn’t write series, if the author had multiple titles, odds were pretty good that the store ordered those, so even with single titles, a browsing reader could be assured they could get more than one title from THAT author.

But there was a downside…for the reader. Books were more expensive. The store was not the size of an aircraft hangar and had no place to buy a frappucino and good luck being able to buy a figurine of a chubby cat reading Shakespeare.

The MegaStore is GREAT for READERS…and Writers of COURSE

Spawn writing his memoirs.

Good luck getting good placement BABY WRITER.

So then Borders and B&N came on the scene. I still remember how they were lauded. How they were going to improve literacy because books would be so much more affordable! They were “cultural centers” and “bookish hubs”. Writers will get so much more “exposure.” Does any of that sound familiar? Refer to that @$$hat article I was ranting about.

But there was a problem. There is no free lunch. Those “deep discounts” came at a cost…to the writers. In order to discount the books the way they do, the mega stores don’t stock like the old indie bookstores unless an author is a household name guaranteed to sell.

Megastores are in the business of moving high volume. That is how they give the consumer the discount. Books, for the first time in history, had a far shorter shelf life than ever before.

Instead of books remaining in the store and giving the writer time to cultivate a fan base, the covers were ripped off and the books pulped.

As a consequence? The mid-list author (Author Middle Class) was nearly wiped out. Authors who’d made a very good living previously had to return to the regular workforce (I.e. teaching) because they no longer could live off their writing income.

I had a friend of mine who won a Nebula Award in science fiction. She went from making a regular income off ELEVEN titles, to making income off ONE title at a time.

Even though she was a respected and award-winning author, she had to give up writing full time (until Amazon).

***This was all until Amazon, by the way. Many of these authors who were driven to poverty actually now make more money than they ever did traditionally published and they no longer have to be pillaged by megastores. Which is why I get pissy when people act like Amazon is the devil and bookstores are so awesome.

Megastores make money with volume and offering the newest shiny. But the problem is that books often are like fine wine. I said wine, not whine😉. They need time to mature.

But the problem was that the very literary ecosystem that helped launch unknown books like The Divine Secrets of the Ya Ya Sisterhood into legendary status…was destroyed. Traded for beads frappucinos. Borders and Barnes & Noble obliterated the small bookstore and took with it the earning ability of many writers.

The mega-bestsellers did VERY well. Ergo my reference to Publishing Third World. Wealth was redistributed and concentrated at the top and the middle class was eradicated.

Book Placement

Screen Shot 2012-03-26 at 8.14.34 AM

If you do not have an on-line platform, then Browsing Roulette is about the best you can hope for. But those spots in a bookstore are all negotiated in a writer’s contract. Those front slots on a table are premium real estate.

Same with displays. Ironically, though, the authors with the most selling power often get the best displays (remember the volume thing). But, George R.R. Martin is probably going to sell books. The writers who need that placement the most are the least likely to get it.

This isn’t personal. It’s business.

If I came out with a novel, I am going to sell a heck of a lot less than George R.R. Martin. Well, at least five or six copies less😛 .

In seriousness, though it makes sense to display your heavy hitters. Problem is then that the newer writer no one knows then better hope her last name falls at the fortuitous eye-level because she will be spine-out on a shelf.

And if the time runs out and no sale? Off with that cover and the book is pulped.

Advances

Before I became a writer I bought books everywhere. Because it was not my profession I guess I really just never put any thought into how that writer was paid. If I bought a book at a used bookstore and it was new, I assumed it was overstock. I had no idea what a remainder was (more on that in a moment).

I’d also watched movies and heard this term “advance” tossed around as if it meant money rained from the sky. In fact, as a new writer, I dreamed of all kinds of ways to spend my million dollar advance.

Advances are not free money. They are essentially a payday loan. It is money loaned to the author against the money eventually earned in royalties.

So if an author is given a $20,000 advance, he is not paid another dime until that book earns over $20,000.

Herein lies the pickle.

If an author doesn’t “earn out” the advance, odds are she will not be given another book deal. So, if you get that $20,000 and the book makes $19,700? No more deals. That’s why BIG advances seem like a good thing, but can actually wreck a career. It’s far easier to earn out a $20,000 advance than a $90,000 one.

Writers don’t have to pay back the advance, but if it doesn’t “earn out” it means the writer is not a wise investment for the publisher so the odds are not good for the author getting another book deal. Depending on the author or the book, they might get another deal. But with newer authors? Probably not. And first-time authors? Forget about an advance. Not happening unless your name is Kardashian.

This was a really big deal before the digital age because traditional publishing WAS the only game in town. So if an author didn’t make her quota? Game over.

These days, advances are pretty much a thing of the past. Any money most writers will make are going to come from US buying books from them.

Print Runs

Screen Shot 2012-05-04 at 11.05.40 AM

One can tell how much confidence a publisher has in a book (author) by the print run. Low print runs mean the publisher is being conservative to hedge losses…but low print runs mean the writer doesn’t make as much. A standard print run for a new unknown author is 10,000 books. But traditional tends to limit authors to one book a year so even if an author makes $2 per book, that is $20,000 before taxes.

Yes, J.K. Rowling is a billionaire but she is not the norm.

***Btw, all of this is VERY unscientific and very broad strokes to give y’all the gist.

This isn’t BAD for the new writer because it is way easier to sell out that 10,000 and then she will get a bigger run the next book and the next as her brand grows (if she doesn’t starve in the meantime).

However, higher print runs? We are in the same deal with advances. If you don’t sell out your print run, the remaining copies are remaindered. 

There are ways writers can buy a portion of their remainders to sell by hand and they can get a far lower royalty off remaindered copies that are then sold through wholesale outlets and used bookstores.

Usually if you see a new book at a used bookstore and it looks like this (pic below)? It is a remaindered copy. That’s why yes, I get the Doctrine of First Sale and that used bookstores are not doing anything “illegal.” But don’t assume that a writer was paid a full royalty the first go. That isn’t always the case.

Screen Shot 2015-12-31 at 8.50.18 AM

Image courtesy of Angela Quarles

Yes, this is a great fabulous discount for the reader, but when I see this? My heart feels heavy and sad for the author. That is why in my last post I said, YES feel free to buy used but if you can, please see if you can buy new from the author. The reason is that those sales can make the difference in that author earning out the advance, selling out a print run and getting their next book contract.

Because used bookstores do not favor self-published and indie authors. Most of their stock will be traditionally published authors so you (readers) supporting who you like with a new sale becomes far more important to that writer’s future and career.

Royalties

Traditionally published authors are often paid yearly. Sometimes quarterly. That is negotiated. It is why you have an agent. So whatever the author makes, Vinnie the Fish Agent makes sure the publisher pays, then takes 15% (pretty standard). Then the writer is subjected to self-employment taxes, but with all this “exposure” from the megastore the writer might qualify for food stamps.

So writers are paid like farmers. Let your family know that your down payment on the yacht might be delayed.

Reviews

I get that a lot of people buy used because they are on a budget. Been there so *fist bump*. You can still support writers in meaningful ways.

Even if you buy new, there is another way you can support writers you love. Write a REVIEW. A GOOD ONE.

As a writer I have a personal policy. If I can’t say something good, I shut up. Mainly because I AM far more picky about story being a writer and an editor but also this business is brutal. If we are not supporting each other? Who will? Because our families don’t get us. Our significant others might. Our kids think we are nuts. So I only leave glowing reviews. But that is me. Writers shouldn’t eat their young.

For READERS. Reviews are more important now than ever before, especially for the indie and self-published author. The reason is that with the change in the publishing paradigm, the slush pile (unfortunately) has been dumped into the reader’s lap. There are a lot of bad books out there. But even then, that really isn’t all that big of a problem.

Want to know the bigger problem?

There are a lot of good books out there.

With the Internet and social media and the explosion of books there is SO MUCH content. This means consumers are overwhelmed with choices. Reviews help writers sell books because if readers see a book with no reviews or five reviews versus a similar title with thirty reviews? Who will they choose? Additionally writers gain access to promotional tools like Bookbub, but can ONLY do this with a minimum number of reviews.

Instead of sending me an e-mail about how much my book changed your life? Put it on Amazon and change MINE! 

Readers are essential to our success beyond just the sale. If you love our books, your promotion means a thousand times more than any ad I could pay for. Ads and marketing don’t sell books. Never did and never will. Only thing that sells books is word of mouth.

Beloved reader? You would be shocked how much regular people will pay attention to you. That review is worth your weight in gold to me for a number of reasons. Humans don’t like being first. So unless a couple of you are brave and review? My book can sit with NO reviews and it is then unlikely to sell.

Think about a shelf with ONE item. It freaks us out. There is only ONE. Is it poison?O_o

Secondly, when you review us, Amazon favors our books in the algorithms meaning more people SEE our book. More people SEE it, odds are I will sell more copies. In the on-line world YOU have the power to get US that awesome front of the store book placement. The more reviews the better the algorithm. Better algorithm, more views. More views, more sales, more sales—>we make a best-seller LIST!

❤❤❤

You can also use your social media because it means more than ours.

Tweet a picture of our book. Put it on Facebook. People in your network ARE noticing. Peer review and approval is paramount in the digital age. And don’t support your favorite author on Goodreads as a first choice (AMAZON reviews are better). The only people hanging out on Goodreads for the most part are other writers and book trolls.

Support us on your regular Facebook page or Instagram or Twitter. Because when you post a great new book you LOVED your regular friends see that. When they get stranded in an Urgent Care or an airport? What will they remember? THAT BOOK. They won’t be on Goodreads. Trust me.

So there is your year’s end peek behind the curtain. Sorry (again) it was so long but this is meant as a reference/guide. Readers, we love you. Honest. It is why we are so stupid to work for free so much. This is a labor of love in many ways. Writers, I hope this helps you understand your profession better and maybe even “get” why I was so ticked off the other day.

Happy New Year! I love all of you very much. So NO, your writer friend is NOT YET a millionaire, but you can help MAKE HER ONE😀.

I love hearing from you!

What are your thoughts? Feelings? Are your eyes wide open? Would you like to add anything?

I love hearing from you!

Make SURE you sign up for my upcoming classes! This is part of how I fund my plans for global domination. Purchase a class! Buy a book! OR ignore all that follows but DAMN sure buy all your books NEW or I WILL FIND YOUO_o ….

Remember to check out the new classes listed at W.A.N.A International. Your friends and family can get you something you need for Christmas. Social Media for Writers, Blogging for Writers, and Branding for Authors. 

Also, I have one craft class listed. Your Story in a Sentence—Crafting Your Log-Line. Our stories should be simple enough to tell someone what the book is about in ONE sentence. If we can’t do this, often there is a plot problem. This class is great for teaching you how to be master plotters and the first TEN SIGNUPS get their log-line shredded for free, so you will be agent ready for the coming year.

Enough of that…

I love hearing from you!

To prove it and show my love, for the month of DECEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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261 Comments

What Are the REAL Odds of Success? Extreme Ownership & the Best-Selling Author

Original image via Lucy Downey from Flickr Creative Commons

Original image via Lucy Downey from Flickr Creative Commons

Many of us are doing NaNoWriMo (National Novel Writing Month). If you’ve been following this blog the last two weeks, then you probably know I’ve had a horrific case of the flu. While this does mean I’ve sidelined editing (have to have higher thinking skills) and teaching (kind of need a voice) this has not excused me from writing.

In fact, it’s been pretty good for my writing since Robotussin apparently chloroforms the internal editor and is like Skittles to the Lizard Brain who is now running around in my head with scissors.

Oh God! It has the glitter! Hold on! Back in a minute….

Where was I? Yes, Lizard Brain is great for creating, and if I keep my pace, I should finish my 50,000 words tomorrow. Right now I am at almost 41,000 words and have been averaging about 5K a day. I never could have done this alone. I have my teammates on W.A.N.A.Tribe. We have been doing word sprints every morning and every afternoon for the past week.

Like clockwork, no matter what is happening or how we feel, we meet. We sprint for 30 minutes at a time. We write as much as we can. No looking back. No word smithing. No editing. Just writing. These folks have been a huge blessing because if they didn’t take the time to be disciplined and show up? I doubt I would be so far along.

I kept referring to them as my 5%ers and they didn’t know what I was talking about. So today we are going to talk about…the 5%er.

W.A.N.A. Sprinters, this is for you😉 .

Success

Success is a really weird thing. I used to think people just needed to be given opportunities. What I have found is that this is not actually as critical as I once believed. There are actually opportunities everywhere. Seriously…everywhere. The problem is that internal inertia.

We must overcome our natures. Will we take advantage of those opportunities? Will we make our own opportunities where none exist? Or, will we sink to average because it’s easy?

Beware the lollipop of mediocrity; lick it once and you’ll suck forever. 

Anyone who’s ever been successful will tell you that a big part of overcoming adversity is mental. I know it’s a grossly inaccurate movie, but I still love G.I. Jane. I recall a scene during Hell Week (the first evolution of SEAL training) where Master Chief has everyone doing butterfly kicks in the rain. He yells at the recruits to look to their left and look to their right, that statistically, those people will quit.

Who will be the first to ring that bell? Who will be the first to quit?

Years ago, one of my mentors mentioned The 5% Rule. What’s The 5% Rule? So happy you asked. Statistically, only 5% of the population is capable of sustained change. This means of ALL the people who want to run marathons, 5% will. Of ALL the people who join a martial arts class, only 5% will ever reach black belt. Of ALL the people who have a dream of being a career author, only about 5% will ever reach that goal and maintain it.

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At first, I was horrified when I heard this statistic. I want everyone to be successful! Surely if they had more tools, more chances, more affordable classes…

Human nature is a weird thing and, had I not seen this 5% rule play out countless times, I’d still be an unbeliever. Yet, like everyone is not meant to be a Navy SEAL, not everyone is meant to be a career author. This is good news and bad news. Bad news is odds are against us. Good news is multi-fold. First, we control a lot of the factors that lead to success. Secondly, this job is NOT for everyone.

Believe it or not, what we writers do is excruciatingly HARD. Just like it is NOT normal for a human body to run long miles in freezing surf carrying a Zodiac filled with water, it is NOT normal to sit and write 100,000+ words. Most people—literate or not—cannot do what we do.

They like to believe they can…but they can’t.

One of the reasons regular people are so shocked to meet a “real” writer is that so few writers ever really reach the professional level. But, why? Why do so many give up the dream? What does the 5% writer do differently than hoi polloi 95%?

I’m an optimist. I believe all of us possess what it takes to be in that coveted 5%. Question is, can we overcome our natures? What is the difference between the amateur and the pro?

Pros Like Validation But Don’t Require It 

Image via QuickMeme

Image via QuickMeme

Validation is different from feedback. We ALL love validation. We crave it. We adore it. But pros don’t require it.

When I first brought my glorious prose to a critique group, I said I wanted feedback. What I really wanted was for the group to tell me that my words were written in angel tears and that all the agents who rejected me must have been brain damaged.

I did not want to hear that I might not have a clue what I was doing. I did not want my pages handed back dripping in red ink. In fact, that hurt. A LOT. I had to learn to suck it up and press on. If one person had an opinion? Well, might just be a personal preference. When ten people gave the same opinion?

Houston, I had a problem.

Writers can work years without any hint of outside approval. Most people can’t sustain this and they give up. One glance in my sidebar and you’ll see this blog was named Writer’s Digest‘s Top 101 Websites for Writers for 2015.

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But some of you might not know that I blogged for almost two years and no one cared. My biggest fans were the male-enhancement bots.

I so licked your blog. You make many grate poinsettias. Is it just me or are all your commenters brain dead?

Hmm, maybe he’s foreign? Or not *head desk*

How much do you LOVE the dream? Because I will tell you that if I went by outside approval, I would have quit YEARS ago. If I judged my future success by my beginning blog stats or early book sales?

*weeps*

I was starting to wonder if I’d made a serious error by leaving sales. Sales had a paycheck, a fancy title and a company car. No stranger ever asked me if I was a “real” salesperson.

I went a LONG, LONG, LOOOONG time when no one cared and worse, they thought I was a joke/lunatic/poseur/hack. We need rhino skin in this business.

When I started this blog almost eight years ago, there were all kinds of other bloggers who were bigger than me. Sadly, many of them are gone. Never underestimate the power of simply showing up.

Below is an image of my blog stats.

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By the way, I can’t show you my beginning stats because they were so small, they didn’t register on a bar chart. Can you tell when I made it past “The Dip”? What if I’d quit? In 2009, I had a little over 6,000 views for the year (and I’d been blogging about 18 months by this point). In 2013, I had almost 450,000 views. But how many people would have given up when staring at those 2009 numbers (which works out to about 15 views a day and I bet half were from my mother)?

Pros Don’t Find Time, They MAKE Time

Time isn’t hiding down in the couch cushions camouflaged in Cheerios. We don’t find time, we make time. Often new writers will bemoan how they wish they could find time. 

Yet, I will posit this.

If today, I could guarantee you hundreds of millions of dollars in sales and all you had to do was finish the novel, how many would stay up late or get up early? How many would decide the family can go to the movies alone? Or that the floors are clean enough?

Often we procrastinate because there is no guarantee of success. Procrastination and perfectionism are frequently driven by fear of failure. If we never finish, we can never really fail. Our work is never out there to be judged.

As I like to say, “If we aren’t failing, we aren’t doing anything interesting.” So what if you write a blog and no one cares? Join the club. My first blogs were dreadful. So the crickets and spam bots can boo you😛 ? Write a crappy first novel. Then move on. Learn. Keep writing!

No unpublished blog ever went viral. No unfinished novel ever became a runaway success.

I read all the time. I inhale all kinds of books and my personal favorite are leadership and business books. I just finished Extreme Ownership: How U.S. Navy SEALs Lead and WinI love, love love this book. I opened a sticky note app on my phone just to take notes. One of my favorite lines was, “Discipline is freedom.” So remember this. Tape it somewhere.

Discipline is freedom.

This is something pros understand. It’s one of the reasons I am so hard on all of you to stop calling yourselves “aspiring writers.” Aspiring is for wimps. Writers write.

Pros understand that getting up early or staying up late and putting the words on the page every day, day after day after day no matter what is liberating. You get to eventually do what you love for a living. Discipline to write means more books get written.

Yes, building a platform can be the less fun part of the job (can be). But pros know it is necessary. Discipline is freedom. Do it and you sell more books. Sell more books eventually you have to do less of what you dislike and more of what you enjoy.

Excuses are free but they cost us everything.

Pros Focus on What They Can Control

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Show me a struggling author and I will show you someone spending too much time shopping the same book. Instead of writing more books and better books, these writers are worried about querying the same book over and over, or (if published) they fret over sales, marketing, blog tours, or algorithms.

We cannot control what will be the next hottest thing. We can’t control the marketplace or the tastes of readers or whether matte bookmarks sell more books than pink beer koozies. This means we shouldn’t waste precious time on things we cannot control at the expense of things we can.

I think this is one of the reasons I really loved the book Extreme Ownership, because if we take EXTREME OWNERSHIP, then THIS is what our careers CAN look like…

When I gave the 5% statistic earlier, many of you were probably discouraged. But let’s take a closer look at that number.

It’s been said that as much as 75% of the literate population would love to one day write a book. Out of hundreds of millions of possible authors, how many do you think actually take the idea seriously?

5%

And of the tens of millions left over, how many sit down and write and finish a first draft?

5%

Of the millions remaining, how many actually read craft books, get critique and keep revising that first draft until they have a polished draft?

5%

Of those who finish that first novel then realize they have a train wreck and not a novel, how many suck it up and start over to write a better book that’s more likely to engage with readers?

5%

Of those who finally write a decent book, how many take time to also build a brand and platform? How many learn to blog effectively in ways that reach and cultivate readers?

5%

How many get in the regular habit of writing, researching and revising? They don’t just stop with the one book and keep on writing more books?

5%

Of those who publish the first book and don’t instantly become zillionaires, how many keep writing and improving?

5%

This profession is really hard. Toss a few hundred million people with a dream into one large funnel and most will not shake out at the end. Yet, if we look at the individual pieces of becoming “successful” it is astonishing how much we control. We can take ownership of much more than we might realize.

Others whine, we work.

What are your thoughts? Does this 5% example make you feel a little better about your chances? Can you look at your own life and routine and maybe see some areas that you can come up higher? I am ALWAYS reevaluating how and where I am spending my time. Have you been allowing yourself to be overwhelmed by things beyond your control? Do you find that fear keeps you from finishing? Hey, I have been guilty of ALL of this, so we are friends here😉 .

I love hearing from you!

To prove it and show my love, for the month of NOVEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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93 Comments

3 Myths Writers Need to Ditch Like a Bad Ex

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In the spirit of the upcoming holidays, today we are going to talk about something touchy and complicated. No, I am not going to tell you where babies come from.

Okay, fine.

Amazon. With Prime, you get free shipping.

Moving on…

The whole publishing paradigm makes me kinda twitch and we writers are often at the center of a lot of silly complaining. So I’d like to debunk some pretty myths we writers love to perpetuate.

It’s like that ex who we run into on Facebook and we get all nostalgic and remember all the loooove. But, if we took more than 30 seconds to think. Really THINK? We’d remember why we were combing Craig’s List for a hit man willing to be paid in unredeemed Starbucks gift cards to take that person OUT…O_o

Same situation. Let’s unpack this, shall we?

Fallacy #1—Old Books Are Awesome & We Should GO BACK

I just love the smell of old books. The feel of old paper. The nostalgia. I just miss browsing dusty shelves looking for a hidden treasure…

I can completely 1000% get on board with this. Books are foundational for any thriving society and the bedrock of any enduring culture. But this commentary does not belong in a business discussion about the publishing industry.

Why?

Because we (writers) are not being PAID off old dusty copies of our manuscripts unless we happen to be traveling the country selling them out of steamer trunks.

It’s a non sequitur.

In fact, and this is just ME. I will not buy books at secondhand stores or garage sales. And, if I do happen to buy a book this way and I like the title and I find out the book is still in print and the author who worked really, really hard to write that book can still be paid?

I buy a copy.

Often a digital copy to make sure that the writer got PAID for doing her job. It’s a professional courtesy.

Thing is, we have to be really, really careful that as artists we are not perpetuating the very behavior that pisses us off.

We like getting paid for our work. We work really really hard and expect (rightfully) that we should be rewarded for doing so.

Doctors work hard and they expect to get paid. No one gripes when the doctor gets paid. Heck, no one gripes when the UPS driver gets paid or the barista who makes the triple-shot espresso pumpkin soy cappuccino with half foam and vanilla sprinkles and does not commit MURDER gets paid.

Oh, but it is artsy and bohemian to rip writers off because old books are cool?

No. And again, let’s keep the debate clear here because I can already hear the blogs now, “Kristen Lamb hates old books!” No. Pay attention.

I love old books. Have stacks of them. Want to buy old copies of Moby Dick? Be my guest. I doubt Melville is counting on that Amazon royalty check to pay to upgrade his Scrivner or, I dunno, eat.

Want to support civilization? Buy old books. Want to support a writer and his/her family? Buy new ones or e-books.

I also get that paper is not going away, but what makes me a little cray-cray is why authors seem so resistant to e-books at all. I love e-books. First of all because I seriously DIG that giant old lady font.

How Kristen reads ALL her books…

Also, because that is another way readers can buy and consume my work. Want it on paper? Here. Audio? HERE. E-book? Here!

Heck, as writers, I think we should stand behind any kind of R&D that gets more stories into the hands of readers. I am 1000% behind Carrier Pigeon Technology, Smoke Signal Fiction, Books by Morse Code.

Granted, morally, I am on the fence about downloading my book directly into my readers’ brains, but hell the sci-fi folks can just run with that! If the royalties are fat enough? I’m game.

Heck, if there was good money behind me acting out my stories in interpretive dance?

I would so be there.

*JAZZ HANDS*

Who cares how readers get our books so long as we are being paid?

In case anyone was unclear? WE are the oldest profession😉 .

And this “How Readers Get Our Books” dovetails into my next point…

Fallacy #2 Barnes & Noble Supports All Authors

The whole B&N drama? I am verklempt. Calm down and hear me out. I don’t think Barnes & Noble is as good or even as bad as we believe.

Do I believe B& N is the devil? Of course not. I love B&N. In fact, there was a time I had a loan shark who met me in the hardbacks to front me some Benjamins to keep pace with my habit.

I think competition is GOOD. It is necessary and vital and it keeps everyone playing nice-nice. I even wrote a long piece about the dangers of Amazon becoming a monopoly in case you are worried I am being too biased.

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But, here is the deal. The second I write anything about how Amazon is doing something really brilliant, people love to jump all over Bezos for being predatory and helllooo?

Can we just go back about 15-20 years?

Barnes and Noble (and Borders) are almost singlehandedly responsible for wiping out the indie bookstore ecosystem. They deliberately placed megastores on every corner and willfully drove small bookstores out of business so I guess I am the only one who finds Borders extinction karmic and B&Ns current plight ironic.

Thing is, B&N reinvented the book industry and were rewarded for doing so. They got people really excited about bookstores again and it was bloody and brutal for the indies.

But now that another business has come along that is finally mean and lean enough to hit back comes along? I am not all, “Poor B&N.”

I have popcorn and Red Vines.

Genuine competition is good for them. They can either lay there and take it or they can use the pushback to reinvent the bookstore again. Markets aren’t supposed to remain static. And last I checked, their top officers get paid pretty well to figure this stuff out😉 .

Barnes & Noble is not good for most authors, lest we forget how they were able to get those rock-bottom prices that drove most of the indies out of business. They thrive off selling in volume and the only authors who are fairly guaranteed to sell in volume are already household names.

Nothing personal. It’s business.

So when Amazon comes along and its business is not driven by a scattergun approach and instead is driven off authentic interest as reflected in genuine buying habits?

We writers might want to take notice.

Yes, as I predicted, Amazon would need a brick-and-mortar store to sell its own imprints, but this is also good news for traditionally published authors who are new with lower print runs or whose last name doesn’t rhyme with Patterson.

Fallacy #3 Social Media is a Dismal Failure

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I’ve had a few comments regarding how so many authors ran to social media and they simply aren’t seeing any of that social media activity translate into sales. Thing is? Yep. Social media is not direct marketing, though the two are often confused.

See, in direct marketing, we can measure. We can put out an ad, measure click rates and see how many clicks led to a purchase. We can send out so many fliers and then measure quantitatively how many of those later translated into sales.

We can measure how many morons individuals were sent an e-mail telling them they had inherited $100,000,000 from some relative they never knew they had in Guana against how many deposits we get of $5000 to spring that “inheritance” from customs.

This gives us our ROI (return on investment). How many e-mails sent in comparison to how much cash is sent via Western Union.

Why it has been so vexing for marketers is they try to treat social media the same way as mass marketing…and they can’t. Because if we do social media correctly (keeping it social) there is no way to quantify it.

It becomes too obvious we are mixing social and market norms and that creeps people the hell out.

Example:

Market Norms are when a prostitute expects money in return for *wink wink nod nod* “favors.”

Social Norms are when a wife does those same “favors” for her beloved husband out of love because getting paid for it would be seriously strange.

That seems obvious, right?

But what if wife has a wonderful and romantic evening with her husband, but then before he leaves for work, asks him to fill out an on-line survey rating how he enjoyed his night and tells him that when he completes his survey, he will be texted a code that he can then redeem for free pancakes?

Yes, I just took that to a WHOLE NEW LEVEL of weird.

But y’all see what I mean when I say that you just can’t sneak that stuff in there! We SEE it. We can tell when we are being manipulated on social media and that is why this stuff cannot be directly measured and quantified.

Word of Mouth is Vital…But Can’t Be Measured

Zuckerberg didn’t invent social media. Social media has always been around. It was just called “word of mouth.” It was also the only thing next to a good book that ever sold books.

The only difference, was that until Web 2.0, it was almost impossible to ignite word of mouth on any level of magnitude. But to think we can measure and control it? Not happening.

As far as authors not seeing any “direct translation into sales”? I can tell you why. They are the same people we likely had to run off #MyWANA with digital pitchforks for book spam.

There are no shortcuts. Period.

Write good books. Work really hard. Make friends and enjoy yourself and hopefully it will pay off. It may not, but think of it this way?

Twenty years ago we could have all gone to our graves without ever getting to hold a copy of our own work in our hands. At least today we get a shot, and that is a heck of a lot more than countless writers in the past ever got.

E-books might take away from that nice quaint little shop on the corner (the ones not razed by B&N), but that little shop on the corner only had room for a handful of authors.

And, Amazon IS looking to reinvent that little shop on the corner. Algorithms, love them or hate them, will make it possible for independent bookstores to thrive since they can stock smartly, and less waste means more profit.

E-books have made it possible for countless writers to finally be paid to do what they love. My opinion? Every digital copy downloaded, should come with the sound of a link of iron breaking…one more link from the day job. You are setting a WRITER FREE!

B&N is great, but again, only helping so many of our brothers and sisters in the inky trenches. I want to help MORE!

Social media. Do it. Don’t do it. If you do it, please at least do it well. Don’t feed us spam and then b$#@ when we don’t want to consume it & reward laziness.

We are NOT stupid. It is STILL SPAM!

We are NOT stupid. It is STILL SPAM!

I hope you all will embrace that we live in a great time and we get to make the future better for ourselves and writers to come. Ditch the old and embrace the new.

Do you love that you at least get to HOLD your book? Would you be willing to act out your novel in interpretive dance if the pay was right? Are you for more ways to get stories into hands of readers? Carrier hamsters? Nah, plague always a concern. Hmmm. I’ll give the ideas over to you guys.

I LOVE hearing from you!

To prove it and show my love, for the month of NOVEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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92 Comments

Move Over Barnes & Noble, Hello Amazon Brick-and-Mortar—Bringing Back the Bookstore Only Better

Okay, THIS guy no longer is replacing B&N

Okay, I have to close my bookstore. DANG IT!

Man, I SO love being right. Not to brag, but those who’ve followed me any amount of time know my tract record for predictions is pretty darn impressive. Back as early as 2006 I knew social media was going to be a game changer for novelists. Until social media, fiction authors had zero ability to build a platform of fans before the book was ever finished/published, unlike non-fiction authors (which probably explained our 96% failure rate).

The only way a novelist could build a platform or brand was through already published books. This was NOT the case for the non-fiction author.

Unlike novelists, NF authors weren’t trying to spin an audience from the ether and praying the stars aligned when their books hit shelves. Non-fiction writers exhibited some control—actually quite a lot of control—in creating a platform of fans who were ready and eager for a purchase before the product came to market. Often this was done through activities like public speaking, lecturing or writing articles.

When Web 2.0 came on the scene (a product of the dot.com implosion) and user-generated content began accelerating, the future seemed very clear to me. User-generated content WAS the future. Who was best at creating content? Helloooo? WRITERS! Finally we had a small stage of our own where we could at least make a dent in that nightmare known as discoverability.

In 2008, I pitched numerous agents a book about social media for authors. I was laughed at. They told me that Facebook was a fad and that e-books would never be statistically significant. That they’d weathered the great “books on tape” scare that was supposed to render all paper books extinct and e-books would soon go away along with social media.

I countered:

Hey, paper is never going away. There is always going to be a market for that, but it’s going to be utterly reinvented. The paper model can’t be sustained the way it’s going. It’s too wasteful.

Also, e-books are going to be bigger than you realize. The only reason they haven’t been a big deal so far is no one has come out with a tablet or e-reader that is affordable and user-friendly. That happens? Game over. You need to be ahead of this curve.

Who cares how people read so long as they are reading? And paying YOU?

*does Jerry Maguire face* Help ME, help YOU.

Aaaaaand then Steve Jobs came out with the iPad and the iPhone went mainstream. All phones became smartphones and life as we knew it imploded. Then the Nook and Kindle and yeah. E-books are kind of a BIG DEAL. So are audio books, btw. Ever heard of Audible? Whispersync?

A little thing called Twitter?

And that agent to this day walks the other direction when he sees me.

I’ve been blogging eight years telling writers that social media is critical. Granted, the first year people ignored me. The next year readers just called me a witch. Then, people went from pissy to borderline violent, which is odd because hey, I am just here to help.

Don’t want to do social media? Don’t. But we are no longer in a world with a Borders and a Barnes & Noble on every corner…and I mean every corner. 

But this brings up what I wanted to talk about today. Anyway, I was patting myself on the back about what a GENIUS I a—-OUCH!!! CRAMP! BREATHE! Walk it off…

For the most part I have been pretty accurate in my projections. I’d love to say that it is that it is I am really smart. Or even that it has to do with that deal I made with Satan junior year, only that deal involved me being able to eat all the pizza I wanted and never get fat.

Where was I?

Thing is, markets never stay the same. They shouldn’t. Stagnation is actually bad juju.

Anyway, in my POV humans really never outgrow being toddlers. We get really, really enamored with something and then either drop it like Season 7 of Lost or we find a new homeostasis. That thing just gets integrated into our lives, because we dig it, but we are no longer all cray-cray with it.

Yes, “cray-cray” IS a legitimate business term.

See, I’m an entrepreneur and entrepreneurs love fixing broken stuff. We also hate it when businesses continue to be epically STUPID. In my book Rise of the Machines I go into more detail about all this jazz, but here is the elevator version.

The traditional paper model worked for a hundred years because there was no better way. But, when the world handed Borders and B&N a better way on a silver platter? They ignored it.

In the traditional model, agents and editors bank on previous sales to project future sales. This is why so many of your bookstores are all stocked with the same authors. Most of them big-name heavy-hitters. For the new author? This made (makes) breaking out next to impossible.

Most writers who are fortunate enough to make it into a bookstore are spine-out on a shelf and have to hope their last name lands them at eye-level because if they have no platform? Browsing Roulette is the best one can hope for. This is not the publisher being mean. Big names make the most money. Money means they actually have the means to publish new authors.

The fact that Amazon was going to dominate the e-book industry was a given. Low-hanging fruit. But, in my mind, I knew at some point it only made sense for them to at least try going brick-and-mortar. BUT, I knew this would probably only happen once the giants were dead or close to.

Now? Borders is a memory and B&N is struggling. Last I visited, they are now selling vinyl records, which is cool…albeit weird.

Amazon has always had several factors in its favor. First, it doesn’t have all the bloated overhead. It didn’t have giant 35,000 square foot stores on every corner. Then, B&N catered far more to traditional publishing. But, as we have all witnessed in recent rears, many of the breakout runaway successes did not come from traditional. Hugh Howey is a big one that comes to mind.

And even the books that DID sell a lot of copies (meaning generated revenue) that might have originally been traditionally published were backlist published by the authors themselves. Thus these profit centers (books) wouldn’t have ever been stocked by a B&N anyway because B&N generally only carried current stuff.

Amazon, conversely, was smart and saw the MAJOR advantage of compounded sales.

For instance in 2009, B&N had one new Bob Mayer NF for sale, Who Dares Wins (excellent book, btw). Hello! On Amazon now you can get everything that man has penned since the 80s, books the publishers no longer wanted but that were excellent books. Books I had to track down in secondhand stores before Amazon came along.

Why?

Bob was a New York Times and USA Today Best Selling Author and a damn fine writer, but NY publishing was only interested in one book at a time and the old stuff was old news. It’s why they handed Bob back his rights.

They weren’t going to do anything with those old books. WTH? I read ONE Area 51 book and hunted through every secondhand book store in DFW to get the series and NY had no interest in at least trying to put those in e-book?

Those suckers sold millions of copies when they were released. The stories were still awesome. They weren’t like the spinach I forgot in my vegetable crisper that grew e-coli and that would KILL you if you ingested after they were no longer available in print.

Anyway, NY didn’t want to republish them but, to Amazon? Ka-CHING! Why sell one Bob book when you can sell 50?

Back to brick-and-mortar.

Remember I said humans go through cycles. I think in the 90s we grew enamored with BIG. We loved the mega-store. Bigger was better until, frankly, it just got ridiculous. Do we really need to be able to buy a tractor at the same place we order our kid’s birthday cake?

Bookstores did the same thing. But stocking all these books (the same books) was really wasteful and this led to a major market contraction.

Okay the market snapped with more force than Kim Kardashian’s Spanx.

We snapped back the other direction. I love shopping on-line. OMG, I need a 12 Step group for my book-buying habit. But, frankly, I miss browsing a bookstore. We need bookstores!

Here Comes Amazon ;) 

Because Amazon is smart. Amazon looks at where its competitors went wrong and it improves. That is the beating heart of true capitalism. Evolution. Amazon has every major component to make this work. I predicted they would do this back in 2012. Seriously, here is one of the posts.

And it was funny, because recently I was talking to my husband and wondering what was up. Amazon makes killer business decisions and deep down my gut told me I was right about them eventually opening a brick-and-mortar. I couldn’t be wrong about that. Everything about it made sense.

Then, *ANGELS SING* I saw THIS! Amazon opened its first REAL BOOKSTORE in Seattle YESTERDAY.

Amazon Has Algorithms

If they open more stores than the Seattle location, there is NO NEED to make a big store. The only reason for the megastore was because it was a scattergun effect. Stock enough titles and hope. Also stock BIG names and those probably would sell. If you had some weird outlier? An indie or self-pub that went viral? A new author who didn’t get a big enough print run? You missed it.

Not Amazon.

But Amazon knows who is selling. It has the data. It also knows not all areas have the same tastes in books. When the movie American Sniper came out, I guarantee you more copies sold in Texas. Probably more here in my town since I am right down the road from where Chris Kyle lived.

Also, Millennials love retro. Heck, most of us like retro. Retro is huge! Um, Star Wars? Sometimes an old book for reasons unknown could pop on the radar. Old Conan the Barbarian books or maybe early Ann Rice titles that suddenly lots of readers would love to have in PAPER.

What if you could strategically stock every store? Wait! Now, you can.

Amazon is Loyal to the Customer

They don’t care if we are indie, self-pub, traditional. Heck, Amazon doesn’t care if we can even write (a topic for another blog). But, if we publish a book of nothing but commas?

,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

And people DIG THAT? Readers WANT that? Amazon will print copies of the book of nothing but commas and have plenty of them in stock to keep customers happy.

Amazon Gives Authors Advantage

In the old days, premium placement at a bookstore (or any placement for that matter) was negotiated beforehand by an agent. Now? If Amazon expands this brick-and-morter biz? They don’t care about politics. They care about profit.

We finally have a business model that is based off of merit. It rewards books that sell. Period.

Amazon IS Skynet

Amazon is omnifreakingpresent. They are everywhere and in everything and Hollywood is next on their radar. And yeah sure sure maybe their time will come if they rest on their laurels and get stupid, but for now? They are pretty hot stuff because they do smart stuff. And I hear we don’t have to take the mark of the Beast if we sign up for Amazon Prime😀

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They are bringing back a user-friendly bookstore. Small, efficient, and intimate like the B. Daltons of our youth, but customized to our tastes. We can buy paper books AND load up the Kindle. Also, I guarantee you there will eventually be kiosks in there to give us what we can’t find on shelves.

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B&N…HELLOOOOO?

B&N…HELLOOOOO?

Can find it? Heck, they will ship it to us for FREE with a Prime Membership.

In my mind, this is great news for authors. I never really worried. I always knew there would be a place for the bookstore. I figured Amazon was doing exactly what it was doing (gaining a stockpile of talented authors who sold a crap-ton of titles, signing up most of the global population to Amazon Prime, gathering data and perfecting algorithms).  The ridiculously large superstores? Not so much. That was just dumb business in my POV.

Yes, people love paper books. We love e-books. But the digital age has been a fascinating era of exploration. This new evolution of creating an actual bookstore is a boon for readers. They now have a browsing space where they can discover new books and physically touch them.

It also gives us writers a new goal to shoot for, because, frankly, making it onto the Amazon landing page was not in my “little girl” dreams when I envisioned my life as a successful writer.

Book signings are SUPER awkward when you break into people’s homes and it is really hard to personalize your signature when the cops are hauling you away in handcuffs.

Just saying…

What are your thoughts? Are you excited about the reinvention of the bookstore? Do you miss being able to walk through a small bookstore in your local mall?

I LOVE hearing from you!

To prove it and show my love, for the month of NOVEMBER, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel.

I will announce OCTOBER’S WINNER later. Hubby STILL has flu and I need more time to figure out who won…because I have not slept in a freaking WEEK. Sorry. I love you.

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

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