Archive for category Uncategorized

No Success Without the GRIND

Image via Flickr Creative Commons, courtesy of Anamorphic Mike.

Image via Flickr Creative Commons, courtesy of Anamorphic Mike.

What do you want? How badly do you want it? What are you willing to sacrifice? These are the questions we must ask not once, but daily. There is no success without the GRIND.

Or perhaps, the G.R.I.N.D.

Give

Every day we have something to give that will keep propelling us forward. I love, love, love the movie Rocky. This is among my favorite quotes:

The world ain’t all sunshine and rainbows. It’s a very mean and nasty place, and I don’t care how tough you are, it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard you hit. It’s about how hard you can get hit and keep moving forward; how much you can take and keep moving forward. ~Rocky Balboa

Life does hit hard. I’ve been there more times than I can count.

Some of you know I was a high school drop out twice. I had the chance to simply get a GED but I chose to go back and finish even though I was embarrassingly older than my peers (19 in a class of 14 year-olds).

I worked hard at a community college until I won a full Air Force scholarship to become a doctor. Before I could enjoy that? I fell in an ice storm and broke my back.

My free ride was over. I took a job in a tiny mall store that sold motivational material. At the time, I couldn’t walk without a cane and while my coworkers spent the slow times chatting with friends on the phone, I read every single book in that store over and over and over.

knew physically I was a mess, but I also appreciated that this was a meantime. It was the span of suck before my breakthrough. What could I do for my will? For my mind? How could I keep my spirit healthy while my body mended?

Life hits and worse, it will sucker punch you. We may not always be able to do the big stuff, but we can keep pressing with the small stuff because greatness is not a singular moment. Rather, greatness is the cumulation of a lot of hidden moments that have no glory.

We give our best because our energy is seed. We plant our dreams and faith in the world and in others and trust that eventually it will bear fruit and eventually give back.

If I don’t have enough or something? I give it. That is a huge reason for this blog. Today, I need encouragement, so I am giving it. Want more love? Give it. Want more skill? Help others hone theirs. Want more passion? Give it.

Life is an echo.

Relentless

Moments before Kristen gets her tail kicked….

Moments before Kristen gets her tail kicked….

You want to do anything remarkable? Learn to be relentless. I heard someone once say that the richest place on earth is a graveyard because we cannot imagine what we’ve lost; the dreams, inventions, ideas that people took to their graves because they were afraid of failure.

One of the reasons I’ve always been such a pit bull is that my father was an extraordinarily talented man. Probably far more talented then I ever was. But he died penniless and working for $8 an hour in a bicycle shop. Why? Because the second anything got hard or gave pushback, he folded. For all we know, we lost one of the greatest writers of the 20th century because his fear was bigger than his faith.

One of the greatest lessons I have learned is that the harder life is pushing back? The better. Usually that is a sign we are doing something right.

Look back at your own life and I will guarantee you’ll see those times. You had a goal, a plan, and were actually seeing forward momentum then?

The AC in your house died, the car broke down, the kids got sick, the family decided to all go crazy simultaneously. You went from being ON FIRE to putting out nothing but grassfires.

Truth is, that’s a good sign. Keep pressing.

Invest

Image via Demi-Brooke Flickr Creative Commons

Image via Demi-Brooke Flickr Creative Commons

Invest in yourself. Talent is natural but it isn’t anything all that remarkable. Talent is nothing if it isn’t paired with skill. Skill is only something we can earn with blood and sweat and pain. We can’t earn skill on the sidelines, only on the mats. Hammering on our will, our mind, our craft day after day after day.

Skill only comes with failure.

Skill only comes with getting back up knowing we could fail again. Skill only comes when we appreciate that if we aren’t failing, we aren’t doing anything interesting. Skill eventually rises out of the ashes of our failures because we have made all the wrong moves and so we begin to recognize the right ones.

Skill comes from reaching out to those who are better, wiser and asking for help. Skill comes from humility. Read craft books, take classes, ask questions then do it again and again and again.

No

No is one of the most powerful words in human language.

We must learn to say NO. We have to say it to ourselves. Right now I am training for my blue belt in Jiu Jitsu. After being sick so long my cardio is less than stellar so I am cycling in the mornings. Trust me, it ain’t easy being a chubby girl on a bike … which is why I am glad it is dark :D .

When the alarm goes off at 4:30 a.m. and I want to sleep? NO. When I want to stop at 5 miles instead of 15? NO.

When I’d rather putter around the house and clean than edit or write my blog or research? NO.

I tell myself that I have a choice. No to now or no to later. I must give up what I want now for what I want most.

Learn to say no to toxic people. They will always have more drama they want us to fix. Learn to say no to the small leaks deflating your energy. Quit expecting average people to help you accomplish the extraordinary.

Conversely? Don’t take NO.

Back when I was in sales, my managers could not get over how good I was at cold calling. Most salespeople loathe cold calling with the power of a thousand suns because it is 99% rejection. Why was I successful? Because when they said “No” I heard… “Not yet.”

A lot of you are attending conferences. You might be pitching agents or sending out query letters. Expect rejection. Rejection isn’t always bad. Rejection isn’t NO. It is “Not YET.”

Go back and fix what you can. Move forward. Invest in your skill and then ask again. And again. If they won’t budge and you’re ready? Go around. Find your YES.

My book Rise of the Machines—Human Authors in a Digital World was with a major NYC agent for over a year. New York was unwilling to publish a book about social media even though my book didn’t rely on technology. I wrote it in such a way that it would always be relevant, and so didn’t have the typically short shelf life of this type of book.

I didn’t wait for them to change their minds, I published it anyway.

Aut inveniam viam aut faciam. We will find a way or we will make one. ~Hannibal

Dare

I hate those scams on late night TV that promise vast riches with no risk. That’s bunk. Our rewards exist in direct proportion to our risk. Risk big win big. Risk small and…yeah.

When we risk big, we can lose big. But we can also learn big. If we never fall from that kind of height, how can we learn to roll out of it? Dare daily. Dare to do something different, something meaningful. Nothing miraculous ever happened in the comfort zone.

When we dare to push ourselves outside of what we believe is possible, we discover talents we never knew existed. Yes, invest in your future but remember that today, THIS day, is the only one that matters. Because THIS day adds up. The only question is…

How are you going to use it?

Do you find yourself making excuses? Heck, I do. Do you find yourself spread too thinly “helping” others who are unwilling to help themselves? Are you afraid of failing? Do you feel selfish going after your dreams? Do you find yourself “waiting” on others? Does success seem unreachable? What dreams or goals have you attained that you never thought possible? What did you do? Sacrifice?

I love hearing from you!

Quick Announcement: Due to popular demand, THIS SATURDAY I am rerunning my Hooking the Reader—Your First Five Pages at the end of the month and I am doing something different. Gold Level includes me looking (and shredding your first five) but I have added in some higher levels and will look at up to 20 pages. This can be really useful if you’re stuck. I can help you diagnose the problems. It’s also a great deal if you have to submit to an agent and want to make your work the best it can be.

Again, I LOVE hearing from you!

To prove it and show my love, for the month of JULY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less). 

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

, , , , , , , ,

78 Comments

Time as a Literary Device: Unpacking the Parallel Timeline

One reason we might be tempted to use a flashback is to explain or to expound to artificially prop up weak characterization or a weak plot (the training wheel flashback). This is what good editors will cut. Then there is the other way to use time and that is time as a literary device. This is when our going back in time is used intelligently to serve the forward momentum of the story.

Last time, we delved into the idea of a loop around (one form of flashback as a literary device). Sometimes we see a story that is smack in the action and then after the inciting incident the story shifts back in time until it catches up where we began then continues real-time.

I used the example of Christopher Moore’s Island of the Sequined Live Nun. This is looping back in time as a literary device and I explained how this was done. So go HERE if you’d like to explore this method of storytelling.

Screen Shot 2015-06-24 at 12.37.49 PM

Today we are going to look at parallel timelines.

What happens with a lot of new writers is that they simply see the surface. “Well, in X BOOK the author went back in time quite a lot, therefore flashbacks are AWESOME.” This is true on the surface, but if we dig down and look at WHY and HOW we see a bigger picture emerge. Some of our favorite books or TV shows or movies might appear to be just flipping back and forth in time, but if we can get an aerial shot, we see something more.

Often what the author is doing is running two timelines parallel. The present-day story is the superlative of the two and the reason is that the past has already happened. And when I say “present-day” I mean the most contemporary of the two timelines.

If a woman in The Great Depression is struggling to rebuild her life after losing the farm in the Dust Bowl and she does so by reading letters written by her grandmother during the Civil War, then the gal in the Great Depression’s decisions and thus the RESOLUTION to her struggle will be fed by the secondary timeline.

Unless she has a time-machine and THAT is a WHOLE ‘notha blog :D .

We will have the A Plot and the B Plot and the B Plot eventually merges and A finishes us out with a resolution.

An excellent example of this is the HBO series, True Detective. There is a tad bit of spoiler in this lesson, but not enough to ruin anything. I recommend watching and studying this series.

And I like using TV series because if we look at the TIME it takes to watch a full season and then cross-compare that with the TIME it takes to read a novel, the two are far more comparable than a movie and a book. Thus, I do recommend studying series to help with writing a novel because the intimacy with the characters and intricacy of the plot is much more relevant.

Anyway, Season One of True Detective has two timelines. The episode The Long Bright Dark starts us off and it involves two detectives (Rust Cohle and Martin Hart) being interviewed separately regarding a serial killer case they worked together back in 1995.

One might first be tempted to claim, “See! Look at all those flashbacks!” but hold up. WHY are we going back in time? We don’t have two detectives just talking about the Not So Good Old Days. If there was nothing important about the contemporary timeline, then our story would actually be SET in 1995.

The “present day” interview sessions would be contrived filler and likely meet a cutting room floor and for good reason. There is no POINT to them being there throughout unless we have a parallel timeline.

If there was nothing relevant in the present, we’d interview the cops and they’d tell an “I Remember When” story and not a very good one because that would actually KILL most of our suspense because we’d know, no matter what happened they LIVED to tell the tale. So I do recommend that if it is an I Remember When Story, try to maintain suspense.

***BTW, this is a MAJOR reason that prequels are a nightmare to write. We knew Obi Wan had to live to be in the New Hope so we weren’t ever worried.

For a parallel timeline story told in an I Remember When fashion, I recommend both the book and the movie The Green Mile.

In Stephen King’s The Green Mile there are TWO stories running in tandem. The contemporary story of an elderly gentleman in a nursing home who is being bullied intwined with the tale of a prison guard working death row. It isn’t until the end that we see HOW these stories fit together and WHY. The past takes up a lot of storytelling time, but it still is subordinate to the present. Eventually both timelines merge for the conclusion of the contemporary timeline (story) taking place in the nursing home.

What happened to John Coffee cannot be changed, but John Coffee changed Paul Edgecome and so the future is still mutable.

Back to True Detective

True Detective is NOT an I Remember When story, it is a straightforward parallel timeline. There is a reason these men are being asked about the serial killer they hunted and caught back in the 90s. And the reason is, they didn’t get the right guy. They only stopped ONE bad dude in a nest of vipers and they failed to cut off the monster’s head. Women and children are still disappearing and being murdered (this is actually a turning point in the overall plot of the series).

Remember our litmus for going back in the past.

The PAST must be related to what is going on in the PRESENT and directly impact the FUTURE (how the story is resolved). 

In the case of Cohle and Hart, the past is the reason they are in the interrogation room. A case they believed had been solved actually wasn’t and they nailed some low-level dirtbag and not the Big Kahuna. Being in that interrogation room eventually thrusts these two partners back to working together to finish what they started.

The reason we (the audience) are given a tour through the 90s is because all of this story is essential for uncovering the identity of the murderer and exposing a vast coverup (resolving the plot problem). It is also vital to see how these men were as young men, how they interacted, how they fought and why to fully appreciate the place they will eventually end up at the conclusion of the journey (resolving the character arc and story worthy problem).

We have to see the bitter, corrosive atheist Cohle and experience him to appreciate how this case eventually changes who he IS. We have to see the self-righteous and hypocritical (yet charming) Hart to appreciate the depth of character this case will create.

The parallel timelines are essential for us reconciling past and present both in story and character.

Thus, when you look at your favorite movies or shows or books, I recommend unpacking the WHY and the HOW so you can get a better glimpse of the magic this writer created.

A Quick Announcement: I ran into the first technical problem I’ve had in three years of running classes with my Log-Line Class (probably because my tech person went on vacation for the first time and wasn’t there to babysit me). We had class and an AWESOME time, but something went sideways with the recording. So I am holding it AGAIN July 8th to be able to get attendees that free recording.

The class on log-lines Your Story in a Sentence—Crafting Your Log-Line is $35 and as a BONUS, the first ten sign-ups get to be victims. IF YOU ARE QUERYING AN AGENT, YOU NEED A PITCH. I will pull apart and torture your log-line until it is agent-ready for FREE.

Now that I’ve announced that, what are your thoughts? Does the flashback seem clearer now that we are unpacking the various ways it is employed? Do you maybe see some of your favorite stories in a new light?

I LOVE hearing from you!

To prove it and show my love, for the month of JULY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less). 

I will announce JUNE’S WINNER next post!

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

, , , , , , , , ,

34 Comments

Why Writers Should Use Twitter (and HOW to USE It Effectively)

 

Screen Shot 2015-01-14 at 8.51.29 AMFor the last couple posts, we’ve been talking about how to use Twitter effectively. Too many writers are like Stormtroopers—lots of shots fired  tweets that hit NOTHING.

I can admit, when I got on Twitter (when it was invented) I didn’t get it. I would—KID YOU NOT—freak out when people I didn’t know followed me. WHAT? Are you, like, a stalker? Yes, I was missing the ENTIRE point of Twitter. Hey, we all start somewhere.

Screen Shot 2015-01-14 at 8.32.45 AM

Do you have to do Twitter? No. No one will take you to writer jail because you didn’t. Is it wise to use Twitter? ABSOLUTELY.

I strongly recommend Twitter for two main reasons. First, couple Twitter with a good/consistent blog and this is your best formula to go viral. Secondly, Twitter helps us find READERS (and helps readers find US).

Going Viral

We will rarely go viral from Facebook because the nature of Facebook is more intimate and the platform moves much slower. People are less likely to discover us/our work from Facebook than they are Twitter.

In fact, I would imagine that many of you who subscribe to this blog, likely found me via Twitter. And since my tweets are written in a way to attract only the brightest and best-looking and talented…. :D. Y’all get the point.

This is why I want authors to blog and to blog off their author WEB SITE. Someone sees a tweet for a post that looks interesting and click and enjoy the post and guess what is in the sidebar for sale? BOOKS.

***Or, in my case the footer of each post since I did all the dumb stuff so y’all don’t have to.

This is a non-invasive way to cultivate readers and sell books. We have a post. We serve. We entertain. We aren’t doing the:

Hi, I’m a writer. BUY MY BOOK! BUY MY BOOK! BUY MY BOOK! I can’t feed my family unless you BUY MY BOOK!

Screen Shot 2015-01-12 at 9.36.46 AM

Show don’t sell. Our blog gives potential readers a glimpse of who we are. They sample our writing voice and see we are professionals since we post more than every harvest moon. We have taken time to engage without asking for money. Twitter is the road sign guiding people to the rest stop of their choosing.

Enough people like a certain rest stop? That is when we go viral.

Going viral is AWESOME. Trust me, when you see THIS on the bottom of a post? GREAT FEELING.

Screen Shot 2015-01-14 at 7.41.58 AM

And yes, there are a lot of shares on Facebook, but many folks discovered the posts on Twitter then chose to share with their more intimate community on Facebook.

My post Brave New Bullying and Amazon Attacks has 328 comments and still climbing. And I say this VERY humbly because all I do is my job. But, it is not uncommon for this blog to have triple-digit comments. Twitter is a BIG reason for that. And I’ve been blessed to go viral many times and not always for writing or social media posts. I blog about everything.

I STILL have people arguing over What Went Wrong With the Star Wars Prequels even though I posted it years ago. FABULOUS comments. Very well-thought out. Some thousands of words long.

Cultivating Readers

Original image via Flickr Creative Commons courtesy of Sodanie Chea

Original image via Flickr Creative Commons courtesy of Sodanie Chea

There is one bone-headed statement that makes my head hurt. And I have heard it from all levels of writers from noobs to NTYBSAs. In fact, one BIG author once said, “I don’t like Twitter. Only writers are on Twitter.”

*head desk*

I replied, “There are over 280 MILLION active Twitter users. They’re all writers. Really?”

What I then pointed out was that this author tweeted writing quotes, talked about writing, blogged about writing. It was the All-Writing-All-the-Time Channel. If my goal is to catch a lion, but I bait the traps with peanut butter, who is the fool for griping about catching mice?

Many of us are writers because we were interested in SO many things, writing was the only way we could do them all. When I was a kid, I wanted to be an archaeologist-medical examiner-ballerina-oceanographer-ninja-Navy SEAL. I’d imagine most of you had similar career plans at age 7.

We became writers because we have an insatiable love for so many things. And we have unique eyes and an imagination to bring those worlds to life. We breathe life into variations of 26 letters in various combinations to create entirely NEW worlds and characters SO real they make a bigger impact on lives than a lot of living, breathing humans.

Yes, we have a God complex.

Thus, when using Twitter, I DO recommend #MyWANA, #amwriting, etc. We NEED a group of professional peers. But never mistake your colleagues for your audience. Too many writers are all talking to each other, selling the same people who already have more books than they could finish in a lifetime. We are worn out.

Twitter Access

In my book, Rise of the Machines—Human Authors in a Digital World I go into far more detail, but here’s the highlight reel. What do you write? Who is the most likely person (who is NOT an avid reader who will read anything) to read your book?

Consider your audience...

Consider your audience…

If I write military thrillers, might be a good idea to follow the military hashtags—#USMC, #Army, #Navy, #USAF. Make friends, talk to people. Maybe even ask for advice. Admit you’re a writer and you want to nail the details. Humans are a super-helpful bunch.

If I write about vampires? #TrueBlood #vampires #supernatural might be good places to pop in and take a look.

Christian authors? #Jesus #Christian #lifechurch, etc.

Write about cowboys? #rodeo #horses

Suspense, mystery, crime? #DowntownAbbey #DiscoveryID #SwampMurders #JoeKenda #AR15

Sci-Fi? Try #starwars #startrek #physics, #geek, #DrWho, #Nova

Use a little imagination. I find it funny that writers have the capacity to dream up parallel universes, new forms of magic, unknown technology and yet, when we get on social media? #writers, #books #readers is how creative we get.

Screen Shot 2015-01-14 at 8.40.46 AM

But this is why it vexes me when people just write off Twitter as useless. Twitter is probably THE MOST effective way to find our potential readers, talk to them, and eventually cultivate a relationship that will hopefully spread to that person’s network.

Twitter DOES have the capacity to help us go viral, but it is still an investment daily of US. I have a little over 13,600 followers. Other authors SMOKE me on number of followers. But I would rather have 5,000 VESTED followers then 30,000 people who could care less what I have to say.

I’ve tweeted almost 27,000 tweets. Granted, I’ve been a member of Twitter for seven years. Not a SINGLE tweet of mine is from an automated system. All ME. Small chats every day add up. Just hop on, talk a little, share a link, talk to people, then back to work.

Buying Twitter Followers

Yes, I went there….

Yes, I went there….

This dovetails into my next point. In the beginning (say, back around 2008-2012), I feel outsiders cared more about the number of followers than they do now. “WOW, she has 40,000 followers. She must be IMPORTANT.” But, over time, our audience has wised up.

Sure, feel free to buy followers. But, in my mind, that’s like hiring a prostitute to offer us a long-term committed relationship. Purchased followers aren’t vested. They don’t care. They make the numbers look good and maybe stroke our ego, but our goal should be to create relationships that might translate into book sales.

Not ALL Sales are Direct

When we take time to be human and talk to people without an agenda, they appreciate it. It’s also good for our souls since most of us feel icky simply talking to people so they will BUY something. Never underestimate the word-of-mouth power of someone who may never buy your book.

I have all KINDS of people I talk to who aren’t authors. BUT they have friends or family who are. Whose books do you think they recommend?

In the end, using Twitter wisely is a fantastic investment that doesn’t take a lot of time. A handful of tweets a day over time grows deep roots that eventually yields fruits.

I LOVE hearing from you!

To prove it and show my love, for the month of JANUARY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

For those who need help building a platform and keeping it SIMPLE, pick up a copy of my latest social media/branding book Rise of the Machines—Human Authors in a Digital World on AMAZON, iBooks, or Nook

, , , , , , , , ,

101 Comments

Description—How to Make Readers Fall In & Never Escape

Sidewalk chalk art near Regent’s Canal in London.

Sidewalk chalk art near Regent’s Canal in London.

Today we’re going to address a topic that—GASP—I don’t believe we’ve ever covered in almost 800 blogs. Namely because it is a tricky one to address. We’re going to talk about description. For those who never use description or very sparse description? Don’t fret. That’s just your voice. Readers like me who looooove description will probably gravitate to other books and that is OKAY.

Personally, I’m not a fan of austere modern houses with stainless steel everything and weird chairs no human could sit in and most cats would avoid, but? There are plenty of people who dig it. I also don’t like a lot of knick-knacks and clutter. Makes me want to start cleaning.

Same with books. Not too little or too much. Yeah, I’m Literary Goldilocks.

Plain fact? We can’t please everyone. Description (or lack thereof) is a component of an author’s voice. BUT, if you are a writer who does like description, maybe I can offer some tips to make it stronger.

Avoid “Police Sketch” Description 

Er?

Er?

I assume most of you have watched TV. A witness is asked to give a description of the mugger, murderer, whatever. Well, he was tall, with dark hair and dark eyes. Very muscular.

She was short, blonde and fit.

The reason I (as an editor) don’t care for this kind of description is a good writer is a wordsmith and we should be able to describe characters better than someone who’s been at the wrong end of a purse-snatching. Is there anything wrong with this description? Nah. Just it’s something anyone can do. It isn’t anything unique.

Avoid the “Weather Report” or “Google Maps”Description

Weather can be vital and even its own character (which we will get to). But putting in weather just to tell us it’s a hot sunny day? Again, surface. Same with describing a location. Cities, streets, stores can come alive with the right description.

Avoid “Info-Dump” Description

I was really bad about this when I was new. I described everything in a room. I believed the reader needed to know all the positions of the furniture, what was on the bookshelves and end tables, the colors of the walls, just to “get” what I was talking about. They didn’t need all that and likely lost interest in the point I was trying to make anyway.

I didn’t give my readers enough credit and most of that information was for me anyway. Novels are for the reader not for us, which is important to remember and easy to forget.

Good description doesn’t automatically mean MORE description ;) .

What Makes GOOD Description?

Again, this is subjective, but I read…a LOT. I need a 12 Step Program for the sheer number of books I buy. Since I dig description, I often highlight it when it’s done WELL (which is why I cannot check out books from the library or EVER yell at Spawn for coloring in books). The common denominator I see in great description is it delves beyond the surface and evokes some kind of feeling.

In this post, I’m merely giving some of MY favorite examples (from many different genres). I recommend that, if you want to use description, go to those stories that spoke to YOU. Those highlighted spots can be telling about your voice, preference and style. You don’t need to copy, but you can deconstruct how the author did something WELL. And likely, if you are a fan of that kind of writing, others are too and you might share the same kind of readers.

Characters

One of my favorite authors is Jonathan Maberry. He describes people in a way that instantly evokes a visceral resonse. Sure there is a tad of physical description, but not much. Most is left out and yet we SEE these people.

For instance, Rot and Ruin (which is a YA series about our world 12 years after the Zombie Apocalypse. A teenage boy is the protagonist and my entire family is now INHALING this series, too).

Screen Shot 2014-07-01 at 10.10.56 AM

This is a scene in the first book when the young protagonist Benny goes to hang out with his zombie-hunting hero, Charlie Matthias:

“It was a 1967 Pontiac LeMans Ragtop. Bloodred and so souped-up that she’d outrun any damn thing on the road. And I do mean damned thing.”

That’s how Charlie Matthias always described his car. Then, he’d give a big braying horselaugh, because no matter how many times he said it, he thought it was the funniest joke ever. People tended to laugh with him rather than at the actual joke, because Charlie had a 72-inch chest and 24-inch biceps, and his sweat was a soup of testosterone, anabolic steroids, and Jack Daniels… (Page, 24)

In this example, other than the size of Charlie’s muscles, we get very little literal description. Everything in this is “feeling oriented.” We get a real sense of who Charlie is and who he might be. As a zombie-hunter, he seems the epitome of who we’d want taking out the undead, but there is an undercurrent of tension that makes us (readers) uneasy.

To me, this is far more powerful than:

Zombie-Hunter Charlie Matthais was well over six-feet tall with bulging muscles and wild red hair. (Zzzzzzzzz. Btw, I have no idea what color C.M.’s hair is, but did I really need to know?)

For the Literary Folks: Cormac McCarthy’s No Country for Old Men:

Screen Shot 2014-07-01 at 10.12.21 AM

(Sheriff Bell) came across a hawk dead in the road. He saw the feathers move in the wind. He pulled over and got out and walked back and squatted on his boot heels and looked at it. He raised one dead wing and let it fall again. Cold yellow eye dead to the blue vault above them.

It was a big red tail. He picked it up by one wing and carried it to the bar ditch and laid it in the grass. They would hunt the blacktop, sitting on the high power poles and watching the highway in both direction for miles. Any small thing that might venture to cross. Closing in on their prey against the sun. Shadowless. Lost in the concentration of the hunter. He wouldn’t have the trucks running over it (Page 44-45).

In this story, a good lawman is after a soulless criminal who is nothing short of pure evil. This above description is important. The red tail hawk is a parallel of Bell. Bell is also a hunter who’s in danger of being so caught in the pursuit, it could get him killed. Even though the lawman is tracking a criminal, he takes time to honor a fallen hunter even though it’s “only” a bird, something the psychopathic antagonist, who has NO VALUE for any life, would ever do.

Part of that “Show, don’t tell” thing ;). We don’t get a description of what Bell looks like, but through action, we know who he IS.

If you are into the “Less-Is-More-Description” here’s an example from Daniel Suarez’s cyber-thriller Daemon:

Screen Shot 2014-07-01 at 10.13.20 AM

Merrit stopped short and turned to glare at the man—a federal bureaucrat type, late twenties. The kind of person you forgot even while you were looking at him (Page 242)

Short, sweet and we all know this kind of person. We fill in the blanks and it’s emotive (or rather non-emotive, which is the point).

Weather/Setting/Information Without Being Info-Dump

For the sake of time, we’ll bundle three into one. Depp does a fabulous job of weaving weather, setting, and information in a tight cord of emotion. This selection is from Daniel Depp’s Loser’s Town.

Screen Shot 2014-07-01 at 10.13.58 AM

The protagonist, Spandau, is a P.I. is following a Hollywood agent to a movie set to meet a client who’s being blackmailed:

Spandau smoked, and thought the city gliding past was much like an overexposed film, too much light, all depth burned away and sacrificed. All concrete and asphalt, a thousand square miles of man-made griddle on which to fry for our sins. Then, you turn a corner and there’s a burst of crimson bougainvillea redeeming an otherwise ugly chunk of concrete building. Or a line of tall palm trees, still majestic and still stubbornly refusing to die, stubbornly sprouting green at the tops of thick dying stalks, guarding a side street of bungalows constructed at a time when L.A. was still the Land of Milk and Honey….There was a beauty still there, sometimes, beneath all the corruption, like the face of an actress long past her prime, when the outline of an old loveliness can still be glimpsed through the desperate layers of pancake and eyeliner. (page 23)

In this description, we get more than a play-by-play of the L.A. streets he passes. Additionally, I feel the description is very telling about the character. Note the contrasting biblical references or even the tension inside the character. He hates this place, but can still see the loveliness that tears at him and keeps him there, keeps him coming back.

The description is an extension of the feel of the city—no depth, manmade, hardened, lost (but still something beautiful worth staying for).

Note the description is processed through the feelings and backstory of the character. Instead of sounding like a travel brochure, there is emotional flavor adding depth. We pretty much know the weather—bright and hot. We experience the place rather than just “seeing” it in a boring “and then he turned on this street and then that street” fashion.

The description also shows us Spandau is likely an excellent detective—he sees more than the surface and instinctively searches deeper.

Again, description–how to do it, how much, how little—is subjective.

But, I believe that good description can make the difference in a caricature verses a “person” or “place” so real we’re sad to say good-bye when the book ends. Also, I hope I’ve given examples of how we can describe a character or a place without “describing” it.

Are we describing with the same depth as any literate person with a laptop could do? Or are we digging below skin and into marrow?

What are your thoughts? Do you find yourself skimming description and didn’t know why? Do you highlight great description, too? Or are you a minimalist? There aren’t any wrong answers, btw. Who are some of your favorite authors who ROCKS description? What are maybe some tips/thoughts you have that takes description from blasé to beautiful?

I LOVE hearing from you!

To prove it and show my love, for the month of JULY, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novel, or your query letter, or your synopsis (5 pages or less).

Winner of JUNE’S COMMENT CONTEST: Linda Maye Adams. Please send your 5000 word WORD doc to kristen at wana intl dot com in an attachment, please. Or, if you prefer, you can send a 500 word synopsis or 300 word query letter. Your choice which one. Congratulations!!!! Thanks for being part of the discussion that makes this blog so much FUN.

ANNOUNCEMENTS:

THIS SATURDAY is my  Antagonist Class  PINKIE-SWEAR!JULY 5th). Use WANA15 for $15 off. This class will help you guys become wicked fast plotters (of GOOD stories). The GOLD level is personal time with me either helping you plot a new book or possibly repairing one that isn’t working. Never met a book I couldn’t help fix. This will save a TON of time in revision and editors are NOT cheap.

For more help with your social media/author platform/author brand, please check out Rise of the Machines—Human Authors in a Digital World.

, , , , , , , , , ,

101 Comments

Rejection, Reinvention & Do-Overs—What YOU Need to Know About E-Books

Screen Shot 2013-12-02 at 4.47.02 PM

Waaayyyy back in the Dark Ages of Publishing, I queried many, many…*sigh* many agents, only to be rejected. Then, I pitched a social media book for writers…and they laughed in my face. Social media is a fad. Authors only need a good book. Yup. Well, these are the same folks who are now requiring an author to have a strong social media platform and most won’t so much as look at a book if they can’t google an author’s name and have it show up (and show something vibrant and interesting).

Had it not been for the indie/e-book revolution, my first #1 best-selling book We Are Not Alone–The Writer’s Guide to Social Media, and my second #1 best-selling book Are You There, Blog? It’s Me, Writer, and now my new best-selling book Rise of the Machines–Human Authors in a Digital World would never have existed (let alone dominated the top three slots in multiple categories).

Thank you WANA and INDIE PUBLISHERS! *shout-out to Bob Mayer, Jen Talty & Cool Gus Publishing who took a chance on my first two books*

Aside from me (being a niche author), there were many traditionally authors who had extensive backlists (full of mega-successful books) who would have never made another dime off that work (and a lot are now making six and seven figures). There were also many authors who’d been rejected for years, who finally forged their own paths using e-books. Look up Romance Author Theresa Ragan. Theresa sold SO many books, that when NY came calling? She turned them down.

I wonder if she sent them a rejection letter with “does not fit my needs”? Hmmm, perhaps I should ask next time I see her :D.

There are also authors like John Locke who used e-book success to garner sweet publishing deals. Why am I mentioning this stuff? Because no matter what kind of author we are—traditional, indie, self-published? E-books are important. 

Yes, even if we traditionally publish. Right now NY can produce a book (maybe two) in a year. That’s a lifetime in the Digital World. What better way to keep fans excited than by publishing backstory, short stories, deleted scenes, stories involving supporting characters? This helps keep readers passionate so when your book is on the shelves? They are SO THERE.

Today, to talk about e-books and her own experience is Award-Winning Author (of TWENTY-SIX books) Amy Shojai…who happens to be a WANA International Instructor because I only want the best for you guys.

Take it away, Amy!

***

A few years ago, I had a high-profile agent, a spokesperson gig with a major pet products company, and a dozen award winning pet books published by “Noo Yawk” publishers. Oh, I worked my furry tail off for years to get there, but thought I’d finally arrived.

Before y’all decide to use my face on your personal dart board, you should know this: publishing went KER-FLOOEY!

I ended up back at square one. My agent couldn’t get a bite on any of my proposals. The spokesperson gig cancelled. My books got remaindered instead of renewed. All those backlist books, my retirement income (sob!), instead became dust bunny habitat under the bed.

Betcha you heard the booming echo of head-banging frustration where you lived. And you know what? “Noo Yawk” didn’t care. Tried a new agent and that didn’t work either. So I quit writing. I even took a real job . . .for about six months until I realized it doesn’t matter that “Noo Yawk” doesn’t care.

It only matters that I CARE.

Nobody cares more about YOU and your goals than YOU. So ya gotta be nice to you, treat you like royalty, and find ways to say “yes I can” instead of wallowing in “why I can’t.”

WHO ARE YOU, ANYWAY?

I am a writer. It’s not what I do, it’s who I am. But the “old Amy” no longer worked in the new world. Without an agent, I had nobody telling me “don’t bother, it won’t sell.” Without an editorial deadline, I had time to revise and update the latest, greatest information. And without that high-profile on-the-road gig, I could experiment with projects without concern it might hiss-off a sponsor.

So I reinvented myself first by kindle-izing my backlist books. That led to partnering with Jen Talty and Bob Mayer’s COOL GUS Publishing, creating my BLING, BITCHES & BLOOD blog (thank you Kristen!), voicing my own audio books, writing original titles and most recently a critically acclaimed dog-viewpoint THRILLERS WITH BITE series.

All because publishing went KER-FLOOEY. That’s a techie term. You have my permission to use it (I’m a writer, so I can make schtuff up).

BEYOND NaNoWriMo: KNOW YOUR OPTIONS

So, what does this have to do with you? Today there are fewer eyebrows raised toward hybrid/indie/self-pub authors than when I jumped off the digital cliff. The flood gates have opened.

Did you complete NaNoWriMo? Are you lined up at the starting gate, ready to pull the trigger on a spanking-new baby book?

Whether you plan to DIY Ebook, hire POD done, or choose a la carte services for cover design, publishing and more, LEARN FROM MY MISTAKES. Discover the options and make educated choices.

Because do-overs sucketh big time. This is why I am offering my:

EBOOK FOR WRITERS WEBINAR Dec. 7, 2-3:30 NY Time

Next Saturday, December 7, 2013, join my EBOOKS FOR WRITERS Webinar from 2-3:30 NY time for all the must-know options for publishing in today’s digital age. It’s only $40 (but you’ll get $10 off with the code GO INDIE). Register here.

No hotel, no travel, no makeup required! I love Webinars because I can wear jammies and have your cat or dog on my lap. The recording makes it possible to revisit the session later—especially helpful for those with a time conflict who live in, say, Australia. Or the wilds of Manhattan. And, if you aren’t yet ready to pull the trigger on your book, the session helps you figure out next steps when you ARE ready.

(Hint: Might be a cool early holiday gift for a writer in your life.)

The live Power Point presentation includes lots of SQUEEE! cute animal picture illustrations, answers your questions and gives you a life-preserver to keep you afloat as you dive off the self-publishing cliff. You will learn:
• Pros & Cons of Ebook Publishing compared to “Traditional”
• Options Available from DIY platforms to for-hire services
• Kinds of costs involved
• What you can (and should) do yourself
• What you should hire professionals to do
• Resources for helpful self-publishing software, editorial assistance and cover design help
• Practical step-by-step how-to “Kindle-ize” your manuscript
• Formatting tips for illustrations, covers, sidebars and table of contents
• Promotional must-knows including DO’s and DON’TS!
• Includes valuable links to further information, available as a down-load/handout.

I got to reinvent myself with help of others like Kristen Lamb who mentored me into creating a kick-ass BLING, BITCHES & BLOOD BLOG, so turn-about is fair play. Besides, it’s just the right thing to do. That’s one reason I jumped at the chance to guest here at Kristen’s amazing blog site. Good karma gets returned so find ways to pay-it-forward, let others know about the seminar (and discount code GO INDIE). You can thank me later ;).

Screen Shot 2013-12-02 at 4.45.59 PM

, , , , , , , , ,

22 Comments

5 Ways Authors Abuse Their Facebook Profile Privileges

Screen Shot 2013-11-21 at 10.52.17 AM

Today, the fantabulous WANA International Instructor, Lisa Hall-Wilson is here to share to sage advice about Facebook. She knows ALL things about Facebook, which is why she not only teaches for WANA, but she manages our WANA International fan page. We don’t need to pay to promote and Lisa gets MAD traction on our fan page, so she is THE GAL to listen to in these matters.

Also, I have been a victim of many of these “marketing strategies” and they make me see RED. We know you guys are trying hard to be responsible professionals and there is a LOT of bad advice floating around out there. We have all oopsed, so don’t worry. But Lisa is here to set you straight and tell you the WANA Way…which works, btw ;).

Take it away, Lisa!

Lisa Hall-Wilson

Lisa Hall-Wilson

I feel a bit like the soup nazi with this post – no Facebook for you! But some people seriously need a time out. It’s promote promote promote all the time in a one-channel informercial. Hands up – have you been a victim of these people?

I wrote this post for Jane Friedman on 5 reasons why you should use your Facebook Profile (not a Page) to build platform. What I need to make clear is that with freedom comes responsibility. There are key rules about Facebook etiquette that many are either unaware of or ignore.

Stop!

Using your Profile instead of a Page to build platform gives you the ability to spam people in a way Pages cannot. Pages cannot join groups or group conversations. Pages can’t comment on or post a Profile, they can’t send private messages to Profiles. Pages can’t force-add people to events. The list goes on. Just because you can, because Facebook doesn’t explicitly say it’s against the rules – doesn’t mean it’s not icky, annoying and spam

1. Do not post your own content on another’s Profile wall (timeline).

This is a pretty personal one cause this recently happened to me. First, if you goof on this one, apologize, remove the post and consider it a lesson learned. Don’t argue. This is considered personal space. Anything posted on my timeline is seen as endorsed by me. It’s akin to going to a friend’s jewelry party and bringing along samples to your own soap business and handing them out uninvited.

Great way to never get asked back.

If people are posting their content on your wall often, you can decide who can post on your timeline if necessary. I know some Indie authors who have been forced to do this because the spam is so bad.

2. Do Not Tag People in Unrelated Status Updates or Photos

What do I mean by unrelated? If I quote another blogger or author in a blog post, I might tag them. If they inspired that blog post, I might tag them. But I might not. And I’m not going to do it more than once or twice a year. If you’re just doing it to get noticed it’s considered spam.

For the love of cookie sprinkles….STOP.

I strongly recommend you turn on approvals for all tags. People can tag you in a photo or status update, this requires you to approve those before they show up on your timeline – because people use this to spam your friends but your friends might not realize you were spammed, which makes life seriously awk-ward.

3. Do not bomb conversations with blog links.

I see this all the time. Do not find a lively conversation thread and drop a link to your blog there. That hit and run tactic is super annoying and is spam. If you are an active participant in the conversation and you have a blog post that directly relates to the topic at hand, go ahead and share that link in the spirit of no-reciprocation-expected.

You’re sharing this because it adds value – no strings attached. Dropping a link into the conversation you’re not a part of is spam regardless of whether the post could remotely be relevant.

4. Do not create a group and force-add 2000 people.

Facebook will let you invite a ridiculous amount of people to an event or group. I get event invites all the time. Those can be annoying, but what’s worse is being force-added to a group that’s a 24/7 spam channel! You can go ahead and create a group where two or three people post links to their blogs and courses if you want to – but let people opt into that. I had to remove myself twice from the same group and finally clicked the box that says do not allow myself to be added again.

5.  Any story can be seen by friends and seen as an endorsement.

When you click like, comment or share something, you create a ‘story’ within the Facebook environment. When you share an update or link, it’s seen as an endorsement unless you add an editorial comment stating otherwise. However, what many people using their Profiles to build platform don’t realize is that your likes and comments can be shown to friends, and friends of friends depending. You can’t filter that.

You’re following an erotica author friend because you wanted to support her, even though you write children’s fiction. She posts an alluring pic of a near-naked man and you liked the pic – for whatever reason. You might not have liked the pic or the man, but wanted to support the author say.

Doesn’t matter.

At best Facebook could show that story (that you liked that content) to friends FB believes have similar interests. You have no control whether that shows up in someone’s news feed or their ticker or at all.

Something else to consider is that you can’t opt out of sponsored stories. Sometimes Facebook will recommend Pages to users and they will use your name and profile pic (all public content) by way of public endorsement to your friends. Someone can purchase a sponsored story ad and your face and name could be used to promote that Page.

We can complain all we want, that’s the price of admission. If you are using your Profile to build platform keep this in mind! I can’t stress this enough. Every action you take can spread a lot further than you intend. If you wouldn’t say it to your mother in her living room, don’t say it (or like it) on Facebook.

In the spirit of helping others share my Facebook happy, I started a group for writers who want to learn how to use Facebook the WANA way, not spam people, and build a healthy community or tribe. It’s a closed group so there’s a measure of privacy, but it means you’ll have to request to join. *psst – I’ll approve you.** I’ll post about updates and changes, and answer questions (within reason), but I really want this to be a safe place to ask questions and share experiences as well. Abusers will be removed!! :D

What annoying Facebook marketing tactics have you been the victim of? Share in the spirit of helping not shaming.

On Saturday, November 23, I’m teaching a webinar on Using A Facebook Profile To Build Platform. The cost is only $45, and we’ll look at how to set your privacy settings, friend lists, target posts, create a content strategy, how to brand yourself visually, best posting practices, and more. If you can’t make it sign up anyway. The webinar will be recorded and sent to all registrants.

I’m also offering this class as part of a very special WANA 2Fer. Marcy Kennedy is running her A Crash Course to Using Google+ to Build Your Author Platform the same day and we’re offering a discounted rate of $20 off for people who sign up for both. Click here to register for the 2Fer!

About Lisa Hall-Wilson

Lisa has been using Facebook since 2007, and has been a paid administrator, content creator, and consultant for more than three years. She manages Pages for non-profits and small businesses in Canada and the United States (including the MYWANA Facebook Page). She’s an award-winning freelance journalist, syndicated columnist, and fantasy author. You can find her hanging out on her Facebook profile.

, , , , , , ,

62 Comments

Author Success—The Laws of Sowing & Reaping

Image via Flickr Creative Commons, courtesy of Zechariah Judy

Image via Flickr Creative Commons, courtesy of Zechariah Judy

Life has many irrefutable truths. One? We get out of life what we put into it. We will get out of our writing what we invest. We cannot expect large returns from a social media platform if we rely on robots (automation) and connect randomly and half-heartedly. Social media is about relationships and being fair-weather friends has limited effectiveness.

Sure, there are flukes, people who run face-first into blind luck. But, one thing I’ve learned is the harder (and smarter) I work, the “luckier” I get ;).

When we take hold of a dream, we are assigned a sort of spiritual plot of land. Depending on the dream will depend on the plot. If we want to grow fresh peaches for our family, we don’t need a thousand acres. But, if we wish to make a living as a peach grower? We’ll have much more land and work ahead.

Same with writing. If our goal is to publish a memoir to hand down to our children, this is a different “plot” than if we desire to be a NY Times best-selling authors.

Some land is more fertile than others. If we grew up as children of famous authors, surrounded by other successful writers, then we have a reasonable head start. We “inherited” a grove and aren’t starting from scratch. Most of us are not so fortunate, so we need to start preparing our “land” early.

The Early Years

Image via Flickr Creative Commons, courtesy of Rene Schweitzke

Image via Flickr Creative Commons, courtesy of Rene Schweitzke

This is when we get our land and realize there are a ton of weeds, crappy soil and a zillion dead trees and trunks that need to be removed. There might even be some junk cars, scrap metal and old toilets that need to be hauled away. We need to form new habits. We need education, training and practice. We need to learn about branding and start building our platform.

When I left paper sales and decided to become a writer, I needed to learn the craft. I had bad habits. I put myself last on the list because writing wasn’t a “real job.” The early years is a lot of clearing away insecurity, fear, and even laziness. We learn to write even when we don’t “feel” like it and come to understand that simply showing up is a bigger deal than most people realize.

Sowing

This is when we start planting. We’ve cleared the fields and added missing nutrients to the soil. We put our butts in the seat and blogged even if the only comments we get are from the BuyCalvinKleinCheap sites:

“I so lick you’re blog. It changed my bruther’s life and bookmarking now.”

Blogging trains us to keep a professional pace. It trains us to show up and not be too dependent on others. Sure, it’s fun blogging now that I get 95 comments, but there were years I blogged to the ether. I didn’t do it for others. I did it for ME, to train me.

Image via Flickr Creative Commons, courtesy of Jim Evans

Image via Flickr Creative Commons, courtesy of Jim Evans

Blogging is also the most resilient form of social media and one of the best investments of time when it comes to ROI (return on investment). No search engine will direct people to your witty tweet or clever Facebook post. Search engines WILL, however, start sending readers to your blog (if done properly). Also blogs can be harvested for books and promotion (and if you want to know how, my new book gives a step-by-step plan).

Sowing also involves research, plotting, writing, finishing then revising the book.

The Silent Years

After we’ve planted a lot of good stuff, it’s easy to get discouraged. We don’t plant a peach pit and a week later have a ten-foot-tall tree raining yummy peaches all over the ground. In fact, for a loooooong time, it will look like nothing is happening. It’s because that peach pit is germinating and putting down deep roots before much appears above the surface where we can see results.

We need deep roots to make it in this business, because high-winds and storms don’t stop because we want to write books (as I talked about in yesterday’s post). Did you know that the root system of any tree needs to be as wide if not wider than the span of the branches? What is below (unseen) must match (or even outmatch) what is above, or the tree will fall over and die with the first bad storm.

The Silent Years can be brutal and this is why most writers don’t make it. This is when we suffer a lot of angst. When people ask us what we do and we say we’re writers, we get replies like, “No, I meant what is your real job” or “Really? Where can I buy your book?” We must learn to brush off any insecurity and criticism and simply appreciate we’re growing, preparing for greater things ahead.

This is tough in a world addicted to instant gratification and an over-reliance on luck. Too many people want fruits with no roots (thanks, Joyce Meyer).

Reaping

If we keep pressing and don’t dig up our seeds to check if they really are growing (which is highly tempting), eventually we can reap what we’ve sown. Ah, but here is the catch. Back to my peach example. After a long wait and tender, patient care, we get a tree. YAY! Eventually, we see little tiny fruits popping out. AWESOME.

Not so fast.

The smart grower plucks off all the tiny green peaches. OH NO! Why? So the tree will bear more fruit and better fruit. For us? This could mean writing two or three bad books before we get a winner. It could mean multiple revisions. But, to gain more, we have to sacrifice.

Image via Flickr Creative Commons, courtesy of Slgckgc

Image via Flickr Creative Commons, courtesy of Slgckgc

Harvest and Maintenance

In the beginning, we have a lot of back-breaking work. But, if we are patient and consistent we can finally reach a maintenance phase. Once the grove of peach trees is producing, we keep fertilizing, tending, and harvesting.

Image via Flickr Creative Commons, courtesy of Kathleen Dagostino

Image via Flickr Creative Commons, courtesy of Kathleen Dagostino

An author platform is the same. In the beginning, we need to build traction. Yet, there will come a time when we can back off. We need to let the soil rest. We need to cycle in other crops. We need margin in life or we lose that creativity and passion that started us on our path to begin with.

Two Mistakes Writers Make

One writer wants everything instantly. This writer wants a thriving platform and big books sales too early, and maybe resorts to shortcuts. They spray chemicals on green immature peaches (blogs/books) and try to pass off bitter, tasteless content to consumers. Or they just jump into the market too soon.

The other writer overworks the grove and production eventually suffers.

Original image via Flickr Creative Commons, courtesy of Stoere Schrijfster.

Original image via Flickr Creative Commons, courtesy of Stoere Schrijfster.

I’ve been guilty of both mistakes. When I wrote my first social media book, I failed to build a platform ahead of time. My first royalty check was dismal and made me cry for three days. I needed to dig in and keep cultivating.

Now? I need more margin. I’m cutting this blog back to two days a week. I’d rather give you guys two fabulous blogs and more books, classes, WANACons and consulting.

Right now, I’m blogging because I love it. It’s fun. But there are better ways I can serve you and help you learn and grow. We can get so in a habit of doing something, we fail to see when we can (and need to) stop overworking.

And this is a tricky blog to write, because I want to tell you there are times for the back-breaking-put-all-you-have-into-it-work. There are no shortcuts and this isn’t offering excuses. The marketplace is glutted with books and without a platform, our odds of success are better with scratch-off tickets. But I also want to impart on you, that there is also a time to back away. We need balance to maintain. I will still be working my tail off, just in different areas ;).

So what about you guys? Are you guilty of living too much with your accelerator pressed to the floorboard? Do you struggle with knowing where and what to let go of? Do you put everyone and everything ahead of yourself and your writing and it’s making your “creative field” suffer?

I LOVE hearing from you!

To prove it and show my love, for the month of November, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. What do you win? The unvarnished truth from yours truly. I will pick a winner once a month and it will be a critique of the first 20 pages of your novelor your query letter, or your synopsis (5 pages or less).

Also, for all your author brand and social media needs, I hope you will check out my new best-selling book Rise of the Machines—Human Authors in a Digital World.

ANNOUNCEMENTS:

I will announce October’s winner next week.

I’m offering my First Five Pages Class November 14th 8-9:30. The first five pages of any novel are the most critical and I will teach you how to hook hard and early and also how to spot bigger problems in your novel.

I’m also offering my Antagonist Class. The antagonist is the beating heart of the story. If you can’t seem to finish a book or a book isn’t selling or is getting rejected, this class can help tremendously. There are also upgrades where I work with you one-on-one to repair or even create your plot.

, , , , , , ,

87 Comments

Follow

Get every new post delivered to your Inbox.

Join 48,455 other followers

%d bloggers like this: