Why We Should All Hug a Self-Published & Indie Author

Yes, I solicit hugs. Sue me. This is LA Times best-selling author Stephen Jay Schwartz and me at the Romantic Times Convention in Los Angeles 2011.

On Wednesday’s blog, Why Traditional Marketing Doesn’t Sell Books, there was some really cool discussion about self-publishing–why it was horrible, would bring the doom and destruction the Mayans foretold, or even why it was the greatest invention since Pop Rocks. Today I am going to be a tad controversial and share my thoughts and opinions about the developments in our industry and why I, personally, want to hug the self-published author.

Originally, I loathed self-publishing and was even highly suspicious of indie publishing. I had all the same fears as many other people.

Great Scott! We already have a hard time getting people to read, and now we will flood the market with crappy books?

How will anyone find the good books?

It is going to mean nothing to say we are a published author when the market is filled with wanna-be-hack-poseurs!

I had pretty good reason for my feelings, since I hadn’t had the best experience with self-published authors. I had one writer in my critique group whose writing was so bad it should have been banned by the Geneva Convention. Not only did he “publish,” but then happily invited the entire group to his book signing at Barnes & Noble…after he’d tortured us with his brain vomit novel for a year.

Not long after that, I had another doozy of an experience.

Hubby and I were waddling through a Barnes & Noble (All right. I was the one waddling. I was very pregnant at the time). On my way to get a cup of tea, I spotted an older man sitting as a card table with stacks of books. Now, being in my profession, I could spot a self-published author who’d somehow scored a book-signing a mile away, and knew better than to make eye contact. But then again, my husband is a far kinder person than me.

I am still really stoked that he hasn’t yet figured out that I married WAY better than he did.

Anyway, Hubby decides to be nice and go talk to the older gentleman who had at least eight different books for sale, even though we’d already had a discussion about talking to the self-pubbed authors. We had at least a half a dozen $30 poorly written books at home that no one was ever going to read. I hated reading crap, and hated being gouged for a fancy hard-cover edition of crap even more.

I groaned, eyeing the Starbucks that adjoined the store. But I let Hubby talk to the author as I politely thumbed through a “novel” that wouldn’t have survived one minute in my critique group.  All was fine until I noticed he had a book about how to be a super successful published author.

Thumbing through, I saw page after page of advice that was more likely to get an aspiring writer tarred and feathered than published. Advice like “be distinctive with your query, like sending it in a pizza box or on scented paper.”

It got real ugly from there and I don’t think I am allowed in that Barnes & Noble anymore.

See, I tolerated that he wanted to publish and even mildly admired his gusto. But, when it came to making $25 a copy to give writers really bad, tragic advice? I was done.

I am very protective of baby writers….and we can probably just blame pregnancy hormones. I behave much better now. Hubby took me for clicker training at Petsmart.

So why did I take the time to share those stories with you?

Because they are Cousin Ray-Ray stories. Everyone has a horror story, but horror stories are not necessarily the norm and certainly are no reason to jump to conclusions. Also…

Just because something starts off ugly doesn’t mean it cannot transform.

For instance, it was possible to shop on the Internet back in the 90s. Now, you took your identity in your own hands doing it. We didn’t have good security measures and people, being naive, didn’t know what to look for when it came to plunking their personal information into a fill-box.

Now? Because people continued shopping on the Internet? Totally different experience. Why? Well, better filters from companies and a savvier customer who doesn’t just tell anyone her Social Security number.

Why Self Published Authors are Awesome

Oooh. I know some of you just cringed a little. Hear me out.

Five years ago I told anyone who would listen that publishing would go the way of the music industry. The traditional gatekeepers would lose their monoply and more power would flow to the artists. I predicted that the only thing that needed to happen for the walls to fall, was for an e-reader to become simple to use and affordable.

Ironically, I went to a writing conference in April of 2009. An agent on the panel declared that e-books were statistically insignificant and always would be. They would be the new audio book.

Yeah, I struck him off my query list. Clearly, he had no vision.

Then, three weeks later the first iPad released and proved my predictions correct. The e-book market exploded. Then came the Nook and y’all know they rest.

So why should we all hug a self-published author?

Because people who self-published, especially in the beginning, were what are called “early adopters.” Early adopters are those brave enough to buy the first VCRs, to be the first to buy stuff off a web site, the first to explore what it means to upload their manuscript as an e-book or print POD.

Think of it this way. If we hadn’t had people willing to look ridiculous clunking around in a steam-powered horseless carriage, we’d still be saddling up a horse to go to the store.

Monopolies Stifle Innovation

I am not picking on traditional publishing. But here’s the thing. When a company holds a monopoly on any industry, there is no impetus to change, become more efficient, or look for new ways to please a consumer. This is why entrepreneurs are good for all markets. They bring healthy competition that forces creativity, innovation and efficiency.

Monopolies are not fertile ground for the early adoption behavior that fuels the big industry changes.

Traditional publishers don’t generally have the luxury of being early adopters. Are they evil and thinking of ways to make writers lose hair? No. They have a lot of people depending on them, so they are less likely to take risks.

Yet, we need explorers and risk-takers to create the ripple that becomes the tidal wave of change. This is why we all need to thank a self-published author. They laid the ground for the “new norm.” They pressed and pushed until e-books and POD BECAME relevant and competitive and this made traditional publishing rethink its business approach.

Almost all writers of today and the future will consider e-books to be a huge part of their royalty portfolio.

How did this happen?

Self-published authors 1) couldn’t make it past the gatekeepers 2) didn’t want to mess with the gatekeepers. These two factors made them motivated, bold and willing to look dumb.

The deal is, there was an obstacle and self-published writers dared to find away around it or, if need be, through it.

My favorite saying?

Aut viam in veniam aut faciam.

I will find a way or make one. ~Hannibal

Self-Publishing Serves the Consumer

Make no mistake, I am well aware that there is a tidal wave of crap out there, but we will discuss this another time.

Many authors had good or even excellent writing…that simply could not get a traditional break.The reason for a barrier wasn’t always because the writing was bad. There are many reasons books get turned away.

Maybe the book didn’t fit cleanly into a genre and the agent couldn’t sell it. Maybe a sci-fi author now wanted to write a romance and the publisher wanted more sci-fi books. Maybe the publisher already had three werewolf books slated for the year. Here are books that would have been shelved, that now can get to readers who can then fall in love.

Self-Publishing and Indie Publishing Gave New Life to Dead Books

Maybe an author had a wonderful backlist that was now out of print and the publisher no longer wanted them. NYTBSA Bob Mayer is an excellent example. He had scads of titles that had hit the NYTBS list and even the USA Today List, but they were out of print and the publisher was done.

What about all the hours of hard work? Bob’s books were awesome, but now they’d been retired to some book nursing home when they still had a lot of life left. They could find new readers to love them, but if Bob had just given in, they would have faded away and been forgotten.

Bob, thankfully was a Green Beret and “give up” is not in his vocabulary. Not only did Bob not wave the white flag, he started he own publishing company, Who Dares Wins Publishing. You can check out his amazing books here.

Maybe a writer had an AWESOME book, but no one in traditional publishing could help. It happens. It happened with a book about how writers could use social media to build a platform, but traditional publishing was too slow to get the book to market before the content would be obsolete ;).

Thus the book was dead until indie press gave it life, and we now have the #1 best-selling We Are Not Alone–The Writer’s Guide to Social Media. Traditional marketing could not help me, but Bob’s company Who Dares Wins Publishing could. How many writers have benefitted from a book that might have just died in a slush pile?

Self-Publishing Brings New & Fresh Variety

There are times when it makes no sense to query traditional publishing. For instance, if a writer happens to write poetry, short stories or even screenplays. Traditional publishing will almost never publish those non-traditional works. Ah, but talk to Chuck Wendig if you would like to enjoy some of this unconventional literary fare.

Is it because people don’t want to read short stories or is it more because the publisher can’t sell enough poetry books (unless the poet is Jewel) to make it a good investment for them and the author?

The same thing happened in the music industry. People thought the world would end because any band could get their chance at the spotlight. Music-lovers would be overwhelmed with crap since they didn’t have Empire Records telling people what to like.

What happened?

People bought more music than ever before. Since they were no longer forced to buy an entire LP, they were more inclined to listen to NEW kinds of music now that they could get songs for 99 cents (Thanks to Steve Jobs). The current generation has a very broad palette and dynamic tastes. How were they able to sort through all the choices, sift the treasures from the garbage? The same way people will sort the literary treasures from the garbage.

Good content. Positive word of mouth.

I think people are reading more and more and this is exploding in exponential proportions. Writers should be doing a big fat happy dance. With e-readers and smart phones, people read more than they ever have in human history. They are also far more likely to explore new genres, new authors, and sample new content.

But without the tenacity of the self-published (or indie) author, would we even have the e-reader? Would we have had it as soon? Would we have millions of people willing to read all kinds of genres? Or would we still be limited to paper books and griping that people don’t read anymore?

So back to the beginning of my story. Sure, those two self-published authors made me want to slam my head in a door. But now? In retrospect? Both of them invested hard work, money and time into exploring new ways to get their product to the consumer. They dared to be different.

The self-published author had nothing to lose, so he was more willing to test out, try and invest time and money into unconventional methods….methods that we now commonly enjoy.

I cannot tell you the joy I now have for reading now that I have a Nook. I have read more books and more genres than ever before. My husband downloads almost a book a week. Before e-books, he never read. My mom uses a Nook because she can make the font large enough to make reading enjoyable.

We enjoy these new luxuries because entrepreneurs dared to think outside the box and would not back down from getting their chance to shine. Some of them failed, but they failed why daring greatly…so I thank them. We all should thank them, no matter what kind of writer you aspire to be, traditional, indie or self-published.

So what do you think? Do you think  of self-publishing a little differently? Do you think I am the devil’s handmaiden? Agree? Disagree? What are your thoughts?

I LOVE hearing from you guys!

And to prove it and show my love, for the month of December, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of December I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books!

Why Writers Need a Platform

Today we are going to talk about platform. Platform, next to the actual writing, is simply THE most valuable asset we possess. Platform and content are the two things we control, and they are the largest determining factors as to whether or not we will have a successful writing career. Platforms offer us career stability and a foundation for a future.

What exactly IS platform?

So what is a platform? There are two sides to platform. First is the definition of our platform. What is unique about us or our writing that can be a determining factor in our content?

In Hollywood, the mantra is, “Give me the same…but different.” This should be our mantra in defining our platform. We need SOMETHING that defines us as a writer…but at the same time makes us stand out from all the others. Same but different.

Our platform definition is basically our image, and affects the way we will approach others. Think of it like how we dress. Do we approach people as the three-piece suit Power Point guy? All business and professional? Are we the D&D T-shirt video game guy, and we quote Blazing Saddles far more than is socially acceptable? Are we the seductive yet snarky diva who teaches about bringing out the inner muse? Defining platform goes a lot to adding to voice.

Just go read Bob Mayer’s blog…then pop over the Chuck Wendig. Both have amazing blogs, but very different voices and presentation. Both authors use their strong suits, and their personalities come screaming off the screen (in a good way).

I liken myself to Erma Bombeck meets technology. I strive to add a heavy dose of humor and common sense to all of my social media endeavors. I am using something unique to me; the ability to be funny…honed over 18 schools and countless Mean Girls whose sole mission in life was to make my life hell. Years of always being the new target kid developed in me a strong defense mechanism. I learned to be funny. Kind of like peeing on yourself so no one eats you.

In my Blogging to Build Your Author Brand on-line classes, I run participants through a series of exercises to help them define their unique platform. We peel back the layers of fear and the defense mechanisms to reveal the best of what each writer has to offer. Why be a bad copy when you can be an awesome and original YOU?

Defining our platform is like putting together blueprints for a building. Are we a Frank Lloyd Wright writer? A Tuscan villa writer? A post-modern industrial writer? A ranch-style writer? We need to know what we are constructing first.

Anyway, once we have defined our platform, then we go about building our platform. This can be a simple presence in a blog or on FB…or, if you read my book WANA, it is a complex layering of all the major sites worked into an intricate lattice that is designed to grow with your career and withstand upsets in the industry or on social media. The WANA Method maximizes time on social media.

Good Platforms are Solid and Can Withstand Major Shifts in Technology and Trends

All platforms are comprised of content and exposure. How much content are you putting out there? What kind of materials (content) are you using? Are you cheaping out? Cutting corners? Or are you constructing something built to last? Are you showing up daily on the job site? Or, are you adding to your structure only when the mood strikes?

One blog every quarter and tweets about the weather is not a lot of useful content. Content makes up the beams to construct the platform. If we are putting out 2-5 quality blogs a week, that is like laying down solid beams of hardwood. If we don’t blog and only play with farm animals on FB, think of that like building our platform with leftover Popsicle sticks. Yeah, there is something “wooden-ish” there, but it sure as heck ain’t load-bearing.

This is the point of all that we are doing when on social media. We are creating a load-bearing structure using content and relationships. This is the platform that will hold our reputations, our public images and our futures. Do we want that made out of beams of African Teak or cheap particle board? The better a platform is constructed, the better chance it can withstand a major change.

Case in point…

MySpace is dead. It decided to commit digital suicide two weeks after WANA released (feel free to ignore all ten pages that talk about MySpace). But this illustrates a good point about how my approach to social media is different. WANA methods focus on people, not gizmos.

At the time We Are Not Alone came out, I already had a HUGE presence on MySpace. But, because I had built my platform the way I teach you guys, I was able to keep most of my followers as tastes changed in favor of FB and Twitter. How? My platform was solid and founded on people, not technology. Technology changes, but people are timeless.

When MySpace went crazy, my platform remained intact. Members of my MySpace platform could easily find me on FB as they abandoned ship transitioned. And, the even better part was that I made enough of an impression that they WANTED to find me. That is awesome no matter how you look at it :D.

I teach you guys how to do the same. There is no guarantee that Facebook will be here next year. Twitter could turn cannibalistic and devour itself one tweep at a time. We don’t know where the technology goes or how it will change, but we DO know that people are awesome and they long to connect and be part of a community. This is the key reason that platforms created on technology are so high-maintenance and vulnerable to change (implosion). They are founded on shifting sands of gizmos, not the timeless nature of humans.

So now that you agree that platforms need to be built on relationships, let’s look a little closer. Platform gives us a number of advantages.

The Six Degrees of Separation

As society advances, we have more and more choices and are inundated with information. People tend to pull in to what and who they know. Actively participating on social media is like rolling dice. The more times you roll, the greater chances you have for being successful and opening that ONE door that changes your career forever.

Platform Gives Us Options

Too many writers are out there betting on that ONE thing to come through…an agent will represent them then NY will offer them a deal. Nothing wrong with that, but it can make us crazy in the meantime. To be blunt, an author with no social media presence and only a manuscript has limited options.

Yet, if we have a large platform, our options improve. We can indie publish or self-publish other works until an agent bites. We can take an unconventional path to publication. Four years ago, no agent would rep me. There was no market for a social media book. So, because I had a platform, I could indie publish with WDW Publishing. WANA (and probably divine intervention) landed me one of the top agents in the world.

Platforms Make Us Desirable

A strong platform gives us the luxury of being picky. Platform makes us the pretty girl that every guy wants to marry. We can stay single and break all their hearts if we want to, or we can settle down. But the best news is that we don’t have to settle for the first offer that comes our way.

Amanda Hocking, H.P. Mallory, and John Locke didn’t have to chase the first agent that smiled at them. They had a lot to offer any agent/publisher, so they were able to use their platforms (books and sales eventually are part of our platforms) to broker sweeter deals. Platforms can be viewed as a time suck, or they can be viewed as a way to improve our marketability. Writers have more power and control over their careers than ever before. Opportunity often comes wearing overalls; it’s why most people miss it.

What are some tactics you guys use to grow your platform? Any suggestions? Thoughts? What are your biggest challenges? Share!

And to prove it and show my love, for the month of November, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of November I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books!

This Week’s Mash-Up of Awesomeness

DeKloutifying by John Scalzi. HILARIOUS and YES!!!!

What NOT to Blog About by Literary Agent Rachelle Gardner

Learn to Fail Aggressively by Nationally Best-Selling Author James Scott Bell

Cool interview. Author Kait Nolan talks Werewolves

Enough Already! Self-Promotion Madness by Roni Loren

Why You Need Extra Eyes by Tawna Fenske

Make sure you check out Porter Anderson’s Writing on the Ether to keep up with the latest and greatest trends in publishing.

Also, Jane Friedman is an EXCELLENT resource for all writers, but especially the digital author.

Excellent article in the Wall Street Journal. Penguin Publishing launches a self-publishing division

In my “free time” I am running for Vice President of the Free World. Piper Bayard and I launch our blog tour over at More Cowbell because, seriously…the White House needs more cowbell.

Maximizing Our Social Media Impact–Having the “Right” Friends

Yes this is really me with Sandra Brown (before the restraining order kicked in :P). And I look like a ghost who’s haunting her. Cell phone cameras. Ptth!

Over the past couple of weeks, we have been talking about the unique nature of marketing books and the equally unique challenges this can present to writers…who need to market yet still need time to write great books. I can always tell when there has been a major conference, namely because the Twitterverse comes alive with writers (usually the agented ones) in a total panic trying to barter a kidney for anyone who can find them a cloning machine. What has happened?

They likely attended a social media class, or worse…their publisher did.

The inherent problem in this is that much of the social media being taught (even at writers’ conferences) not only won’t sell books, but it is a formula for a writer to end up with a nervous breakdown. I have made it my life’s work to create a social media approach that is not only more effective than my competitors’ approaches, but my methods are designed to harnesses the creativity of an author and also leave time to write.

Last week we talked about getting sticky, and why you need to run out at the very first opportunity and buy Malcom Gladwell’s Book The Tipping Point after you get a copy of my book, of course :D.

Gladwell’s book affirms much of what I have been teaching for years about social media.

I am not happy writing blogs or a book that simply tells you guys what to do. Here is a checklist and have fun. That approach is only minimally helpful. I want you guys to understand WHY you are or aren’t doing certain things. This way, if Twitter blows up and G+ devours Facebook, you won’t have to wait for me, your social media expert to tell you what to do next. You will be empowered to think for yourselves and adjust accordingly in ways that will keep your platform intact and expanding.

I want you guys powerful, not paralyzed.

Anyway, back to our marketing…

We all need to strive for what I call The Sticky Author Triumvirate. It doesn’t matter if our message reaches a hundred million people. If our message doesn’t translate into action, it is wasted time. Stickiness makes the difference and we need to be Sticky Authors, Sticky with Social Media, and Write Sticky Books. If we master one but not the other two, we will do well. If we master 2 out of 3? Even better. But the real key to success is mastery of all three.

This is one of the reasons it is so critical to write great books. Great books, by nature are sticky, but alone, they are not enough. Now that everyone can be published, relying on a great book alone is playing craps with our career. We have ALWAYS been in control of writing great books and we had a 93% failure rate to show for it (per BEA statistics). Now in the Digital Age, we finally can get sticky on ALL sides so there is NO getting rid of us. We are gonna be triple-sided duct-tape (yes, I invented a new duct tape dimension—we will be STICKY DEFINED).

Ah….but here is where the panic set in last week.

What???? *twitching eye* I need hobbies and friends outside of writers? How do I get one of those? Are they on eBay?

Yes, we need all the friends we can get, but don’t get lured in by sites promising to get you a bazillion followers/”friends.” Also, more is not actually, well, more. Just because someone has 22,000 people following them on Twitter doesn’t mean this person is effective. In fact, in my experience, this kind of person is generally less effective because the network is not comprised of the right kind of people.

Quality trumps quantity. Not all connections have the same weight. So the cool news today is that you don’t have to go make a bazillion friends. You just need a handful of the “right” friends. It’s the old adage, It’s not what you know, it’s WHO you know. That is truer now than ever in human history.

Who are the right kinds of friends? There are three kinds of people that can make the difference between life and death for our message (book, idea, fashion trend, product, etc.) especially in the Digital Age, and we will talk about them more in a moment.

One of the reasons that the traditional blast out an automated message on social media approach doesn’t work is that it separates the writer from the social media experience. To get connected to the right people, we need to be present so we can pay attention.

Say I am new to Twitter. My name is Suzy Newgirl and I have 10 followers and at least half of them are bots. The other five are members of my writing group and they are in the same situation. Our networks are almost insignificant.

For example, even though the very first fax machine cost $2000, it was pretty much worthless. Why? Who was the owner going to fax? There were no other fax machines. The machine only began to grow in value as more people bought fax machines capable of recieving, repackaging and then resending messages.

Same with a social media network. A person with 5 followers doesn’t yet have a lot of value to her network. How can Suzy Newgirl increase the value of her network? She needs to connect to one of three kinds of people (per Gladwell):

A Connector

A Maven

A Salesman

These three people have ALWAYS been responsible for word of mouth epidemics; we just didn’t have the unprecedented access to meeting them that we now have. The awesome part about social media is it is like a giant honey trap for these types of people. The Connector, the Maven, and the Salesman are generally intensely social people and they are drawn to social sites like a mosquito to a bug light.

ZZZZZZZAPPPP! Ouch!

If we pay attention on social media long enough, it is almost a guarantee we will meet these sorts of people. And, if we can fold them into our network, we significantly increase the odds our message will become an epidemic . Suzy Newgirl might only have ten people in her network, but if her Friend Number 11 is one of these three types of people? She just took her social power to an entirely new level.

Now I hope you are seeing where numbers lie when it comes to social media. There are publishers giving their writers a hard time because, Author Such and Such has 30,000 followers. Why don’t you? You need to get on Twitter and follow more people!

This is part of what is making writers lose their hair.

But the numbers alone are not enough. If we have thousands of Suzy Newgirls in our network, then that is akin to being able to fax 1000 other broken fax machines. They might be able to receive messages, but the message dies there.

This is part of the working smarter, not harder. We don’t need to make ten thousand friends to reach ten thousand people. I actually have the potential to reach 10,000 people with just four friends (psst…they hang out on #MyWANA a lot cuz they are social butterflies). So, today’s tip is that we need to actually spend time on social media. Not a lot of time, but meaningful time. Pay attention. Who is active? Who is social? These are the people that make the best friends to have in life and on-line.

If we disappear off Facebook for days and weeks or only tweet when we need something, we miss out on meeting these generous and wonderful people that can make the critical difference in our careers. We don’t need to take our career to the next level…we just need to meet the person who knows the person who gives us the opportunity.

A quick example. I am not particularly a fan of Facebook. I like it, but it isn’t fast enough for my ADD nature. Yet, I still post regularly on Facebook. Three times a day I scroll down the News Feed and look for at least TWO people I can congratulate, encourage, make smile, repost, SOMETHING. At the end of the day it isn’t a lot of time invested. BUT, an enthusiastic romance writer DeeDee Scott happens to be a Maven.

DeeDee not only is highly connected, she has this intense desire to serve and help..and she totally DIGS Facebook. I had reposted stuff for her and been social simply to serve and be kind. Thus, early in 2011, when a friend of hers asked for suggestions to speak on a panel at the Romantic Times Conference in Los Angeles, she immediately recommended me…even though we had only chit-chatted on FB.

That opportunity was a massive turning point in my career. I went to LA, ended up quoted in the LA Times, met a bunch of NY Times and LA Times best-selling authors, and my career literally leapt to  a totally new level that, on my own, I would never have had access to….without the help of a Maven.

We will talk more about those in another blog. So, what do you take away from this? Be kind. Be social. Be vested. Part of the reason DeeDee recommended me was because I was one of the only social media experts who wasn’t a spammer. I’d actually talked to her and acted authentically (this is being Sticky). She remembered that, so when the opportunity presented itself, DeeDee knew just who to recommend…and I cannot thank her enough.

Any social media expert that sells you a bill of goods about how this or that program can tweet for you or post for you really isn’t doing you a favor. That is busy work that looks good on the surface. It’s activity with no productivity.

In the coming weeks, I am going to talk more about these three kinds of message-bearers—the Connector, the Maven and the Salesman. How can you find them? Befriend them? (And NOT in a spammy self-serving way). This is also one of the reasons it pays to be kind to everyone. Kindness is always the best policy.

Again, this is one of those things that’s simple…but not exactly easy. Yet, at the end of the day, this method will help you make the most out of your time on social media. Instead of being a hamster in a wheel tweeting into the abyss and “hoping” something sticks, you will be able to increase your odds that something will not only stick…but will set fire ;).

So what are some of the challenges you face when it comes to social media? Any tips, suggestions, advice. Hey, I love hearing from you guys and learning from you.

And to prove it and show my love, for the month of September, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of September I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: GRAND PRIZE WILL BE PICKED THIS MONTH. I am keeping all the names for a final GRAND, GRAND PRIZE of 30 Pages (To be announced at the end of September) OR a blog diagnostic. I look at your blog and give feedback to improve it. For now, I will draw weekly for 5 page edit, monthly for 15 page edit.

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.

Mash Up of Awesomeness

Eleven Deadly Sins of On-Line Promotion for Writers –YES!!! *claps hands*

Great resource for those interested in writing for children.

Who has the right to say you suck? by the brilliant and hilarious Tawna Fenske. BUY HER BOOK, Making Waves.

How a Perfectionist Learned to Bear her Warts by the wonderful Jody Hedlund. She is guest-posting for one of my all-time favorite people, Katie Ganshert. If you want great Christian Romance and can afford to lose a day glued to your couch turning pages, then buy Jody’s new book The Doctor’s Lady.

25 Things You Should Know About Queries, Synopses and Treatments by the genius Chuck Wendig. BUY ALL HIS BOOKS AND LISTEN TO HIM. He is not only insanely funny, but his advice is some of THE BEST in the industry.

What Can Writers Learn from Spam? by Jami Gold

Therese Walsh has an awesome post over on Writer Unboxed (subscribe to this blog if you haven’t already). Internal and External Inspirations

Has Rejection Turned You Into Someone You’re Not? by Jane Friedman (This is another critical blog to follow to keep your fingers on the pulse of our industry)

There are so MANY more wonderful blogs, but I have run out of time. I will make it up next week!

Self-Publishing–The “American Idol” of the Publishing World

Happy Friday! Well, it’s a holiday weekend, so I figured we’d have some fun. I posted this argument at the beginning of the year and it generated a lot of cool discussion. There have been a lot of changes in publishing, so I figured it would be entertaining to revisit the debate. About what?

Self-publishing.

After two #1 best-selling books (published through a small, yet awesome indie press) I feel I can safely offer my opinion, then you guys can add $2.50 to my advice and get a venti coffee from Starbucks.

In my opinion, self-publishing is the American Idol of the publishing world. Thousands and thousands of hopefuls and a small handful of real chart-topping talent–talent that, in the traditional format, might never have been discovered. That’s the upside. The downside? There are no gatekeepers to keep the talentless hacks from assaulting the unsuspecting public with their “art.”

In the beginning, American Idol caught a lot of flack. There was a genuine concern about removing traditional gatekeepers from the music industry and–GASP–leaving it to the fans. Um, who did they think bought the records?

But I digress…

There was a genuine worry that American Idol could devolve into a popularity contest and that real talent might get overlooked due to a stampeding hoard of tone-deaf fans. I mean,the insanity! Let the FANS vote for their favorite artist? What’s next? Democracy?

I might be going out on a limb here, but I don’t think the guy in fat guy in spandex with the pink boa who sounds like a cat got caught in a screen door has yet to make it past the first round of eliminations. And maybe some less-than-talented people make it past the initial auditions, but, overall, I would have to say that the general music-loving public has, so far, picked some amazing artists.

Back to self-publishing. If we are willing to gut through the initial American Idol stand in line for three days, then we get our shot. What is the literary equivalent? If we are willing to fork out the cash, time, or effort to self-publish, we get our shot to be heard. Period. That is all self-publishing is. After that, it boils down to the story and prior preparation. The readers will judge the talent.

In American Idol, you have the raging hacks, the undiscovered diamonds…and then everyone in between. Same with self-publishing.

The Deluded Divas

American Idol is flypaper for people with far more ego than talent. They believe they have a “natural gift,” which is code for, “I’m too talented (self-deluded) to take singing lessons or be bothered by things like voice classes or learning to read music.”

They belt off some bad Whitney Houston song in a voice that makes every dog in a 10 mile radius start bleeding from the ears. And, when one of the judges suggests voice coaching, they go nuts, flouncing out to their entourage (closest loser friends) waiting outside the door.

“Because all their friends say they have a great voice, and that Simon just doesn’t know what he’s talking about.”

Yeah. You’ll show him…or not.

Writing has the same Deluded Divas. Critique groups always have at least one. This is the guy who reads every week–EVERY WEEK–no matter what. Why? Because short of taking hostages, this is the only way anyone is going to listen to his novel.

Rather than learning the craft, this type of writer frequently talks non-stop about the junk NY is putting out there, so he is going to just bust past all the gatekeepers who don’t know a real best-seller when they see one. That and he gets 100% royalty rate that he can reinvest into producing the crappy film based off his crappy book…which he is also writing and producing with his cousin who’s attending film school at the local junior college. Things like correct punctuation, consistent POV and Aristotelian structure interfere too much with his “art.”

Yeah.

The Undiscovered Diamond

What is the whole point of shows like American Idol? Finding real talent. The vocalist who might not have ever been noticed if she’d gone the traditional route to landing a record deal. 

The Susan Boyle. The Fantasia. THAT one, the one with the voice of an angel.

If you have watched more than a handful of episodes of American Idol, then you have likely seen this happen. The shy kid with the guitar who starts singing and you just know this kid is going to go all the way…and you rooted for him when he was a nobody.

Same in self-published writing. But, like the shy kid with the guitar? This chart-topping (best-selling) writer is equally rare….like most undiscovered diamonds. Duh. If they were as common as brown puppies, they wouldn’t be diamonds.

It is not a regular thing for a self-published author to suddenly shoot up the best-seller lists. Not saying it won’t happen, but it sure doesn’t happen as frequently as the Deluded Divas would like to believe.

Even when traditionally published, a writer’s odds of hitting the NY Times best-seller list is about the same as being hit by lightning. As the market stands, the odds of our self-published book with no prior platform hitting the NYT best-seller list is about the same is being hit by lightning and mauled by a polar bear and brown bear at the same time. Not saying it can’t happen, but, um…yeah.

Good books with no platform stand a slim chance. Bad books? Well, no amount of social media can help a bad book.

Everyone In Between

Between the Deluded Divas and the Undiscovered Diamonds, there rests everyone else. Maybe they are new, need more time to grow, develop, learn, train, mature. On American Idol, I have seen vocalists audition, and it was clear to see they had the makings of a great singer…but they needed more time, a mentor, a coach.

I have also seen many writers who fall into this category. Are they bad writers? No. Are they green? Maybe in need of refining? Yes.

Do all of us have the talent to make be the next Cormac McCarthy? No. But there are a lot of successful authors out there who do very well, even if they aren’t a household name. They sell enough books to live comfortably and do what they love every day. For many of us, that would be enough. Would we like to be the next Stephen King or Nora Roberts? Sure. But we wouldn’t consider our lives as failures if we simply could sell enough books to write full-time.

Some of us might even make it through all three tiers.

I know I began as a Deluded Diva. I thought my first novel was perfect and that those agents didn’t know what they were talking about. Part of me is thankful that self-publishing was not as accessible back then. This book I though was perfect is the same book I joke about being banned by the Geneva Convention as torture.

I’ll tell you where the bomb is, just not another chapter of that booook!

I was new and unskilled and had more ego than sense. After the gatekeepers popped me on the snoot a few times, I started realizing maybe I didn’t know as much as I thought I did. I joined a critique group, took a job as a line-editor, and read every craft book I could find.

Right now, I’m idling in the Everyone In Between, hoping I am that Undiscovered Diamond. But you know what? Maybe I’m not. Maybe I am a nice opal or an emerald. Maybe I am a diamond. Time and hard work will tell.

So what about self-publishing? Basically, it boils down to Deluded Divas, Undiscovered Diamonds…and then Everyone In Between. Self-publishing is our audition. It’s our shot to show the reader what we’ve got.

Maybe you are a deluded hack who should be banned from accessing Microsoft Word. That will become clear eventually when you sell 10 copies of your novel and one is to your dog, who ran in front of a car the next day after he “bought” your book. If your writing sucks, it will become painfully clear in the sales numbers soon enough. Live and learn. Keep writing.

We should always be writing the next book. We should never stop and never ever bank our future on one book. That’s a bad business plan.

Nothing ventured, nothing gained. Maybe sales figures will be enough to sober you up and help you understand that your craft needs work. Write, write again. It ain’t over until we give up. You might have to work extra hard to clean up your reputation, but that’s why there are gatekeepers in traditional publishing. They are there to warn us that our vampire-mystery-chik-lit-historical-memoir is not a winner. Agents and editors aren’t out to get us…really. They are there to help keep us from making fools of ourselves.

If our book makes people claw out their own eyes is not so great…

The kinda good news is there are so many self-published books that, if the first book we upload is a stinker, it’s pretty unlikely so many people will notice that we must change our names and go live in a cave. This isn’t to offer permission to put out garbage, but I do feel writers have a bit more leeway here than they did even three years ago. If the book flops, just move on. Shake it off and learn and do better next time.

Write more books and keep growing. Once your writing is strong enough to really start selling, you will probably have the skills to go back and fix the problems in the earlier books. Then, you will have more books for sale for fans. Nothing ventured, nothing gained. Just like the participants of American Idol. They DO have the option to check their egos at the door, go get voice lessons and try again.

If our book is actually a gem…

Agents and editors aren’t God. Maybe you have an excellent book that is professional and not riddled with typos. Maybe you are the Susan Boyle or Fantasia or LeeDeWyze…the Undiscovered Diamond. Maybe you aren’t yet a diamond, but are clearly one in the making. Again, the sales figures don’t lie. Building a solid platform ahead of time will help make this clearer sooner.

Likely, you are like the rest of us who are Everyone In Between and hoping to one day be discovered. Any way you go, best of luck and I hope my blogs help you reach your dreams faster than you dreamed possible.

So what do you guys think? Are you a fan of self-publishing or do you think it is a sign of the coming apocalypse? And the angel opened the fifth seal, and out of the cup of wrath poured many bad vampire books to torment the unfaithful. Are you in between? Undecided? I love hearing from you.

And to prove it and show my love, for the month of September, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of September I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: GRAND PRIZE WILL BE PICKED THIS MONTH. I am keeping all the names for a final GRAND, GRAND PRIZE of 30 Pages (To be announced at the end of September) OR a blog diagnostic. I look at your blog and give feedback to improve it. For now, I will draw weekly for 5 page edit, monthly for 15 page edit.

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.

The Secret to Selling Books Part I–Let’s Get Sticky

Two weeks ago, I introduced you guys to the WANA Theory of Book Economics and explained why traditional marketing doesn’t sell books. Books are not like cups of coffee or breakfast cereal, and thus they require a different approach. Writers are unique as well. Since we are responsible for producing the product, we need a social media approach that leaves time to write great books. That was the first lesson to connecting to potential readers. We needed to know HOW to connect, WHAT kind of message to send and WHY.

We also needed to understand the critical element that could make a book a mega success. What was this key variable? We had to mobilize the fat part of the bell curve, that group of people who would not normally define themselves as readers. Harry Potter, The DaVinci Code, Tuesdays with Morrie, Twilight, The Hunger Games, and The Help all tapped into groups of people who normally didn’t read for pleasure. But, once some key non-readers read these books, word of mouth sparked like wildfire and made literary history.

Then, last week we discussed the typical non-reader. There is a misconception that non-readers don’t read. They DO read, they just happen to be highly selective. The benefit, however, is that once one of these guys becomes a fan? He is the most loyal, devoted fan any writer can have. Often this guy is the best salesman a writer can have, too. He is the flint that creates the spark that can start the fire.

Ah, but here comes the problem. Too many writers are getting on social media and hanging out with each other and marketing to each other. It is an over-saturated market full of people who can only buy so many books. Also, since all of us LOVE books, we might not be the best people for starting that wildfire of word of mouth that can push the non-reader population past the tipping point.

Many of you are chomping at the bit. Kristen, for the love of all that is holy, where can we find the magic well of readers?!!!

I would love to give a website. Go to www.loyalbookfans.com . Wouldn’t that be lovely?

Or a formula for success. A + B = Wild Success.

But, unfortunately there is no specific formula and no guarantee….BUT that doesn’t mean that we can’t change some behaviors that will improve our odds.

I did say it was simple to connect and mobilize the fat part of the bell curve, and it is. Simple, however, is not necessarily easy. There are actually a number of components we need to understand, but today we are only going to focus on one, because it is the most important. If we cannot do this, then nothing else matters.

We need to get sticky.

In The Tipping Point by Malcom Gladwell, Gladwell defines The Stickiness Factor in the following way:

The Stickiness Factor says that there are specific ways of making a contagious message memorable; there are relatively simple changes in the presentation and structuring of information that can make a difference in how much of an impact it makes.

The Stickiness Factor not only applies to our social media message, it applies to who we are as writer personalities. It also applies to our books. Nailing what I will call The Sticky Author Triumvirate is key to publishing success. We need to get sticky on all three to have the best odds of reaching the tipping point.

Let’s take a look at The Sticky Author Triumvirate:

Get Sticky with Social Media Messages–One of the reasons that traditional marketing doesn’t work when it comes to books is because the messages are not sticky. In fact, we are so blitzed with marketing messages in modern society that most static marketing messages become white noise and invisible. Thus, why blitzing about our book non-stop on ten different sites is almost a total waster of time is that the message is rarely seen. Auto-tweets are ignored and are what marketing experts call clutter.

Additionally, it is not enough to have a million people “see” a message/pitch. There has to be a compulsion to SEE then ACT. If a zillion people see my commercial for car insurance, but none of them ever change policies, then the campaign is a failure. It’s a big waste of effort, time and money.

What can make people care? Care about them first. Just talking to people can go a long way to making a sale. People buy from who they know and who they LIKE. Stand apart from all the takers and learn to give.

Beyond that?

Sit and write out a hundred activities, shows, channels you enjoy. Yes, most of us love writing, but we love other things too. We need to extend ourselves and simply start talking to people. We have to learn to be unselfish. Stop demanding that others connect with us via OUR interests–books, craft, writing–and take initiative. We need to find the common ground and extend ourselves and connect where the potential READER feels comfortable.

Surely you have friends, family or coworkers on Facebook who are not writers. Who are they talking to? Who are their friends? Start poaching (befriending) normal people and talk to them. If you meet a pet lover on Twitter who works as an engineer and he is nice? Look at who his friends are and extend yourself. Hey, I am a pal of Jim’s. Thought I would say hello. (DO NOT pitch to them, just talk and be cool).

Just once a day make it a point to add non-writers who are active on social media to your network. Pay attention to them and start a dialogue. Be genuine and positive, and that will be STICKY. People crave attention and positive energy.

Next week we will talk more about why this is critical and how to use this tactic to reach the tipping point. Not all conversations have equal weight. But in the meantime? Let’s get sticky!

We Need to Be Sticky Writer Personalities–The Stickiness Factor applies to who we are as writer personalities. Chit-chat on social media is actually very valuable. People who repost, compliment, question, serve and are positive are MEMORABLE. We stick. People like us. When they think “writer” we become the first person they think about.

This is one of the reasons that it is beneficial to get out of the comfort zone and talk in other circles. As long as we are all hanging out with other writers we blend into the din. But, if we start talking to other people who love sports, parenting, knitting, the military, politics, animals, horses, celebrities, then we are now injecting ourselves into groups that are not comprised of people just like us. We stand out so we are a bit more “sticky.”

Pick a favorite channel on cable TV, a favorite show, or a video game, and I guarantee there is a Twitter # for it. Start talking to people who love #Lost or #AI, #Glee, #ESPN, #Oprah, #Ellen, #Halo #GoW. Profile your potential reader. What does she do with her day? Maybe she is a #teacher or she plays #WOW. Get creative and get out of that comfort zone.

Sure you can still hang out with writers, but we are your peers, not substitute for a fan base. To be sticky, we need to stick out.

Go to the websites of your favorite channels and shows and find their Twitter # and then make a column for it. Chat with people. I have columns for #GoW (Gears of War) ,#MW (Modern Warfare), #military because I am also an avid gamer and I am military. LOTS of great people in these groups.

We can use blogging to super increase this Sticky Factor. How? First, stop blogging about the same topics as every other writer. Blogging about writing is great, but not necessarily memorable. There are better things to blog about that can make you stick like Super Glue. Author blogs, written properly, are a FANTASTIC way to increase our Sticky Factor exponentially.

If you want to learn to get sticky with your blog, I highly recommend taking my Blogging for Author Brand Workshop. It’s only $40 and TWO months long (one month lessons and one month launch) and it is from the comfort of your home. There are tools and tactics that I am only sharing in my workshops and that I am saving for my next book, so this is a cool opportunity to get lessons I won’t be teaching on the blog.

Finally, We Need to Write Sticky Books–At the end of the day, THIS is why I teach social media for writers. We need to have time to write great books. Great books are STICKY. Sure, if I have a popular blog and a good social media presence I will probably sell some books. But, the only way my book can break past that initial layer of contact is to write a sticky book. Turn politeness into PASSION.

It is not enough for someone to buy our book. They must also love it so much that they can’t wait to tell someone, recommend our book or even buy a gift copy for a pal. THIS is how word of mouth wildfires get started. We will talk more about this next week and I hope you pick up a copy of The Tipping Point. It’s a fun read and highly relevant to all authors serious about creating a long-term fan base.

What are some things that make authors on social media memorable to you? What makes you want to share a message? What turns you off? What are your thoughts? Opinions?  I love hearing from you! And to prove it and show my love, for the month of August, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of August I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: I am keeping all the names for a final GRAND, GRAND PRIZE of 30 Pages (To be announced) OR a blog diagnostic. I look at your blog and give feedback to improve it. For now, I will draw weekly for 5 page edit, monthly for 15 page edit.

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.

Mash-Up of Awesomeness

Fave Stuff

My NEW favorite blog, Penelope Trunk’s Blog Blog Under Your Real Name and Ignore the Harassment LOVE THIS POST. Read THIS blog. “Awesome-sauce” as the brilliant Chuck Wendig would say.

Kait Nolan’s Can Cinderella Save Herself?

This is another gem (well they are all gems but this one is particularly shiny) Terrell Mim’s Living in the Dash. I cannot tell you how important it is that every one of you read this blog.

Writing Stuff

Don’t Be a Cheerleader for Crappiness–25 Things You Should Know about Self-Publishing by Chuck Wendig

Why Your Blog’s “About” Page Matters by Joel Frielander

Are You Keeping Yourself on a Short Leash? Great post about getting outside of the comfort zone by Kerry Meacham

What Do I Look Like, a Protag? Great advice about how to describe our protag without being ham-fisted and obvious.

The Changing Landscape of Publishing for Writers by NYTBSA Bob Mayer

Playing to Your Strengths by Jenny Hansen

Behold the Power of a Nap by Jennifer Hale

The Great Back-Story Debate by the amazing writing teacher James Scott Bell

How I Do It: Ease Into Responsibility by Jody Hedlund

Three Keys to Marketing in the Current Fiction Environment by Michael Hyatt

Three Things that Come First before You Tackle Social Media by the brilliant WD contributing editor Jane Friedman over at the awesome writer resource Writer Unboxed

Is Your Writing Group Helping or Hurting Your Career? by Steenah Holmes

You are Not Tolstoy or Dickens by Literary Agent Rachelle Gardner

How to Get Your Blog Post on Google’s 1st Page by Keli Gwyn

The Anti-Procrastination Diet by Roni Loren

How Much Time Do We Really Need to Write? by Natalia Sylvester

Funny Stuff

The Must-Have Urban Redneck Belt by Natalie Hartford

Planking–Not Just for Pirates Anymore by Piper Bayard

Lili Tufel’s Top Ten Signs You’re Married to an Author

My Dirty Little Secret by Tameri Etherton

Fun and Nerdy Fact Blogs

Who Were the Celts? by Kate Wood

Dr. Twuth–Are Writers Related to Ferrets? ADD and Social Media

Welcome to Twitter Tuesday with Dr. Twuth. The tips offered here are all based off my best-selling book We Are Not Alone–The Writer’s Guide to Social Media. If our goal is to build an author platform in the thousands to tens of thousands, then we will have to approach Twitter differently than a faceless corporation or even the regular person who does not possess a goal of becoming a brand. This blog will help you rule the Twitterverse without devolving into a spam bot.

So who is Dr. Twuth? Heard of Dr. Ruth, Sex Therapist? Well, today I am introducing you to my alter ego Dr. Twuth, Text Therapist (Dr. Twuth is accredited by one of the best mail-order PhD universities in the Bahamas. She isn’t a real doctor, just plays one on the Internet).

Have a question about Twitter? A problem? A sticky wicket? Let Dr. Twuth help, because the Twuth will set you free.

Dr. Twuth–Putting the “smart” back in smart phones.

On to our tweeps in need…

Dear Dr. Twuth,

I spend way too much time on Twitter but it’s so much fun. Ah, social media – so much to do, so little time  Maybe I should just duct-tape my laptop shut? Dr. Twuth?

Signed,

Overwhelmed Orlowski

Dear Overwhelmed,

This is a common problem when it comes to writers. What few people know is that most of us writers can trace our genetic lineage to an offshoot of the ferret family–early homo sapiens must have gotten desperate for warmth right after the last Ice Age and cuddling went too far.

You can see how embarrassing this is and why we have buried the twuth for years…along with snacks, favorite pens and some killer bookmarks.

Anyway, it was at this genetic juncture that writers broke off the family tree from normal homo sapiens. Writers are actually a distinctive line of primates known by only certain scientific communities (the ones who failed Biology 101) as homo ferretus busyworkus--which scientifically explains the short attention span and the attraction to all things shiny. Most of you probably make nice nests of paper and fluffy things like sweatshirts and crocheted blankets.

Yes…I really can see you. You behind the stack of unread books and papers to be edited. Pay attention. Stop tormenting the cat with the laser pointer.

Anyway, yes we are born this way. It can be a genetic advantage in that the homo ferretus enjoys a heightened sense of curiosity and a need to explore, but this comes at a price.

Shiny things are our downfall.

Thus, anything shiny–like Tweet Deck–must be treated with extreme care. I highly recommend avoiding purchasing lava lamps or disco balls, despite how “cool” they would be to have in your office. And, when it comes to social media, we need to have a plan.

If we will brand everything under our NAME–the name that will be printed on the front of our books–this will help a lot. Too many writers are hiding behind a cutesy moniker on Twitter, then they have an equally cutesy name for the blog and then their Facebook page has their real name and the fan page has a pen name. These writers are trying to balance FOUR identities/brands. Since efforts are diffused, there is less impact when these writers participate on social media. So, using our NAME, will help a lot. Every effort is focused like—

Yes, like the laser pointer you are using with the cat. Could you please pay attention?

Thank you.

Your efforts on social media will be focused like that laser pointer you should not shine directly in your cat’s eyes because it can cause retinal damage. A focused social media platform will transfix followers the same way as your cat, who was so absorbed in the shiny red dot that he didn’t even see the dog.

A brand gives followers a focal point.

Another key tactic to managing social media is to create friendships and community. When we all work together, creating a platform is far easier. We can rely on others to help us if we actively seek to help and support them. I liken it to a barn-raising. When we all do a little for each other, big jobs suddenly become more manageable. Since we aren’t doing everything alone, we need to spend far less time on social media to still be effective.

This is one of the reasons that using traditional marketing tactics on social media is so ineffective. Most people won’t line up to help a spammer, so the writer has to do everything alone. This is why spammy writers need in excess of 20,000 Twitter followers to have any impact on sales. The ROI of this approach is dismal, because the writer is marketing linearly instead of exponentially.

Teamwork and service above self is always the winning combination….like nachos and coffee. Always a win.

Best of luck!

Dr. Twuth

See how easy this is? Do you have a Twitter or social media dilemma? Leave your question in the comments or if you would like to maintain anonymity, e-mail Dr. Twuth’s slave assistant at kristen at kristen lamb dot org. Just put GIVE ME THE TWUTH in the subject line.

Dr. Twuth is all about love and offering a human touch to this digital world. Dr. Twuth is #MyWANA certified, or certifiable, I can’t recall which. But, hey, it’s free so if you don’t like her advice, she will give you 100% refund (There will be a $15.99 processing fee for said refund).

Let Dr. Twuth help you out. Remember, the Twuth will set you free.

Tweet ya later!

What’s the Magic Number? How Often Should Writers Blog?

Blogging is probably one of the most powerful ways to build an author platform. The blog gives others a chance to know us and support us because of our writing. Yet, there is one question that I always get when I mention blogging:

How often should writers blog?

Everyone has an opinion, including me. But, before we get to my two cents, I know there are competing theories. Let’s take a quick look at those.

Blogging Every Day or Multiple Times a Day

Some experts recommend micro-blogging—blogging in short burst several times a day or short blogs every day. I think if your goal is to be a famous blogger, this can work. As writers, though, most of us are already balancing a day job, kids, housework, and a WIP. So blogging every day or more than once a day is hard on us and probably hard on our following as well.

Can you blog every day? Sure. It is a great way to saturate the Internet with your content and help fast-track a brand. I don’t think this approach is a good fit for most writers, though. If you can commit the time and be interesting that often, rock on!

Blogging Once a Month

Some experts advise once a month. Whoo-hoo! Yay! Only one blog a month!!!! *happy dance*

Okay, yes, there is that benefit of only having to write one post a month, but there are a lot of advantages we lose with this method.

I think that what we lose in this approach is the ability to build community and relationships using the blog.  Sure, we save time in having to write fewer blogs, but then we need to commit time in other areas, like lengthy e-mail lists. So, do we save time, or do we just shift it elsewhere?

If we post blogs regularly, people are connecting with us regularly and come to feel as if they know us. Why? Because they DO know us.

We are vested, posting content that serves the reader, and we are interacting with those who comment. We aren’t just surfacing once a month, expecting those around us to drop everything to pay attention to us and our blog.

Can the once a month approach work?

Sure. But this approach relies heavily on going viral…which is hard to do without on-line relationships to
propel the momentum.

For instance, my blog has a very large following. But, this blog has allowed me to forge relationships with other bloggers who also have large followings. My efforts now work exponentially instead of linearly. I don’t have to personally connect with 100,000 people. I have a team to help me. What’s better is that when my team promotes me, it is more genuine (psst–it’s also called word of mouth). Traditional marketing cannot compete.

I also think that blogging once a month makes it very easy to lose the top-of-mind with others. People have very short attention spans these days and a month with no content is a lifetime. Also, I don’t know about you, but once a month is really hard for me to remember. I had to get my computer to remind me to give my dog a heartworm pill once a month and I was STILL lousy at remembering. I think if we blog only 12 times a year, the blog is easy to forget all around.

What is the “Magic” Number?

I recommend a minimum of once a week. It is enough to stay top of mind with followers, yet not overwhelm anyone.

Ideally? I recommend three times a week, especially in the beginning. Why? Well, I know this sounds weird, but three times a week is actually easier than once a week. Blogging three times a week holds a number of advantages that are especially beneficial to professional writers:

Regular blogging places us in a professional mindset.

Writers write. Blogging is a great way to warm up those fingers and get the brain in gear. When we are writing a novel, we get little outside validation. Most of the time, friends and family think we are, at worst, lunatics, and at best, hobbyists. In short, others do not believe what we do is work or even a job. Blogging is a great way to demonstrate that we take our craft seriously. How? We wouldn’t spend time building a platform for a book we had no intention of finishing. Also, again, writers write.

When someone asks, “What do you do?” and you say “I’m a writer,” you know the next questions are going to be, “What books have you written? Anything I might have read?”

Blogging helps with confidence. We can say, “Well, I am finishing my first novel but you can go to my blog here.” A blog gives a professional front. It also helps switch us from hobbyists to true professionals.

This transition is vital. What if you decided you wanted to play baseball at a professional level? Would you just wait until game day to pick up a bat? Or would your lifestyle have to change to incorporate regular practice to take this “hobby” to a new level?

Blogging makes us faster cleaner writers.

When I look at some of my early blogs, I cringe. My thoughts are all over the place. Blogging works on our ability to mentally organize content. This helps us become better writers all around. Even plotting for a novel requires us to be able to organize our thoughts efficiently. Blogging is great exercise for that.

Let’s look at sports again. Years ago, I played soccer, and we had to run through a lot of tires. In three years of playing soccer I was never once assailed by a Goodyear tire on the field. So what was the point? It taught me to be quick on my feet so I would play the game better.

Blogging is like running cones or tires, or doing wind sprints. It makes us stronger, faster and better. The more we do it the faster the results.

Blogging feeds the spirit.

A huge part of this business is mental. Stephen King said, “Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work.”

I know of many writers more talented than me, but they won’t ever be published. Why? They gave up. As artists, we need to pay close attention to our mental state. It is easy in this business to get overwhelmed, burned out and give up. Blogging gives us validation in the lean times bewteen books.

The Big Picture

Am I telling you guys to blog because I can give you a magic formula for books sold?

100 blogs x 2 years divided by # comments X Pi = NY Times Best-Seller List

No, I encourage you to blog because it will make you stronger, faster, cleaner writers AND it will connect you to a large community of support so you don’t have to drive your book sales all by yourself. Instead of spending time putting together lengthy e-mail lists, write blogs instead. It takes the same amount of time and yet one approach makes us good at spreadsheets…the other makes us far better, stronger writers which means BETTER BOOKS. We also get really great at obliterating deadlines.

Blogging also keeps our head in the game. Back to sports. The pep rally is critical. All the practice in the world cannot help a team with low morale.

So back to our question, “How many times do we need to blog?”

There isn’t a clear answer. It is up to you and your strengths. Some people come from a sales background and their strength rests in putting together e-mail lists and launching marketing campaigns. If that is your strength, go for it!

For me? I am a writer. It is what I love and do well and I work hard every day to do it better. Blogging allows me to build a platform and strengthen my writing skills simultaneously. It permits me to do my passion WRITING.

My preference? I like three times a week.

Some people are against blogging three times a week because they don’t want to overwhelm their subscribers with fluff. My solution? Don’t write fluff. Blogging is a skill. It gets better with practice. You will get better at hooking readers with titles and content the more you do it. This will help your WIP as well.

Three times a week helps your blog and your skills grow faster. I have recommended this approach to many of my students. They kicked and screamed and whined, but when they started seeing the numbers climb and the subscriptions take off they were believers that three times a week really is easier.

But when we get down to brass tacks…

I recommend that you blog as often as you can be counted upon and still finish the books. The point of blogging is to eventually drive sales for our books. The finished product is paramount.

Back to blogging. There is a bare minimum we need to meet, or just forget it. There are too many writers who post when they feel particularly inspired. Hey, I was guilty once. But that isn’t the behavior of a professional.

Once a month, I think is not often enough for our blog to be much help in our platform. I advise a minimum of once a week or just forget blogging.

What are your thoughts? Do you love blogging? Hate it? What are your biggest challenges? What are some benefits you might have gained blogging?

I love hearing from you! And to prove it and show my love, for the month of July, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of June I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: I am keeping all the names for a final GRAND, GRAND PRIZE of 30 Pages (To be announced) OR a blog diagnostic. I look at your blog and give feedback to improve it. For now, I will draw weekly for 5 page edit, monthly for 15 page edit.

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.

Twitter Tuesday #27–Team-Building

Welcome to the twenty-seventh installment of Twitter Tuesday. In the spirit of Twitter, this blog will be short and sweet and to the point. The tips offered here are all based off my best-selling book We Are Not Alone–The Writer’s Guide to Social Media. If our goal is to build an author platform in the thousands to tens of thousands, then we will have to approach Twitter differently than a faceless corporation or even the regular person who does not possess a goal of becoming a brand. This blog will help you rule the Twitterverse without devolving into a spam bot.

This Week’s Fail Whale–The Traditional Tweeter

The traditional tweeter doesn’t understand the difference between traditional marketing and social marketing. Instead of forming relationships, this tweeter is no better than spam. Oh, is messages might seem to be genuine, but up close they all say the same thing:

Me, me, me, me, me. I don’t care about you, but look at MEEEEEEE!!!!!

There are writers who, when I mention Twitter, say things akin to, “Oh, well Facebook is where I socialize. I am just getting on Twitter to sell books.”

Yeah, good luck with that.

I remember years ago I was in the grocery store in mid-afternoon. The place was practically deserted. I had a song stuck in my head and was singing to myself (believing I was alone). Out of nowhere this man came up to me and told me that I had a really pretty voice. I recall blushing at the compliment and it made me feel really good….that is, until he handed me a business card. He was selling insurance. He asked me to call him and tell all my friends about the great deals he was offering.

I felt sick.

I felt manipulated and embarrassed. See, this man had been nice to me. True. But he wasn’t kind to be kind; he had an agenda. I never gave him my business, and I certainly didn’t rush out to tell all my friends. Worse still, he ruined any trust. Even if this man approached me today in an authentic way, I would never want anything he had to offer.

Twitter is the same way. We will support who we know and like, but we can smell a phony with an agenda from a mile away. Twitter is a powerful tool for selling books. That’s true. But Twitter is ruled by social norms, not market norms. Fail to appreciate the difference and the price to a reputation can be steep.

This Week’s Twitter Tip–Be a Team-Building Tweeter

The team-building tweeter understands the difference between market norms and social norms. The team-building tweeter is all about working smarter, not harder. Last, week NYTBSA Allison Brennan posted a blog blasting social media, and you know what?

I didn’t blame her one bit.

See, the “experts” in her circle were treating Twitter as some free way to advertise. In their minds, a writer had to have in excess of 20,000 followers for there to be any impact on sales. And this is true…if we are “marketing” to people.

Traditional marketing generally has about a 1% return. This approach, most often, will only influence 10 people for every thousand blitzed. This tactic is fine if you are a Nationwide Insurance commercial airing to tens of millions.

It is a formula for a chocolate overdose if you are a writer having to do all this marketing yourself…AND still write books.

Most writers have a day job, children, families and they have to write books. This is why teams are critical. This is about working smarter, not harder. It is about multiplying influence exponentially. How do we do this?

By forging relationships and serving others without an agenda.

Yes, Allison only has 3000 followers. But I LIKE Allison. Not only is Allison an awesome person, but she also writes fantastic thrillers (go here and buy one). Since I LIKE her, I am willing to tell MY network about Allison. Now Allison has just influenced an additional 4000 (my tweeps).

Oh, but it gets better. I have friends who like me and want to help me. So, if I am helping Allison, these friends want to help me help Allison. Many of my friends also have 1,000 to 5,000 people in each network. See how Allison’s influence just exploded? And this method is FAR more effective because it isn’t spam…it is heartfelt, genuine word of mouth. Traditional marketing cannot generate this kind of influence.

WANA methods work. They have put more than a few authors on the best-selling list without working the authors into the ground marketing day and night. No spreadsheets, no mailing lists…just friendships.

Tweet ya later!

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.

4 Writing Crutches that Insult the Reader’s Intelligence

I would wager that most of us do not sit up all night thinking of ways to treat our readers like they’re stupid.  Yet, it is a common problem, especially with newer writers who are still learning the craft. All of us can slip into these nasty habits, if we aren’t mindful. It’s as if we get so wrapped up in our story that we mentally stumble in that brief span from synapse to keyboard, and inadvertently end up treating our readers like they need a drool cup. So today, I put together a list of bad habits to make it easier for you guys to spot when you are coaching the reader.

Offender #1—Adverb Abuse

One of the reasons I am such a Nazi when it comes to adverbs it that they are notorious culprits for stating the obvious. “She smiled happily.” Um, yeah. “He yelled loudly.” As opposed to yelling softly? To be blunt, most adverbs are superfluous and weaken the writing. Find the strongest verb and then leave it alone.

The ONLY time an adverb is acceptable is when it is there to denote some essence that is not inherent in the verb.

For example: She whispered quietly. Okay, as opposed to whispering loudly?

Quietly is implied in the verb choice. Ah, but what if you want her to whisper conspiratorially? The adverb conspiratorially tells us of a very specific type of whisper, and is not a quality that is necessarily implied by the verb.

Offender #2—Qualifiers

It is really unnecessary to qualify. We get it. Using qualifiers is similar to adding in needless adverbs. If we have just written a scene about a heated argument, trust me, our characters don’t need to “slam the door in frustration” (yep…got it) or “scowl with disapproval” (uh-huh) or “cry in bitter disappointment” (gimme a break).

The qualifiers add nothing but a cluster of extra words that bogs down the prose.  If someone slams the door right after a heated scene of arguing, the reader gets that the character is angry, frustrated, upset. We don’t need to spell it out.

Like adverbs, it is perfectly okay to use qualifiers, but it’s best to employ them very sparingly (and only ones that are super awesome). Allow your writing to carry the scene. Dialogue and narrative should be enough for the reader to ascertain if a character is angry, hurt, happy, etc. If it isn’t, then forget the qualifiers and work on the strength of the scene.

Offender #3—Punctuation & Font as Props

You are allowed three exclamation points every 50,000 words—just so your editor can cut them and then laugh at you for using exclamation points in the first place.  Hey, a little editor humor :). 99% of the time exclamation points are not necessary if the prose is strong.

“Get the kids out of the house!” he yelled. (Yep)

I recently read a non-fiction book where the writer used an exclamation point on every single sentence. I felt like I was learning marketing from Billy Mays. At best, the guy was shouting at me for page after page. At worst, he was monotone, because when we emphasize everything, we emphasize nothing.

Ellipses do not make a scene more dramatic, just…make…the…writing…more…annoying. Ellipses can be used but, again, very sparingly.

In fiction, bold font and italics are almost never acceptable. Again, if the prose is well written, the reader will stress the word(s) in his head. Trust me. We don’t need to hold our reader’s hand, or brain, or whatever.

Is it ever okay to use bold font and italics? Sure, if you write non-fiction. In non-fiction we are teaching, so certain key words or points need to stand out.

In the world of fiction?

No bold font. That is the tool of an amateur. And italics? We can use it, just not very often or we run the risk of insulting our reader’s intelligence. If you come to a point where you believe it is absolutely necessary to use italics, I suggest trying to strengthen the scene first.

Offender #4—Telling Instead of Showing

Most of us have been beaten over the head with the saying, “Show. Don’t tell.” There is a good reason for that. Telling is a lazy method of characterization. Most readers are pretty sharp and like figuring things out on their own. Thus, if we spoon-feed information that should be given via the story, we risk turning off the reader.

New writers are almost always guilty of telling instead of showing. Why? Simple. They’re still learning techniques that are going to take time and practice to develop. Yet, all of us, regardless our skill level need to be wary of this narrative crutch. To be blunt, telling is far less taxing on the brain, so our lazy nature will try to take shortcuts if we aren’t careful.

Actions speak louder than words. Yeah, it is easy to just tell the reader our antagonist is a real jerk, but it is better to show our antagonist doing things that make the reader decide this for himself. We accomplish this by creating an antagonist who simply does things jerks do.

Good writers don’t tell readers a character is ticked off. Good writers show she is ticked off. Crossed arms. No eye contact. Clenched jaw. Slamming doors. Remember that over 95% of communication is non-verbal. Use this to your writing advantage. When creating characters, think about what actions will define your character’s nature or mood universally.

For a character’s nature: If you want to create a cad, think what actions cads do that would make everyone in a room label him the same way—checking out every woman who walks by, openly flirting with other women, using breath spray every 5 minutes, telling sexist jokes, etc.

For a character’s mood/mental state: Regardless of culture, we can tell if someone is mad, hurt, sad, or happy by body language. Make a list of all the body language cues for the mood you wish to create. A book on body language can be extremely helpful for the more subtle stuff. For instance, people who lie often rub a body part (wringing hands) or tap. Why? Unless people are sociopathic, it usually causes mental stress to lie, so the rubbing or tapping is a sign of energy displacement.  See, these are the sort of details that make good writing into much better writing.

What are your thoughts? Are there some other pet peeves you guys have that I missed? What makes you put down a book? What methods transport you? What makes you hurl the book across the room?

I love hearing from you! And to prove it and show my love, for the month of July, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

Last Week’s Winner–Nina Badzin

Please send 1250 word Word document to kristen at kristen lamb dot org.

I will pick a winner every week for a critique of your first five pages. At the end of June I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: I am keeping all the names for a final GRAND, GRAND PRIZE of 30 Pages (To be announced) OR a blog diagnostic. I look at your blog and give feedback to improve it. For now, I will draw weekly for 5 page edit, monthly for 15 page edit.

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.

Until next time…

10 Tips for Blogging Awesomeness–Blog Housekeeping

Welcome to WANA Wednesday, the day I devote to help you guys rock it hard when it comes to social media. These blogs are based off my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me Writer. As part of the job description, I read a lot of blogs. I also play with paper clips and scream at my printer, but that’s beside the point. I read a lot of writer blogs, so today I am going to give some pointers to help maximize your author blog.

I am not a social media expert. I am a social media expert for writers. Big difference. I focus on teaching you guys how make the most of every second you spend on-line. Every effort must serve building an author brand. This leaves more time for the important things, like writing books.

Often I hear social media being demonized. Oh, heavens! Writers are spending too much time on Twitter and not writing. They are missing deadlines because they are too focused on blogs. Down with evil Facebook!

This lack of focus is not social media’s fault. Too much time on social media (aside from a lack in self-discipline) is very often the result of a writer not taking a time-efficient approach to social media. This is why I am here. We don’t have to choose between writing great books and having a solid platform. We can have both. Here are some general tips for author blog housekeeping. If our social media platform is a tidy, neat, efficient machine, then that leaves us more time to write amazing books.

1) Make backgrounds easy on the eyes.  

If your background is dark, change it to a lighter background. Dark backgrounds with light lettering look cool, but they are really hard on the reader’s eyes and they will do terrible loading on a PDA. If you look at this blog’s background, it’s boring. Here’s the thing. People aren’t coming to your blog to look at your snazzy background; they are there to read your brilliant writing. When we have a light, simple background free of clutter, this encourages people to subscribe, to hang around and read earlier posts, and to even read posts on the go.

2) Break up large chunks of text.   

If you have blogs with large blocks of text, break them up.  Most readers, if they go to a blog and see huge chunks of text, they move on. I read at a computer all day long and that is hard on my eyes. Guarantee you our readers will feel the same way. Try to put no more than three to six sentences in a paragraph. Readers will forgive a long blog if it’s a) interesting and b) easy to absorb/read.

3)  Insert bolded bullet points to break up text.

This makes blogs easy to scan. Remember a lot of people read blogs on the go. They are often reading from a PDA. Make life easy and they will love you for it.

4)  Remove unnecessary clutter.

This is a problem with a lot of web pages. There is too much stuff so the reader moves on. Less is more.

5)  If possible, pick blog titles in a way that will engage and spark debate.

One of my most popular blogs to date was titled: What Went Wrong with the Star Wars Prequels? I gave my two cents worth and then asked others what they thought. I have 150 comments! But the title just posits a question that BEGS to be answered.

The best blogs are not information, they are conversation. Notice there really isn’t a right or wrong answer, but it sparks some fun discussion. Also, if this title was posted on Twitter, people would want to know the “answer.” Titles can be key when it comes to driving up stats and creating a loyal following.

Additionally, this type of approach takes our blog from talking “at” people and inserts us right into the heart of a healthy discussion. Now we are speaking “with” others. When we create enough discussions, we form friendships which create community. This activates people’s innate sense of loyalty.

6)  Make sure your NAME is the blog title.

Few things are more frustrating than when I try to do a mash-up and I have to hunt down a name. There is simply no sense in blogging if it isn’t building our author brand, which is our NAME. This is working smarter, not harder. If I am contributing 2000 words a week to the Rainbow Fluffy Kitten Dreams Blog, that means nothing unless I want to change my name to Rainbow Fluffy Kitten Dreams. Our blog is a powerful tool to build our author brand, which is: NAME + GOOD CONTENT + HAPPY EMOTIONS= AUTHOR BRAND

Name recognition alone will not compel people to part with cash to buy our books. They must recognize our names AND feel good about the images and content that bubbles to mind. People buy from who they know, and more importantly, who they LIKE. This is why spamming people on Facebook and Twitter is a BAD idea. Yes, we recognize this dude’s name…but the emotions are negative because I recognize him as the dude that kept crapping up my In Box with form letters.

7)  Insert widgets for others to follow you on all your other platforms.

A blog is all about customer service. If you are also on Twitter, Facebook, Tumbler, LinkedIn, Technorati, and Goodreads….I will first tell you that you are doing too much social media. Get back to writing before I take away your G+. Ah, but after that , I would advise that you insert widgets so others can hang out with you on their platform of choice. Hey, we need to take advantage of the warm happy feelings our readers have after reading our nuggets of brilliance.

8)  Make sure you embed widgets to help others SHARE your content on other platforms.

Even if you don’t tweet, make sure your readers can. Embed a widget to help readers share your content with their networks.  Information needs to be portable to go viral. This is one of the few times, the word “viral” is good. We want out genius wordsmithery to infect the planet and make them our zombie slaves fans.

9) Make sure you embed a widget to SUBSCRIBE to your blog and also to get the RSS Feed.

RSS stands for Real Simple Syndication and it delivers your blog to a web feed for your reader. This is all about serving the customer—the reader. It’s like pizza delivery. We dig yummy awesomeness magically appearing in our news feed. Also, make sure that readers don’t have to go hunting for the subscribe button. Make life easy. We dig easy.

10)  Go through your posts and look for personal pronoun infestations.

If we use a lot of “I, I, I, I,” “me, me, me,” “you, you, you” it turns people off. We sound at best like we are lecturing and at worst like we are full of ourselves.

11)   Yes, okay ELEVEN tips. I lied :P. Make sure you have questions at the end of each post designed to spark discussion and encourage sharing.

When we get good at enticing conversation, then our blog becomes the cool place to hang out and chat. Blogging is less about great writing and more about being a good host/hostess. I see some really wonderful writers who have crappy blogs. Hey, I was once one of them. I am here to help you guys take the short-cut to success. I did all the dumb stuff so you don’t have to ;).

Speaking of questions at the end, I love hearing from you! What are some other tips you would like to add? Did I miss something? What do you guys like to see in a blog? What turns you off?

I love hearing from you! And to prove it and show my love, for the month of July, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of June I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: I am keeping all the names for a final GRAND, GRAND PRIZE of 30 Pages (To be announced) OR a blog diagnostic. I look at your blog and give feedback to improve it. For now, I will draw weekly for 5 page edit, monthly for 15 page edit.

In the meantime, I hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left over to write more great books! I am here to change your approach, not your personality.