Posts Tagged platform

Understanding Author Platform Part 1–Making Platform our Art

Image from Street Art Utopia.

One of the words writers hear a lot of is “platform.” What is it? How do we get one? How much time do we need to put in on social media for it to count? Do we get time off for good behavior? All good questions, but before I address them, I’d like you guys to understand something very important:

Author platforms are not the same as they used to be.

If we fail to understand how author platforms have changed, we will look as ridiculous as the guy trying to hitch horses to the front of an automobile. Not only will we look silly, but it will only be a matter of time before we give up in frustration, because nothing we do seems to work.

Platforms Once Were Easy to Control, Thus Easy to Measure

Back in the day, platforms were generally only available to those who could afford one. Hiring a PR expert, distributing a newsletter and even building a web site were all extremely cost-prohibitive. Sure, one could also build a platform by doing speaking gigs or writing articles for publication, but one had to establish credibility before getting a toe in the door, so we are right back to platform went to only a handful of individuals.

And if we happened to be fiction authors, then just forget about building a platform. It was simply too expensive. The only way we had of building a platform or brand was through publishing our books…and that, too, only went to a slim percentage of people who made it through gatekeepers.

Additionally, platforms used to be built in ways that were easy to quantify and measure–I.e. how many clicks on a web site, how many attendees for a speech, etc. In The Old World—B.F. (Before Facebook)—it was easier to measure our influence because our brand/platform was relatively static. It was easy to measure how many people tuned into a radio show, a morning show, and how many “clicked to buy” after these types of events.

PR experts would create an image and that image remained largely unmodified unless it wasn’t working…or the “subject” decided to go crazy and create a Kardashianesque scandal worthy of hiring a spin doctor.

Ah, but Times, They Have Changed

These days, platforms are organic, especially those platforms built using social media.

Is there any other kind?.

We can’t control what happens to the content once we let go. Additionally, social media is a two-way exchange. If Bed, Bath & Beyond sends me a mailer, they aren’t expecting me to like it, then photocopy it and distribute it to my friends. Yet, that is exactly what we are after when it comes to social media. We are trusting others to take in what we offer (content), like it and then pass it on to their networks.

The Upside & The Downside

What is wonderful about social media is that we always have the potential for world-wide exposure, to go viral, etc. We also have a lot more fluidity than years ago. We can write in different genres or dabble in transmedia or become hybrid authors because followers are interacting with us daily and real-time.

Yet, the downside of the new paradigm is that social influence is virtually impossible to measure. For more about why, go here to my post The Dark Side of Metrics—Writer Friend or Ticket to Crazy Town? Not only is social influence virtually impossible to  measure…but it is accessible to everyone. In the old days B.F., we were only competing against a slim few with the cash or tenacity to build a platform. Now? To quote The Incredibles

When everyone is special then no one is.

In a time when everyone has access to the same tools, how can we ever hope to stand apart?

So all of this is to say that platform and brand have changed as much as publishing has. If writers want to survive and thrive in the new paradigm, they must let go of the old and embrace the new.

A New Attitude

One of the largest hindrances I see to authors building a great platform has to do with their attitude toward being required to build one. It’s just another chore, a drudgery. It makes us feel weird and dirty, like we are selling out and compromising who we are. I totally appreciate these feelings, because I have felt them, too.

I felt them before I really understood what author platform meant.

In a world where most writers are moaning and groaning about being required to have a platform, the only chance we have of standing apart from the masses, is we must change our attitude and our approach. Sure, easier said than done, right?

No. Not really. I think if we take a moment to peel back why we feel the way we do, it will be easier to enjoy this new leg of author evolution.

So Why Does Building a Platform Make Most of Us Feel Icky?

How many of you ran out and bought John Locke’s book, How I Sold a Million Books in Five Months? Hey, I did. I can always learn, and Locke actually had some really great ideas, but I did have to ask myself some hard questions. Why didn’t his methods resonate with me? Why did many of Locke’s tactics make me feel queasy, as if I had escaped one sales job just to land another one? After a lot of thought, I realized it had to do with intent.

When experts throw around phrases like “target your audience,” I must confess that all I can think of is a red-dot laser site landing on someone’s chest.

 

I am writing a book. Prepare to be targeted.

Maybe it’s just me *shrugs*.

See, Locke will even tell you in his book that he is a born capitalist. He worked in sales for years and started all kinds of businesses. To him, books were just a new way of making money. He saw a tremendous marketing opportunity in the shifting paradigm, and he used his talents and went for it and it paid off. He spent $25,000 figuring out what tactics worked and what failed. He experimented with all kinds of genres and tactics, but not because his art and love happened to be writing.

Locke’s art and love was capitalism and marketing. 

You can see Locke’s excitement coming off the page as he relates his stories of how he tried all kinds of tactics to see where the numbers went. Locke’s art form happened to be numbers. Writing was just the medium, much like a sculptor might choose marble or clay. The reason Locke has such passion is he is doing his art.

But is Their Art Your Art?

For writers who have a love of sales, Locke’s book will really resonate because you will be doing your art. OR, you will at least be blending two arts you love together—sales and writing. Yet, for writers who break out in hives at the mention of the word sales and who are in this for the art of writing?

Hasta la vista, Baby.

Same thing with the PR & social media marketing people. They love to offer suggestions of how to help writers. They are lovely people who are sharing their art, and they want us to love it as much as they do. Some writers do love their methods and find PR and social media marketing is their art, too and that is why these classes have a lot to offer even if they differ from mine.

But what about the rest of us?

What if Sales/Marketing is Not My Art? Am I Doomed?

No. Not at all. But I will challenge you to stop trying to make their art your art. Think of it this way. Some of you, if I said you would be required to also design your own book covers would squeal with joy. Why? Because you also have a love for drawing or graphic design in addition to being a writer. You have more than one art. 

Our art is not our skill; our art is where our heart and passion rests.

Some writers do wonderfully learning marketing and sales skills because it is congruent with an existing passion. Some writers didn’t even know they had  a passion of on-line marketing, but, after a class at a writing conference, they were hooked once they had the know-how.

For the rest of us?

You could teach PR and on-line marketing until the end of time, and we would still hate it with every fiber of our being. We’d hate it just as much as a kid who loves building model airplanes being forced to learn to play the piano. For this kid who is forced to learn an instrument, piano would be a chore, and because it is a chore, any music he makes would always be robotic. It would always lack the essential ingredient that makes music art—passion. 

This is the same reason that writers who hate sales and marketing will always fail. Because it is a chore, it will lack the critical ingredient to connect—passion.

But, Kristen! All of us have to get out there and sell and market!

No, you don’t. I know many well-meaning people have told you this is the case, but it is a false syllogism. A false what? A false syllogism.

Example 

All people who dig ditches sweat profusely.

You are sweating profusely, therefore you must be digging a ditch.

For Writers?

All master salespeople and marketers have platforms that sell lots of books.

Writers need platforms that sell lots of books, therefore writers need to be master salespeople and marketers.

Or…

All social media technology experts have a large platform.

Writers need a large platform, therefore writers need to be social media technology experts.

NO!

We Can’t Fake Passion

If we hate what we are doing, people feel it. Conversely, when we interact with passion, people feel that, too. Why do you think I am so against automation? People who pre-program all their tweets do not love Twitter. They don’t LOVE interacting and thus there is no passion, so no connection.

This is why doing social media this way takes such HUGE numbers to be effective. It is the same ROI (return on investment) we would get with sending out spam e-mails or junk mail–about 1-5%. Thus, for every 20,000 followers, only about 200-500 will listen and fewer will care.

Words are Our Art

Social media is nothing but words. We writers use words to create feeling and emotion. We use 26 black letters in various combinations to spark passion and interest. Social media can be a drudgery when we aren’t connected to our muse. Yet, when approached with the correct attitude, social media a new canvas for the writer-artist.

We will talk more about platform and ways to make social media our art next week. In the meantime, I want you to answer some questions:

What is it I fear the most about social media?

What do I believe it is taking away from me?

What are the emotions I want readers to feel when reading my work?

Of all those emotions, which one is the most important? Do I want people to feel love, passion, inspiration, courage?

So what are some questions you guys have? Do you feel better now that you have permission to hate sales? Can you spend some time defining your own art and think of ways to infuse it into your social media? For those already doing this, can you share with the rest of us?

I LOVE hearing from you!

And to prove it and show my love, for the month of March, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of March I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: I will announce last week’s winner later this week. I am having problems with my web site and e-mail and my web people are working to remedy the problem. Thanks for your patience.

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

This Week’s Mash-Up of Awesomeness

50,000 Inimitable Smiles by Margie Lawson over at More Cowbell

How to Get Media Coverage for Your Book over at Jane Friedman’s place

Was March 2012 the Day that Traditional Publishing Died? by the ever-brilliant Bob Mayer

Amazon Signs Up Authors Writing Publishers Out of the Deal by the NYT

Beautiful Breakups–What the Revision Process Can Teach Us by August McLaughlin

How Can Modern Writers Become and Stay Visible? by the fabulous Jody Hedlund

Ten Things You Should Know About Setting by the awesome-sauce Chuck Wendig

, , , , , , , , , ,

76 Comments

Deadly Doses–Politics, Religion and Our Author Platform

 

On Wednesday, we talked about the evolution of the writer. As the paradigm is shifting, writers must evolve or they simply will not survive. Those who want to moan and wish for the gone-by age will be replaced by writers who are hungrier and better trained and who are willing to outwork the competition.

Evolution of the Brand

One of the reasons writers have so much more power these days is that the definition of an author brand has changed radically. Until a couple years ago, an author brand could ONLY be created by books. Readers’ only interaction with an author was through her works of fiction.

These days, the Modern Author is much more dynamic. She can write in different genres and experiment with different types of writing. There are more and more Hybrid Authors emerging in the new paradigm–writers who have NF, short fiction, different genres for sale some traditionally published and some indie or self-published. Writers have a LOT more flexibility. How did we gain this flexibility?

Social media.

Writers with a social media platform have a far more dynamic platform than the writer that is relying solely on books to construct the brand. This is because readers (followers) interact with the author daily and real-time, so the brand becomes the person–the author. Thus every tweet, every status update, every picture, every comment, every blog post and finally every book are all part of our brand. Think of it like adding bricks of all different sizes to construct a massive wall–the brand. Yes, the books will likely be larger bricks, but this doesn’t mean the other stuff doesn’t add up.

It All Counts

This brings me to what I want to talk about today. Sacrifice. The Internet and social media offer us tremendous power and control over our author career, but with great power comes great responsibility. Sometimes we need to make tough decisions. We must remember that everything we say and do on-line serves as part of our brand. Social media is a loaded gun that can be used to feed our family or to shoot ourselves in the foot.

When Are We Getting in the Danger Zone?

All of us have a faith and a political affiliation, but unless we are a religious or political writer we need to be VERY careful. We are counting on our fellow writers to help us, to share and RT and they are less likely to lend support if we spend half our time calling them names.

I had one writer I finally unfriended this morning on FB. He was a sci-fi writer who COULD NOT stop with the political ranting. Every post was about how X party (my political affiliation, btw) were all morons and thieves and creeps and how people of X faith (my faith) were radical haters and bigots and dogs.

In fact, I will just be honest. I am getting to where I don’t even want to look in my FB home stream. SO many writers are ranting on and on about politics, and it all just gives me indigestion. I don’t “friend” a fantasy author so I can listen to a non-stop political rant. If I wanted that, I would friend Ann Coulter or Jesse Jackson and at least I would know what I was in for.

If we hope to build a platform that will reach out and include readers, we need to remember that if we spend half our time calling them idiots, they probably won’t be terribly supportive. Additionally, if we have to hide other writers from our feeds because they make our blood pressure spike, then we can’t easily support them because we can’t SEE them.

What Brand are We After Anyway?

We must be aware that we can be friends with all kinds of people, and non-stop ranting and name-calling is uncool and a bad way to build a platform…unless our goal is to be known as a political-ranting-hater-jerk. If our goal is to be the next Howard Stern, Bill Maher or Rush Limbaugh then sally forth, but don’t send me a friend request. I have no time for people who cannot be respectful of others and their beliefs.

So if we are NOT political or religious writers, we need to be mindful that we aren’t bludgeoning part of our support network.

Yes, I Know It is Hard

We are in an election year, and I know it is hard to not be opinionated. I totally feel your pain. I have a degree in Political Science! I really do understand, but my advice as a social media expert is that we be very selective about what we put on-line. Every post is part of our brand, and, if we do too much ranting about social injustice, we are creating a political activism brand not a fiction author brand…and we can be alienating a lot of people as well.

Are We Running for Office or Wanting to Sell Books?

I support plenty of writers who don’t share my political and religious viewpoints. That is easier for me to do if I am not being called names on a daily basis. There is a reason that politics and religion can be dangerous topics. I know that I am even taking a HUGE risk writing THIS blog. I know that the trackbacks and arguments will surface, but I am willing to risk it so you guys are properly prepared.

Beware of the Frankenstein Monster

One of the biggest reasons we do have to be careful of everything we write on-line is once it is out there…we can’t control it. If we decide to blog about some politically hot topic because we need to get something off our chest, that is fine, but prepare for some consequences. It very well might just be another of many blogs and life continues on as usual…or it could totally dismantle our platform and irreparably alter our brand. We don’t know who is going to read that post, and we can’t control where and how it is spread how it is twisted and…what if it goes viral?

What takes YEARS to build can take only minutes to destroy.

Controversy Never Dies

I posted a blog about What Went Wrong with the Star Wars Prequels? and SEVEN months later I still get mini-debates and have had over 200 comments….over a fictional universe. In this case the controversy is fun…but when it comes to politics and religion???

Prepare to deal with trolls…forever.

Brace for the Backlash

In fact, if we do blog about politics or religion, we should just prepare for at least a half a dozen blogs to spring up with the mission of calling us a moron, and their trackbacks will always keep a fresh supply of trolls coming to that one political blog FOREVER. Not saying it will happen, just that it is pretty likely.

Community Includes “Unity”

Also, we need to remember that our platform is comprised of people who are different than we are. Many of you follow this blog because you expect me to write funny blogs about craft, social media and life. But what if you showed up Monday for my essay about abortion or euthanasia or legalizing marijuana because I needed to get something off my chest?

Many of you would likely never come back, but many would feel compelled to comment–either to tell me I was brilliant or to tell me I’d lost my mind–and this is where we start to see the massive fracture, the fighting in the comments because everyone feels passion and everyone feels differently.

So, now not only have I confused my brand…but now a group that all once had fun and friended one another and enjoyed getting together in my comments section have been divided FOREVER. What was fun and a high point is now spoiled, awkward and downright weird. Not only that, but now I will likely have to step in and referee people who once got along, but who now only see red because I felt the need to take a left-turn with my blog content.

Personally, I care about all of you whether we share political and religious affiliation or not. To me, no venting is worth alienating any of you. That’s just me.

Social Media Requires Respect and Care

I am all for freedom of speech, and feel free to write about or tweet about anything you want. I won’t stop you. The only purpose of this post is to educate writers about the unintended affect being overly political could have. I’m not saying we can’t post a link here and there or a faith quote or an evolution blog. We just need to really be aware of those around us and be prepared to take the consequences, even the unintended ones.

We Are Not Alone…No Really

Think of it this way. Out at our ranch we all carry guns. There are packs of feral pigs that roam our land, rattlesnakes, water moccasins, and all kinds of critters that can kill or maim. Having a sidearm just goes with having a place in the wild country of Texas. But that same gun that took out a six foot rattlesnake near the front stoop is the same gun that could accidentally kill someone.

We can shoot watermelons and beer cans for fun, but it is wise to check that there isn’t a house or a weekend camper on the adjacent land behind the tree line where we are shooting. We have to be aware that we don’t live in a vacuum. Our actions have consequences.

Protect the Brand

Social media is a lot of fun and it has a lot of advantages, but as professionals we need to always remember that our brand is a cumulation of EVERYTHING we do on-line. So if we start Twitter fights and rant and name-call and blog about volatile topics, we take a risk. Even when we don’t rant, ANY political blog can be taken by the opposition as an attack. Why risk it?

Yet, if we are kind, respectful, fun, engaging AND we write great books, that is wonderful and can be the formula for a long successful career. No one needs to give up who they are or what they believe, it just doesn’t necessarily all belong on-line. We can feel free to rub ourselves with lime Jell-O and run around in our underwear, but it doesn’t mean it needs a picture on Facebook ;).

So…*braces* what are your thoughts? Am I out of line and the poster child for censorship? Or do you run into the same problem? Are there people you want to support but they won’t stop ranting? How does that make you feel? By the way, I have no problem if any of you wish to disagree with me as long as you do it respectfully. We are people not robots, I get that. I know this is an uncomfortable topic, but it is part of my responsibility as the social media expert for writers to address it.

I really, really do LOVE hearing from you!

And to prove it and show my love, for the month of March, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of March I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books.

, , , , , , , , , ,

163 Comments

R-E-S-P-E-C-T isn’t FREE!!!

 

Last week in What’s the Problem with FREE!? we talked about how giving away FREE! downloads of our books can actually do more harm than good. I also gave an example of the software company that refused to offer anything for FREE! back in the dot.com boom in the 90s when all the competition was handing out goodies left and right. When every other dot.com was giving away golf shirts, trips, goodies and software for FREE! this company stood firm and offered nothing…for nothing.

Don’t get me wrong, this company gave away FREE! stuff. They just didn’t give it away for free ;).

Free! is Best When It Isn’t Free

I read J.A. Konrath’s  and Bob Mayer’s blogs because both of them provide a lot of valuable insight for the writing professional. At first it might seem that Konrath and Mayer and I would disagree, that we would be at odds. Why? Because Konrath and Mayer will be the first to give us writers a digital kick in our digital @$$ to get off Twitter and Facebook to write more books. They make no bones about telling writers to get back to work and WRITE! Me, being a Social Media Expert Jedi, should be aghast.

What? How can you tell writers to get their tuchus off Twitter? Twitter is the best thing since Gummy Bears! And Facebook? What are you communists in league with SOPA to keep writers from sharing that video with the dancing squirrel?

Actually, I agree with Konrath and Mayer and it is one of the reasons WANA methods look VERY different from most social media approaches. See, I am not here to make you guys social media experts. I am here merely to help you use this tool called social media in the most time-effective way, because the best thing you can do to become a successful author or even a brand is to write more books. Write as many books as you can! Good books.

Write! Write like the wind! This is true for ALL authors—traditional, indie and self-pubbed. The more books we have for sale the greater our odds of success. And don’t think I am telling people to churn out crap just to have more books. There is nothing further from the truth. In fact, I dedicate every Monday on this blog to help y’all grow to be better and better writers. But few things can help our writing abilities like…um, writing.

Rocket science, right?

I just taught an on-line class about branding. I had all kinds of questions about Google Ads, Goodreads, Pinterest, blog tours, etc. to sell books and brand. My answer? Don’t become an expert at social media, become an expert at writing good books. Social media is a means not an end. The one critical ingredient to ALL author brands? BOOKS. GOOD BOOKS. The more, the better. Successful authors are not judged on the quality of their fan page. They are judged by the quality of their books.

Okay, you guys got the point. WRITE!

Yes, sometimes it might seem that I am beating a dead horse, but this is really critical. Konrath and Mayer had a distinctive advantage when they decided to self-publish. If, for no other reason? They had a lot of good books to offer. Why does this matter? Well, for today’s purposes, it has to do with FREE!

FREE! has More Power the More Titles We Have to Offer

FREE! is what can hook a long-term commitment. We can give a teaser to gain passion and loyalty. Yet, we can only do this if we have more than one title for sale. A potential customer (reader) sees that we have more than one book for sale. Ah, but one is FREE! This makes a reader a bit more excited since now…

FREE! is in Context of NOT-FREE!

Value is relative. If readers go to a site and an author has her one and only manuscript up to give-away, we might bite for the FREE! download. But, when we go to an author page and there are ten titles for sale, all for 4.99, yet one is FREE!, naturally we feel better about our decision to bite on the FREE!. Also, because this pricing was given in context, as humans, we will place more value on the download so we are more likely to read this one FIRST.

This is one of the reasons that authors like Konrath, Mayer and Eisler have done so well. Not only were they offering vetted titles, but they offered a lot of them, thus their product (the book) could be judged in context. John Locke, the successful self-published author, didn’t have vetted titles, but he did offer A LOT of them. Thus, those who liked Locke’s FREE! book now had a whole list of other his titles for sale.

FREE! is only valued when consumers believe it costs us (the giver) something.

Go back to the example I gave last week. I have a half a dozen magnet calendars I got for FREE! in my junk drawer. Does any of this make me want to do business with any of these real estate agents? No…because in my mind it really didn’t cost them anything. But what about the agent who sent me a $100 Lowes gift card? (Our agent sent us this after we closed on our house). That man will have my loyalty FOREVER, because he gave something that cost him, even though I know he made money off the sale of our house. He didn’t have to send $100 gift card. He could have sent us a calendar and a thank you note like my mom’s realtor did to her. But he didn’t and he now has a customer for LIFE.

This is why multiple books for sale help the impact of FREE! Since we have other titles for sale at a higher price, then it is perceived (by the consumer) that we are taking a loss when we offer something for FREE! This creates the reciprocity that is critical for driving sales. Reciprocity is very often negated when an author gives away her one and only manuscript for FREE!

FREE! is Most Effective When We Maintain Our Negotiating Power

If all we have is one book…then we give it away, the power has just completely shifted over to the reader. We are completely at the mercy that he or she will be compelled to talk about our book. Since we have no other titles for sale, we have nothing else to gain, other than maybe some ranking on Amazon. But even then, that only worked well when everyone wasn’t giving stuff away for FREE! We are in a position of weakness, of need. Not the best place to earn R-E-S-P-E-C-T.

FREE! is Most Powerful as a Part of a Quid Pro Quo

I’m not, per se against giving away books for FREE!, but I do think that there are smarter ways to go about doing this. As I stated earlier, FREE is best when it isn’t FREE!

In fact, FREE! can actually be a wonderful tool to get customers to spend MORE money…but the clincher is we have to have more than one book to offer.

Since it would be almost irresponsible for me NOT to mention Amazon at some point during this discussion, we will use them as an example. A while back Amazon.com started offering FREE! shipping on orders over a certain amount.

Thus, a person who purchased a book for $14.95 might pay an extra $3.95 for shipping. In total, the customer would be out less than $20. But, if they bought another book for a total of $29.95…they would get their shipping for FREE! Many people probably didn’t even want or need the second book, but the power of FREE! proved just too much to resist. And obviously this tactic works because Amazon still offers FREE! shipping when we consumers jump through various hoops (all of which are, of course, profitable for Amazon).

This is why it is critical to write more and more and more books, especially if you are self-published, because then you can use FREE! to its maximum advantage.

Bundled is Better

A good way to gain more sales traction? Bundling.  Buy two books for $4.99 and get a FREE! download of another short story, novel, whatever. This kind of FREE! makes readers very happy. Consumers are then lured to put out money to get the FREE! I happen to be very blessed to be part of Who Dares Wins Publishing and they do these types of deals regularly and it is a win-win for authors and readers.

FREE! Needs a Perceived Value

FREE! doesn’t have to be in the form of books or downloads. Heck, offer FREE! shipping on orders over a certain amount. Why reinvent the wheel? Copy what works, and, if Amazon has done this successfully, then so can we. Yet, again, this only works when we have more than one title for sale.

My Biggest Gripe About FREE!

I think writers, especially self-published writers, get overly fascinated with marketing, and the allure of FREE! only makes this worse. I see far too many writers uploading that ONE manuscript and then spending every spare waking moment, promoting that one book to the point of being viewed as spam. They tweet with every imaginable hashtag, “Come get my book for FREE! FREE NOW! A book for FREE!” ….and after the 40th time we get this tweet, we are willing to pay the writer to stop tweeting.

They remind me of gamblers chasing their losses. Because ONE DAY they had X number of downloads, they are back at the track trying to make that number appear again. If we run around handing our one and only manuscript for FREE! then what good does it gain us? I am sure there is some good that can come from it, but not the real game-changing benefit that I want all of you to enjoy.

If we study the success stories, especially in indie publishing, the winners always had multiple titles—J.A. Konrath, Bob Mayer, John Locke, Amanda Hocking, H.P. Mallory, etc. So Mayer and Konrath are correct—write, then write some more. Less tweeting and more writing.

When we have more than one book to sell, FREE! becomes a pricing strategy, not a desperate cry for attention.

Yes, I am the social media expert for writers, because I will be honest enough to tell you guys that the point to all this tweeting and blogging and FBing is to drive enough book sales that we can lose the day job and do what we love. We can’t do this with one book. The odds of this are about the same as getting mugged and hit by lightning on the same day. If we are spending too much time on social media, then we aren’t writing more books. Thus, social media is no longer a powerful advantage…and neither is FREE!

So what are your thoughts? Opinions? What are your experiences with FREE!? Any thoughts, suggestions? Recipes for killer chocolate martinis?

I LOVE hearing from you!

And to prove it and show my love, for the month of January, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of January I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great book.

Winner’s Circle

Winner of last week’s 5-Page Critique is Tahlia Newland. Please send your 1250 word Word document to kristen at kristen lamb dot org.

Ginger Club is the winner of last month’s 15 page critique. Please send your 3750 word Word document to kristen at kristen lamb dot org.

Congratulations!

Mash-Up of Awesomeness

Porter Anderson’s Writing on the Ether is a WONDERFUL resource for the best information in this industry.

Joe Konrath’s blog is another wonderful resource.

Colin Falconer had an AWESOME blog Historical or Fiction?

Friesen Press has a great post that I need to print and STUDY, Take the Busyness out of Business.

The real way to build a social network by Reid Hoffman over at CNN Money

The Big Reasons Indie Authors aren’t Taken Seriously at Huffington Post

Red Pen of Domm, Why Blog Hits Don’t Matter Though I don’t agree 100% we actually agree on a lot. We can have 10 zillion hits and they are all bots or random clicks. Quality trumps quantity and I agree.

, , , , , , , , , , , ,

61 Comments

The Road to Success Part One–What Kind of Author are You?

Kristen is a TOTAL Dean Koontz fan-girl!

Last week we talked about why traditional marketing doesn’t sell books and why marketing for writers requires a very different approach. We also discussed what critical event transpires to turn a good writer/good book into a legend—the mobilization of the fat part of the bell curve. Make no mistake, I will never promise to make any author a mega-best-selling household name, but I can give you some fundamental practices that will improve your odds greatly.

I’m here to guide you into higher and higher levels of success.

The tools I offer will help you maximize time on social media to leave you more time to do the most important aspect of your career….write great books. This month, we are going to strike out and explore ways that we can mobilize that fat part of the bell curve to our favor. I believe it is simple, but not at all easy.

Mobilizing that fat part of the bell curve will be a different process depending on what kind of author you are.

The tools I offer work for all kinds of authors, whether you are traditional, indie or self-published. Yet, I will be blunt when I say that indie and self-published authors need these tactics even more.

Why?

All Authors are Entrepreneurs

All authors are entrepreneurs, but we are not all the same kind of entrepreneur. Indie authors? We are the people who strike out with little more than a push cart and mama’s tamale recipe and dream to one day make it big. We are, for the most part, on our own and so we have to work harder, try harder, and perform better than the competition.

Writers who go the traditional route can be likened to the investor who opens a McDonalds. They are part of a franchise that is already branded and has a name already trusted by consumers. McDonalds might not be fine French cuisine, but it sells BILLIONS of burgers worldwide and is an icon.

However, not just anyone can own a McDonalds franchise. It’s an expensive and arduous process, but the chances you will be successful are actually quite good. Not only that, but McDonalds has set recipes that are proven to sell. They take on risk and responsibility by taking you on as a franchise owner. There is all kinds of training and support offered to help ensure your success.

But to say owning a McDonalds is the ONLY way to own a successful burger joint is ludicrous.

As entrepreneurs, we have the option of taking out a loan and opening our own burger joint and striking out on our own. There are multiple advantages. We can cook whatever kind of burger we want. We can decorate any way we like. We can choose to open at noon and only serve until two. We can become a burger & sushi bar, a combination no one has done before.

We can take full credit for any success and not have to share our profits. Ah, but we also have a 65% chance of going under in two years and listening to our family say, “I told you so” for the next 20 years. Not everyone has what it takes to strike out with a dream and a recipe for fried chicken.

Same in publishing. Not everyone has what it takes to be successful as a self-published or indie author. The time, work, focus and energy are as exhausting as trying to sway those sitting in the drive-thru at McDonalds to try out our hot dog stand instead.

Traditional publishing holds advantages. Traditional publishers are Golden Arches. Granted, no one goes into a book store and looks for a Random House or a Penguin, but we would be self-deluding if we didn’t admit that a major house stamped on the spine didn’t offer a writer an advantage. In traditional publishing, there are teams of people devoted to help a book succeed. Ah, but traditional publishers have set recipes of what they will publish. There is a standard of word count and the genre rules are far stricter.

Before anyone gets offended, I am in no way saying that traditionally published books are poor quality assembly-line stories. I’m not comparing the content to fast-food burgers. We all know that traditional publishing has very high standards. Granted, not everything they publish is gold, but most of it meets an amazing standard of excellence. The McDonalds reference is more for how the traditional publishers do business. There are limits to the risks they will take.

As a self-published author, I can totally believe that ferret romance novels with rodents as the main characters are going to be the next best thing. Hey, pets are the forgotten demographic. Think of all the cat and dog owners who can now read Fluffy and Muffin stories that speak to their little furry hearts.

No one can stop me from publishing A Tale of Two Hamsters or Muskrat Love Story. If I hit it big, I will be hailed as a creative genius, and Harper Collins will be hunting me down for a book deal. They had no idea that guinea pigs could be such a hot item!

If I fail? Eh *shrugs* people have short memories these days. I can try with something new because the only brand at risk is my own.

As an indie or self-published author, we have more creative latitude but it does come at a price.

What does this have to do with social media?

Before we do anything we first need to define who we are, what we want and the nature of our product before doing anything. We need to be clear about what kind of author we want to be. This is a critical step. We need to define who we are and what we want because defining the destination affects the journey. It will affect the tools we need, the resources, the mental fortitude.

Planning a trip to Orlando to go to Disney World is a far different trip than a hike to the North Pole. I challenge all of you to be honest and take some time today to write out what you want. Dream big, dream small, but most of all….WRITE IT DOWN.

Granted, my methods work for all kinds of writers, but the real magic from my principles will come in being properly prepared. We need a full appreciation for the journey we are going to take. The journey for all writers used to be pretty much the same. Write, bleed, get therapy, query, drink, write some more, query, maybe drink some more, and, if you didn’t give up or throw yourself off your balcony, you might make it past the gatekeepers.

Today? Lots of different paths to publication and lots of different definitions for success.

What is your definition of success? Is it just seeing your book in print? Is it selling a handful of copies to friends and family? Is it selling enough money to fund building your underground secret lab? Okay maybe that’s just me. No really! I ask of you…When are you going to know you have finally become successful?

Becoming a best-selling published traditional author is like planning a trip to the top of Everest. It is a HUGE undertaking and very few do it successfully.

The good news is that becoming a best-selling indie or self-published author is not like planning a trip to the top of Everest. Whew!

Bad news is it is like planning a trip to the summit of K-2. Yeah, sorry, no passes. Both ways require sacrifice, blood, sweat tears, blisters and good old-fashioned WORK.

We are going to discuss this more in the coming weeks. But I leave you with this exercise. Ask yourself today what kind of author you want to be. What does success mean to you? Define it. Make it real. If you don’t know the end destination, how can you ever properly prepare? How can you know when you’ve arrived? How can you know what roads to take? You can’t! So nail it down. And we will meet next week for the next step in the journey. Same Bat Time, same Bat Channel.

So what are your thoughts? Opinions? Dreams? Recipes for world domination using only a Bedazzler and a rubber chicken?

I LOVE hearing from you guys!

And to prove it and show my love, for the month of January, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of January I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

Note: I will announce the December winners on Friday. 

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in the biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books!

Happy writing!

See you next year!

, , , , , ,

88 Comments

Why Writers Need a Platform

Today we are going to talk about platform. Platform, next to the actual writing, is simply THE most valuable asset we possess. Platform and content are the two things we control, and they are the largest determining factors as to whether or not we will have a successful writing career. Platforms offer us career stability and a foundation for a future.

What exactly IS platform?

So what is a platform? There are two sides to platform. First is the definition of our platform. What is unique about us or our writing that can be a determining factor in our content?

In Hollywood, the mantra is, “Give me the same…but different.” This should be our mantra in defining our platform. We need SOMETHING that defines us as a writer…but at the same time makes us stand out from all the others. Same but different.

Our platform definition is basically our image, and affects the way we will approach others. Think of it like how we dress. Do we approach people as the three-piece suit Power Point guy? All business and professional? Are we the D&D T-shirt video game guy, and we quote Blazing Saddles far more than is socially acceptable? Are we the seductive yet snarky diva who teaches about bringing out the inner muse? Defining platform goes a lot to adding to voice.

Just go read Bob Mayer’s blog…then pop over the Chuck Wendig. Both have amazing blogs, but very different voices and presentation. Both authors use their strong suits, and their personalities come screaming off the screen (in a good way).

I liken myself to Erma Bombeck meets technology. I strive to add a heavy dose of humor and common sense to all of my social media endeavors. I am using something unique to me; the ability to be funny…honed over 18 schools and countless Mean Girls whose sole mission in life was to make my life hell. Years of always being the new target kid developed in me a strong defense mechanism. I learned to be funny. Kind of like peeing on yourself so no one eats you.

In my Blogging to Build Your Author Brand on-line classes, I run participants through a series of exercises to help them define their unique platform. We peel back the layers of fear and the defense mechanisms to reveal the best of what each writer has to offer. Why be a bad copy when you can be an awesome and original YOU?

Defining our platform is like putting together blueprints for a building. Are we a Frank Lloyd Wright writer? A Tuscan villa writer? A post-modern industrial writer? A ranch-style writer? We need to know what we are constructing first.

Anyway, once we have defined our platform, then we go about building our platform. This can be a simple presence in a blog or on FB…or, if you read my book WANA, it is a complex layering of all the major sites worked into an intricate lattice that is designed to grow with your career and withstand upsets in the industry or on social media. The WANA Method maximizes time on social media.

Good Platforms are Solid and Can Withstand Major Shifts in Technology and Trends

All platforms are comprised of content and exposure. How much content are you putting out there? What kind of materials (content) are you using? Are you cheaping out? Cutting corners? Or are you constructing something built to last? Are you showing up daily on the job site? Or, are you adding to your structure only when the mood strikes?

One blog every quarter and tweets about the weather is not a lot of useful content. Content makes up the beams to construct the platform. If we are putting out 2-5 quality blogs a week, that is like laying down solid beams of hardwood. If we don’t blog and only play with farm animals on FB, think of that like building our platform with leftover Popsicle sticks. Yeah, there is something “wooden-ish” there, but it sure as heck ain’t load-bearing.

This is the point of all that we are doing when on social media. We are creating a load-bearing structure using content and relationships. This is the platform that will hold our reputations, our public images and our futures. Do we want that made out of beams of African Teak or cheap particle board? The better a platform is constructed, the better chance it can withstand a major change.

Case in point…

MySpace is dead. It decided to commit digital suicide two weeks after WANA released (feel free to ignore all ten pages that talk about MySpace). But this illustrates a good point about how my approach to social media is different. WANA methods focus on people, not gizmos.

At the time We Are Not Alone came out, I already had a HUGE presence on MySpace. But, because I had built my platform the way I teach you guys, I was able to keep most of my followers as tastes changed in favor of FB and Twitter. How? My platform was solid and founded on people, not technology. Technology changes, but people are timeless.

When MySpace went crazy, my platform remained intact. Members of my MySpace platform could easily find me on FB as they abandoned ship transitioned. And, the even better part was that I made enough of an impression that they WANTED to find me. That is awesome no matter how you look at it :D.

I teach you guys how to do the same. There is no guarantee that Facebook will be here next year. Twitter could turn cannibalistic and devour itself one tweep at a time. We don’t know where the technology goes or how it will change, but we DO know that people are awesome and they long to connect and be part of a community. This is the key reason that platforms created on technology are so high-maintenance and vulnerable to change (implosion). They are founded on shifting sands of gizmos, not the timeless nature of humans.

So now that you agree that platforms need to be built on relationships, let’s look a little closer. Platform gives us a number of advantages.

The Six Degrees of Separation

As society advances, we have more and more choices and are inundated with information. People tend to pull in to what and who they know. Actively participating on social media is like rolling dice. The more times you roll, the greater chances you have for being successful and opening that ONE door that changes your career forever.

Platform Gives Us Options

Too many writers are out there betting on that ONE thing to come through…an agent will represent them then NY will offer them a deal. Nothing wrong with that, but it can make us crazy in the meantime. To be blunt, an author with no social media presence and only a manuscript has limited options.

Yet, if we have a large platform, our options improve. We can indie publish or self-publish other works until an agent bites. We can take an unconventional path to publication. Four years ago, no agent would rep me. There was no market for a social media book. So, because I had a platform, I could indie publish with WDW Publishing. WANA (and probably divine intervention) landed me one of the top agents in the world.

Platforms Make Us Desirable

A strong platform gives us the luxury of being picky. Platform makes us the pretty girl that every guy wants to marry. We can stay single and break all their hearts if we want to, or we can settle down. But the best news is that we don’t have to settle for the first offer that comes our way.

Amanda Hocking, H.P. Mallory, and John Locke didn’t have to chase the first agent that smiled at them. They had a lot to offer any agent/publisher, so they were able to use their platforms (books and sales eventually are part of our platforms) to broker sweeter deals. Platforms can be viewed as a time suck, or they can be viewed as a way to improve our marketability. Writers have more power and control over their careers than ever before. Opportunity often comes wearing overalls; it’s why most people miss it.

What are some tactics you guys use to grow your platform? Any suggestions? Thoughts? What are your biggest challenges? Share!

And to prove it and show my love, for the month of November, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of November I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books!

This Week’s Mash-Up of Awesomeness

DeKloutifying by John Scalzi. HILARIOUS and YES!!!!

What NOT to Blog About by Literary Agent Rachelle Gardner

Learn to Fail Aggressively by Nationally Best-Selling Author James Scott Bell

Cool interview. Author Kait Nolan talks Werewolves

Enough Already! Self-Promotion Madness by Roni Loren

Why You Need Extra Eyes by Tawna Fenske

Make sure you check out Porter Anderson’s Writing on the Ether to keep up with the latest and greatest trends in publishing.

Also, Jane Friedman is an EXCELLENT resource for all writers, but especially the digital author.

Excellent article in the Wall Street Journal. Penguin Publishing launches a self-publishing division

In my “free time” I am running for Vice President of the Free World. Piper Bayard and I launch our blog tour over at More Cowbell because, seriously…the White House needs more cowbell.

, , , , , , , ,

56 Comments

Beware the Social Media Snuggie–One Size Does NOT Fit All

So last night I’m watching TV and this ad comes on for an item called, Forever Lazy. Basically, its a blanket with a zipper and legs (oh and there is a zipper at both ends and I will just stop there). Basically, it’s a cousin to the Snuggie.

This got me thinking…

What if we just gave up wearing clothes and just took to wearing Lazy Blankets or Snuggies? I mean, my thighs that haven’t properly fit in a pair of jeans since fifth grade would no longer be a problem. And how much time would we save going to the gym? With a Lazy Blanket, no one could see our cellulite or our less-than-impressive-pecs. No more sweating at the gym and bring on the cheese fries! Shaving our legs could be totally optional. No more sorting the laundry, either. Our Snuggie is already fuzzy, so just throw that puppy in with the towels.

Yes, I have a point…

Sometimes as a social media expert, it seems like life would be easier if I could hand you guys a Social Media Snuggie. A Lazy Blanket Platform that’s One-Size-Fits-All. And, sure, I suppose that I can, but is that how we really want to be seen in life?

There is a lot of argument flying around the Internet about what writers should be doing. Do they need to blog? If they do blog, how often should they blog? Is Twitter a time-suck and waste of brain power? How many social platforms should a writer be a part of? How much time should be devoted to social media? And, on and on.

Basically what I’ve been seeing is that writers seem to want the One-Size-Fits-All-Answer. Experts, in turn, have been trying to offer up the Social Media Snuggie so that writers can be comfortable all the time with little to no work. No uncomfortable waistband, no tightness in the tush, no chafing, no rubbing…just warm and comfy and effortless.

Sure, the Social Media Snuggie is an option. Heck, I would even like to have one, myself. It wouldn’t be nearly as much hard work to build and even maintain. It would be far easier to pay someone to blog for me or to buy 20,000 tweeps. And, for the Social Media Snuggie…One Size Fits ALL.

But, here is the problem.

Publishing is changing to be a much more accurate reflection of life. In life there are a lot of different types of writers and a lot of different types of writing. Now, I am no longer speaking to two groups of writers like I was five years ago. Five years ago, I had two kinds of writers—traditionally published and vanity press (people who’d paid a small fortune to get their book in print). In the past year, indie has exploded and there is a wonderful diversity of all kinds of options to fit all kinds of writers.

Thus, when considering how best to approach building our platform, we are wise to take a look at what kind of writer we are and what publishing options will be the best fit for our work. Then, after that, create a platform that will support that career path.

I have to be blunt. These days, all writers need to be on social media. We just simply can’t afford not to be. But how do we want to be seen in public?

 

Yeah, some things are great for home but were never meant to be professional attire. So let’s look at the different types of social platform sizes…

The Traditional Author

If you are agented and likely to be traditionally published, you have the backing of a publisher, an editor, an agent and people hired to help your books succeed. Thus, the burden of sales and marketing doesn’t rest solely on your shoulders. Focus on writing the best book you can write.

But, is a good book alone enough? No. And it never has been. How can I say this? I like to cite the BEA statistics of 2006. 93% of all books published (traditionally and non-traditionally) sold less than 1000 copies. So, for traditional authors, even with all those people working in your favor, the failure rate can be sobering of you rely solely on a good book alone. Historically, a writer had no control over changing these odds. Now, we have social media so we can help spark word-of-mouth. We are no longer forced to gamble, and that rocks ;).

Also, what we need to always keep in mind is that social media has changed demands placed on traditionally published writers. Many times the publisher will expect the author to help with her own marketing and promotion. This is easier to do if when your first book is published, you aren’t trying to pull a platform out of the ether.

For the traditionally published author, you don’t need to do as much. If you want to blog and tweet and Facebook, then go for it. I think the stronger your platform, the better. My opinion? Being traditionally published does have advantages.There really isn’t a need to have a social platform the size of a self-pubbed author unless you want one. A great author to follow who has THE BEST advice for the traditionally published author is Jody Hedlund. Another fountain of wisdom in this crazy world? Anne R. Allen. Bookmark their blogs and listen to every word they tell you. These ladies will keep your head straight.

The Hybrid Author

Some of you might fall into the traditional category. Ah, but you have a bit of a wild side that likes to write essays, poetry , short stories, death threats, or manifestos. Now, in the changing paradigm, there is finally a cost-efficient way of getting these types of works to the reader. Ten years ago, no publisher would have taken a second look at a book of poetry because it might only sell 500 copies. It just was a terrible investment with dismal returns for the publisher and even the author.

Now? Just e-publish. Those 500 copies that looked so depressing before, now are darn spiffy sales numbers if you’re keeping 100% and putting out only time, effort, and a minimal cash investment. So, if you are wanting to try your hand at selling some self-published items, you need to have a larger platform and a greater presence to drive those sales. Pay attention to Chuck Wendig. He makes the second-oldest-profession-in-the-world look good and is not above showing a little leg.

The Indie 

Yes, for the sake of brevity I am lumping a lot of stuff together. Indie has a lot of different flavors and I highly recommend listening to Bob Mayer and Jen Talty. Take one of their workshops because they are the experts when it comes to all the different publishing options in the new paradigm.

If you are an indie author, you have the backing of a small independent publisher. There is the upside of not being completely all on your own. I am with Who Dares Wins Publishing and I am blessed with a lot of expertise I don’t even know if I have the smarts to learn.

But, we need to point of the pink elephant in the room.

As awesome as indie presses are, logic dictates that most of them won’t have the manpower to help us in promotion and marketing like Random House or Penguin. We don’t get book placement in major chain bookstores or WalMart or Costco. We need a VERY LARGE PLATFORM. Sure, the indie press will help, but the lion’s share of the burden is ours.

Many new writers are carving out a career path by starting indie in hopes it will lead to traditional publication. Yet, here’s the deal. NY will want to see high sales numbers. Our social media platform is critical.

The Self-Published Author

Some of you love being in control of all aspects of your career. Web design, book covers, uploading? No sweat. There have been some tremendous success stories that have come out of the self-publishing world—Amanda Hocking, H.P. Mallory and John Locke are three that come to mind. These folks didn’t already have a name branded by traditional publishing. They rose out of the nothing with their own hard work….but boy did they WORK.

I was blessed enough to meet H.P. Mallory and listen to how she sold a bazillion books in six months and I needed a nap. John Locke? He is a MACHINE. I read his How I Sold a Million Books in Five Months and I thought it could be retitled as How to Kill a Writer in Less than a Year. The amount of work, planning, strategy was incredible (and I say this with the utmost amount of respect awe and yes…jealousy).

Yet, I do need to point out that Hocking, Mallory and Locke have all since signed with traditional/larger publishers. I think there comes a point when the workload is too much to maintain alone and long-term, but that might just be my opinion. Would have to ask them.

Thus, when we start thinking about our writing career, we need to be really honest about how much work we can do. Too many new writers think that self-publishing is a panacea, that all they need to do is upload their genius and people will buy.

Um…no.

If we look at the self-publishing success stories, the harder they worked, the luckier they got. Same with indie. If you are considering any kind of publishing outside of the traditional route, then ask the hard questions.

Can you write and maintain a blog and a social media presence? Can you do guest posts and blog tours and contests and create groups? Can you do all of his without the quality of your books suffering? Can you keep writing more books? In indie publishing and self-publishing, it is becoming clearer and clearer that those writers who can turn out books and quickly create a backlist are the ones that are the most successful.

What is your background and what do you bring to the table? Do you already possess a lot of technical expertise? H.P. Mallory left a career in Internet sales. She built her own website and uploaded, formatted and designed covers for all of her own books. If you don’t have the tech savvy, do you have money to hire people to do it for you? John Locke did. What is your background? Both Mallory and Locke came from a background in sales. That is a driven and fearless personality.

If you are writing under three pen names because you fear your family will find out you want to be a writer, then this might not be the best path. Things like time, money, background and personality all need to be considered when it comes to tailoring the right platform to the right publishing choice.

It is a wonderful time to be a writer and the sky is the limit. There are all kinds of generous people willing to offer time, help and expertise. My favorites are Jane Friedman, Porter Anderson, and Bob Mayer.  And if you are an unpublished writer?

Feel free to start with the Snuggie, but eventually? Yeah, you will have to hand it over lest it become your Lazy Blanket.

What are your thoughts? Opinions? Which Snuggie do you own and have you ever actually gone to a football game wearing one? Share!

I do want to hear from you guys!

And to prove it and show my love, for the month of November, everyone who leaves a comment I will put your name in a hat. If you comment and link back to my blog on your blog, you get your name in the hat twice. If you leave a comment, and link back to my blog, and mention my book We Are Not Alone in your blog…you get your name in the hat THREE times. What do you win? The unvarnished truth from yours truly.

I will pick a winner every week for a critique of your first five pages. At the end of October I will pick a winner for the grand prize. A free critique from me on the first 15 pages of your novel. Good luck!

I also hope you pick up copies of my best-selling books We Are Not Alone–The Writer’s Guide to Social Media and Are You There, Blog? It’s Me, Writer . Both books are ON SALE for $4.99!!!! And both are recommended by the hottest agents and biggest authors in th biz. My methods teach you how to make building your author platform FUN. Build a platform and still have time left to write great books!

Mash Up of Awesomeness

The Real Gatekeepers in Publishing by NYTBSA Bob Mayer

NYTBSA Sandra Brown Talks with Bayard and Holmes about her trip to visit the troops in Iraq for USO tour Operation Thriller.

Great blog about Non-Fiction Query Letters by Editor Jodi Rein

Elizabeth Spann has an AWESOME mash-up with some really helpful articles for writers. Too many for me to poach for the MUA

How to Put a Custom Sign-Up Form on WordPress. Thank you Kait Nolan

Amy Shojai has a wonderul series on Media Training for Writers

If You See Me Without Pants I’m Procrastinating by Tawna Fenske

, , , , , , , , , , ,

60 Comments

Follow

Get every new post delivered to your Inbox.

Join 38,242 other followers

%d bloggers like this: